Featuring: The Stars Our Home / The Fall of Sakuras / Honor Guides Me / My Life for Aiur. Composed by Jason Hayes and Mike Patti. Arranged by Michael Story. Concert Band; Part(s); Score. Pop Young Band. Form: Medley. Video Game. 254 pages. Published by Alfred Music

Featuring: The Stars Our Home / The Fall of Sakuras / Honor Guides Me / My Life for Aiur. Composed by Jason Hayes and Mike Patti. Arranged by Michael Story. Concert Band; Score. Pop Young Band. Form: Medley. Video Game. 28 pages. Published by Alfred Music

Featuring: The Stars Our Home / The Fall of Shakuras / Honor Guides Me / My Life for Aiur. Composed by Jason Hayes and Michael Patti. Arranged by Michael Story. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Video Game. 156 pages. Published by Alfred Music

Chamber Music Piano

SKU: PR.110418370

Composed by Charles Ives. Arranged by Danny Holt. Performance Score. 20 pages. Duration 8 minutes. Theodore Presser Company #110-41837. Published by Theodore Presser Company (PR.110418370).

ISBN 9781491135075. UPC: 680160686247.

Compo sed as an organ solo by the 17-year-old Ives for his own performance purposes, the beloved Variations on America is a treat for any occasion, whether a holiday concert, a serious recital, or other special event. Danny Holt’s transcription for Piano, Four Hands adds a dazzling new option to play at home or on stage, taking best advantage of Ives’ tremendous contrasts in color, dynamics, and texture.
Composed when Charles Ives was a teenager, Variations on “America” is both a convenient introduction to Ives’ body of work, and an early example of his iconoclastic musical voice and creative genius. Just a few years after composing this piece, Ives would leave home to study music at Yale. But until then he had been taught by his father, George (who had been a bandmaster in the Civil War). George subjected the young Ives to experiments such as singing a song in one key while being accompanied in another, or arranging for two marching bands to converge on a town center, with the resulting cacophony that ensued.The Variations exemplifies an early period of experimentation in Ives’ work, spurred on by the unusual pedagogy of his father. The piece is particularly notable for its use of bitonality in the two interludes, subtly foreshadowing more well-known examples by Stravinsky, Bartók, and others by approximately two decades.The bitonal interludes were so ahead of their time, in fact, they were omitted from the first copy that was submitted to a publisher in 1892. (Alas, the piece was rejected even despite these “shocking” elements having been left out, and it wasn’t published until more than five decades later.) There is some ambiguity about when exactly Ives added the interludes into his manuscript copy, though ample evidence suggests he had performed the piece with the interludes around the time he notated the piece in 1891-92. In any case, in light of this piece and his other polytonal explorations from the last decade of the 19th century, it seems fair to give Ives credit for being a pioneer in this area!This arrangement for Piano, Four Hands, closely follows Ives’ original version for organ, setting aside William Schuman’s popular adaptation for symphony orchestra and William Rhoads’ band transcription of the Schuman orchestration. Pianists will find that the piece translates well to the instrument. Ideally, the choreography and logistics of elbow-to-elbow four-hands playing approximates the wild joy one gets from watching an organist play the piece (e.g., the elaborate pedal part in the final variation).In preparing this publication, attention was paid to details in the dual Critical Editions (Presser 443-41003) of both Ives’ manuscript edition and the 1949 publication edited by organist E. Power Biggs (who is credited with discovering what had been a long-lost, forgotten work.) But as with much of Ives’ output, attempting to create a true ‘urtext’ score is a futile endeavor, and especially with a piece such as this one – in which Ives incorporated improvisation in live performance – seems unnecessary anyhow. True die-hards are of course encouraged to consult the critical editions and even find inspiration in the orchestrated version. Generally, performers are advised to be wild, have fun, and not to be too rigid in their interpretive choices.Dynamics in this arrangement mostly follow the organ score closely. Pianists will use good judgment about pedaling throughout, which should be straightforward and intuitive. Courtesy accidentals have been provided frequently – without parentheses – balancing the need for extra clarity in the context of Ives’ murky musical language, and a desire to avoid unnecessary clutter.A few notes that might inform interpretive decisions:mm. 15-16: There are inconsistencies here between Ives’ original manuscript and the 1949 Biggs edition, regarding the top voice in m. 15, beat 3 (C# vs. Cn) and m. 16 (D Major vs. D Minor).mm. 76-84 & 143-146: In both Interludes, Ives emphatically notates extreme dynamic contrast, in order to highlight the bitonality. Although it may seem counterintuitive (or even a misprint, as has apparently been misconstrued by some), performers are urged to follow the composer’s marking!m. 109: Two-note slurs have been added here for clarity and consistency with other similar passages, though they do not appear in either the original manuscript or Biggs.m. 112: The last two eighth notes of Primo appear as 16ths in the original manuscript.mm. 183-186: The original manuscript has a slightly different bass line.mm. 184 & 186: Primo gestures have been re-written to be slightly more idiomatic for Piano, Four Hands.m. 186: The breath mark at the end of this bar does not appear in either the manuscript or Biggs, but is an editorial suggestion – aside from being appropriately dramatic, it will indeed be necessary in a reverberant hall!I would like to thank Steven Vanhauwaert, the other half of my piano duo, 4handsLA, for his input on early drafts of this arrangement.— Danny Holt, April 2022.

For Guitar. The little book with all the BIG songs. Lyric and Chord book. Published by Wise Publications.

Brass quintet

SKU: P2.60015

Composed by Lon W. Chaffin. Chamber music, 20th century. Published by Potenza Music (P2.60015).

Into the Void serves as a call to adventures; the commissioning and sending forth of brave travelers. It could bring to mind those historical or legendary moments when brave men and women have been summoned and send out on bold quests - whether to discover a new continent, to walk on the moon, or to travel beyond the stars. On a more musical note, this piece is basically a fanfare, march and chorale. Whether the performers and listeners search for the deep metaphorical meanings in the piece, or ponder the musical structure, I hope the journey is fun.

Flexible Ensemble

SKU: HL.14035123

By Nicholas Hare. By Antonio Vivaldi. Edited by Nicholas Hare. Music Sales America. Classical. Set. Composed 2005. Chester Music #CH59386. Published by Chester Music (HL.14035123).

ISBN 9780711926769. 9.0x12.0x0.328 inches.

Kaleidoscop e will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In G and D minor. Edited by Nicholas Hare.

Piano Solos. Composed by various composers and arrangers. This edition: Piano Solos. Book; Piano Collection; Piano Supplemental. Video Game. 52 pages. Published by Alfred Music

Flexible Ensemble

SKU: HL.14031074

Composed by Eric Spear. Music Sales America. TV-Film-Musical-Show. Set. Composed 2005. Chester Music #CH55884. Published by Chester Music (HL.14031074).

ISBN 9780711947559.

(Spe ar) (G) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don't forget we have Kaleidoscope bumper carol packs and seasonal gems for your Christmas Concert too!

Flexible Ensemble

SKU: HL.14035124

From the Four Seasons. By Nicholas Hare. By Antonio Vivaldi. Edited by Nicholas Hare. Music Sales America. Classical. Set. Chester Music #CH55900. Published by Chester Music (HL.14035124).

ISBN 9780711947597.

Kale idoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In F. Edited by Nicholas Hare.

Flexible Ensemble

SKU: HL.14004553

By Nicholas Hare. By Howard Blake. Edited by Nicholas Hare. Music Sales America. Christmas. Set. Composed 2005. Chester Music #CH55740. Published by Chester Music (HL.14004553).

ISBN 9780711925168. 9.0x12.0x0.343 inches.

Kaleidoscop e will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In D minor. Edited by Nicholas Hare.

Flexible Ensemble

SKU: HL.14031712

By Nicholas Hare. Edited by Nicholas Hare. Music Sales America. Romantic. Set. Composed 2005. Chester Music #CH55813. Published by Chester Music (HL.14031712).

ISBN 9780711947443.

Kale idoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In C. Edited by Nicholas Hare.

Flexible Ensemble

SKU: HL.14032004

Composed by Sir Arthur Seymour Sullivan. Arranged by Nicholas Hare. Music Sales America. Classical. Set. Composed 2005. Chester Music #CH55731. Published by Chester Music (HL.14032004).

ISBN 9780711947474. UPC: 884088433901. 9x12 inches.

Kaleidoscop e will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. Edited by Nicholas Hare. In C.

Flexible Ensemble

SKU: HL.14031580

By Nicholas Hare. By Rhet Stoller. Edited by Nicholas Hare. Music Sales America. TV-Film-Musical-Show. Set. Composed 2005. Chester Music #CH55931. Published by Chester Music (HL.14031580).

ISBN 9780711947603.

Kale idoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In F. Edited by Nicholas Hare.

Flexible Ensemble

SKU: HL.14030224

By Nicholas Hare. By Paul Simon and Simon And Garfunkel. Edited by Nicholas Hare. Music Sales America. Pop & Rock. Set. Composed 2005. Chester Music #CH55734. Published by Chester Music (HL.14030224).

ISBN 9780711947467.

Kale idoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In E minor. Edited by Nicholas Hare.

Cowboy Dances For Wind Ensemble. Composed by Carter Pann (1972-). Premiered in Carnegie Hall, New York City. Contemporary. Score and part(s). With Standard notation. Composed 2006. 260 pages. Duration 8 minutes. Theodore Presser Company #115-40226. Published by Theodore Presser Company (PR.115402260).

By Tim Fisher. For concert band. Grade 1 . Score and set of parts. Duration 2 minutes, 27 seconds. Published by Grand Mesa Music

Composed by Tim Fisher. For concert band. Grade 1 . Score only. Duration 2 minutes, 27 seconds. Published by Grand Mesa Music

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Let There Be Peace On Earth for Easy Piano composed by Jill Jackson and Sy Miller. Arranged by Jonathon Robbins. For easy piano solo. Solo. Popular. Easy. Sheet Music. Text Language: English. 4 pages. Published by Santorella Publications (

Let There Be Peace On Earth for Trumpet and Piano composed by Jill Jackson and Sy Miller. Arranged by Jonathon Robbins. For trumpet solo and piano accompaniment. Solo with Accompaniment. Popular. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications