| Re: Person I Knew Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score an...(+)
Arranged by Chuck
Israels. For little big
band. Swing, Jazz.
Difficult. Score and
parts. Published by Jazz
Lines Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Star of Wonder (score and parts) Ensemble de Percussions C. Alan Publications
(I Wonder As I Wander and We Three Kings). Composed by Nathan Daughtrey. Percu...(+)
(I Wonder As I Wander
and We Three Kings).
Composed by Nathan
Daughtrey. Percussion
Ensemble. For Percussion
Ensemble (Bells
Vibraphone 1 Vibraphone 2
a!! optional Chimes
Marimba 1 (4-octave)
Marimba 2 (4.3-octave)
Marimba 3 (5-octave) a!!
optional Percussion (2
Timpani [29a!! and
26a!!], Triangle, Mark
Tree, Suspended Cymbal)
Optional Piano a!! Only
two marimbas are needed).
Medium. Score and parts.
Duration 4:30. Published
by C. Alan Publications
$32.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Solitude of Stars Cor et Piano Theodore Presser Co.
Chamber Music English Horn, Piano SKU: PR.114422630 Composed by Stacy Gar...(+)
Chamber Music English
Horn, Piano SKU:
PR.114422630 Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42263.
Published by Theodore
Presser Company
(PR.114422630). UPC:
680160684793. 9 x 12
inches. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends. $19.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Solitude of Stars Violon et Piano Theodore Presser Co.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin SKU:
PR.114422690 Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690). UPC:
680160684809. 9 x 12
inches. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Five Ensemble Jazz [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score an...(+)
Arranged by Chuck
Israels. For little big
band. Swing, Jazz.
Difficult. Score and
parts. Published by Jazz
Lines Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Many Moons - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS242 Composed by
Peter Sciaino. Folio.
Cps. Set of Score and
Parts.
4+4+2+4+4+4+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+2+4+1+1+1+
2+1+16 pages. Duration 4
minutes, 10 seconds. Carl
Fischer Music #CPS242.
Published by Carl Fischer
Music (CF.CPS242).
ISBN 9781491157930.
UPC: 680160916535. 9 x 12
inches. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me amany
moonsa ago. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me many moons
ago. All of us have
experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility.The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible.I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me
“many moonsâ€
ago. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Starfire Big band [Conducteur et Parties séparées] - Intermédiaire Sierra Music
By Benny Golson. Arranged by Benny Golson. Jazz Ensemble / Jazz Band. The Maynar...(+)
By Benny Golson. Arranged
by Benny Golson. Jazz
Ensemble / Jazz Band. The
Maynard Ferguson Big Band
Series. Ballad. Grade 3.
Score and set of parts.
Published by Sierra Music
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Abendstern - Intermédiaire Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 3 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 3 SKU:
CF.CAS117 Composed by
Lauren Bernofsky. Concert
String Orchestra (CAS).
Set of Score and Parts.
With Standard notation.
8+8+2+5+5+5+8 pages.
Duration 3 minutes, 59
seconds. Carl Fischer
Music #CAS117. Published
by Carl Fischer Music
(CF.CAS117). ISBN
9781491153291. UPC:
680160910793. 9 x 12
inches. Key: A
major. Abendstern,
composed by Lauren
Bernofsky,?evokes an
image of a sunset over
the tree-covered hills of
the Bavarian countryside
with the Abendstern, or
evening star, shining
brightly over the scene.
A hauntingly beautiful
theme in falling
thirds?evokes the
treetops as they become
darker and murkier. This
piece is a wonderful
addition to any concert
program and can be used
as a touching?tribute at
a memorial
service. One summer night
during a visit to Bavaria
in southern Germany, I
stood outside on a
balcony overlooking the
hills of the Bavarian
forest, watching the
beautiful early-evening
sky. It was still light
out, but I could make out
one solitary star in the
sky. As the sun slowly
went down, the landscape
became more and more dark
and indistinct, and the
star shone brighter and
brighter. My
mother-in-law stood there
with me. I asked her the
name of the star, and she
answered, Abendstern (or
Evening Star.)
I was so
moved by what I saw, I
went inside and took out
my manuscript paper and
started to write down
this piece. The
tree-covered hills and
tranquility of the
evening are evoked by the
theme, whose contour
(with little bumps)
mirrors the contour of
the treetops on the
hills. The star is
represented by the
sustained note E; at the
beginning of the piece,
it can be heard in a low
register in the violas,
and over the course of
the piece, it is heard in
higher and higher
octaves, as the star
shines ever more
brightly. By the end, the
landscape has disappeared
into the darkness, and
now all we see is the
star, shining its
brightest, and played by
the upper strings, now
harmonized to convey its
brilliant
light.. One summer night
during a visit to Bavaria
in southern Germany, I
stood outside on a
balcony overlooking the
hills of the Bavarian
forest, watching the
beautiful early-evening
sky. It was still light
out, but I could make out
one solitary star in the
sky. As the sun slowly
went down, the landscape
became more and more dark
and indistinct, and the
star shone brighter and
brighter. My
mother-in-law stood there
with me. I asked her the
name of the star, and she
answered, Abendstern (or
Evening Star.)
I was so
moved by what I saw, I
went inside and took out
my manuscript paper and
started to write down
this piece. The
tree-covered hills and
tranquility of the
evening are evoked by the
theme, whose contour
(with little bumps)
mirrors the contour of
the treetops on the
hills. The star is
represented by the
sustained note E; at the
beginning of the piece,
it can be heard in a low
register in the violas,
and over the course of
the piece, it is heard in
higher and higher
octaves, as the star
shines ever more
brightly. By the end, the
landscape has disappeared
into the darkness, and
now all we see is the
star, shining its
brightest, and played by
the upper strings, now
harmonized to convey its
brilliant
light.. One
summer night during a
visit to Bavaria in
southern Germany, I stood
outside on a balcony
overlooking the hills of
the Bavarian forest,
watching the beautiful
early-evening sky. It was
still light out, but I
could make out one
solitary star in the sky.
As the sun slowly went
down, the landscape
became more and more dark
and indistinct, and the
star shone brighter and
brighter. My
mother-in-law stood there
with me. I asked her the
name of the star, and she
answered, Abendstern (or
Evening Star.) I was so
moved by what I saw, I
went inside and took out
my manuscript paper and
started to write down
this piece. The
tree-covered hills and
tranquility of the
evening are evoked by the
theme, whose contour
(with little bumps)
mirrors the contour of
the treetops on the
hills. The star is
represented by the
sustained note E; at the
beginning of the piece,
it can be heard in a low
register in the violas,
and over the course of
the piece, it is heard in
higher and higher
octaves, as the star
shines ever more
brightly. By the end, the
landscape has disappeared
into the darkness, and
now all we see is the
star, shining its
brightest, and played by
the upper strings, now
harmonized to convey its
brilliant light.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Leonard Bernstein : Overture to Candide Ensemble de Flûtes [Conducteur et Parties séparées] Wonderful Winds
By Leonard Bernstein (1918-1990). Arranged by Mel Orriss. For flute sextet inclu...(+)
By Leonard Bernstein
(1918-1990). Arranged by
Mel Orriss. For flute
sextet including piccolo,
alto flute , bass flute
(optional). Flutets
series. Grade 7 to 9.
Score and parts. Duration
4'20. Published by
Wonderful Winds
$22.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Edvard Grieg : In the Hall of the Mountain King Ensemble de Clarinettes [Conducteur et Parties séparées] - Intermédiaire Wonderful Winds
(from Peer Gynt Suite No.1, Op.46). By Edvard Grieg (1843-1907). Arranged by Alf...(+)
(from Peer Gynt Suite
No.1, Op.46). By Edvard
Grieg (1843-1907).
Arranged by Alfie Pugh.
For clarinet choir: Eb
clarinet, 3 Bb clarinets,
2 bass clarinets.
Clarinet Collection.
Grade 3 to 8. Score and
parts. Duration 2'14.
Published by Wonderful
Winds (WN
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| French Traditional : Il Est Ne Le Divin Enfant 2 Hautbois et Cor anglais [Conducteur et Parties séparées] - Intermédiaire Wonderful Winds
By French Traditional. Arranged by Anna Cooper. For oboe trio: 2 oboe, english h...(+)
By French Traditional.
Arranged by Anna Cooper.
For oboe trio: 2 oboe,
english horn. Mallard
Music series. Grade 5.
Score and parts. Duration
2'02. Published by
Wonderful Winds
$19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Music Kitchen Interplay Voix et Violon Merion Music
Chamber Music Bass, Violin SKU: PR.141401040 Composed by Ellen Taaffe Zwi...(+)
Chamber Music Bass,
Violin SKU:
PR.141401040 Composed
by Ellen Taaffe Zwilich.
Set of Score and Parts. 8
4 pages. Duration 4
minutes. Merion Music
#141-40104. Published by
Merion Music
(PR.141401040). ISBN
9781491136379. UPC:
680160688913. English.
Comments by guests of
Soup Kitchen. This
theatrical miniature has
carved a unique place in
music literature, thanks
to many warm hearts and
minds. In 2005 the
distinguished violinist
Kelly Hall-Tompkins
started a project called
Music Kitchen where the
homeless and needy, after
a meal provided by a soup
kitchen, were treated to
a concert performed by
some of the best
musicians in New York.
After these concerts,
Hall-Tompkins asked the
listeners for comments.
This became inspiration
for Zwilichâ??s MUSIC
KITCHEN INTERPLAY, which
includes vocal settings
of listenersâ?? comments
in musical counterpoint
with reworked fragments
of her Fantasy for Solo
Violin. In 2005 the
wonderful violinist,
Kelly Hall-Tompkins,
started a project called
Music Kitchen where needy
(often homeless) people,
after a meal provided by
a Soup Kitchen, were
treated to a concert
performed by some of the
best musicians in New
York. After the concerts,
Kelly asked the listeners
if they had any comments,
and she saved these.To
celebrate of 10 years of
the project, in 2015
Kelly asked a number of
composers to write a
composition for Music
Kitchen. I loved the
idea, and I was
particularly inspired by
the comments that the
listeners had made.The
premiere of Music Kitchen
Interplay featured
Kellyâ??s performance,
based on my Fantasy for
Solo Violin, with
audience comments (like
â??never been so close
to a violinâ?) given
voice by the outstanding
Bass, Mark Risinger. The
music is meant to
celebrate the
receptiveness and
understanding of our
fellow humans who, like
me, need music to enrich
our lives. $12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Postcards from Wyoming Theodore Presser Co.
Chamber Music Bass Clarinet, Clarinet, Flute, Percussion, Piano, Violin, Violonc...(+)
Chamber Music Bass
Clarinet, Clarinet,
Flute, Percussion, Piano,
Violin, Violoncello, alto
Flute SKU:
PR.114419300 Composed
by Stacy Garrop. Set of
Score and Parts. With
Standard notation.
40+12+12+12+12+12+20
pages. Duration 13:15.
Theodore Presser Company
#114-41930. Published by
Theodore Presser Company
(PR.114419300). UPC:
680160673513. 9 x 12
inches. Written
during a residence at an
artist community in the
isolation of Wyoming,
Postcards from Wyoming is
an impression of the
wilderness and beauty of
the surrounding landscape
and its inhabitants.
Written for Pierre
ensemble with percussion,
Postcards includes High
Plains Prairie (a harsh
landscape which reveals
glimpses of beauty upon
closer examination), Call
of the Wild (animals from
snakes to horses and cows
populate the
environment), and The
Solitude of Stars
(capturing the infinite
awe of the night
sky). In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
Postcards from Wyoming
presents three glimpses
of what I found to be the
most striking aspects of
my residence. The first
movement, High Plains
Prairie, represents the
conundrum that is a high
elevation landscape: from
afar, the eye sees little
else than an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I'm thankful that I
didn't see any predators
(such as wolves), I
became increasingly aware
of the wildness of the
animal population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
Postcards from Wyoming
was commissioned by the
2016 Utah Arts Festival.
-S.G. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and
wildlife.Postcards from
Wyoming presents three
glimpses of what I found
to be the most striking
aspects of my residence.
The first movement, High
Plains Prairie,
represents the conundrum
that is a high elevation
landscape: from afar, the
eye sees little else than
an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I’m thankful that
I didn’t see any
predators (such as
wolves), I became
increasingly aware of the
wildness of the animal
population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the
prairie.Postcards from
Wyoming was commissioned
by the 2016 Utah Arts
Festival.-S.G. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pieces Of Light (Score and Parts) Chester
SKU: HL.50605317 For Recorder Quartet. Composed by Cheryl Frances-...(+)
SKU: HL.50605317
For Recorder
Quartet. Composed by
Cheryl Frances-Hoad.
Woodwind. Softcover. 56
pages. Duration 300
seconds. Chester Music
#CH88116. Published by
Chester Music
(HL.50605317). ISBN
9781705177570. UPC:
196288102694. 9.0x12.0
inches. Pieces of
Light was commissioned by
the Flautadors for their
20th Anniversary. When
the group approached me
about writing a piece, I
had just finished reading
Pieces of Light; The New
Science of Memory by
Charles Fernyhough, and
it struck me that a work
inspired by memories and
how they are created in
our brains would be very
appropriate for a group
of musicians celebrating
such a wonderful
milestone. A quote by
Nabokov in particular
provided ideas for both
the rapid, rhythmic music
that starts and ends the
piece and the slow,
'light-filled' chords of
the middle section: [In
Nabokov's autobiography,
Speak, Memory, he sees]
'the awakening of
consciousness as a series
of spaced flashes, with
the intervals between
them gradually
diminishing until bright
blocks of perception are
formed, affording memory
a slippery hold.' In
addition, this work has
really been shaped by the
recorders themselves:
before writing, I spent
several hours with Ian
Wilson (a member of the
group) learning about the
myriad different types of
instrument I could write
for. The renaissance
instruments particularly
appealed due to their
fabulous timbre, despite
the fact that, due to
their open hole design,
diatonic music works much
better than anything
chromatic. I became
rather obsessed with the
idea of writing chromatic
music for diatonic
instruments, and so in
this piece I use
recorders at both modern
(A440) and baroque (A415,
a semi-tone lower) pitch.
This allowed me to write
a piece that uses all
twelve semitones of the
scale throughout, whilst
never writing a note for
any individual recorder
that falls outside its
particular diatonic major
scale: a compositional
device that pleased me
greatly!-Cheryl
Frances-Hoad, 2019. $19.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In Grandfather’s Arms - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS109
Composed by James
Meredith. First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
2+5+8+5+8+5+2+8 pages.
Duration 3 minutes, 18
seconds. Carl Fischer
Music #FAS109. Published
by Carl Fischer Music
(CF.FAS109). ISBN
9781491151402. UPC:
680160908905. 9 x 12
inches. Key: G
major. The warmth
of a grandfather's
embrace as he stares in
awe of a cherished baby
grandchild is the
inspiration for this
heartfelt composition. In
Grandfather's Arms is a
work for
developing orchestras
that emphasizes
expression, phrasing, and
dynamics. Lower strings
will also have the
opportunity to be
featured as they carry
the key melody making
this piece a wonderful
teaching tool. Good
music played well
inspires the imagination.
Whether it is a
grandfather, grandmother,
mom, dad, aunt or uncle,
everyone has had someone
they cuddled with before
bedtime. The warmth of
their body, their arms
protectively around you,
their soothing voice, and
the faint thumping
heartbeat rumbling from
their chest, all created
a trusting and warm place
for you to drift off to
slumber land. In their
arms you were adored, you
were special, you were
loved, and you always
knew that there was a
tomorrow. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Il Est Ne, Le Divin Enfant Trio de Flûtes: 3 flûtes [Conducteur et Parties séparées] - Débutant Wonderful Winds
Composed by Traditional. Arranged by Anna Cooper. For flute trio/quartet: 3 flut...(+)
Composed by Traditional.
Arranged by Anna Cooper.
For flute trio/quartet: 3
flutes, alto flute
(optional). Flutets
series. Grade 1 to 4.
Score and parts. Duration
1'26. Published by
Wonderful Winds
$18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jazz Bug (small band v.) Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire/avancé Sierra Music
(small band version). By Oliver Nelson. Arranged by Oliver Nelson. For jazz band...(+)
(small band version). By
Oliver Nelson. Arranged
by Oliver Nelson. For
jazz band (3-2-4). Oliver
Nelson Series. Swing.
Grade 4. Score and set of
parts. Published by
Sierra Music
$45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Big Book of Violin and Cello Duets
Violon, Violoncelle (duo) Hal Leonard
Score with Separate Pull-Out Parts. By Various. String Duet. Pop. Softcover. 8...(+)
Score with Separate
Pull-Out
Parts. By Various. String
Duet. Pop. Softcover. 80
pages. Published by Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Newport Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Sierra Music
By Slide Hampton. For jazz ensemble (5-5-4-3 or original instrumentation). Jazz ...(+)
By Slide Hampton. For
jazz ensemble (5-5-4-3 or
original
instrumentation). Jazz
Waltz. Grade 5. Score and
parts. Published by
Sierra Music
$70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bob Chilcott : The Sun and Stars are Mine Chorale 3 parties SSA, Piano Oxford University Press
Composed by Bob Chilcott. For SSA choir and piano. Secular. Octavo. Duration...(+)
Composed by Bob Chilcott.
For
SSA choir and piano.
Secular.
Octavo. Duration 4
minutes.
Published by Oxford
University
Press
$3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Star of Wonder - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS140
Composed by Traditional.
Arranged by Erica
Donahoe. Fas. Set of
Score and Parts. Duration
2 minutes, 19 seconds.
Carl Fischer Music
#FAS140. Published by
Carl Fischer Music
(CF.FAS140). ISBN
9781491164822. UPC:
680160923731. Key: E
minor. Carol of the
Bells is a holiday tune
that my students request
year after year,
particularly my beginning
players. I wrote this
arrangement with the goal
of creating something
that was well within the
reach of beginning
players--with simple
notes and rhythms, and in
a range where they could
produce good tone and
intonation. The addition
of We Three Kings makes
it a little more
interesting for the
player and the listener.
I hope your students
enjoy this
arrangement! $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Starters Warm-Ups Ensemble Jazz [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.032-4941-00 Composed by P. Clark. Jazz Ensemble. Score an...(+)
Grade 1 SKU:
CL.032-4941-00
Composed by P. Clark.
Jazz Ensemble. Score and
set of parts. C.L.
Barnhouse #032-4941-00.
Published by C.L.
Barnhouse
(CL.032-4941-00).
Written for
young musicians (and
possibly directors) who
have limited jazz
experience, these short
and efficient warmups by
veteran jazz educator
Paul Clark include
numerous
teaching/learning
opportunities which are
detailed in the rehearsal
suggestions. Special
attention was given to
the players in the rhythm
section, who are often
playing instruments in
jazz band that are new to
them. A wonderful start
for your jazz starters,
these warmups are very
highly recommended! $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O the Deep, Deep Love of Jesus Shawnee Press
Choral (Studiotrax CD) SKU: HL.35029898 Composed by Joseph M. Martin. Sha...(+)
Choral (Studiotrax CD)
SKU: HL.35029898
Composed by Joseph M.
Martin. Shawnee Sacred.
Anthem, General Worship,
Hymn, Lent, Sacred. CD
only. Published by
Shawnee Press
(HL.35029898). UPC:
888680024116. 5x5 inches.
Samuel Trevor
Francis/Joseph M.
Martin. Uses: General,
Lent
Scripture:
John 3:16; I John
3:1; I John
4:7-11
A treasured
sacred text receives a
striking new setting in
this anthem. An
expressive, arching
melody and familiar words
paint a picture of divine
mercy and boundless love.
Lush harmonies add color
and depth, while the
anthem explores a number
of interesting
transitions, giving the
director ample
opportunity to connect
the choir with the
wonders of musicality and
message. Five stars!
Score and Parts (fl 1-2,
ob, cl 1-2, bn, hn 1-2,
tpt 1-3, tbn 1-2,
btbn/tba, timp, perc 1-2,
hp, pno, vn 1-2, va, vc,
db) available on CD-ROM
and as a digital
download. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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