Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Martin Norgaard. For violin. Squareback saddle stitch. Getting Into....(+)
Composed by Martin
Norgaard. For violin.
Squareback saddle stitch.
Getting Into.
Beginning-Intermediate.
Book and online audio.
Published by Mel Bay
Publications, Inc
Composed by
Various. String Duet.
Classical. Softcover. 64
pages. Published by Hal
Leonard (HL.348319).
ISBN 9781540097354.
UPC: 840126930016.
9.0x12.0x0.201
inches.
Classical
Themes for Violin Duet is
designed for violinists
familar with first
position and comfortable
reading basic rhythms. In
each two-page
arrangement, violin 1 and
violin 2 take a turn
playing the melody for a
fun and challenging
ensemble experience. It
includes 30 well-loved
melodies by J.S. Bach,
Beethoven, Debussy,
Gershwin, Grieg, Liszt,
Mussorgsky, Tchaikovsky,
Vivaldi, Wagner, and
more.
For Violin. Classical (duets). Contains printed music score and a compact disc f...(+)
For Violin. Classical
(duets). Contains printed
music score and a compact
disc featuring all the
works in split-channel
stereo, with the first
violin on the right
channel, the second
violin on the left. By
adjusting the balance,
the soloist can remove
either violin and play
the other. Published by
Music Minus One
For Violin. Classical (duets). Contains printed music score and a compact disc f...(+)
For Violin. Classical
(duets). Contains printed
music score and a compact
disc featuring all the
works in split-channel
stereo, with the first
violin on the right
channel, the second
violin on the left. By
adjusting the balance,
the soloist can remove
either violin and play
the other. Published by
Music Minus One.
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be
Played by Any Combination
of String Instruments).
By Doris Gazda. Arranged
by Doris Gazda. For
Violin. Book. 48 pages.
Published by Carl Fischer
Violin Solo Op. 37. Composed by Jakob Dont. Edited by Dominik Rahmer. Henle Mu...(+)
Violin Solo Op. 37.
Composed
by Jakob Dont. Edited by
Dominik Rahmer. Henle
Music
Folios. Classical.
Softcover. G. Henle
#HN1176.
Published by G. Henle
(Opus 22 in D Minor). By Henri Wieniawski; edited by Zakhar Bron. For Violin. So...(+)
(Opus 22 in D Minor). By
Henri Wieniawski; edited
by Zakhar Bron. For
Violin. Solos. AMA
Verlag. Classic. Level:
Intermediate. Book. Size
9x12. 72 pages. Published
by AMA Verlag. ISBN
3932587847.
For violin. Format: violin solo book (excerpts only). Baroque, Classical Period ...(+)
For violin. Format:
violin solo book
(excerpts only). Baroque,
Classical Period and
Romantic Period. 64
pages. 9x12 inches.
Published by Music Sales.
(MS.AM84153)
A selection of all the
best-known tunes and
themes in the classical
repertoire, carefully
edited for violin solo.
Includes works by Mozart,
Bach, Beethoven, Chopin
and many more great
composers.
Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Endre Granat. LKM ...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Endre Granat.
LKM
Music. Ballet, Classical.
Softcover. 24 pages.
Lauren
Keiser Music Publishing
#S511035. Published by
Lauren Keiser Music
Publishing
Edited by Vladimir Bodunov. For violin and viola. Stapled. Ready to Play. Book. ...(+)
Edited by Vladimir
Bodunov. For violin and
viola. Stapled. Ready to
Play. Book. Text: English
and German. 19/15 pages.
Published by Baerenreiter
Verlag
50 Popular Classics in Easy Arrangements. Composed by Barrie Carson Turne...(+)
50 Popular Classics in
Easy Arrangements.
Composed by Barrie Carson
Turner. Arranged by
Barrie Carson Turner.
This edition: Saddle
stitching. Sheet music.
String. 50 beliebteste
klassische Stucke in
leichten Bearbeitungen
fur Violine und Klavier.
Basierend auf dem Konzept
der Playlist aus der Welt
des digitalen
Musikstreamings
prasentiert dieses Buch
eine sorgfaltig
ausgewahlte Sammlung der
weltweit beliebtesten Kl.
Classical. Edition with
Online audio file,
Softcover Audio Online.
13861. 56 pages. Schott
Music #ED13861. Published
by Schott Music
(HL.49045385).
In form of Etudes, in all 24 Keys. Composed by Jacques Pierre Joseph Rode. Arran...(+)
In form of Etudes, in all
24 Keys. Composed by
Jacques Pierre Joseph
Rode. Arranged by Max
Rostal. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 76 pages.
Schott Music #ED6512.
Published by Schott Music
For Violin. Classical (orchestral). Includes a high-quality printed music score...(+)
For Violin. Classical
(orchestral). Includes a
high-quality printed
music score and a compact
disc containing a
complete version with
soloist, in split-channel
stereo (soloist on the
right channel); then a
second version in full
stereo of the orchestral
accompaniment, minus you,
the soloist. Published by
Music Minus One.
25
Easy Pieces for Violin
and Piano Book with Audio
Online. Composed by
Various. Edited by Peter
Mohrs. Edition Schott.
Baroque, Classical,
Romantic. Softcover Audio
Online. 40 pages. Schott
Music #ED20684D.
Published by Schott Music
(HL.49047090).
ISBN
9783795726966. UPC:
196288120612.
9.0x12.0x0.195
inches.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, forviolin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9.This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music. The
approach to the pieces is
made easier by the
accompanying audio tracks
which, on the one hand,
offers the opportunity to
listen to and get to know
the pieces beforehand,
and, on the other hand,
thanks to the separate
piano accompaniments,
provides first experience
in ensemble playing and
conveys the vivid joy of
music-making. When the
tracks were recorded by
Prof. Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Violin - very easy to easy SKU: HL.49018957 Book/CD. Composed by V...(+)
Violin - very easy to
easy
SKU:
HL.49018957
Book/CD. Composed
by Various. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
25 leichte Stucke aus
Barock, Klassik und
Romantik in den ersten
drei Griffarten der 1.
Lage spielbar, fur
Violinschuler ab dem 2.
Unterrichtsjahr. Eine
Fundgrube fur Vorspiele
in Schule und
Musikschule. Classical.
Softcover with CD. 60
pages. Schott Music
#ED20684. Published by
Schott Music
(HL.49018957).
ISBN
9783795759568. UPC:
196288125617.
9.0x12.0x0.194 inches.
Andreas
Schuermann.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, for violin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9. This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music.The
approach to the pieces is
made easier by the
accompanying CD which, on
the one hand, offers the
opportunity to listen to
and get to know the
pieces beforehand, and,
on the other hand, thanks
to the separate piano
accompaniments, provides
first experience in
ensemble playing and
conveys the vivid joy of
music-making.When the CD
was recorded by Prof.
Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Violin (Violin) SKU: HL.48185819 Composed by Amé, lie Oliviero-Dena...(+)
Violin (Violin)
SKU:
HL.48185819
Composed
by Amé, lie
Oliviero-Denaë, and
s. Leduc. Classical.
Softcover. Alphonse Leduc
#AL29555. Published by
Alphonse Leduc
(HL.48185819).
Amelie
Oliviero-Denaes studied
at the Paris
Conservatoire where she
won First Prize for Music
Theory. As an advanced
violinist herself,
Oliviero-Denaes'
Violinist's Music Theory
is very well-informed.
Oliviero-Denaes'
Violinist's Music Theory
is described as the
'simultaneous learning of
Theory and Violin'.
Violinist's Music Theory
addresses the stave,
clefs, the 4 strings of
the Violin, note names
and values, time
signatures, sharps and
flats, rests, scales and
tones, and intervals,
among other aspects. For
all beginner violinists,
Oliviero-Denaes'
Violinist's Music Theory
ensures a high standard
of understanding and
progression..
30 Duets from 4 Centuries. Composed by Various. Edited by Wolfgang Birtel. T...(+)
30 Duets from 4
Centuries.
Composed by Various.
Edited
by Wolfgang Birtel. This
edition: Paperback/Soft
Cover. Sheet music.
String
Solo. Classical.
Performance
score. 160 pages. Schott
Music #ED21565. Published
by
Schott Music
Violin - very easy SKU: HL.49007122 Geigenschule fur den Anfang. C...(+)
Violin - very easy
SKU: HL.49007122
Geigenschule fur den
Anfang. Composed by
Renate Bruce-Weber.
Arranged by Mark Bruce.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. The most
important aspect of the
violin method 'Die
frohliche Violine' is the
fun of learning to play
the violin: The textbook
is aimed at an early
playful beginning with
the instrument. Over the
course of the lessons,
the pupils are
deliberately addresse.
Classical. 96 pages.
Schott Music #ED 7299.
Published by Schott Music
(HL.49007122).
ISBN
9783795722197. UPC:
196288077480.
9.0x12.0x0.282 inches.
German.
The most
important aspect of the
violin method 'Die
frohliche Violine' is the
fun of learning to play
the violin: The textbook
is aimed at an early
playful beginning with
the instrument. Over the
course of the lessons,
the pupils are
deliberately addressed in
a language that
corresponds to their age.
Furthermore, the method
provides a stylistically
varied range of classical
and folkloristic
instrumental pieces, and
always gives a lot of
interesting information
on the music and its
composers.Vol. 1:
Detailed introduction to
the bow hold - songs and
instrumental pieces,
using exclusively the
first type of fingering
while focussing on
rhythmic, melodic and
technical variety -
playful touching and
feeling of violin-playing
techniques such as
pizzicato, position
playing, harmonics and
double stops. Vol. 1 is
accompanied by a CD (T
3272) containing all
songs and pieces with
funny dialogues spoken by
children. A motivating
addition to violin
lessons and a great gift
idea!
(From Playford's Dancing Master). Edited by Jeremy Barlow. For Violin. Book; Sol...(+)
(From Playford's Dancing
Master). Edited by Jeremy
Barlow. For Violin. Book;
Solo; String - Violin
Studies or Collection.
Faber Edition.
Multicultural.
Intermediate. Published
by Faber Music
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels