| The Joy Of Modern Recital Repertory Piano seul [Partition] Music Sales
By Denes Agay (Editor). For Piano. Published by Music Sales. Ideal for the y...(+)
By Denes Agay (Editor).
For Piano. Published by
Music Sales.
Ideal for the young
Pianist. Includes Birds
in the Morning, Having
Fun, Little March,
Interplay, Parade of the
Clowns, Here Comes the
Circus, Monkey Dance and
many more!
$12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano,
alto voice, bass Guitar,
bass voice, soprano
voice, tenor voice
SKU: CF.CM9743IN
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar,
Percussion, Piano, alto
voice, soprano 1, soprano
2 SKU: CF.CM9742
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Debussy, Claude: The Little Negro Piano seul G. Henle
By Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-han...(+)
By Claude Debussy.
Edited by Ernst-Gunter
Heinemann. Piano
(Harpsichord), 2-hands.
Pages: 3. Urtext
edition-paper bound.
Published by G. Henle.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tastenzauberei Band 4 Piano Facile - Débutant Mitropa Music
Piano - beginner SKU: BT.1684-11-400-M Klavierschule Band 4. Compo...(+)
Piano - beginner SKU:
BT.1684-11-400-M
Klavierschule Band
4. Composed by Aniko
Drabon. Tastenzauberei.
Method. Book, CD and
Audio Online. Composed
2011. 100 pages. Mitropa
Music #1684-11-400 M.
Published by Mitropa
Music (BT.1684-11-400-M).
ISBN 9789043134613.
9x12 inches.
German. Ein
zauberhafter Einstieg ins
Klavierspiel!
Das ist
Tastenzauberei: • für Kinder
ab dem Vor- und
Grundschulalter
• sowohl für den
Einzel- als auch für
den Gruppenunterricht
• Quereinstieg
in die Arbeit mit jedem
der Bände ist
möglich •
kindgerechtes Lerntempo
• Motivation
der Schüler durch die
ansprechende Gestaltung
und Smiley-Aufkleber als
Bonbon“ •
viele Spielstücke (oft
vierhändig für
Schüler und Lehrer
oder zwei Schüler)
machen Tastenzauberei von
Anfang an zu einem
klangvollen Erlebnis
• professionelle
Mitspiel- und Demo-CDs,
eingespielt von der
Autorin selbst
Der neueste und letzte
Band 4 enthält etwas
anspruchsvolleres
Material sowie Anregungen
zum Improvisieren, Lieder
begleiten oder
vierhändigen
Musizieren. Die Stücke
bilden die Grundlage
für die Erweiterung
der musiktheoretischen
Kenntnisse, wozu u.a.
Begriffe wie Konsonanz,
Dissonanz, Funktionen,
Kadenz oder Modulation
zählen. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Real Book - Volume V Instruments en Mib Hal Leonard
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 page...(+)
E-flat Edition.
Composed by Various. Fake
Book. Jazz. Softcover.
504 pages. Published by
Hal Leonard (HL.175279).
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume V
Instruments en Sib Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed
by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume V
Instruments en Do [Fake Book] Hal Leonard
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 46...(+)
(C Edition). By Various.
By Various. For C
Instruments. Fake Book.
Softcover. 464 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Claude Debussy : The Little Negro 1 Piano, 4 mains [Partition] - Facile Schott
(Piano Duet). By Claude Debussy (1862-1918). Arranged by Uwe Korn. Schott. ...(+)
(Piano Duet). By Claude
Debussy (1862-1918).
Arranged
by Uwe Korn. Schott.
Softcover. 6 pages.
Schott
Music #ED09914. Published
by
Schott Music
$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Le Petit Negre Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor Leduc, Alphonse
Woodwind Quintet SKU: HL.48181113 For Wind Quintet. Composed by Cl...(+)
Woodwind Quintet SKU:
HL.48181113 For
Wind Quintet.
Composed by Claude
Debussy. Leduc.
Classical. Alphonse Leduc
#AL20263. Published by
Alphonse Leduc
(HL.48181113). UPC:
888680862053. 9x12
inches. The
Little Negro was
originally composed by
Claude Debussy
(1862-1918) for piano in
1909. The purpose was to
write a great work that
could also played by
children. Eugène
Bozza made the piece even
more accessible in 1984
by arranging it for wind
quintet. The Little
Negro is marked
Allegro and begins with a
theme modelled on ragtime
music, a style which was
very popular at the time
of composition. Jazz
influences, the C major
key signature, 2/4 meter
and upbeat features make
for an exciting and
accessible piece for all
the ensemble. Bozza's
arrangement of Debussy's
The Little Negro
for a wind quintet made
up of flute, clarinet,
oboe, bassoon and horn is
a thrilling addition to
the repertoire. $20.55 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume VI Instruments en Do [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed
by
Various. Fake Book.
Softcover. Published by
Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume VI Instruments en Sib Hal Leonard
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 page...(+)
Bb Instruments.
Composed by Various. Fake
Book. Jazz. Softcover.
488 pages. Published by
Hal Leonard (HL.223637).
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Henning Elbirk: 12 Negro Spirituals - Facile Wilhelm Hansen
Voice (Score) - Grade 2 SKU: HL.14036747 Arranged by Henning Elbirk. Musi...(+)
Voice (Score) - Grade 2
SKU: HL.14036747
Arranged by Henning
Elbirk. Music Sales
America. Gospel &
Spiritual. Book
[Softcover]. Composed
2002. 24 pages. Edition
Wilhelm Hansen #WH29059.
Published by Edition
Wilhelm Hansen
(HL.14036747). ISBN
9788759853979.
5.75x8.25x0.118 inches.
English. A great
collection of Negro
spirituals in a pocket
sized book. For 2 part
treble voices. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Negrospirituaaleja Chorale SSAA SSAA A Cappella Boosey and Hawkes
Negro Spirituals. By Kari Ala-Pollanen. (SSAA A Cappella). Boosey and Hawkes Se...(+)
Negro Spirituals. By Kari
Ala-Pollanen. (SSAA A
Cappella). Boosey and
Hawkes Secular Choral.
Size 8.25x11.75 inches.
10 pages. Published by
Boosey & Hawkes.
$13.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Classics Piano seul [Partition + CD] Schott
Favorite Pieces from Bach to Satie. By Various. Arranged by Karin Germer, Hans-G...(+)
Favorite Pieces from Bach
to Satie. By Various.
Arranged by Karin Germer,
Hans-Gunter Heumann.
(Piano). Schott. BOOK
W/CD. Size 9x12 inches.
64 pages. Published by
Schott.
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Piano Pieces and Dances Piano seul [Conducteur] - Facile Barenreiter
Eine Auswahl. Fingersatze von Anette Topel. By Claude Debussy. Edited by Michael...(+)
Eine Auswahl. Fingersatze
von Anette Topel. By
Claude Debussy. Edited by
Michael Topel. For Piano.
Playing Score. Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006504510.
$18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pieces (7) Saxophone Alto et Piano [Conducteur] - Intermédiaire Lemoine, Henry
By Claude Debussy (1862-1918). For Eb saxophone and piano. Delangle Claude. Clas...(+)
By Claude Debussy
(1862-1918). For Eb
saxophone and piano.
Delangle Claude.
Classical. Grade 3.
Score. 28 9 pages.
Published by Editions
Henry Lemoine
$30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| From Bach to Ravel Clarinette [Partition + CD] Fentone Music
Clarinet. Fenton Play Along Books. Book and CD Package. Size 9x12 inches. 24 pag...(+)
Clarinet. Fenton Play
Along Books. Book and CD
Package. Size 9x12
inches. 24 pages.
Published by Fentone
Music/De Haske.
(3)$22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Le Petit Negre Piano seul [Conducteur] - Facile EBR Editions Bourges
(The Little Negro). By Claude Debussy (1862-1918). For piano solo. This edition:...(+)
(The Little Negro). By
Claude Debussy
(1862-1918). For piano
solo. This edition:
French Edition.
Classique. Anacrouse
Collection. Score,
Biography and notes on
the works. Moderately
Easy. Score. 3 pages
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Little Negro Zimmermann
Percussion (4 player) SKU: PR.ZM27660 Composed by Claude Debussy. Percuss...(+)
Percussion (4 player)
SKU: PR.ZM27660
Composed by Claude
Debussy. Percussion. Set
of Score and Parts. With
Standard notation. 18
pages. Zimmermann
#ZM27660. Published by
Zimmermann (PR.ZM27660).
UPC:
680160652839. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flöte spielen Spielbuch E Flûte traversière et Piano - Intermédiaire Ricordi
Flute and Piano - intermediate SKU: BT.SY-2945 Spiel- und VortragsstÃ...(+)
Flute and Piano -
intermediate SKU:
BT.SY-2945 Spiel-
und Vortragsstücke
parallel zu Flöte
spielen Band E. By
Edmund
Wächter_Elisabeth
Weinzierl-Wächter.
Flöte spielen.
Tuition. Book, CD and
Audio Online. Composed
2016. 44 pages. Ricordi
#SY 2945. Published by
Ricordi (BT.SY-2945).
German. Flöte
spielen macht Spaß -
und ganz besonders im
Zusammenspiel mit
anderen. Man kann damit
gar nicht früh genug
beginnen!
Diese
Sammlung
abwechslungsreicher und
motivierender
Spielstücke ist auf
Flöte spielen Band
E abgestimmt,
kannaber natürlich
auch parallel zu anderen,
ähnlich aufgebauten
Schulen verwendet werden.
Die Klavierbegleitungen
sind weitgehend in
ähnlichem
Schwierigkeitsgrad wie
die Flötenstimme
gehalten, um das
Musizieren Gleichaltriger
zu ermöglichen.
DieMitspiel-CD enthält
die Klavierbegleitungen,
teils in langsameren
Ãœbungsversionen;
zusätzlich stehen die
Audiotracks online zur
Verfügung und
können dort nach
Bedarf im Abspieltempo
angepasstwerden. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| THE LITTLE NEGRO Flûte traversière et Piano EMB (Editio Musica Budapest)
Flute and Piano (FLUTE AND PI) SKU: HL.50489358 By Oliver Nagy. By Claude...(+)
Flute and Piano (FLUTE
AND PI) SKU:
HL.50489358 By Oliver
Nagy. By Claude Debussy.
Romantic. EMB. Book
[Softcover]. Editio
Musica Budapest #Z7933.
Published by Editio
Musica Budapest
(HL.50489358). ISBN
9790080079331. Bach (23 x
30,2 cm) inches.
Hungarian, English.
Oliver Nagy. $10.45 - Voir plus => Acheter | | |
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