| 101 Hit Songs Tuba Hal Leonard
For Tuba. By Various. Instrumental Folio. Pop. Softcover. 160 pages. Duration ...(+)
For Tuba. By Various.
Instrumental Folio. Pop.
Softcover. 160 pages.
Duration
175 seconds. Published by
Hal
Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Simple Gifts: Four Shaker Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
$250.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jazz Band Collection for Jazz Ensemble Ensemble Jazz [Partition] - Intermédiaire Alfred Publishing
(Tuba). Jazz Ensemble. For Tuba. Jazz Ensemble Collection. Jazz Band Collection ...(+)
(Tuba). Jazz Ensemble.
For Tuba. Jazz Ensemble
Collection. Jazz Band
Collection for Jazz
Ensemble. Jazz. Grade 3.
Book. 32 pages. Published
by Alfred Music
Publishing
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
$125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.
(2)$22.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Amazing Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:00. Published
by Manhattan Beach Music.
$150.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Simple Gifts: Four Shaker Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
$50.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jazz Band Collection for Jazz Ensemble - Facile Belwin
Jazz Ensemble 2nd Baritone Horn - Grade 3 SKU: AP.34339 2nd Baritone H...(+)
Jazz Ensemble 2nd
Baritone Horn - Grade 3
SKU: AP.34339
2nd Baritone Horn.
Collections; Jazz
Ensemble Collection;
Performance Music
Ensemble. Jazz Band
Collection for Jazz
Ensemble. Jazz. Book. 24
pages. Belwin Music
#00-34339. Published by
Belwin Music (AP.34339).
ISBN 9780739066836.
UPC: 038081382098.
English. This value
collection features ten
outstanding big band jazz
ensemble arrangements at
the medium difficulty
level. The charts are
written by experienced
educational jazz
arrangers and composers
in a variety of styles
and tempos: swing,
ballad, and jazz-rock.
Books are available for
full
instrumentation---5/4/4/4
, plus optional books for
flute, horn in F, 1st
/2nd /3rd baritone horn
T.C., and tuba. The
conductor book includes
full-length recordings of
all arrangements to
listen to, study, and use
as a resource.
Titles: Get it
On, Greensleeves, Jumpin'
at the Woodside, Just in
Time, Lester Leaps In, My
Foolish Heart, Oh, Lady
be Good!, On Green
Dolphin Street,
Summertime, and This
Can't be Love. $9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jeannette, Isabella Orchestre d'harmonie [Conducteur] - Débutant Manhattan Beach Music
By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable f...(+)
By Traditional French
Carol. Arranged by
William Ryden. Concert
band. Suitable for
elementary and middle
school bands. Christmas.
Grade 1. Conductor Full
Score. Duration 1:45.
Published by Manhattan
Beach Music
$12.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chips, and Salsa Too [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Claves, Congas, Dru...(+)
Band Bass Clarinet,
Bassoon, Cabasa, Clarinet
1, Clarinet 2, Claves,
Congas, Drum Set,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Güiro, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Percussion
3 and more. - Grade 2
SKU: CF.YPS222F
Composed by Ed Kiefer.
Sws. Yps. Full score. 20
pages. Duration 2
minutes, 34 seconds. Carl
Fischer Music #YPS222F.
Published by Carl Fischer
Music (CF.YPS222F).
ISBN 9781491156636.
UPC: 680160915170. 9 x 12
inches. Written in
an upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix. Latin
rhythms, featured
percussion, and lots of
nice melodies for the
winds makes this a piece
your students and
audiences will love! Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can't dance to it! The
syncopated rhythms are
infectious and you will
be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and don't
cover up the winds.
Remember, it's a dance.
Have fun!
Kiefer.ed@gmail.com
Facebook: The Music of Ed
Kiefer. Written in an
upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix.Latin rhythms,
featured percussion, and
lots of nice melodies for
the winds makes this a
piece your students and
audiences will love!Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can’t dance to it!
The syncopated rhythms
are infectious and you
will be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and
don’t cover up the
winds. Remember,
it’s a dance. Have
fun!Kiefer.ed@gmail.comFa
cebook: The Music of Ed
Kiefer. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chips, and Salsa Too - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Claves, Congas, Dru...(+)
Band Bass Clarinet,
Bassoon, Cabasa, Clarinet
1, Clarinet 2, Claves,
Congas, Drum Set,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Güiro, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Percussion
3 and more. - Grade 2
SKU: CF.YPS222
Composed by Ed Kiefer.
Folio. Yps. Set of Score
and Parts.
8+8+2+8+8+4+2+6+4+2+2+4+4
+4+6+6+4+6+1+1+4+4+2+20
pages. Duration 2
minutes, 34 seconds. Carl
Fischer Music #YPS222.
Published by Carl Fischer
Music (CF.YPS222).
ISBN 9781491156629.
UPC: 680160915163. 9 x 12
inches. Written in
an upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix. Latin
rhythms, featured
percussion, and lots of
nice melodies for the
winds makes this a piece
your students and
audiences will love! Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can't dance to it! The
syncopated rhythms are
infectious and you will
be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and don't
cover up the winds.
Remember, it's a dance.
Have fun!
Kiefer.ed@gmail.com
Facebook: The Music of Ed
Kiefer. Written in an
upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix.Latin rhythms,
featured percussion, and
lots of nice melodies for
the winds makes this a
piece your students and
audiences will love!Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can’t dance to it!
The syncopated rhythms
are infectious and you
will be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and
don’t cover up the
winds. Remember,
it’s a dance. Have
fun!Kiefer.ed@gmail.comFa
cebook: The Music of Ed
Kiefer. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 15 Intermediate Christmas Carols Tuba et Piano [Partition + CD] - Intermédiaire Anglo Music
Tuba and Piano - intermediate SKU: BT.AMP-438-400 Arranged by Philip Spar...(+)
Tuba and Piano -
intermediate SKU:
BT.AMP-438-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series. Book
with CD. Composed 2015.
40 pages. Anglo Music
Press #AMP 438-400.
Published by Anglo Music
Press (BT.AMP-438-400).
ISBN 9789043148696.
English-German-French-Dut
ch. Part of the
Anglo Music Play-Along
Series, Philip
Sparke’s 15
Intermediate Christmas
Carols is aimed
at the young
instrumentalist who can
play about an octave and
a half and follows on
from Sparke’s
15 Easy
ChristmasCarols.
Specifically tailored to
suit the individual
instrument, this book
introduces the developing
player to the
world’s most
popular Christmas tunes
by selecting simple yet
attractive melodies that
fit their limited range.
The book willprovide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip Sparkes
15 Intermediate
Christmas Carols
sind Teil der Reihe Anglo
Music Play-Along und
richten sich an junge
Instrumentalisten, die
einen Tonumfang von
ungefähr eineinhalb
Oktaven beherrschen. Die
Ausgabe schließt sich
anSparkes 15 Easy
Christmas Carols
an. Für diesen Band
wurden einfache und
zugleich ansprechende
Melodien ausgewählt,
die genau auf das
jeweilige Instrument
zugeschnitten sind, sich
für dessen begrenzten
Tonumfang eignen, und den
soSchüler an die
weltweit beliebtesten
Weihnachtslieder
heranführen. 15
Intermediate Christmas
Carols bietet
damit wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschulepasst
und sowohl eine
Klavierbegleitung als
auch einePlay-Along-CD
enthält.
Faisan
t partie de
l’Anglo Music
Play-Along Series,
les 15
Intermediate Christmas
Carols(15
chants de Noël de
niveau
intermédiaire) de
Philip Sparke visent les
instrumentistes qui
arrivent jouer environ
une octave etdemi.
Adapté pour convenir
chaque instrument
spécifique, ce recueil
introduit le musicien de
niveau moyen aux chants
de Noël les plus
populaires en
sélectionnant les
mélodies simples les
plus intéressantes qui
correspondent leur
registre limité.Ce
livre fournit du
matériel
supplémentaire
indispensable qui
complète
n’importe quelle
méthode pédagogique
et inclut un
accompagnement pour piano
ainsi qu’une
version sur CD avec
démos. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Elements Disney Favorites Hal Leonard
Concert Band; Tuba (Tuba) SKU: HL.870275 Tuba. Arranged by Johnnie...(+)
Concert Band; Tuba (Tuba)
SKU: HL.870275
Tuba. Arranged by
Johnnie Vinson and Robert
Longfield. Essential
Elements Band Folios.
Disney, Movies, Pop.
Softcover. 32 pages.
Published by Hal Leonard
(HL.870275). ISBN
9798350121841. UPC:
196288200987.
9.0x12.0x0.09
inches. There's no
better way to motivate
your band than with some
popular Disney music!
This new collection from
Essential Elements works
with all ensembles,
regardless of what method
you're using, and
features great songs your
band members are sure to
know. The arrangements
work for the whole
ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Secret Mission - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132 Composed by
Jason Taurins. Folio.
Bps. Set of Score and
Parts.
8+2+8+2+5+2+2+8+3+3+3+2+3
+1+1+2+4+12 pages.
Duration 1 minute, 41
seconds. Carl Fischer
Music #BPS132. Published
by Carl Fischer Music
(CF.BPS132). ISBN
9781491158463. UPC:
680160917068. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Secret Mission [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132F Composed
by Jason Taurins. Sws.
Bps. Full score. 12
pages. Carl Fischer Music
#BPS132F. Published by
Carl Fischer Music
(CF.BPS132F). ISBN
9781491158470. UPC:
680160917075. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Elements Disney Favorites Orchestre d'harmonie Hal Leonard
Concert Band SKU: HL.870279 Value Pack (37 Books + Conductor Edition)<...(+)
Concert Band SKU:
HL.870279 Value
Pack (37 Books +
Conductor Edition).
Arranged by Johnnie
Vinson and Robert
Longfield. Essential
Elements Band Folios.
Disney, Movies, Pop.
Softcover Audio Online.
Published by Hal Leonard
(HL.870279). ISBN
9798350121889. UPC:
196288201021.
9.0x12.0x5.016
inches. Value Pack
includes one conductor's
edition with full band
recordings and the
following student
editions: 6 flute, 1
oboe, 1 bassoon, 6
clarinet, 1 bass clar., 4
alto sax, 1 tenor sax, 1
bari sax, 6 trumpet, 2 F
horn, 2 trombone, 1 bari
BC, a bari TC, 1 tuba, 2
perc, 1 keybd perc.
There's no better way to
motivate your band than
with some popular Disney
music! This new
collection from Essential
Elements works with all
ensembles, regardless of
what method you're using,
and features great songs
your band members are
sure to know. The
arrangements work for the
whole ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $315.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Timeless Traditionals [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Variable Wind Trio with Percussion Ad. Lib. - intermediate SKU: BT.DHP-108464...(+)
Variable Wind Trio with
Percussion Ad. Lib. -
intermediate SKU:
BT.DHP-1084646-070
Variable wind trio
(with percussion ad
lib.). Arranged by
Robert van Beringen.
Music Box. Set (Score &
Parts). Composed 2008. 8
pages. De Haske
Publications #DHP
1084646-070. Published by
De Haske Publications
(BT.DHP-1084646-070).
ISBN 9789043131315.
9x12
inches. Timeless
Traditionals is a
beautiful mixture of the
popular English folksong,
Floral Dance, the
Jazz standard Careless
Love as well as the
well-known songs Go,
Tell it on the
Mountain and
Kumbaya in a
wonderful arrangement by
Robert van Beringen.
Arranged for flexible
instrumentation this
arrangement is suitable
for any combination of
woodwind/brass
instruments.Part 1 Fl Ob
Bb/Eb Clar S Sax A Sax
Tpt Part 2 Fl Cor Ang Bb
Clar A Sax Tpt Hn Part 3
Bass Clar T Sax Bari Sax
Bsn Trom Euph Tuba Opt.
Perc 1 Perc
2
Medley van de
werken: Floral Dance,
Careless Love, Go, Tell
It on a Mountain,
Kumbaya
Eine
schöne Mischung aus
dem beliebten englischen
Lied Floral Dance,
dem amerikanischen
Volkslied und
Jazz-/Bluesstandard
Careless Love
sowie den beiden
Spirituals Go, Tell It
on a Mountain und
Kumbaya fügte
Robert van Beringen
zusammen zu diesen
Zeitlosen
Volksliedern“
für dreistimmig
variable
Bläserbesetzung.Part 1
Fl Ob Kl B/Es S-Sax A-Sax
Trp Part 2 Fl Cor Ang Kl
B A-Sax Trp Hn Part 3
B-Kl T-Sax B-Sax Fg Pos
Euph Tuba Opt. Perc 1
Perc 2
Medley des
quatre traditionnels
intemporels Floral
Dance, Careless Love, Go
Tell It on a Mountain
et Kumbayah,
arrangés trois voix
pour Ensemble
instrumentation
variable.Voix 1 Fl Htb
Cl. Si♭/Mi♭
Sax. S. Sax. A. Trp Voix
2 Fl Cor Angl. Cl.
Si♭ Sax. A. Trp Cor
Voix 3 Cl. B. Sax. T.
Sax. B Basson Trb Euph.
Tuba Opt. Perc 1 Perc 2
Una pubblicazione
che unisce note canzoni
anglosassoni: l'inglese
Floral Dance, la
canzone folk americana
Careless Love,
come anche i due
spiritual Go, Tell it
on the Mountain e
Kumbaya. Un brano
a strumentazione
variabile per tre voci
(ensemble di fiati).Part
1 Fl Ob Kl B/Es S-Sax
A-Sax Trp Part 2 Fl Cor
Ang Kl B A-Sax Trp Hn
Part 3 B-Kl T-Sax B-Sax
Fg Pos Euph Tuba Opt.
Perc 1 Perc 2. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I've Fallen in Love With You [Conducteur et Parties séparées] - Intermédiaire Music Sales
Flexible Wind Quartet and Percussion - intermediate SKU: BT.1239-05-070-MS(+)
Flexible Wind Quartet and
Percussion - intermediate
SKU:
BT.1239-05-070-MS
Composed by Carla Thomas.
Arranged by Peter Kleine
Schaars. Music Box. Pop &
Rock. Set (Score &
Parts). Composed 2006. 12
pages. Music Sales
#1239-05-070 MS.
Published by Music Sales
(BT.1239-05-070-MS).
9x12 inches.
English-German-French-Dut
ch. The English
female pop/rock singer
Joss Stone, who was born
in 1987, grew up with
American soul and R&B
music. Stone's impressive
style of singing has
depth and conveys
emotion. Her unique
phrasing and large voice
make us forget how young
this singer actually is.
She embraced the
opportunity to record the
soul song I've Fallen
in Love with You,
originally performed in
the 1960s by the Memphis
Queen Carla Thomas. Peter
Kleine Schaars has taken
this beautiful song and
created an arrangement
for five-part flexible
ensemble.
Het
soulnummer I've Fallen
in Love with You van
‘Memphis Queen'
Carla Thomas is weer
helemaal actueel in de
vertolking van de jonge
Engelse pop/rockzangeres
Joss Stone. Peter Kleine
Schaars heeft van deze
mooie song een
arrangement voor
vijfstemmige variabele
bezetting geschreven.
I’ve
Fallen in Love with
You, ein
Soulklassiker aus den
sechziger Jahren von
Carla Thomas, ist die der
Interpretation des
englischen Stimmwunders
Joss Stone ein
topaktueller Hit. Peter
Kleine Schaars reagierte
schnell und machte dieses
wunderschöne Lied
für eine variable
fünfstimmige
Bläserbesetzung
spielbar.
Part 1
Fl Ob Kl B S-Sax Trp Part
2 Fl Kl B Alt-Kl A-Sax
Trp Hrn Part 3 Alt-Kl
T-Sax Fg Hrn Pos Euph
Part 4 T-Sax Fg Pos Euph
Part 5 B-Kl B-Sax Fg Pos
Euph Tuba Kb Opt. Drum
I’ve
Fallen in Love with
You è un classico
della musica soul degli
anni ’60. La
canzone è divenuta un
successo
nell’interpretazio
ne di Joss Stone. Peter
Kleine Schaars ha
arrangiato questa
splendida melodia per
ensemble a strumentazione
variabile a cinue
voci. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pop Trios for All (Revised and Updated) Instrumentation Flexible [Partition] Alfred Publishing
Playable on Any Three Instruments or Any Number of Instruments in Ensemble. Arra...(+)
Playable on Any Three
Instruments or Any Number
of Instruments in
Ensemble. Arranged by
Michael Story. For
Trombone, Baritone B.C.,
Bassoon, Tuba. Mixed
Instruments - Flexible
Instrumentation. Pop
Instrumental Ensembles
for All. Pop. Book. 24
pages. Published by
Alfred Publishing.
(1)$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An Irish Stew Orchestre d'harmonie [Conducteur et Parties séparées] Fentone Music
Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowl...(+)
Flex-It Series for
Variable Instrumentation
Concert Band. Arranged by
Colin Cowles. (Score and
Parts). Fentone Play
Along Books. Published by
Fentone Music.
$32.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Old Buccaneer - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Crash Cy...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1,
Trumpet 2, Tuba and more.
- Grade 1.5 SKU:
CF.FPS120 Composed by
Richard Summers. SWS FS.
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+2
+3+1+1+2+2+16 pages.
Duration 2:40. Carl
Fischer Music #FPS120.
Published by Carl Fischer
Music (CF.FPS120).
ISBN 9781491140277.
UPC: 680160628339. 9 x 12
inches. Fifteen men
on the dead man's chest!
This phrase will give you
an idea of the basis for
this delightful new piece
from composer Richard
Summers that is inspired
by the Robert Louis
Stevenson book Treasure
Island. The piece is
bold, yet very playable
for the grade level.
There are plenty of
teaching opportunities
too with nice
counterpoint in a piece
the students will love to
play over and over again.
Your band will sound its
best on this contest
style piece that invokes
the adventurous spirit of
pirates! $58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Legend of Taum Sauk Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Carl Fischer
Composed by Larry Clark. Score and part(s). With Standard notation. 24 162 pag...(+)
Composed by Larry Clark.
Score and part(s). With
Standard notation. 24
162 pages. Duration 4
minutes, 52 seconds. Carl
Fischer #YPS0180.
Published by Carl Fischer
(CF.YPS180).
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Unbroken [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani, Trombone,
Trumpet, Tuba, Wood Block
and more. - Grade 1
SKU: CF.BPS88F
Composed by Peter Terry.
SWS. Full score. 16
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #BPS88F.
Published by Carl Fischer
Music (CF.BPS88F).
ISBN 9781491140666.
UPC: 680160628728. 9 x 12
inches. The spirit
of young students who
have learned the thrill
of playing in a band is
exciting to watch. Their
enthusiasm cannot be
broken, and this piece is
a tribute to that
unbridled excitement they
feel when performing.
Composer Peter Terry
gives us a contest worthy
piece that will make any
beginning band sound its
best. It is a bold and
dynamic work that
students will love to
play again and again, a
perfect way to highlight
the strengths of your
band at contest or
festival. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Great Plains Saga Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum,
Tambourine, Timpani,
Tom-tom, Triangle,
Trombone, Trumpet, Tuba,
alto Saxophone and more.
- Grade 0.5 SKU:
CF.PPS20 Composed by
Joseph Compello. Primer
Band. Set of Score and
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+2
+3+1+1+2+3+12 pages.
Duration 1 minute, 20
seconds. Carl Fischer
Music #PPS20. Published
by Carl Fischer Music
(CF.PPS20). ISBN
9780825895395. UPC:
798408095390. 9 x 12
inches. This piece
for the youngest students
depicts wide open spaces,
rugged terrain, and
covered wagons heading
West through the American
plains. Students will
love to play this contest
selection, written in a
minor mode. It will make
them sound more mature
than their experience as
the piece can be
performed with as little
as 10 weeks of study. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Great Plains Saga Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum,
Tambourine, Timpani,
Tom-tom, Triangle,
Trombone, Trumpet, Tuba,
alto Saxophone and more.
- Grade 0.5 SKU:
CF.PPS20F Composed by
Joseph Compello. Primer
Band. Full score. With
Standard notation. 12
pages. Duration 1 minute,
20 seconds. Carl Fischer
Music #PPS20F. Published
by Carl Fischer Music
(CF.PPS20F). ISBN
9780825896019. UPC:
798408096014. 9 x 12
inches. This piece
for the youngest students
depicts wide open spaces,
rugged terrain, and
covered wagons heading
West through the American
plains. Students will
love to play this contest
selection, written in a
minor mode. It will make
themsound more mature
than their experience as
the piece can be
performed with as little
as 10 weeks of study. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Truth Pressed to the Earth will Rise Again Chorale SATB SATB, Clavier - Facile GIA Publications
SATB choir, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet...(+)
SATB choir, keyboard
accompaniment, trumpet 1
in B-flat, trumpet 1 in
C, trumpet 2 in B-flat,
trumpet 2 in C, horn in
f, trombone 1, trombone
2, tuba, timpani - Early
intermediate SKU:
GI.G-7508 Composed by
Carlton R. Young.
Eastertide. Choral.
Sacred. Octavo. 8 pages.
GIA Publications #7508.
Published by GIA
Publications (GI.G-7508).
UPC: 785147750802.
English. Text Source:
Inspired by a speech of
Martin Luther King Jr.,
about the Montgomery
march. Text by Shirley
Erena Murray. If
this text, inspired by
Martin Luther King's
speech about the
Montgomery march, doesn't
sufficiently summon one's
attention, then combining
it with this musical
setting will quite
certainly accomplish that
goal. “Truth
pressed to the earth . .
. Justice trampled down .
. . Love nailed to a
Cross . . . through these
resurrections we have
hope.†A piece with
much gravitas. Brass
quartet or quintet and
timpani part is optional
Tuba part is optional
Horn in F can be
substituted for Trombone
I. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sliding the Scale Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euph...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Tambourine, Timpani,
Triangle, Trombone,
Trumpet, Tuba, alto
Saxophone and more. -
Grade 1 SKU:
CF.BPS35 Composed by
Andrew Balent. Carl
Fischer Beginning
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation. Carl Fischer
Music #BPS35. Published
by Carl Fischer Music
(CF.BPS35). ISBN
9780825858536. UPC:
798408058531. 9 X 12
inches. Key: Bb
major. Now you can
teach the Bb scale in a
fun way Your audiences
will love this cute piece
that features the
trombone section with
idiomatic glissandi.
Great to liven up a
concert! $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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