12 Songs for Voice and Piano. By Thomas Pasatieri. Text: Anonymous; Christina Ro...(+)
12 Songs for Voice and
Piano. By Thomas
Pasatieri. Text:
Anonymous; Christina
Rossetti; Coventry
Patmore; Emily Bronte;
Herman Melville; P.B.
Shelley; Robert Burns;
Robert Herrick; Thomas
Love Peacock; Thomas
Moore; William
Shakespeare. For voice,
piano. Piano/Vocal Score.
36 pages. Duration 30:00.
Published by Theodore
Presser Company.
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute
SKU:
CF.CM9583
Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852).
Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece.
Irish Charms Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1094740-120 Believe me if all tho...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1094740-120
Believe me if all
those endearing young
charms. Arranged by
Henk Hogestein. Applause
Series. Festive and
Solemn Music. Score Only.
Composed 2009. 8 pages.
De Haske Publications
#DHP 1094740-120.
Published by De Haske
Publications
(BT.DHP-1094740-120).
9x12
inches.
Henk
Hogestein has created a
calm, yet uplifting
arrangement of the famous
Irish song Believe Me,
if all these Endearing
Young Charms. The
melody displays the very
best of Irish tradition
with the words coming
from a poem by Thomas
Moore about love that
goes above and beyond
physical beauty. Irish
Charms will make a
wonderful inspirational
interlude at any concert.
In Irish
Charms verarbeitete
Henk Hogestein das
ruhige, stimmungsvolle
irische Lied Believe
Me, if All those
Endearing Young
Charms. Die liebliche
Melodie ist traditionell
irisch; der Text ist ein
Gedicht über Liebe,
die über die
vergängliche
Schönheit hinausgeht,
das der berühmte
Dichter Thomas Moore
einst für seine durch
Krankheit entstellte Frau
Bessie schrieb. Ein
ergreifendes, ruhiges
Stück für
Fanfareorchester!
Straordinario
musicista, poeta e
cantante, Thomas Moore
(1779-1852) trovò la
sua vera ispirazione
quando si mise a lavorare
su Irish Melodies
(1808-1834) che ottenne
un importante successo.
Poetizzò
l’Irlanda con una
straordinaria intensit e
un’emozione
vibrante che hanno ben
presto reso popolari
questi brevi canti. Moore
divenne così un eroe
nazionale. Believe Me,
if All those Endearing
Young Charms è una
delle più belle pagine
dedicata alla moglie
malata. Henk Hogenstein
ne ha realizzato un
arrangiamento fluido e
coinvolgente.
Irish Charms Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1094740-020 Believe me if all tho...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1094740-020
Believe me if all
those endearing young
charms. Arranged by
Henk Hogestein. Applause
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094740-020.
Published by De Haske
Publications
(BT.DHP-1094740-020).
9x12
inches.
Henk
Hogestein has created a
calm, yet uplifting
arrangement of the famous
Irish song Believe Me,
if all these Endearing
Young Charms. The
melody displays the very
best of Irish tradition
with the words coming
from a poem by Thomas
Moore about love that
goes above and beyond
physical beauty. Irish
Charms will make a
wonderful inspirational
interlude at any concert.
In Irish
Charms verarbeitete
Henk Hogestein das
ruhige, stimmungsvolle
irische Lied Believe
Me, if All those
Endearing Young
Charms. Die liebliche
Melodie ist traditionell
irisch; der Text ist ein
Gedicht über Liebe,
die über die
vergängliche
Schönheit hinausgeht,
das der berühmte
Dichter Thomas Moore
einst für seine durch
Krankheit entstellte Frau
Bessie schrieb. Ein
ergreifendes, ruhiges
Stück für
Fanfareorchester!
Straordinario
musicista, poeta e
cantante, Thomas Moore
(1779-1852) trovò la
sua vera ispirazione
quando si mise a lavorare
su Irish Melodies
(1808-1834) che ottenne
un importante successo.
Poetizzò
l’Irlanda con una
straordinaria intensit e
un’emozione
vibrante che hanno ben
presto reso popolari
questi brevi canti. Moore
divenne così un eroe
nazionale. Believe Me,
if All those Endearing
Young Charms è una
delle più belle pagine
dedicata alla moglie
malata. Henk Hogenstein
ne ha realizzato un
arrangiamento fluido e
coinvolgente.
Irish Charms Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1094740-140 Believe me i...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1094740-140
Believe me if all
those endearing young
charms. Arranged by
Henk Hogestein. Applause
Series. Festive and
Solemn Music. Score Only.
Composed 2009. 8 pages.
De Haske Publications
#DHP 1094740-140.
Published by De Haske
Publications
(BT.DHP-1094740-140).
9x12
inches.
Henk
Hogestein has created a
calm, yet uplifting
arrangement of the famous
Irish song Believe Me,
if all these Endearing
Young Charms. The
melody displays the very
best of Irish tradition
with the words coming
from a poem by Thomas
Moore about love that
goes above and beyond
physical beauty. Irish
Charms will make a
wonderful inspirational
interlude at any concert.
In Irish
Charms verarbeitete
Henk Hogestein das
ruhige, stimmungsvolle
irische Lied Believe
Me, if All those
Endearing Young
Charms. Die liebliche
Melodie ist traditionell
irisch; der Text ist ein
Gedicht über Liebe,
die über die
vergängliche
Schönheit hinausgeht,
das der berühmte
Dichter Thomas Moore
einst für seine durch
Krankheit entstellte Frau
Bessie schrieb. Ein
ergreifendes, ruhiges
Stück für
Blasorchester!
Straordinario
musicista, poeta e
cantante, Thomas Moore
(1779-1852) trovò la
sua vera ispirazione
quando si mise a lavorare
su Irish Melodies
(1808-1834) che ottenne
un importante successo.
Poetizzò
l’Irlanda con una
straordinaria intensit e
un’emozione
vibrante che hanno ben
presto reso popolari
questi brevi canti. Moore
divenne così un eroe
nazionale. Believe Me,
if All those Endearing
Young Charms è una
delle più belle pagine
dedicata alla moglie
malata. Henk Hogenstein
ne ha realizzato un
arrangiamento fluido e
coinvolgente.
Irish Charms Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1094740-010 Believe me i...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1094740-010
Believe me if all
those endearing young
charms. Arranged by
Henk Hogestein. Applause
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094740-010.
Published by De Haske
Publications
(BT.DHP-1094740-010).
9x12
inches.
Henk
Hogestein has created a
calm, yet uplifting
arrangement of the famous
Irish song Believe Me,
if all these Endearing
Young Charms. The
melody displays the very
best of Irish tradition
with the words coming
from a poem by Thomas
Moore about love that
goes above and beyond
physical beauty. Irish
Charms will make a
wonderful inspirational
interlude at any concert.
In Irish
Charms verarbeitete
Henk Hogestein das
ruhige, stimmungsvolle
irische Lied Believe
Me, if All those
Endearing Young
Charms. Die liebliche
Melodie ist traditionell
irisch; der Text ist ein
Gedicht über Liebe,
die über die
vergängliche
Schönheit hinausgeht,
das der berühmte
Dichter Thomas Moore
einst für seine durch
Krankheit entstellte Frau
Bessie schrieb. Ein
ergreifendes, ruhiges
Stück für
Blasorchester!
Straordinario
musicista, poeta e
cantante, Thomas Moore
(1779-1852) trovò la
sua vera ispirazione
quando si mise a lavorare
su Irish Melodies
(1808-1834) che ottenne
un importante successo.
Poetizzò
l’Irlanda con una
straordinaria intensit e
un’emozione
vibrante che hanno ben
presto reso popolari
questi brevi canti. Moore
divenne così un eroe
nazionale. Believe Me,
if All those Endearing
Young Charms è una
delle più belle pagine
dedicata alla moglie
malata. Henk Hogenstein
ne ha realizzato un
arrangiamento fluido e
coinvolgente.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064045-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064045-140
Composed by Traditional.
Arranged by Wil van der
Beek. Your Favorite
Classics. Classical.
Score Only. Composed
2006. 16 pages. De Haske
Publications #DHP
1064045-140. Published by
De Haske Publications
(BT.DHP-1064045-140).
9x12 inches.
English-German-French-Dut
ch.
The Last Rose
of Summer is a popular
Irish folksong. The
original text was written
by Thomas Moore
(1779-1852) and the
melody is a traditional
air titled The Groves of
Blarney. The German
composer Friedrich von
Flotow (1812-1883)
cleverly used this song
in his opera Martha, a
light-hearted, successful
work that is still
regularly performed. The
melancholy character of
The Last Rose of Summer
still appeals to many
people in the present day
and this arrangement by
Wil van der Beek
certainly does justice to
the beauty of the melody.
A wonderful item to
change the mood of any
performance.
Th
e Last Rose of Summer
is een geliefd Iers
volkslied. De originele
tekst is van Thomas Moore
(1779-1852) en de melodie
is een traditionele air
met de titel The
Groves of Blarney. De
Duitse componist
Friedrich von
Flotow(1812-1883)
gebruikte dit lied op
handige wijze in zijn
opera Martha, een
lichtvoetig, succesvol
werk, dat tot op heden
repertoire gehouden
heeft. Het melancholische
karakter van The Last
Rose of Summer
spreekt ook vandaagde dag
nog veel mensen aan. Dit
arrangement van Wil van
der Beek doet beslist
recht aan de schoonheid
van de
melodie.
The
Last Rose of Summer
ist ein beliebtes
irisches Volkslied. Der
ursprüngliche Text
stammt von Thomas Moore,
die Melodie ist ein
überliefertes Air mit
dem Titel The Groves
of Blarney. Der
deutsche Komponist
Friedrich von Flotow
verarbeitete das Lied
geschickt in seiner Oper
Martha, ein
heiteres, erfolgreiches
Werk, das heute noch
aufgeführt wird. Der
melancholische Charakter
dieses Liedes hat auch in
der Gegenwart nichts von
seinem Reiz verloren.
Diese Bearbeitung von Wil
van der Beek wird
Schönheit der Melodie
absolut
gerecht.
The Last Rose
of Summer è uno
dei più celebri canti
tradizionali irlandesi.
Nel 1847, il compositore
tedesco Friedrich von
Flotow (1812-1883)
include questa melodia
nell’opera Martha.
Il successo è
immediato e gode ancora
oggi di immensa notoriet
. L’arrangiamento
di Wil van der Beek
conserva la bellezza
della melodia
originale.
The Last Rose of Summer Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064045-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064045-010
Composed by Traditional.
Arranged by Wil van der
Beek. Your Favorite
Classics. Classical. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064045-010. Published by
De Haske Publications
(BT.DHP-1064045-010).
9x12 inches.
English-German-French-Dut
ch.
The Last Rose
of Summer is a popular
Irish folksong. The
original text was written
by Thomas Moore
(1779-1852) and the
melody is a traditional
air titled The Groves of
Blarney. The German
composer Friedrich von
Flotow (1812-1883)
cleverly used this song
in his opera Martha, a
light-hearted, successful
work that is still
regularly performed. The
melancholy character of
The Last Rose of Summer
still appeals to many
people in the present day
and this arrangement by
Wil van der Beek
certainly does justice to
the beauty of the melody.
A wonderful item to
change the mood of any
performance.
Th
e Last Rose of Summer
is een geliefd Iers
volkslied. De originele
tekst is van Thomas Moore
(1779-1852) en de melodie
is een traditionele air
met de titel The
Groves of Blarney. De
Duitse componist
Friedrich von
Flotow(1812-1883)
gebruikte dit lied op
handige wijze in zijn
opera Martha, een
lichtvoetig, succesvol
werk, dat tot op heden
repertoire gehouden
heeft. Het melancholische
karakter van The Last
Rose of Summer
spreekt ook vandaagde dag
nog veel mensen aan. Dit
arrangement van Wil van
der Beek doet beslist
recht aan de schoonheid
van de
melodie.
The
Last Rose of Summer
ist ein beliebtes
irisches Volkslied. Der
ursprüngliche Text
stammt von Thomas Moore,
die Melodie ist ein
überliefertes Air mit
dem Titel The Groves
of Blarney. Der
deutsche Komponist
Friedrich von Flotow
verarbeitete das Lied
geschickt in seiner Oper
Martha, ein
heiteres, erfolgreiches
Werk, das heute noch
aufgeführt wird. Der
melancholische Charakter
dieses Liedes hat auch in
der Gegenwart nichts von
seinem Reiz verloren.
Diese Bearbeitung von Wil
van der Beek wird
Schönheit der Melodie
absolut
gerecht.
The Last Rose
of Summer è uno
dei più celebri canti
tradizionali irlandesi.
Nel 1847, il compositore
tedesco Friedrich von
Flotow (1812-1883)
include questa melodia
nell’opera Martha.
Il successo è
immediato e gode ancora
oggi di immensa notoriet
. L’arrangiamento
di Wil van der Beek
conserva la bellezza
della melodia
originale.
SATB choir SKU: CA.337880 Arranged by Charles Villiers Stanford, Thomas M...(+)
SATB choir
SKU:
CA.337880
Arranged by
Charles Villiers
Stanford, Thomas Moore.
Choral collections.
Separate edition with
choral collection. Folk
songs and settings of
folk songs, Secular
choral music. Full score.
78. 4 pages. Carus Verlag
#CV 03.378/80. Published
by Carus Verlag
(CA.337880).
ISBN
9790007247492. Key: B
flat major. Language:
English. Text: Moore,
Thomas.
Oh could we do Chorale SATB SATB divisi, A Cappella - Avancé Schott
SATB divisi a cappella with Soloists Choral (SATB divisi) - advanced SKU: HL....(+)
SATB divisi a cappella
with Soloists Choral
(SATB divisi) - advanced
SKU: HL.49044717
Imagination for Chorus
with Lyrics by Thomas
Moore. Composed by
Ronald R. Pelger. This
edition: Saddle
stitching. Sheet music.
Choral. Classical,
Contemporary. Softcover.
Composed 2012. 40 pages.
Duration 13'. Schott
Music #SKR 20096.
Published by Schott Music
(HL.49044717).
ISBN
9790001200813. UPC:
841886023291. 8.25x11.75
inches.
English.
This
choral fantasy by Roger
Pelger is a setting of
Thomas Moore's 19th
century text focusing on
the creation. A great
addition to the chamber
choir repertoire.
Composed by Mickey Thomas Terry, George Walker, David Hurd (1950-), Mark A. Mi...(+)
Composed by Mickey Thomas
Terry, George Walker,
David
Hurd (1950-), Mark A.
Miller,
and Undine Smith Moore.
African American
Heritage.
MorningStar Music
Publishers
#10-649. Published by
MorningStar Music
Publishers
(In A Comfortable Range - 18 Vocal Solos with Piano Accompaniment (Audio CD Incl...(+)
(In A Comfortable Range -
18 Vocal Solos with Piano
Accompaniment (Audio CD
Included)). By Franz
Schubert Ludwig Van
Beethoven. Edited by
Leonard Van Camp and
Leonard Van camp.
Arranged by Leonard Van
Camp and Leonard Van
camp. For Low Voice,
Piano. Piano. Piano/Vocal
Score.
By Werner Thomas. Arranged by Larry Moore. For Orchestra, String Orchestra (Scor...(+)
By Werner Thomas.
Arranged by Larry Moore.
For Orchestra, String
Orchestra (Score and
Parts). Easy Pop Specials
For Strings. Grade 2.
Published by Hal Leonard
(Fall (September, October, and November) - for S.A.T.B. Chorus and Piano). By Pe...(+)
(Fall (September,
October, and November) -
for S.A.T.B. Chorus and
Piano). By Peter
Schickele. SATB chorus.
For SATB, Piano. Choral.
Piano reduction/vocal
score. Standard notation.
27 pages. Duration 6
minutes, 30 seconds.
Published by Theodore
Presser Company
By Samuel Webbe / Arr. Manookin. Arranged by Robert P. Manookin. Text: Thomas Mo...(+)
By Samuel Webbe / Arr.
Manookin. Arranged by
Robert P. Manookin. Text:
Thomas Moore; alt. Thomas
Hastings. For SATB Choir.
Level: Medium Difficullt.
Published by Jackman
Music Corporation.
On Music Chorale SATB SATB, Piano Pavane Publishing
Piano Accompaniment (SATB Choir) SKU: HL.291957 Kevin A. Memley Choral...(+)
Piano Accompaniment (SATB
Choir)
SKU:
HL.291957
Kevin A.
Memley Choral Series.
Composed by Kevin A.
Memley. Pavane Choral.
Octavo. 16 pages. Pavane
Publishing #P1645.
Published by Pavane
Publishing (HL.291957).
UPC: 888680928728.
6.75x10.5 inches. Thomas
Moore/Kevin
Memley.
The text
celebrates the essence of
music itself. This piece
has a sound that would
make you think it has
been a favorite for
generations. Memley is
known for his fine
craftsmanship and
captivating melodies and
this piece falls right
into line. Profound and
magnificent best describe
its character.
Grade 3 SKU: CL.LDP-7102-00 Composed by Grauer. Concert Band. Score and s...(+)
Grade 3
SKU:
CL.LDP-7102-00
Composed by Grauer.
Concert Band. Score and
set of parts. Composed
2003. Duration 2 minutes,
52 seconds. Daehn
Publications
#LDP-7102-00. Published
by Daehn Publications
(CL.LDP-7102-00).
This beautiful
arrangement for winds and
percussion is based on
The Minstrel Boy (words
by Thomas Moore set to
The Moreen¬, an old
Irish air.) Opportunities
abound for a band to show
beauty and expressiveness
within this work.
Breathtaking!
By Donald Fraser. Arranged by Donald Fraser. Text: Thomas Moore. For SATB Choir....(+)
By Donald Fraser.
Arranged by Donald
Fraser. Text: Thomas
Moore. For SATB Choir.
(Accompaniment:
Keyboard). Four English
Lyrics. Secular. Level:
Medium Adult. 8 pages.
Duration 2 min, 26 sec.
Published by Hinshaw
Music Inc.
Grade 3 SKU: CL.LDP-7131-01 Composed by Daehn. Concert Band. Extra full s...(+)
Grade 3
SKU:
CL.LDP-7131-01
Composed by Daehn.
Concert Band. Extra full
score. Composed 2001.
Duration 7 minutes, 43
seconds. Daehn
Publications
#LDP-7131-01. Published
by Daehn Publications
(CL.LDP-7131-01).
This beautiful
composition is based on
an old Irish folk tune
used by Thomas Moore for
his poem in 1815.