| Intermediate Music for Three, Volume 2, Part 1 - Flute/Oboe/Violin [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Flute or Oboe or Violin
in C. Trios. Intermediate
Music for Three.
Classical. Intermediate.
Partbook - Part 1.
Published by Last Resort
Music Publishing
$20.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Intermediate Music for Three, Volume 2, Part 2 - Clarinet/Trumpet [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Clarinet or Trumpet in
Bb. Trios. Intermediate
Music for Three.
Classical. Intermediate.
Partbook - Part 2.
Published by Last Resort
Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Music for Three, Volume 2, Part 1 - Clarinet/Soprano Saxophone [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Clarinet or Soprano
Saxophone in Bb. Trios.
Intermediate Music for
Three. Classical.
Intermediate. Partbook -
Part 1. Published by Last
Resort Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Music for Three, Volume 2, Part 3 - Bass Clarinet [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Bass Clarinet in Bb.
Trios. Intermediate Music
for Three. Classical.
Intermediate. Partbook -
Part 3. Published by Last
Resort Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Music for Three, Volume 2 - Keyboard/Guitar [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Keyboard or Guitar.
Trios. Intermediate Music
for Three. Classical.
Intermediate.
Keyboard/guitar partbook.
Published by Last Resort
Music Publishing
$26.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Music for Three, Volume 2, Part 2 - Viola [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Viola in alto clef.
Trios. Intermediate Music
for Three. Classical.
Intermediate. Partbook -
Part 2. Published by Last
Resort Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| Much Ado About Nothing: Three Pieces for Small Orchestra Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Timp.Perc(2): Harm: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929590
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A929590.
Published by
LudwigMasters
Publications
(AP.36-A929590). UPC:
735816239411.
English. When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $80.00 - Voir plus => Acheter | | |
| Much Ado About Nothing: Three Pieces for Small Orchestra Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Timp.Perc(2): Harm: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929501
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score.
LudwigMasters
Publications #36-A929501.
Published by
LudwigMasters
Publications
(AP.36-A929501). ISBN
9781638875192. UPC:
735816239497.
English. When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $30.00 - Voir plus => Acheter | | |
| Concerto In E Minor Theodore Presser Co.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo SKU:
PR.114418820 For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820). ISBN
9781491113998. UPC:
680160667697. Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018. $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eva Fock: Musik Omkring Os (Bog) Wilhelm Hansen
SKU: HL.14022440 Composed by Eva Fock. Music Sales America. Theory. Book ...(+)
SKU: HL.14022440
Composed by Eva Fock.
Music Sales America.
Theory. Book [Softcover].
Composed 2005. 179 pages.
Edition Wilhelm Hansen
#WH30540. Published by
Edition Wilhelm Hansen
(HL.14022440). ISBN
9788759811320.
Danish. 'The
music around us' (Book) -
This book aims to provide
music teachers with a
basic knowledge of music
from Turkey, Pakistan and
Morocco. These three
countries represent each
one corner of the North
Africa-Middle East-West
Asian region, which is
next door to Europe and
with which we have long
historical relationships.
Moreover, all three
represent significant
music historical
tradition, at the same
time related, while
clearly different from
each other. This
justifies these musical
culture's placement in
Danish music education.
In addition all three
countries have supplied
Denmark with immigrants
from 1960 onwards. In
this context, the book
therefore also makes
musicteachers able to
teach music in relation
to the three immigrant
groups. At the same time
the book hopefully makes
teachers able to insert
the music that immigrants
from those countries are
carrying with them, the
music the young people
with that background are
listening to, and what
teachers may experience
themselves in these
countries, into a broader
perspective. Therefore
the book is not only
about the small musical
universe that migrants
and migrant youth
actually are engaged in
in this country. The
Danish conditions only
play a minor role. This
choice should be seen as
an attempt to challenge
the very unfortunate
tendency in the Danish
public wherethe
immigrants are made ??the
primary reason to engage
other cultures in our
(music) education. It is
unfortunate because there
are many other and far
more important reasons to
expand the musical
horizons. The resident
migrants from the three
countries often give a
very one-sided and narrow
view of the (music)
culture in their
countries of origin. This
is mainly because of the
immigrant's backgrounds,
both geographically and
socially. In order to
increase understanding
and respect for other
parts of the world, it is
important that we all
understand that the
culture of these
countries, including the
music, is part of a long
historical development
and part of a varied
mosaic of contemporary
trends. $31.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| R-122 MKII Active Ribbon Microphone
SKU: HL.1753726 Royer Labs. Microphone. Hal Leonard #R-122 MKII. Publishe...(+)
SKU: HL.1753726
Royer Labs. Microphone.
Hal Leonard #R-122 MKII.
Published by Hal Leonard
(HL.1753726). UPC:
850035900130.
7.25x14.25x5.5
inches. In 2022, we
introduced the R-11, the
world's first phantom
powered, active ribbon™
microphone. It was a
revolutionary development
in ribbon mics, combining
impedance matching
circuitry with
condenser-like output
levels that allowed the
R-122 to be used on even
the quietest sound
sources. It also allowed
the mic to be paired to
virtually any
preamplifier. The R-122
MKII takes the R-122 to a
whole new level,
delivering unprecedented
flexibility for ribbons
via the addition of a
switchable -15 dB pad and
a switchable bass-cut
filter. The switches are
completely cut out of the
circuit when disengaged
so when both are off, the
microphone is for all
purposes an original
R-22. The switches are
located on the back of
the microphone and
recessed to prevent
accidental activation.
Features: • Phantom
powered circuitry
provides high output and
impedance matching •
-15 dB pad before the
mic's electronics gives
more headroom when
activated • Bass cut
filter reduces proximity
effect and bass below 100
Hz when activated •
High SPL Capabilities •
No distortion up to
maximum SPL rating •
Extremely low residual
noise • Ribbon element
is not affected by heat
or humidity • Absence
of high frequency phase
distortion • Equal
sensitivity from front or
back of element •
Consistent frequency
response regardless of
distance • Rear side of
mic records slightly
brighter when three feet
or closer to sound
source. $2199.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pirates of Penzance Suite Ensemble de Clarinettes Masquerade Music
Composed by Arther Sullivan. Arranged by Genessa West. For clarinet choir. Moder...(+)
Composed by Arther
Sullivan. Arranged by
Genessa West. For
clarinet choir. Moderate.
Duration 5 minutes.
Published by Maskarade
Publications
$24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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