For Three Trombones. Composed by Anton Bruckner (1824-1896). Edited by Dominik Rahmer. Sheet Music. Paperbound. Henle Music Folios. For Alto, Tenor and Bass Trombones. additional parts in bass clef for alto and tenor trombones. Classical. Score and Parts. 14 pages. G. Henle #HN1157. Published by G. Henle

Trombone Quartet - advanced

SKU: CY.CC2475

Composed by Ludwig van Beethoven. Arranged by David Mathie. German romantic. Score and parts. Published by Cherry Classics (CY.CC2475).

Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.

These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.

This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.

Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.

4 Trombones (Trombone Quartet)

SKU: HL.14003793

Just Brass No. 8. Composed by Ludwig van Beethoven. Music Sales America. Classical. Set. Composed 2001. Chester Music #CH55020. Published by Chester Music (HL.14003793).

ISBN 9780711975286. 8.5x11.75x0.057 inches.

Score and Parts. Arranged for 4 Trombones.

(Four Trombones). By Ludwig van Beethoven (1770-1827). Edited by Egon Voss. For Trombone Quartet (Score & Parts). Henle Music Folios. Softcover. 16 pages. G. Henle #HN1151. Published by G. Henle

By Ludwig van Beethoven (1770-1827). Arranged by Bill Schuetter. For trombone quartet (4 tenor trombones). Level 3. Duration 6 minutes 30 seconds. Published by Imagine Music

Composed by Ludwig van Beethoven (1770-1827). For 4 Trombones. Level 2+. Published by Editions Marc Reift

By Rodney Polson. For Trumpet. Solo & Ensemble Music. FEMA Editions. Concert and Contest. Published by Wingert-Jones Publications.

(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Boot Camp. 160 pages. Published by Alfred Music

Chamber Music

SKU: PR.16400213S

Composed by Dan Welcher. Spiral. Full score. With Standard notation. 1+37 pages. Duration 11 minutes. Theodore Presser Company #164-00213S. Published by Theodore Presser Company (PR.16400213S).

UPC: 680160037636. 8.5 x 11 Landscape inches.

The unusual combination of cello, percussion and piano seems more incongruous than it actually sounds. When I first heard the ensemble Aequalis, in a full evening program I was absolutely astonished at the combination of lyricism, pulse, and color. Something about the mix causes the cello to sound marimba-like, the vibraphone to imitate the cello's harmonics, and the piano to become a kind of proto-orchestra of colors and effects.   Tsunami was written for Aequalis in the summer and fall of 1991 with the assistance of a grant from Chamber Music America. The title, the Japanese word for tidal wave (which is a misnomer -- tsunamis have nothing to do with the tides), refers to the phenomenon of an undersea disturbance causing a huge wall of water to flood the first land in its path. The initial earthquake or volcanic eruption that sends a seismic shock through the water is invisible -- it's only when that shock wave hits land, recoils, and takes ocean swells back with it, that the wave begins to form. In successive landings, recoilings, and re-landings, this force finally spends itself, usually inundating anything in its path, sometimes to a depth of one hundred feet or more.   My piece does not attempt to depict this natural cataclysm -- how could it, with three instruments? -- but the form of the first half of the work is based on it. The initial percussive shock that opens the piece creates a stir in the form of a cello motive marked swelling and employing long portamenti pushing upwards. After a second shock, the cello motive begins an undersea journey -- very slow and lyrical at first -- accompanied by non-pitched percussion only. Eventually the piano joins, first with echoing bass notes, then with a rather mechanical motive high on the keyboard. This force grows, the cello line climbs higher and higher until another double-shock is heard -- perhaps the energy has hit land? Following this, the percussion becomes melodic (marimba), and we now have two lines in canon accompanied by a separate line in the piano. This, too, builds to a climax, and an even louder and more vigorous shock results. Now the texture is a three-way canon with cello, vibraphone, and piano chasing each other in ever faster cycles of sound. The height of this is a triple cadenza in which all three players spend their pent-up energy, one at a time.   The second part of the piece follows after a settling-down, and is marked Dancing. This is a rondo, with a recurring theme (heard first in the marimba) followed by three contrasting sections heard between reiterations of the main tune (the form could be diagrammed A-A-B-A-C-A). The mood is one of joyous kinetic energy, with elements of Eastern or Balinese gamelan sounds, and employing several pentatonic scales (as does the first half of the work). It ends in a vigorous, stomping dance. --Dan Welcher    .

By Matt Moore. For Vibraphone (4-mallet) and CD (Vibraphone (3-octave) CD accompaniment). Medium. Duration 6:20. Published by C. Alan Publications

SKU: GI.G-CD-372

Composed by Various. Sacred. CD. GIA Publications #372. Published by GIA Publications (GI.G-CD-372).

Jesus understood the strength of women, and the songs that have come together to be called One Heart are infused with Jesus' liberating vision for all. We hear three women's voices--a Hispanic American, an African American, and an Irish American--speaking from the heart, singing with one heart about women, equality, justice, and peace. Listen to the three voices of One Heart. You'll hear tomorrow singing, loud and clear. Who Is This God? - The Goodness of the Lord - Words - The Tree of Life - Precious Blood - Will You Go? - Jubilate Agno - Wind, River, Song - The Daystar Calls - I Must Believe - Soldiers in the Army - Stand Firm.

By Mark Camphouse. For concert band. Approved contest/festival piece for the University Interscholastic League (UIL). Grade 5. Score and set of parts. Duration 12:00

(A Definitive Guide to Creating and Recording Great Guitar Sounds). By Bobby Owsinski and Rich Tozzoli. For Guitar. Book; DVD; Guitar Reference; Reference Textbooks. 228 pages. Published by Alfred Music

SKU: HL.381951

For Harpsichord and Electronics. Composed by Sunleif Rasmussen. Piano. Softcover. 78 pages. Duration 1260 seconds. Edition Wilhelm Hansen #WH33059. Published by Edition Wilhelm Hansen (HL.381951).

ISBN 9788759840498. UPC: 196288020073.

Quadr oforone #1 (2018) composed by Suneleif Rasmussen. This is the first work in a series of four pieces for solo instruments and electronics. The electronics are three pre-recordings of music played in three different loudspeakers placed around the hall. The music in the loudspeakers has individual sonorities. The soloist plays with click track. The live harpsichord on stage is not amplified, and there is therefore equality in sound between loudspeakers in the hall and harpsichord on stage.The piece is dedicated to my good friend Mahan Esfahani. Sunleif Rasmussen.

Gig Savers Complete Edition. Composed by David Barrett and Fritz Hasenpusch. Squareback saddle stitch. Gig Savers. Book. 104 pages. Published by Mel Bay Publications, Inc

(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481620. Published by Boosey and Hawkes

(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481644. Published by Boosey and Hawkes

SATB and Harp (Piano). By Benjamin Britten. Arranged by Julius Harrison. (SATB). Boosey and Hawkes Sacred Choral. Size 6.8x10.5 inches. 8 pages. Published by Boosey and Hawkes.

Voice Technique. By Mathilde Marchesi. Vocal Method. Size 9x12 inches. 40 pages. Published by Schirmer.

(A Primer for the 21st Century Audio Engineer). By Roger Nichols. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. 180 pages. Published by Alfred Music Publishing

((from A Ceremony of Carols) SATB and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SATB). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481613. Published by Boosey and Hawkes

(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481590. Published by Boosey and Hawkes