SKU: SU.32040150

From delightful to lonesome to fiery, this three movement suite invites both performers and listeners to share the joy of being enveloped in richness of tone, creating poignant expressions of the heart. Marvelous recital and concert music. Vignette I: Delightful Dance Jaunty rhythms and clever surprises render a joyful opening section. Later, a warm, love filled melody is poured out by each instrumentalist, and climbs to a glorious tutti. Then it is back to the joyful dance, a few more surprises, and a delightfully happy ending. Vignette II: Lonesome Chaconne opens with two dark chords. Then the piano begins the chaconne with a mournful bass line and plaintive off beats. The viola enters and plays a lonesome melody, then is joined by the cello in a melancholy duet over the chaconne until it dies away. The cello's brief recitative emerges from the depths into an aching cry that is then echoed by the viola. Joining together, they pour out a fervent melody, moving higher and higher until they breakthrough to the light. Alas, the vision fades, and they return to only fragments as the chaconne disappears. Vignette III: Fiery Fugue opens with a feisty subject melody, first in the viola, followed by the cello, piano right hand, and left hand. It is similar in form to a Bach fugue, but uses modal tonality and syncopated rhythms. The statements and episodes build to a recall of the fervent melody from the second movement, leading to the final dynamic unison statement of the fugue subject. Just as it almost dies away, it recharges and boldly bounds ahead to the end. Difficulty Level: 5 (Advanced) Viola, Cello, Piano Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC See composer website for audio sample.

SKU: CL.012-3311-00

A programmatic work based on historical events from three centuries of Southern history. These musical vignettes create three moods which vividly represent Charleston 1774, Atlanta 1864, Nashville 1937. Wonderful music that provides an excellent opportunity for collaboration in a multi-discipline teaching setting. VERY EFFECTIVE!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-3311-01

A programmatic work based on historical events from three centuries of Southern history. These musical vignettes create three moods which vividly represent Charleston 1774, Atlanta 1864, Nashville 1937. Wonderful music that provides an excellent opportunity for collaboration in a multi-discipline teaching setting. VERY EFFECTIVE!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: SS.50600170

SKU: SU.50600170

Published by Seesaw Music.

SKU: HL.14076030

SKU: HL.14023441

ISBN 9788759864906. Danish.

Suitable for Treble Recorder.

SKU: GH.LUN-570-0177

Three musical vignettes to August Strindberg's Stadsresan for piano.

SKU: AP.42791

SKU: CL.012-3311-75

SKU: PR.140401340

ISBN 9781491134450. UPC: 680160684953.

Best known for his settings of spirituals and influence on Dvorák, Henry T. Burleigh was a celebrated baritone, and a prolific composer of original works. FROM THE SOUTHLAND is a suite of six atmospheric scenes of the American south, inspired by Black musical and cultural traditions. FROM THE SOUTHLAND is within reach of intermediate pianists and artistically suited for professional recitals.
In 1835, Henry T. Burleigh’s maternal grandfather purchased his own release from slavery for the sum of $50, and traveled north out of Maryland to begin a new life as a free man. He established his family in Ithaca, NY, and then moved to the bustling lakefront city of Erie, PA, where three decades later his grandson Henry would be born and raised.For Burleigh, the “Southland” that inspired this collection of piano sketches was a distant place that could not have been more different from the physical world he knew, up there in the northern snowbelt. And yet these southern landscapes and vignettes must have been intensely present in his consciousness, absorbed through the stories and songs he first learned at his grandfather’s knee.The music of the South – the spirituals and work songs he heard as a child –would travel with Burleigh throughout his long and illustrious musical life. Even as he progressed through his early classical training, his career as a baritone soloist in Erie’s churches and synagogue, his move to New York to study at the National Conservatory of Music, and his rise to national prominence as a concert soloist, these ancestral melodies stayed firmly centered in his musical identity.When he wrote From the Southland, his only composition for solo piano, Burleigh was just beginning his career as a composer. The art songs that would establish him as one of America’s best known composers in the genre were still to come. And so were his iconic arrangements of spirituals that would bring the songs of slavery onto concert stages around the world, transformed into timeless and uniquely American music.These little piano sketches bring together all the things that made Burleigh the musician he was – the lush, late-romantic style of his time; a broad vision for American music; and a profound respect for his heritage, a memory of the world his grandfather left behind, and a love of the music he brought with him.

SKU: CA.241000

Language: all languages.

The three enchanting, illustrated Songbooks contain the most beautiful and well known German lullabies, children's songs and Christmas songs. The instrumental CDs which accompany these collections invite one and all to sing along. They contain many color, double-page illus trations and vignettes by Markus Lefrancois and Frank Walka. 3 volumes in hardcover, including CDs to sing along in an attractive slipcase.

SKU: KJ.GB887F

Hansel and Gretel, arranged by Ron Cowherd, takes the form of an overture, containing three musical vignettes from the opera: Evening Prayer; Brother, Come and Dance and There Stands a Little Man. The arranger has faithfully captured the magic of the original in the carefully scored arrangement that will make your band sound great! Correlates With Best In Class Bk. 2 Page 19 / SOE Bk. 2 Page 25.

SKU: KN.08868S

UPC: 822795088687.

We welcome Lorie Gruneisen to the Kendor family of writers with this dramatic original. Depicting danger and intrigue on a sailing vessel from three centuries ago, this imaginative vignette features a majestic captain's theme, a jig dance on deck by the crew, and even a skirmish with pirates. It's perfect for groups that are just starting shifting in 1st Violin parts. Duration 2:30. Available in SmartMusic.

SKU: HL.14015562

ISBN 9781846097225. 8.25x11.75x0.182 inches. English.

The music Herbert Howells has tended to be unjustly neglected but his post-war output of orchestral and chamber works is currently enjoying a period of re-eveluation. This Herbert Howells society edition of six pieces brings to light yet another aspect of his work, namely his Piano music. Even though he was an accomplished pianist himself, music for Piano did not figure highly in his output. This volume contains some charming character pieces in the form of six Sarum Sketches, two slow dances based on tunes from John Playford's The Dancing Master, an extrovert piece based on a folk tune, a minuet composed as a birthday present for John Ireland, a brief vignette and an exquisite miniature. Of the six pieces in this volume, three appear in print for the first time.