SKU: CF.CPS161F

ISBN 9781491140758. UPC: 680160628810. 9 x 12 inches.

Thrive is a very strong concert opener or closer with all of the elements that have made Sean O'Louhglin's pieces so successful in the past. You will hear driving angular rhythms, memorable melodic motives, lush harmonic structures and interesting parts for every section of the band to play. Sean's music is bold, dynamic and sweeping in its intensity and musical sophistication. That is why he is one of the top selling composers of concert band music today!

SKU: HL.1461573

UPC: 841300102472. 20.0x20.5x32.25 inches.

DSP Modes The XPRS82 and XPRS152 feature four DSP modes including Live, Music, Speech, and Monitor. 16 Customizable User DSP Modes In addition to the four presets, each XPRS2 full-range speaker includes 16 custom usre DSP modes – which can be saved with custom names – to ensure the EQ settings are maximized for every scenario. XPRS152 Full-Range Speaker Design The larger of the XPRS2 Series, the XPRS152 full range speaker, features a 15″ woofer with a 3″ voice coil and a 1″ exit compression driver with a 1.75″ voice coil for superb sound coverage across mid to large venues and audiences. With a frequency response of 45Hz -20 kHz and a maximum SPL of 133 dB, the versatile full-range speaker delivers powerful sound built to thrive in even the harshest of sound environments, such as a live DJ set or concert.

SKU: PR.114419550

ISBN 9781491131411. UPC: 680160677306. 9 x 12 inches.

Schockerâ� ��™s flute duets often are inspired by nature, and the composer’s love of gardening is reflected in a number of his works. LITTLE HELPERS refers to “nature’s little helpers,” those insects who help the plant kingdom thrive. The four movements of this 7-minute piece are titled Earthworms, Cicada Wasps, Cocooned, and Stingers.

SKU: GI.G-VHS-509

ISBN 9781901557497.

Foun ded during the depression years of the 1930s, the Iona Community began when George MacLeod took a group of trainee ministers and unemployed shipworkers from Glasgow to the island of Iona to rebuild part of the ancient abbey. It was a sign of hope in dark times, but also an experiment in training for ministry and mission through living in community. Over sixty years later, the Community is still committed to a spirituality of engagement and challenge and continues to thrive as a dispersed group of members, associates, and friends all over the UK and many other countries. This video features work and worship at the Abbey, MacLeod and Camas centers on the Iona Community, special archive footage of the rebuilding work and community life, and a look into the Community's base in Glasgow and other sites on the mainland. In addition to being a wonderful introduction to the Iona Community, this film is also an ideal starting point for anyone considering a visit to the island of Iona.

SKU: BR.BV-443

ISBN 9783765104435. 6.5 x 9.5 inches.

The international convention report focuses on Bach reception at the time of Mendelssohn and Schumann in the light of institutional and performance-practical continuities and upheavals. The broadly held view of the closure of an era between the 18th and 19th centuries proves to be no longer tenable. In its place emerges a new understanding of the vigor and durability of Baroque ensemble traditions and performance styles, which continued to thrive well into the 19th century and even into the early 20th century. The articles in this volume deal with this topic from the perspective sometimes for the very first time of the history of instruments, sources, institutions, society and composition technique.

SKU: LP.083417510X

ISBN 9780834175105.

Sout hern gospel enthusiasts will thrive on this medley of heaven songs from Mike Speck and friends, which also features a spirited solo. Included are What a Wonderful Place; Canaanland Is Just in Sight; What a Great Homecoming Day; I've Never Been This.

SKU: HL.372432

ISBN 9781458404893. UPC: 884088575823. 9x12 inches.

Adult and older school-age students thrive on the fun challenge of larger handspans, more arpeggiated accompaniments, fuller, more sophisticated harmonies, and broader melodic lines. These seven musically and technically engaging solos include: Cool Blue Cat ? In the Meadow Stood a Birch Tree ? Black Is the Color of My True Love's Hair ? He's Gone Away ? Scarborough Fair ? Remembrances ? Cartwheel Capers.

SKU: GI.G-10180

ISBN 9781574635348.

Succ essful professional musicians—instrume ntalists and vocalists alike—are always busy. Performing, teaching, family, and professional responsibilities keep them on the go around the clock, yet they still find time to practice so that they can maintain technique, prepare for upcoming performances, and thrive as a musician. In this eye-opening essay collection, these world-renowned artists share their insights on practice, from practical tips you can use today to the intangible lessons of living a musical life: Paul Austerlitz Chris Bacas Stefan Bauer Evangeline Benedetti Serena Benedetti Bruce Bonvissuto John Bruschini Norman Carey Jennifer Choi Peter Erskine Lars Frandsen Gordon Gottlieb Hill Greene John Isley Vic Juris Aline Kiryayeva Morris “Arnie” Lang Deb Lyons Jacqueline Martelle Shoko Nagai and Satoshi Takeishi Andy Narell Isabelle O’Connell Richard O’Donnell Victor Rendón Sonny Rollins Jay Rosen Michael Rosen Terry Silverlight Andrew White, III Brian Willson Dr. Brian Willson is a professional musician, educator, author, and student of African Diaspora heritage in the Americas. As a percussionist/conductor/l ecturer he has performed in over 25 countries, working with a wide variety of artists including Big Nick Nicholas, Katy Roberts, Morris Lang, Pauline Oliveros, Ivo Perelman, Rasul Siddik, the Mystery Brothers, Salim Washington, Brooklyn Philharmonic, Freddie MacGregor, Gloria Gaynor, Roberta Flack, along with numerous tours of the Broadway shows A Chorus Line, Evita, and Chess. His work is represented on over 15 recordings, DVDs, and television specials. Morris Lang attended the Juilliard School. In 1955, shortly after graduation, he was appointed Associate Principal Timpanist and percussionist with the New York Philharmonic. He has performed with music directors from Leonard Bernstein, Pierre Boulez, Zubin Mehta to Kurt Mazur on hundreds of recordings and on television including the famous Leonard Bernstein’s “Young People’s Concerts” and “Live from Lincoln Center.”.

SKU: HL.1176263

UPC: 841300102342. 17.5x18.0x29.25 inches.

The XPRS2 Series couples the versatility and mobility of the original XPRS Series with elevated sound-performance and audio intelligibility to deliver a high-caliber speaker system for mobile DJs, live sound, houses of worship, rental and fixed installations. KEY FEATURES Powerful Class D Amplification The XPRS2 Series employs Class D Amplification with high output wattage for a powerful and premiere audio experience for performances and listeners alike. The XPRS102 and XPRS122 full-range speakers feature CLass D 2000 W amplification, while the XPRS1152S and XPRS1182S subwoofers offer Class D 4000 W amplification. High Quality, Robust Build Pioneer DJ's all-new XPRS2 Series features a sleek, all-black, protective pollywood cabinet for performance in harsh outdoor and indoor environments. The series models all come with a durable handle to support system portability and handling during setup and take down. The XPRS2 Series also features rubber feet to create separation and shock absorption between surfaces. Four DSP Modes Both of the XPRS2 full-range speakers contain four different DSP preset modes–Live, Music, Speech and Studio Monitoring–to address the needs of different listening environments. 16 Customizable User DSP Modes In addition to the four presets, each XPRS2 full-range speaker includes 16 custom user DSP modes - which can be saved with different names - to ensure the EQ settings are maximized for every scenario. Full-Range Speaker Design The XPRS122 is the larger full range speaker counterpart in Pioneer DJ's XPRS2 Series. Featuring a 12″ woofer and 3″ voice coil with a 1″ exit compression driver and 1.75″ voice coil, the speakers deliver comprehensive sound coverage across mid to large audiences and venues. Boasting a frequency response of 48 Hz - 20 kHz and a maximum sound pressure level (SPL) of 131 dB, the versatile full range speaker delivers powerful sound built to thrive in even the harshest of sound environments such as a live DJ set.

SKU: PR.114410790

ISBN 9781491112687. UPC: 680160015580. 9 x 12 inches.

THREE MYSTERIES OF NAGASAKI was inspired by the eerie darkness and ambiguous bells of the oldest Western church in Japan. Dorff’s program note describes impressions of his visit to Nagasaki while withholding any explanation of the three movements. The 13-minute work is a duo for violin and one percussionist, with an array of pitched and unpitched ringing metallic instruments plus bass drum.
THREE MYSTERIES OF NAGASAKI was inspired by the ambiguous bells of the oldest Western church in Japan.In an island nation that used to thrive on isolation from the rest of the world, Nagasaki has long been a vulnerable exception. From the 16th through 19th centuries, it was Japan’s only international port, open to Portuguese and Dutch traders. From this sole crossroads, Christianity (along with European food, flowers, and language) began flowing into the otherwise insular culture. The US Navy’s presence in the 1800s added to Nagasaki being Japan’s exposed Achilles’ heel, which may be why Puccini’s Madama Butterfly is set in this city, with Cho-Cho-San’s vulnerability symbolizing the risk of openness to Western influence.I’ve had occasion to visit Nagasaki, and have never felt so haunted. Aside from the unspeakable atrocity of 1945 and the lasting presence of that horror, there also remains a mysterious air of not really being in pure Japan, or in the present day. Nowhere was this more obvious than within the Ōura Basilica, the earliest Christian church built in Japan. Decades after visiting the basilica, I still recall its oddly distorted and slowly pealing bells, and timeless incense floating in relative darkness. The mysterious bells have stayed with me both for their own sonority, and as a subconscious reminder of everything Nagasaki is and was.Composed for a violinist-percussionist couple who ended a decades-long relationship just as I completed the work (and never performing it), it was originally called simply THREE MYSTERIES; I couldn’t make a direct reference in the title because it felt too raw. Looking back years later, the updated title THREE MYSTERIES OF NAGASAKI seems to ask more questions than it answers.

SKU: HL.14007653

ISBN 9781846093340. 5.75x8.25 inches. English.

Ronald Corps' Companion was warmly received when it first appeared in 1987. Here is a completely revised and updated edition will be indispensable to all those who participate in the world of choral singing including conductors, singers and administrators both amateur and professional. Inside there is essential information on composers, works, technical terms and how to run a choir. There is even a section with advice form singing coach Barbarra Alden who will show you how to sing better. There is also an informative foreword by a modern maestro of Choral music, John Rutter. All this is brought together in a easy to consult format, bringing a wealth of advice on repertoire, how to conduct successful rehearsals and build balanced concert programmes all at your fingertips! This companion offers a complete guide to a branch of music which remains popular and continues to thrive despite the many changes, and dominance of Pop, in the world of music.

SKU: GI.G-10701

SKU: PR.114423470

ISBN 9781491137314. UPC: 680160687473.

A commission from the Santa Fe Chamber Music Festival, for any combination of instruments of her choosing, quickly sparked Shulamit Ran to create a trio for Flute, Viola, and Harp. She writes of this instrumentation: “something about its color palette reminded me of the image I have of Santa Fe as a sun-drenched city of warm hues, a thriving arts scene, and a spirit of relaxed tolerance.” In this subtle, yet dramatic work, the instruments begin the journey with distinct, contrasting musical personalities, which gradually begin to coalesce, though not without surprise twists along the road.
Being commissioned by the Santa Fe Chamber Music Festival to create a new work for the major milestone of its 50th anniversary was both an honor and a special delight. My choice of the flute, viola, and harp combination for this composition was reached quickly and almost instinctively, motivated not only because I relished the thought of composing for an instrumental ensemble I had not previously written for, but also because something about its color palette reminded me of the image I have of Santa Fe as a sun-drenched city of warm hues, a thriving arts scene, and a spirit of relaxed tolerance.In All Roads Leading I treat the instruments intermittently as three distinct characters who have their own individual “voices” and musical materials, while at other times they coalesce into a single, more unified entity. In the sections expressive of the instruments’ individual “souls”� ��as I like to call them—the music ranges from the songful, to the impassioned, but also the volatile. In contrast, where all three instruments act as a single entity, the music tends to be highly rhythmic, sometimes dance-like, even angular, and spiky.As the work progresses, the boundaries between these contrasting approaches become deliberately blurrier and more intertwined, perhaps reminding one of a tale with various twists and turns in the plot. And although eschewing a formal recapitulation, various motivic threads as well as emotive “states” are eventually brought full circle, as if to fulfill an intended role that crystallizes only as All Roads Leading plays out its full journey. Simultaneously with the general unwinding and relaxation that is reached nearthe end, a mutation of an earlier more threatening element appears at the very closing of the work, perhaps a reminder that the unknown always lies ahead.

SKU: CA.1282011

Language: German. Text: Schindler, Peter / Dieterich, Babette. Text: Peter Schindler, Babette Dieterich.

Courage, tolerance and conciliation - this is the message of a sweet and sharp, thrilling love story. Based loosely on Shakespeare and his famous tragedy Romeo and Juliet, a prince, smitten with love, and a courageous baroness bring foreign cultures and two hostile families together in a dramatic happy end. Musically, Konig Keks thrives on contrasts: Whereas the music of Krokantia borrows from the world of operetta, the music of the Chili islands is fiery and rhythmic. On the one hand, a small salon orchestra, and on the other a band produce a diversified sound. An experienced pianst can accompany a performance of the piece alone. Konig Keks offers ample musical as well as scenic performance possibilities for people of all ages. Score and part available separately - see item CA.1282000.

SKU: BA.BA04064

ISBN 9790006495696. 33.1 x 25.9 cm inches. Nicola Francesco Haym.

After Giulio Cesare and Tamerlano , Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym , the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket, London , on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love, and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty.
Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel opera movement.

The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas.
Handel returned to Rodelinda on two occasions, in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers.
For example, Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance, doubtless to accommodate the needs and wishes of the singers, also improve the work’s dramatic substance.

Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: HL.49017529

ISBN 9790001148658. 9.25x12.0x0.221 inches.

The Hungarian composer Istvan Szelenyi (1904-1972) studied composition with Zoltan Kodaly and later taught at the Conservatoire of Budapest. He wrote primarily chamber and piano music. His hitherto unpublished Sonata for oboe and piano was written in 1969 and constitutes an important contribution to the rather small 20th-century oboe repertoire. The one-movement sonata is composed in free tonality and thrives on charming rhythmic turns borrowed from Hungarian folk music.