| 5-Star Classical Duets/Pno 1 Piano, 4 mains [Partition] - Débutant Alfred Publishing
Five-Star Classical Duets arranged by Dennis Alexander. For Piano. Duet or Duo; ...(+)
Five-Star Classical Duets
arranged by Dennis
Alexander. For Piano.
Duet or Duo; Masterworks;
Piano Duet (1 Piano, 4
Hands). Masterwork
Arrangement. Late
Elementary. Book. 32
pages. Published by
Alfred Music Publishing
(1)$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Axen, M Contemporary Drum Compositions Rhythmic Studies Hands & Feet Batterie Wilhelm Hansen
Drum Kit SKU: HL.14002373 Hands & Feet. Composed by Michael Axen. ...(+)
Drum Kit SKU:
HL.14002373 Hands
& Feet. Composed by
Michael Axen. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 42 pages. Edition
Wilhelm Hansen #WH30501.
Published by Edition
Wilhelm Hansen
(HL.14002373). ISBN
9788759810637.
English. This book
is designed for the
intermediate/advanced
drummer to improve
musical, technical
control and reading
ability, and presents
several rhythmic styles,
such as funk, jazz and
Latin. I'm not trying to
educate you on the
'correct' Cuban or
Brazilian grooves, but
have used this music as
an inspiration for
different phrashings and
concepts. In the notes
you can find book
recommendations to
explore the styles fully.
Please feel free to use
the material creatively,
like repeating bars when
you feel like it. You can
also use the pieces for
advanced sight reading,
but I suggest that you
take time to look
carefully at the dynamics
and stickings. All the
stickings are basedon a
right handed player
(please reverse them if
you are left handed). The
basic concept is to have
rhythmic compositions
with basic classical
notation and technique,
that you can play on a
drumset or on a practice
pad with your feet
stompin' at the floor.
The first part is snare
and bassdrum with hi-hat
foot suggestions. Later
in the book hi-hat (with
stick) and snarerim are
added. The advantage of
these concepts is that
playing through these
etudes is very closely
related to what is going
on in modern music.
Especially important for
players in Jazz, Rock and
Latin, but also very
useful for a classical
percussionist who needs
solid music training. The
last part of this book is
a few pages of technique
studies and rhythmic
concepts that is related
to the compositions. The
purpose is not to include
all basic strokes and
principles (there are
already many great books
for that) but to show you
some concepts that I have
found useful and special
through my years of
playing and teaching.
Michael Axen. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Antonin Dvorak : Dumky Trio Op. 90 1 Piano, 4 mains G. Henle
For Piano, 4-hands. By Antonin Dvorak. Edited by Doege. For piano duet (1 piano,...(+)
For Piano, 4-hands. By
Antonin Dvorak. Edited by
Doege. For piano duet (1
piano, 4-hands). This
edition: HN822. Piano,
4-hands, Piano Duets.
Henle Music Folios.
Urtext edition
(Paper-bound). 72 pages.
Published by Henle Urtext
Edition.
$38.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cities & Rhythms 1 Piano, 4 mains Breitkopf & Härtel
Piano 4 Hands SKU: BR.EB-8835 12 Pieces. Composed by Igor Grigori ...(+)
Piano 4 Hands SKU:
BR.EB-8835 12
Pieces. Composed by
Igor Grigori Jussim. Solo
instruments; Softbound.
Edition Breitkopf.
Jussim takes us to
cities that have become
famous through their
music, or, more
precisely, through their
rhythms. Music
pedagogy. Score. 80
pages. Breitkopf and
Haertel #EB 8835.
Published by Breitkopf
and Haertel (BR.EB-8835).
ISBN 9790004183991. 9
x 12 inches. Many
cities around the world
are celebrated for their
unique beauty, their
breathtaking sights or
their historical
significance. These
elements also often go
hand in hand. What is
much less frequent is to
showcase a city from the
perspective of its music.
This is precisely the
path taken here by Stadte
und Rhythmen on its
journey to cities that
have become famous
through their music, or,
more precisely, through
their rhythms, and from
where dances such as the
polka, the waltz, the
tarantella and others
began their triumphant
march through music
history. Igor Jussim,
known for his Blues
Collection (EB 8718),
fashions the pieces in
Stadte und Rhythmen after
characteristic patterns.
He highlights the
selected rhythms in a
musical idiom and form
that encourage the
players access to these
rhythms. Igor Jussim
livre des morceaux
originaux qui ne manquent
pas de dynamisme.
(Pianiste)
Jussim
takes us to cities that
have become famous
through their music, or,
more precisely, through
their rhythms. $33.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Killer Technique: Mandolin Mandoline - Débutant Mel Bay
By Suzanna Barnes. For mandolin. Technique book. Beginning-Intermediate. Book. 2...(+)
By Suzanna Barnes. For
mandolin. Technique book.
Beginning-Intermediate.
Book. 20 pages. Published
by Mel Bay Publications,
Inc
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 50 Essential Bebop Licks You Must Know DVD Guitare [DVD] EMedia
| | |
| Piano Junior: Duet Book 3 Vol. 3 1 Piano, 4 mains [Partition + Accès audio] - Débutant Schott
A Creative and Interactive Piano Course for Children. Composed by Hans-Guenter...(+)
A Creative and
Interactive
Piano Course for
Children.
Composed by Hans-Guenter
Heumann. This edition:
Saddle
stitching. Sheet music.
Piano
Duet. Method. Edition
with
Online audio file. 40
pages.
Schott Music #ED13823.
Published by Schott Music
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Pachelbel Piano Duets 1 Piano, 4 mains - Facile Clifton Edition
Piano Duet - Grade 2-4 SKU: ST.C481 Composed by Johann Pachelbel. Arrange...(+)
Piano Duet - Grade 2-4
SKU: ST.C481
Composed by Johann
Pachelbel. Arranged by
Mark Goddard. Piano and
keyboard music. With
optional backing tracks.
Collection. Clifton
Edition #C481. Published
by Clifton Edition
(ST.C481). ISBN
9790570814817. The
Easy Piano Duets Series
presents a selection of
sensitively arranged
piano duets, each with
optional backing tracks.
In the interests of
playability, these two
wonderful tunes have been
simplified, while still
allowing the spirit of
the originals to shine
through.
In the
interests of playability,
the strict formality of
Pachelbelâ??s Canon has
been relaxed while
allowing the spirit of
the original to shine
through. The key has been
simplified from D major
to C major and the
seventeenth century
rhythmic notation updated
to improve readability.
The optional backing
tracks allow for small 12
bar sections (between
each of the rehearsal
letters) to be practised
both â??slowlyâ??
(crotchet = 70 with
metronome click) and
â??a tempoâ?? (crotchet
= 84), before putting the
whole piece together â??
ideally in the company of
another
human!
Arranged by
Mark Goddard with
optional backing tracks
(available to
download here). $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Achieving Guitar Artistry - Triads Guitare - Intermédiaire/avancé Mel Bay
Guitar - Intermediate-Advanced SKU: MB.WBM24 Composed by William Bay. Squ...(+)
Guitar -
Intermediate-Advanced
SKU: MB.WBM24
Composed by William Bay.
Squareback saddle stitch,
Solos, Contemporary,
Technique, Theory and
Reference. Achieving
Guitar Artistry. Style.
Book. 76 pages. Mel Bay
Publications, Inc #WBM24.
Published by Mel Bay
Publications, Inc
(MB.WBM24). ISBN
9780998384221. 8.75 x
11.75 inches. This
book of triadic concepts
is as much for the ears
as it is for the hands.
Playing harmonized scales
in triadic form is very
helpful for the
progressing guitarist. By
working through these
exercises, the guitarist
will learn the harmonic
sound of each key and
develop a strong sense of
melodic and harmonic
voice leading.These
studies contain
interesting melodic
content and are very fun
to play. The keys are
presented in tonic major
and tonic minor rather
than tonic major and
relative minor. This is
the second book in Mel
Bays Achieving Guitar
Artistry series and
follows the initial
Linear Etudes text.
Readers should develop a
routine of practicing one
key per day for the best
results. Mastery of this
book will do much to
enhance the guitarists
sense of voice leading,
note reading and
improvising. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mémoire d’une bergère Piano seul - Intermédiaire Musik Fabrik
Piano - Grade 3 SKU: FA.MFGT056 Composed by Germaine Tailleferre. Piano M...(+)
Piano - Grade 3 SKU:
FA.MFGT056 Composed
by Germaine Tailleferre.
Piano Music by
Tailleferre.
Classical : Modern.
Score. Musik Fabrik
#MFGT056. Published by
Musik Fabrik
(FA.MFGT056). 8.27 x
11.69 inches. In
1959, Germaine
Tailleferre wrote
incidental music for a
radio drama based on
Philippe Jullian’s
« Mémoire
d’une
bergère » or
« Autobiography of
an armchair » which
traced the owners of this
armchair from the court
of Louis XV to England
after the French
Revolution, back to Paris
and through the hands of
various foreign owners
(Arabian, American,
German etc.). In
illustrating this story
Tailleferre used her
great knowledge of
musical styles to evoke
these different settings,
from the classical styles
of French music of the
XVIIIth century to
classical, romantic,
popular French styles as
well as two evocations of
American Blues/Ragtime
music. These short pieces
are interesting in and of
themselves, in addition
to illustrating
Jullian’s story.
The first piece may be
repeated at the end, as
it was in the original
radio drama. $23.69 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| How to Play Djembe Djembe [Partition + CD] - Facile Dancing Hands
by Alan Dworsky and Betsy Sansby. For miscellaneous percussion. Dancing Hand. Wo...(+)
by Alan Dworsky and Betsy
Sansby. For miscellaneous
percussion. Dancing Hand.
World music. Level:
Beginning. Book/CD Set.
Method. Size 8.5x10.75.
96 pages. Published by
Dancing Hand.
$19.99 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Lyric Library: Love Songs Paroles Seulement - Intermédiaire Hal Leonard
Complete Lyrics for 200 Songs. Lyric Library. Size 5.75x9 inches. 222 pages. Pub...(+)
Complete Lyrics for 200
Songs. Lyric Library.
Size 5.75x9 inches. 222
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Bach Piano Duets 1 Piano, 4 mains - Facile Clifton Edition
Piano Duet - Grade 2-4 SKU: ST.C479 Composed by Johann Sebastian Bach. Ar...(+)
Piano Duet - Grade 2-4
SKU: ST.C479
Composed by Johann
Sebastian Bach. Arranged
by Mark Goddard. Piano
and keyboard music. Easy
Piano Duets. Collection.
Clifton Edition #C479.
Published by Clifton
Edition (ST.C479).
ISBN
9790570814794. The
Easy Piano Duets Series
presents a selection of
sensitively arranged
piano duets, each with
optional backing tracks.
In the interests of
playability, these two
wonderful tunes have been
simplified, while still
allowing the spirit of
the originals to shine
through. The keys have
been transposed to C
major and the Baroque
rhythmic notation updated
to improve readability.
The optional backing
tracks include both a
performance of each
piece, plus tracks that
allow the student to
practise alone both
â??slowlyâ?? (with a
metronome click) and
â??a tempoâ??, before
putting the whole piece
together â?? ideally in
the company of a real
person!
â??Sleepe
rs Awake!â?? (from
â??Wachet aufâ?? BWV
140) â??Sheep May
Safely Grazeâ?? (from
â??The Hunting
Cantataâ?? BWV 208). $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Easy Vivaldi Piano Duets 1 Piano, 4 mains - Intermédiaire Clifton Edition
Piano Duet - Grade 3-5 SKU: ST.C480 Composed by Antonio Vivaldi. Arranged...(+)
Piano Duet - Grade 3-5
SKU: ST.C480
Composed by Antonio
Vivaldi. Arranged by Mark
Goddard. Piano and
keyboard music. Easy
Piano Duets. Collection.
Clifton Edition #C480.
Published by Clifton
Edition (ST.C480).
ISBN
9790570814800. The
Easy Piano Duets Series
presents a selection of
sensitively arranged
piano duets, each with
optional backing tracks.
In the interests of
playability, these two
wonderful tunes have been
simplified, while still
allowing the spirit of
the originals to shine
through.
Vivaldiâ
??s The Four Seasons (Le
quattro stagioni) is the
name given to the four
violin concertos Opus 8,
No. 1â??4. Composed in
1723, they remain among
the most popular
concertos in all music.
The texture of each
movement is varied,
resembling its respective
season. For example,
â??Winterâ?? is dark
and sombre, whereas
â??Summerâ?? invokes a
thunderstorm in its final
movement. Vivaldi wrote
four sonnets to be read
with the concerti â??
here translated into
English overleaf. $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mikrokosmos for piano Volume 3-4, BB 105 Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ20084 Urtext (1932-1939). Composed by Bela Barto...(+)
Piano SKU:
BT.EMBZ20084
Urtext
(1932-1939). Composed
by Bela Bartok. Arranged
by Yusuke Nakahara. EMB
Music of Bela Bartok.
Educational Tool. Book
Only. Composed 2021. 112
pages. Editio Musica
Budapest #EMBZ20084.
Published by Editio
Musica Budapest
(BT.EMBZ20084).
English-Hungarian.
Bartók's
Mikrokosmos has been one
of the milestones in
pedagogical piano
repertoire for 80 years -
and yet it is also far
more than a classical
piano primer. These 153
piano pieces, organized
in ascending order of
difficulty, engage not
only with technical
aspects of piano playing
but also with the
fundamentals of
composition - from
Imitation and Inversion,
Ostinato, and Free
Variations, concerning
compositional technique,
to mood pieces and pieces
with programmatic ideas
such as Notturno,
Boating, From the Diary
of a Fly, or the famous
Six Dances in Bulgarian
Rhythm. Mikrokosmos first
appeared in 1940 in six
volumes. Based on volume
40 of the Bartók
CompleteEdition published
in 2020(Z. 15040), the
present Urtext edition
offers the series
gathered in three
volumes. This edition
includes Bartók's
preface, exercises, and
notes written for the
first edition.
Furthermore, it also
features a preface and
comments by the editor,
which not only discuss
the genesis and the
compositional sources but
also provide performers,
teachers and pupils
alike, with authentic and
detailed information
about Bartók's
notation and the specific
performing problems of
Mikrokosmos. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Live On - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS182
Composed by Larry Clark.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
16+16+10+4+3+10+10+12
pages. Duration 3
minutes, 32 seconds. Carl
Fischer Music #YAS182.
Published by Carl Fischer
Music (CF.YAS182).
ISBN 9781491151471.
UPC: 680160908974. 9 x 12
inches. Key: G
major. The title,
Live On, by Larry Clark,
is taken from Chrissie
Pinney's poem about grief
and loss. The piece is
meant to depict the
personality of Linda
Mann, to whom it is
dedicated. The opening is
poignant and pensive,
followed by a whimsical
theme which alludes to
happy thoughts of a life
well-lived. The piece
builds to a
triumphant?conclusion
based on an augmented
version of the
theme.
Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda Manns
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should depict
Lindas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like. They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. Larry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017.A Linda Mannas
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should adepict
Lindaas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like.a They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.A That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too A
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes.A She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time.A The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme.A This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. aLarry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017.A Linda Mannas
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should adepict
Lindaas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like.a They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.A That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too A
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes.A She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time.A The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme.A This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. aLarry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda Mann's
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should depict
Linda's personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like. They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. -Larry
Clark Lakeland, FL
2017 . Live
On was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda
Mann's impact on the
field of music education
was profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association. In
discussing the type of
piece the school wanted
to honor Ms. Mann, they
indicated the piece
should depict Linda's
personality - dynamic,
sassy, yet thoughtful and
almost mentor-like. They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved teacher.
After contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That
poem is entitled Live On
by Chrissie Pinney. Live
On Now as I live on
Without you I hope to
keep The pieces of you
That I loved so dearly
Your mannerisms And
compassionate character
And smiles through
struggle So that you May
live on too -Chrissie
Pinney I reached out to
Ms. Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed that
she was deeply touched
that her work would
inspire me to write a
piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.
After the somber opening,
the piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work. It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live On.
-Larry Clark Lakeland, FL
2017. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality - dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Live On - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS182F
Composed by Larry Clark.
Young String Orchestra
(YAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#YAS182F. Published by
Carl Fischer Music
(CF.YAS182F). ISBN
9781491151846. UPC:
680160909346. 9 x 12
inches. The title,
Live On, by Larry Clark,
is taken from Chrissie
Pinney's poem about grief
and loss. The piece is
meant to depict the
personality of Linda
Mann, to whom it is
dedicated. The opening is
poignant and pensive,
followed by a whimsical
theme which alludes to
happy thoughts of a life
well-lived. The piece
builds to a
triumphant?conclusion
based on an augmented
version of the
theme.
Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda Manns
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should depict
Lindas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like. They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. Larry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017.A Linda Mannas
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should adepict
Lindaas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like.a They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.A That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too A
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes.A She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time.A The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme.A This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. aLarry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017.A Linda Mannas
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should adepict
Lindaas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like.a They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.A That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too A
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes.A She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time.A The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme.A This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. aLarry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda Mann's
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should depict
Linda's personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like. They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. -Larry
Clark Lakeland, FL
2017 . Live
On was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda
Mann's impact on the
field of music education
was profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association. In
discussing the type of
piece the school wanted
to honor Ms. Mann, they
indicated the piece
should depict Linda's
personality - dynamic,
sassy, yet thoughtful and
almost mentor-like. They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved teacher.
After contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That
poem is entitled Live On
by Chrissie Pinney. Live
On Now as I live on
Without you I hope to
keep The pieces of you
That I loved so dearly
Your mannerisms And
compassionate character
And smiles through
struggle So that you May
live on too -Chrissie
Pinney I reached out to
Ms. Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed that
she was deeply touched
that her work would
inspire me to write a
piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.
After the somber opening,
the piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work. It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live On.
-Larry Clark Lakeland, FL
2017. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality - dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children's Symphony in C major Breitkopf & Härtel
Violin 2 (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quail...(+)
Violin 2 (0.0.0.0 -
0.1.0.0 - perc(3) -
ratchet
rattle.nightingale.cuckoo
.quail - str(without va))
SKU: BR.OB-4905-16
Berchtolsgaden.
Composed by Leopold
Mozart. Edited by Gustave
Sandre. Arranged by
Gustave Sandre. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. Symphony;
Early classical. Part. 4
pages. Duration 11'.
Breitkopf and Haertel #OB
4905-16. Published by
Breitkopf and Haertel
(BR.OB-4905-16). ISBN
9790004324455. 9 x 12
inches. The work,
originally titled
Berchtolsgader-Musik,
goes back to the Cassatio
ex G by Leopold Mozart,
whose movements 3, 4 and
7 are identical to the
Kinder-Symphonie
[Children's Symphony].
For a long time, the
authorship of the work
was uncertain. It was
attributed to Joseph
Haydn and his brother
Michael, at times also to
Edmund Angerer and
Leopold Mozart's pupil
Johann Rainprechter. The
work probably first
received the designation
Kinder-Symphonie in 1813
through an edition by the
music publisher
Hofmeister.In the
Children's Symphony, a
cuckoo, a quail and other
unusual instruments are
used in addition to the
usual orchestral scoring.
These belong to the
Berchtesgaden
instruments: flutes,
whistles and rattles
carved from wood,
manufactured in the
Berchtesgaden region and
widely used as children's
toys throughout the
country. Today, these
instruments can also be
replaced by flutes,
whistles as well as
ratchets, rattles or bell
trees.
The piano
versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Children's Symphony in C major Breitkopf & Härtel
Woodwinds (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quai...(+)
Woodwinds (0.0.0.0 -
0.1.0.0 - perc(3) -
ratchet
rattle.nightingale.cuckoo
.quail - str(without va))
SKU: BR.OB-4905-30
Berchtolsgaden.
Composed by Leopold
Mozart. Edited by Georg
Sandre. Arranged by
Gustave Sandre. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. Symphony;
Early classical. Set of
parts. 14 pages. Duration
11'. Breitkopf and
Haertel #OB 4905-30.
Published by Breitkopf
and Haertel
(BR.OB-4905-30). ISBN
9790004324479. 9 x 12
inches. The work,
originally titled
Berchtolsgader-Musik,
goes back to the Cassatio
ex G by Leopold Mozart,
whose movements 3, 4 and
7 are identical to the
Kinder-Symphonie
[Children's Symphony].
For a long time, the
authorship of the work
was uncertain. It was
attributed to Joseph
Haydn and his brother
Michael, at times also to
Edmund Angerer and
Leopold Mozart's pupil
Johann Rainprechter. The
work probably first
received the designation
Kinder-Symphonie in 1813
through an edition by the
music publisher
Hofmeister.In the
Children's Symphony, a
cuckoo, a quail and other
unusual instruments are
used in addition to the
usual orchestral scoring.
These belong to the
Berchtesgaden
instruments: flutes,
whistles and rattles
carved from wood,
manufactured in the
Berchtesgaden region and
widely used as children's
toys throughout the
country. Today, these
instruments can also be
replaced by flutes,
whistles as well as
ratchets, rattles or bell
trees.
The piano
versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. $20.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Children's Symphony in C major Breitkopf & Härtel
Violin 1 (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quail...(+)
Violin 1 (0.0.0.0 -
0.1.0.0 - perc(3) -
ratchet
rattle.nightingale.cuckoo
.quail - str(without va))
SKU: BR.OB-4905-15
Berchtolsgaden.
Composed by Leopold
Mozart. Edited by Gustave
Sandre. Arranged by
Gustave Sandre. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. Symphony;
Early classical. Part. 4
pages. Duration 11'.
Breitkopf and Haertel #OB
4905-15. Published by
Breitkopf and Haertel
(BR.OB-4905-15). ISBN
9790004324448. 9 x 12
inches. The work,
originally titled
Berchtolsgader-Musik,
goes back to the Cassatio
ex G by Leopold Mozart,
whose movements 3, 4 and
7 are identical to the
Kinder-Symphonie
[Children's Symphony].
For a long time, the
authorship of the work
was uncertain. It was
attributed to Joseph
Haydn and his brother
Michael, at times also to
Edmund Angerer and
Leopold Mozart's pupil
Johann Rainprechter. The
work probably first
received the designation
Kinder-Symphonie in 1813
through an edition by the
music publisher
Hofmeister.In the
Children's Symphony, a
cuckoo, a quail and other
unusual instruments are
used in addition to the
usual orchestral scoring.
These belong to the
Berchtesgaden
instruments: flutes,
whistles and rattles
carved from wood,
manufactured in the
Berchtesgaden region and
widely used as children's
toys throughout the
country. Today, these
instruments can also be
replaced by flutes,
whistles as well as
ratchets, rattles or bell
trees.
The piano
versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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