(For SATB Chorus, a cappella). Composed by Chen Yi (1953-). For SATB choir, ...(+)
(For SATB Chorus, a
cappella).
Composed by Chen Yi
(1953-).
For SATB choir, a
cappella.
Standard notation. 12
pages.
Duration 3 minutes.
Published
by Theodore Presser
Company
(Chamber Ensemble) SKU: HL.48185794 Composed by Bohuslav Martinu. Leduc. ...(+)
(Chamber Ensemble)
SKU: HL.48185794
Composed by Bohuslav
Martinu. Leduc.
Classical. Softcover.
Alphonse Leduc #AL29516.
Published by Alphonse
Leduc (HL.48185794).
UPC: 888680979911.
9.0x12.25
inches.
Bohuslav
Martin? (1890-1959) was a
prolific Czech composer,
writing many large scale
works. The composer moved
to Paris in 1923 where he
began experimenting in
composing Ballets. The
Kitchen Revue was
composed in 1927 and
remains popular to this
day. Incoporating many
jazz characteristics, The
Kitchen Revue is composed
for Clarinet, Bassoon,
Trumpet, Violin, Cello
and Piano. Martin?
experiments with
expressionism and the
ballet has been described
as ''pantomime-esque''
for its humorous
depiction of kitchen
utensils. As a varied,
substantial work,
Martin?''s The Kitchen
Revue is essential to the
repertoire of any
aspiring and enthusiastic
ensemble of advanced
musicians..
For hammered dulcimer, fiddle, mandolin. 20 pages. Published by Kitchen Musician...(+)
For hammered dulcimer,
fiddle, mandolin. 20
pages. Published by
Kitchen Musician Books
(KI.KM9).
25 tunes from Scotland
and the Shetlands in
standard notation and
chords; strathspeys,
jigs, reels, pipe tunes,
some harmony parts.
(GEB) SKU: HL.49015635 Musikmarchen aus aller Welt. Composed by Do...(+)
(GEB)
SKU:
HL.49015635
Musikmarchen aus aller
Welt. Composed by
Dorothé and e
Kreusch-Jacob. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Kinder brauchen
Marchen (Bruno
Bettelheim) - und
musikalische Marchen ganz
besonders!Fur Kinder ab 6
Jahren. Classical. 173
pages. Schott Music #ED
9426. Published by Schott
Music (HL.49015635).
ISBN 9783795704469.
7.0x9.75x0.659 inches.
German. Renate
Seelig.
Dieses Buch
weiss Marchen aus vielen
Landern der Welt zu
erzahlen. Die Geschichten
handeln von Tonen und
Stimmen, von Trommeln,
Glocken, Floten, Lauten,
Harfen und von allerlei
musikalischem
Spielzeug.Musik kann man
durch Horen und Spielen
naher kommen - aber auch
durch Vorlesen und
Erzahlen von
Musikmarchen. Uber
Jahrhunderte hinweg haben
sie etwas von den alten
Wurzeln der Musik
bewahrt. In ihrer
Bildersprache geben sie
die geheimnisvolle
Klangsprache der Musik
wieder. Den nach
Instrumentengruppen
zusammengefassten
Kapiteln hat die Autorin
einfuhrende Texte
vorangestellt. Am Schluss
des Buches sind die in
der Sammlung erwahnten
Instrumente abgebildet
und beschrieben.
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Sc...(+)
Chamber Music Piano
SKU: PR.110418480
Composed by Chen Yi.
Performance Score.
Duration 6 minutes.
Theodore Presser Company
#110-41848. Published by
Theodore Presser Company
(PR.110418480).
ISBN
9781491136294. UPC:
680160688784.
Chen
Yi’s beautiful and
highly-textured tone poem
was inspired by ancient
Chinese poetry; its
melodic ideas were
developed from musical
phrases characteristic of
Chinese opera. Wang
Ya’s original verse as
translated by Chen Yi
reads:“SONG OF SPRING
OUTING”Ten thousand
apricot trees by the
riverside,Spring flowers
bloom after the wind at
night.Covered over the
garden, colors dark and
light,Mirrored in the
green water
ripples. SONG OF
SPRING OUTING was
commissioned by the
Center for East Asian
Studies and the Asian
Classical Music
Initiative at the
University of Kansas in
2022 for Dr. Yi-Yang Chen
to premiere in 2023.The
work was inspired by an
ancient Chinese poem with
the same title:Song of
Spring Outingby Wang Ya
(Tang Dynasty)English
translation by Chen YiTen
thousand apricot trees by
the riverside,Spring
flowers bloom after the
wind at night.Covered
over the garden, colors
dark and light,Mirrored
in the green water
ripples.This inspiring
image is like taking a
walk through a beautiful
garden with layers of
colorful trees and
flowers, mirrored in the
green water.The opening
phrase of the music
introduces the signature
intervals, the leap of a
seventh found in Beijing
Opera fiddle’s
language, followed by
melodic material with a
major 2nd and perfect 4th
in pentatonic style as
the thematic materials.
[C-Bb-G in bars 1-2,
followed by the top
pitches A-B and Ab-E( in
bars 2-3]. This statement
is brought back
(Rehearsal F) in a
retrograded form of the
introduction at the
climatic end of the
piece.The musical form is
a combination of
variations on thematic
materials, and a rondo.
After the introductory
section, Rehearsal A
introduces an
improvisation-like
mountain song melody
(developed from the
pentatonic material in
the
introduction).Rehearsal B
brings in a lively
texture in short
groupings with staccato
in both hands (using the
seventh leap interval
introduced in the opening
of the piece).Rehearsals
C and D develop the
introduction’s
pentatonic melody and the
mountain tune (introduced
in Rehearsal A) with more
layers in the
texture.Rehearsal E
develops the material
presented in Rehearsal B,
with an extended range in
both ends of the
keyboard, increasing the
freshness and
excitement.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
SKU: GI.G-9140 Selected papers from the Fifth International Symposium ...(+)
SKU: GI.G-9140
Selected papers from
the Fifth International
Symposium on Assessment
in Music Education.
Edited by Timothy S.
Brophy. Assessment. Music
Education. 608 pages. GIA
Publications #9140.
Published by GIA
Publications (GI.G-9140).
Composed by Gunther
Matejka. Book. Method.
128 pages. Voggenreiter
#VOGG 489. Published by
Voggenreiter
(M7.VOGG-489).
ISBN
9783802404894.
German.
Casting.
Kaum ein anderes Wort hat
im letzten Jahr die
Deutschen mehr bewegt als
dieses Synonym für
Show, Glamour, Emotionen
und Erfolg. Dabei gibt es
Castings nicht erst seit
den No Angels und Daniel
Küblböck, im
Gegenteil - sie sind im
Showbusiness seit
Jahrzehnten Gang und
Gäbe, egal ob Models,
Synchronsprecher,
Schauspieler oder
Musiker.So
unterschiedlich die
Anforderungen auch sein
mögen - die
Casting-Situation ist
meist ähnlich: Man
muss in ein,zwei Minuten
zeigen, was man drauf
hat. Dies bedeutet für
die Kandidaten Stress,
Lampenfieber und
höchste Konzentration.
Doch Vorsicht: Es wimmelt
dabei vor Fettnäpfchen
und Fallen.In diesem Buch
verrät der Autor
Gunther Mateijka in
Zusammenarbeit mit dem
Diplom-Psychologen
Hans-Dieter Hermann,
worauf es beim Casting
ankommt, wie man sich am
besten darauf vorbereitet
und sein Potential genau
auf den Punkt abruft.Eine
Checkliste für
potentielle
Casting-Teilnehmer (hab
ich es überhaupt
drauf?) ist ebenso
Bestandteil des Buches
wie ein Kapitel, das
gescheiterte Kandidaten
wieder aufbaut.
Zahlreiche Interviews mit
Casting-Stars und
Jury-Mitgliedern runden
das Handbuch informativ
und unterhaltsam ab.
Kurz: Wer an einem
Casting teilnehmen
möchte, kommt an
dieser kompakten
Lektüre nicht
vorbei.
SKU: CA.5021500 Composed by Josef Gabriel Rheinberger. Edited by Manuela ...(+)
SKU: CA.5021500
Composed by Josef Gabriel
Rheinberger. Edited by
Manuela Jahrmarker. This
edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Lieder fur
Singstimme und Klavier.
Josef Gabriel
Rheinberger. Complete
Works. Full score
(complete edition /
selected edition). Carus
Verlag #CV 50.215/00.
Published by Carus Verlag
(CA.5021500).
ISBN
9790007090265.
Volu
me 15 reveals a largely
unknown treasure of the
romantic song for voice
with piano accompaniment
in which his complete 100
solo songs with opus
numbers are united in one
collection. The musical
spectrum ranges from the
naive-witty Kinderlieder
op. 152 to the highly
dramatic setting of Des
Madchens Klage op. 57,7
from Schiller's
Wallenstein. Among the
authors of these poems
Rheinberger's
scarcely-known
contemporaries are
represented, just as are
the great names of German
literature, including
Goethe, Eichendorff, and
Scheffel. English and
Italian poets are also
represented (Burns,
Moore, Petrarca,
Savonarola).
Piano SKU: DB.01-00390 20 einfache Klavierstucke fur die Reise um die ...(+)
Piano
SKU:
DB.01-00390
20
einfache Klavierstucke
fur die Reise um die
Welt. Composed by
Gerald Schwertberger.
Keyboard music. Doblinger
Music Publishers
#01-00390. Published by
Doblinger Music
Publishers (DB.01-00390).
ISBN
9790012188902.
Boog
ie - Blues - Country -
Samba - Reggae - Folk -
Latin. Die stilistische
und regionale Vielfalt
dieser uberaus gelungenen
und didaktisch wertvollen
Sammlung sorgt fur
abwechslungsreichen
Klavierunterricht und
Freude beim Uben! Wo
geht's diese Woche hin -
ans Mittelmeer (Turkei,
Spanien,Italien), oder
fahren wir nach Ungarn?
Oder habt ihr Lust auf
eine Fernreise nach
Sudamerika (Bolivien,
Peru, Venezuela, Ecuador,
Argentinien), oder
vielleicht in die Karibik
nach Jamaika oder in die
USA zu Blues, Boogie und
Country Music? Auch Japan
konnte man ja einmal in
Betracht ziehen ... Und
das beste: die ganze
Weltreise mit dem
Tastenglobus kostet nur
ein wenig Ubungszeit und
ist supergunstig! 1.
Spuckendes Lama / 2.
Jamaican Bassman / 3.
Lied des Hausieres / 4.
Takeda no Komuri Uta
(Lied des Kindermadchens)
/ 5. Hillybilly Western
Waltz / 6. San Juanito
(H. Johannes-Tanz) / 7.
Titicacasee-Express (mit
dem Zug von Puno nach
Cuzco) / 8. Der Blues vom
weissesten Weiss / 9.
Santa Claus is Coming
(Uber ein Motiv von O du
Frohliche) / 10. Szoke
kis lany megy a kutra
(Blondes Madchen geht zum
Brunnen) / 11. Turkische
Ansichtskarte / 12. Un
perro con pulgas (Hund
mit Flohen) / 13.
Kingston Reggae Queen /
14. Fatty's Saloon Blues
/ 15. Give us power, give
us peace / 16. Fast Food
Boogie / 17. Copa Cagrana
Samba / 18.
Tingeltangel-Tango / 19.
Schwarzfahrer-Blues / 20.
Plitsch-Platsch-Boogie.
p>
Piano - easy to intermediate SKU: M7.ART-42163 22 gefühlvolle Klavi...(+)
Piano - easy to
intermediate
SKU:
M7.ART-42163
22
gefühlvolle
Klavierkompositionen.
Composed by Nataliya
Frenzel. Score with
online audio files. 68
pages. MDS (Music
Distribution Services)
#ART 42163. Published by
MDS (Music Distribution
Services) (M7.ART-42163).
ISBN
9783866421639.
'The
Sound of Piano' ist eine
Sammlung klangvoller,
moderner
Klavierstücke, die
sowohl im
Klavierunterricht als
auch zum
selbstständigen
Ãœben und Musizieren
verwendet werden
können. Die Stücke
sind leicht bis
mittelleicht arrangiert
und richten sich an
Pianistinnen & Pianisten,
die am Klavier bereits
grundlegende Fertigkeiten
besitzen und sich
pianistisch
weiterentwickeln
möchten. Die
musikalischen Inhalte
sind abwechslungsreich
und werden beinahe jedem
Geschmack und jeder
Stimmungslage gerecht:
Von
majestätisch-graziö
sen oder
humorvoll-verspielten
über
rhythmisch-synkopierten
bis hin zu
lyrisch-romantischen
Kompositionen. Begeben
Sie sich auf eine
musikalische
Entdeckungsreise und
genießen Sie diese
locker-leichte,
stimmungsvolle
Klaviermusik mit modernen
Rhythmen, harmonischen
Verbindungen sowie
eingängigen Melodien.
Einfach ausprobieren,
loslegen und Spaß
haben!
By German Folk Songs. Arranged by Robert Page. Text: German Folk Songs. For A Ca...(+)
By German Folk Songs.
Arranged by Robert Page.
Text: German Folk Songs.
For A Cappella. (SATB -
Div.). A Choral Series
Robert Page. Folk,
Secular. Level: Medium
Adult. 8 pages. Duration
3 min, 57 sec. Published
by Hinshaw Music Inc.
(For SATB Chorus, A Cappella). By Yi Chen. For SATB choir, Piano (for rehearsal ...(+)
(For SATB Chorus, A
Cappella). By Yi Chen.
For SATB choir, Piano
(for rehearsal only).
Choral music. Octavo.
Standard notation. 12
pages. Duration 5
minutes. Published by
Theodore Presser Company
(GEB) SKU: HL.49020861 Die Lebenserinnerungen des Komponisten Norbert ...(+)
(GEB)
SKU:
HL.49020861
Die
Lebenserinnerungen des
Komponisten Norbert
Schultze. Composed by
Johann Christoph
Schultze. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Schwerpunkt dieses Buches
sind nicht allein die
Erinnerungen eines von
Grund auf echten
Musikers, sondern auch
seine politischen
Erkenntnisse und
Einsichten. Seit meinem
70. Lebensjahr ist
eigentlich jetzt mein
Lebensinhalt: mir uber
mein Leben und Wirken.
190 pages. Schott Music
#ATL 6206. Published by
Schott Music
(HL.49020861).
ISBN
9783254002068.
8.0x9.0x0.649 inches.
German.
Norbert
Schultze: E- oder
U-Komponist? Opern- oder
Schlagerkomponist?Genau
dazwischen, meint er
selbst und beschreibt
sein Leben, vom
Geburtsort Braunschweig
1911 uber Studium in Koln
und Munchen bis zum
Studentenbrettel Die vier
Nachrichter 1931, dem er
unter dem Pseudonym Frank
Norbert mit
Unterbrechungen 4 Jahre
lang angehort - zusammen
mit Kurd E. Heyne, Bobby
Todd und Helmut Kautner.
Dazwischen ist er
Opernkapellmeister in
Heidelberg und Darmstadt,
wird dort 1933 von den
neuen Machthabern
vertrieben, nach dem
Erfolg seiner Oper
Schwarzer Peter (Hamburg
1936) jedoch verwohnt und
privilegiert, darf
wahrend des Krieges
Filmmusiken komponieren
(u.a. Symphonie eines
Lebens) und seine zweite
Oper Das kalte Herz. 1945
drei Jahre Berufsverbot.
Schreibt danach wieder
Musik zu insgesamt 70
Filmen (u.a. 1958 Das
Madchen Rosemarie), zu
einem Musical Kapt'n
Bay-Bay (Hamburg 1950),
einer Operette Regen in
Paris (Nurnberg 1956),
der Fernseh-Oper Peter
der dritte (ZDF 1966) und
an die 100 Lieder und
Chansons, von denen Lili
Marleen (1938) ganz ohne
sein Zutun weltweite
Verbreitung findet.
Schultze erzahlt uber
seine Librettisten
(Walter Lieck, Hans Leip,
Fritz Grasshof u.a.) und
seine wichtigsten
Interpreten: Lale
Andersen und Marlene
Dietrich (Lili Marleen),
Rudolf Schock (Ach, ich
hab in meinem Herzen) und
Hans Albers (Nimm mich
mit, Kapitan, auf die
Reise). Er berichtet aus
sturmisch bewegter Zeit,
fuhrt uns offen und
ehrlich durch Hohen und
Tiefen seines Lebens,
ohne sich zu schonen und
ohne eigene Fehler zu
verschweigen.Ein
hochinteressantes
Dokument zur
Zeitgeschichte,
informativ, unterhaltsam
und spannend.
By Jeff Guillen. For SSA/SA choir (SA/SS). This edition: Full score. Gospel Musi...(+)
By Jeff Guillen. For
SSA/SA choir (SA/SS).
This edition: Full score.
Gospel Music, Sacred
music, Vocal music. The
Ultimate Gospel Choir
Book. Arranger Jeff
Guillen brilliantly
achieved the impression
that important harmonious
events are taking placea
(Der Kirchenmusiker).
Gospel, Spiritual,
contemporary choir music.
Intermediate. Book.
Standard. 40 pages.
Published by Zebe
Publishing
By Jeff Guillen. For SATB choir (SATB). This edition: Full score. Gospel Music, ...(+)
By Jeff Guillen. For SATB
choir (SATB). This
edition: Full score.
Gospel Music, Sacred
music, Vocal music. The
Ultimate Gospel Choir
Book. Stylistic
faithfulness and great
potential for creative
imaginations are
guaranteed by the
arrangements, exclusively
provided by Jeff Guillen'
/ We know no other
equally comprehensive
choir book of this kinda
(Der Kirchenmusiker).
Gospel, Spiritual,
contemporary choir music.
Intermediate. Book.
Standard. 60 pages.
Published by Zebe
Publishing
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to ...(+)
Chamber Music Saxophone
Quartet
SKU:
PR.114417130
&
Happy Birthday to
Prism. Composed by
Chen Yi. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2014.
24+12+12+12+8 pages.
Duration 14 minutes.
Theodore Presser Company
#114-41713. Published by
Theodore Presser Company
(PR.114417130).
ISBN
9781491110409. UPC:
680160626687. 9x12
inches.
A recipient
of the New Music USA 2013
Live Music For Dance
Award commissioning
grant, Not Alone is
inspired by the ancient
Chinese poet Li Bai's
poem Drinking Alone under
the Moon with the Shadow.
The premiere was given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned the work to
celebrate its 25th
Anniversary NYC Season.
From the Program Note by
Matthew Levy (The PRISM
Quartet), Not Alone
(2014) is an
interdisciplinary
work...but it stands
alone in a chamber music
setting. The work spans a
stunning range of
textures, from
introspective solos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alone for a
2017 release on XAS
Records titled Paradigm
Lost. But we're excited
for a wider community of
saxophonists to embrace
the work, and share it
with their own audiences.
Not Alone is published
together with Happy
Birthday to PRISM, a
brief miniature that Chen
Yi wrote for the
quartet's 20th
anniversary celebration
in 2004. For advanced
performers.______________
___________Text from the
scanned back cover:NOT
ALONE for Saxophone
QuartetHAPPY BIRTHDAY TO
PRISM for Saxophone
QuartetNot Alone is a
14-minute saxophone
quartet and dance score
inspired by the ancient
Chinese poet Li
Bai’s
“Drinking Alone
under the Moon with the
Shadow.†The
expansively-textured sax
quartet matches the
exploratory and dramatic
movements and gestures in
the dance. NOT ALONE was
commissioned by the
Nai-Ni Chen Dance Company
which premiered the work
in collaboration with the
PRISM Quartet. Also
included in this
publication is Chen
Yi’s fascinating
take on “Happy
Birthday to You,â€
composed in celebration
of Prism’s 25th
anniversary season. A
recipient of the New
Music USA 2013 Live Music
For Dance Award
commissioning grant, Not
Alone is inspiredby the
ancient Chinese poet Li
Bai’s poem
“Drinking Alone
under the Moon with the
Shadow.†The
premierewas given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned thework to
celebrate its 25th
Anniversary NYC
Season. Program Note
by composer Chen YiThe
original inspiration for
this work for both the
choreographer and the
composer came from the
Tang Dynasty poem - Alone
Under the Moon by Li Bai.
The poem describes the
poet being alone in a
garden. The moon and his
shadow became his
companions that night.
The choreographer brings
this idea to modern life
in an urban setting. She
created a series of
“mindscapesâ€
which are the result of
the exploration of the
different mental and
physical states of being
alone.Through
self-examination, the
choreographer raises the
question: are we ever
really alone? Our
physical being may be
standing by itself, but
what about our
introspective self? When
we are still, we let our
thoughts pass by like
flowing water. If we
could engage with our
shadows, what would it be
like?Program Note by
Matthew Levy, The PRISM
QuartetThe PRISM Quartet
has commissioned a great
many composers since our
founding days in 1984.
Chen Yi is among ahandful
of our very favorites,
and one to whom
we’ve returned
time and time again. Her
music is powerful,
expansive,intimate, and
draws connections between
Eastern and Western,
ancient and modern
traditions in a voice all
her own.Chen Yi has
written or adapted four
works for the PRISM
Quartet. She penned a
wonderful miniature
called HappyBirth day to
PRISM to celebrate the
ensemble’s 20th
anniversary back in 2004
(Dedication, Innova
Recordings).We
subsequently commissioned
her to compose Septet
(2008) for Erhu, Pipa,
Percussion, and Saxophone
Quartet(2008), premiered
and recorded with the New
York ensemble Music From
China (Antiphony, Innova
Recordings 2010).In 2015,
the PRISM Quartet
performed and recorded
(XAS Records) a new
version of her saxophone
quartet concerto,BA YIN,
with the University of
Missouri-Kansas City Wind
Ensemble under the baton
of Steven Davis
(originally writtenfor
the Rascher Quartet and
scored for saxophones and
string
orchestra.).Finally, Not
Alone (2014) is an
interdisciplinary work
written for the Nai-Ni
Chen Dance Company with
the PRISMQuartet, but it
stands alone in a chamber
music setting. The work
spans a stunning range of
textures, from
introspectivesolos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alonefor a
2017 release on XAS
Records titled Paradigm
Lost. But we’re
excited for a wider
community of saxophonists
toembrace the work, and
share it with their own
audiences.In his liner
notes for the recording,
WNYC’s John
Schaefer writes:
“As with much of
her music, Chen employs
percussiveeffects and
glissandi; in Chinese
music these are not
considered
“extended
techniques†or
special effects, but
animportant part of the
performer’s
arsenal. Here, they help
create the twilit mood of
the opening moments. The
piecesoon becomes more
dramatic, suggesting the
arrival of the
drinker’s
companions (real or
imagined) and his or
herincreasingly garrulous
outbursts. Passages of
consonance and discord
can easily be heard as
companionable singingand
bouts of drunken
argument. The piece
bustles along on a kind
of restless energy,
until, finally, that
restlessnesssubsides,
giving way to a gently
humorous ending where a
short falling phrase
signals the drinker
falling
asleep.â€.
Piano SKU: M7.VGH-546-70 Für Klavier Solo. Composed by Rene Sta...(+)
Piano
SKU:
M7.VGH-546-70
Für Klavier
Solo. Composed by
Rene Staar. Sheet music.
Op. 14 / Nr. 1b. Duration
4'. Verlagsgruppe Hermann
#VGH 546-70. Published by
Verlagsgruppe Hermann
(M7.VGH-546-70).
ISBN
9790206660191.
StÃ
¤ndchen is the German
word for Serenade, which
is related to the word
Stehen, which means
Standing. Therefore, I
invented the word
Sitzchen, which would
mean to serenade from a
sitting position. I
composed these two works
for the 85th birthday of
Ernst Krenek, the first
for violin (to be played
standing), the second for
piano (to be played, of
course, sitting). The
half-step motion EE
flatE, inherent in Ernst
Krenek's name, became a
horizontal motif in the
violin piece and a
vertical line in the
piano piece. In the
Ständchen, the opening
and its repetitions are
lyrically conceived as a
chorus, whereas the
dancelike contrasting
interludes combine
elements of the old and
new worlds to portray
Krenek's multi-faceted
life between two
continents. March-like
and resounding bells
characterize the
appearance of the piano
piece.
Organ SKU: BA.BA11045 Composed by Dominik Susteck. Edited by Zsigmond Sza...(+)
Organ
SKU:
BA.BA11045
Composed
by Dominik Susteck.
Edited by Zsigmond
Szathmary. Stapled.
Organova, Volume 10.
Performance score.
Composed 2011. 14 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11045_00. Published by
Baerenreiter Verlag
(BA.BA11045).
ISBN
9790006543243. 30 x 23 cm
inches. Language:
German/English. Preface:
Dominik
Susteck.
Thoughts
on the composition
“Zwischenklänge
€ with regard to the
subject of “home
and abroadâ€: -
Music that never rests,
that is in constant
motion and mutation, its
tones almost trembling,
on the run, in constant
tension. - Music that
unfolds its beauty in the
“in betweenâ€,
in the appoggiatura, in
the flash-like emergence
and disappearance of
harmonic colors. -
Music as an evolvement of
time, waiting, bustling,
erupting, or
withdrawing.
The
composition
“Zwischenklänge
€ was awarded tje
11th Composition Prize of
Contemporary Sacred Music
of the European Church
Music Festival
Schwäbisch Gmünd.
– The premiere was
given on 27 August 2012
by Roman Summereder
(Vienna).
Lustige kleine
Jagdkantate. Composed
by Cesar Bresgen.
Stapled. Jagd (Hunting).
Score. Composed 1938.
Baerenreiter Verlag
#BA01015_00. Published by
Baerenreiter Verlag
(BA.BA01015).
ISBN
9790006407507. 29 x 21 cm
inches.
“Auf,
auf, zum fröhlichen
Jagen†is well
known. This merry little
hunting cantata was
written by the Austrian
composer Cesar Bresgen.
This choral score is for
mixed choir
(SATB).
Hunting Scenes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-010 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135460-010
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135460-010. Published by
De Haske Publications
(BT.DHP-1135460-010).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare.