| Trumpet Duets in Jazz - 18 Duets (Burt Collins) 2 Trompettes (duo) [Partition + Accès audio] Music Minus One
Music Minus One Trumpet. By Burt Collins. Music Minus One. Classical. Softcover ...(+)
Music Minus One Trumpet.
By Burt Collins. Music
Minus One. Classical.
Softcover Audio Online.
36 pages. Music Minus One
#MMO3859. Published by
Music Minus One
(1)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Top Hits Solo 2 Trompette - Intermédiaire De Haske Publications
Trumpet - intermediate SKU: BT.DHP-1002332-401 Arranged by Robert van Ber...(+)
Trumpet - intermediate
SKU:
BT.DHP-1002332-401
Arranged by Robert van
Beringen. Educational
Tool. Book Only. Composed
2000. 44 pages. De Haske
Publications #DHP
1002332-401. Published by
De Haske Publications
(BT.DHP-1002332-401).
ISBN 9789043112130.
English-German-French-Dut
ch. This is a great
value collection of 24
pop songs and traditional
melodies arranged for
unaccompanied solo. Every
style of pop music is
included with songs by
Britney Spears (Sometimes
and Born To Make You
Happy), Queen (Crazy
Little Thing Called
Love), Lou Bega (Mambo No
5), Brian Adams
(Everything I Do), Elvis
(You’ll Never Walk
Alone) and many more.
Inhoud: Mambo
No. 5 • Sometimes
• Vive
l’amour • A
Woman in Love •
Love Is All • Crazy
Little Thing Called Love
• Conquest of
Paradise • Fly Me
to The Moon • Havah
Nagilah • This
Melody • I
Don’t Need Her, I
Need You • A
WhiterShade of Pale
• On Top of Old
Smokey • Everything
I Do, I Do It for You
• Reach Out,
I’ll Be There
• Swing Low, Sweet
Chariot • The
Yellow Rose of Texas
• Butterfly •
Born to Make You Happy
• You’ll
Never Walk Alone •
And the BandPlayed on
• Waltzing Matilda
• We Shall Overcome
• When the Saints
Come Marching
In
Nach dem
großen Erfolg von
Top Hits Solo I> wird
die Reihe hier mit noch
mehr unvergesslichen
Pophits fortgesetzt. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Secret Mission - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132 Composed by
Jason Taurins. Folio.
Bps. Set of Score and
Parts.
8+2+8+2+5+2+2+8+3+3+3+2+3
+1+1+2+4+12 pages.
Duration 1 minute, 41
seconds. Carl Fischer
Music #BPS132. Published
by Carl Fischer Music
(CF.BPS132). ISBN
9781491158463. UPC:
680160917068. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Secret Mission [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132F Composed
by Jason Taurins. Sws.
Bps. Full score. 12
pages. Carl Fischer Music
#BPS132F. Published by
Carl Fischer Music
(CF.BPS132F). ISBN
9781491158470. UPC:
680160917075. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beautiful Melodies from Around the World - Music for Two Violins Selected Cello Parts 2 Violons (duo) Mel Bay
Violin - Beginning; Intermediate; Advanced SKU: MB.30859 Saddle-stitched,...(+)
Violin - Beginning;
Intermediate; Advanced
SKU: MB.30859
Saddle-stitched, Wedding.
World Music. Book/insert.
68 pages. Mel Bay
Publications, Inc #30859.
Published by Mel Bay
Publications, Inc
(MB.30859). ISBN
9781513465951. 8.75x11.75
inches. Imagine a
campfire! Envision
sitting around the bright
flames with your friends
and family singing songs
out in the great expanse.
Imagine that those
melodies you sing stir up
joy, hope, and belief in
the great wonders of the
world. Melodies have
connected different kinds
of people for many, many
years. Music brings us
closer, and music makes
any occasion more festive
and memorable. This book
was written to promote
the love of old folk
melodies, provide
processional music for
special celebrations, and
to include players of all
levels. Music educators
will find that there are
many possibilities and
combinations for practice
and performance. Includes
a 16-page pull-out
section of twelve
selected pieces for an
optional cello
part. It is my great
hope that music students,
families, and educators
will all enjoy this very
special collection of
Beautiful Melodies
from Around the
World. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 24 Play-Along Standards With A Live Rhythm Section Trompette [Partition + Accès audio] - Facile Amsco Wise Publications
Trumpet - easy SKU: BT.MUSAM999251 By Lizzie Moore. Arranged by Paul Hone...(+)
Trumpet - easy SKU:
BT.MUSAM999251 By
Lizzie Moore. Arranged by
Paul Honey. Jazz. Book
with Online Audio. Wise
Publications
#MUSAM999251. Published
by Wise Publications
(BT.MUSAM999251). ISBN
9781849383530.
English. Take
centre stage and play
along with a live rhythm
section featuring Bass,
Drums and
Piano
This
collection features 24
great songs, from Jazz
and Blues standards
through Soul and Gospel
favourites and lively
Swing
andLatinnumbers.
T
he authentic CD backing
tracks will help you
achieve a more
professional
performance.
Wh
at's
included:
- Printed music - 24
pieces in melody line
arrangements
- Two
audio CDs-Professional
'soundalike' performances
of every piece featuring
a live band on CD 1, plus
backing tracks to play
along with on CD 2.
$27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essential Elements Disney Favorites Orchestre d'harmonie Hal Leonard
Concert Band SKU: HL.870279 Value Pack (37 Books + Conductor Edition)<...(+)
Concert Band SKU:
HL.870279 Value
Pack (37 Books +
Conductor Edition).
Arranged by Johnnie
Vinson and Robert
Longfield. Essential
Elements Band Folios.
Disney, Movies, Pop.
Softcover Audio Online.
Published by Hal Leonard
(HL.870279). ISBN
9798350121889. UPC:
196288201021.
9.0x12.0x5.016
inches. Value Pack
includes one conductor's
edition with full band
recordings and the
following student
editions: 6 flute, 1
oboe, 1 bassoon, 6
clarinet, 1 bass clar., 4
alto sax, 1 tenor sax, 1
bari sax, 6 trumpet, 2 F
horn, 2 trombone, 1 bari
BC, a bari TC, 1 tuba, 2
perc, 1 keybd perc.
There's no better way to
motivate your band than
with some popular Disney
music! This new
collection from Essential
Elements works with all
ensembles, regardless of
what method you're using,
and features great songs
your band members are
sure to know. The
arrangements work for the
whole ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $315.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Elements Disney Favorites Hal Leonard
Concert Band; Trumpet (Trumpet) SKU: HL.870270 Trumpet. Arranged b...(+)
Concert Band; Trumpet
(Trumpet) SKU:
HL.870270
Trumpet. Arranged
by Johnnie Vinson and
Robert Longfield.
Essential Elements Band
Folios. Disney, Movies,
Pop. Softcover. 32 pages.
Published by Hal Leonard
(HL.870270). ISBN
9798350121797. UPC:
196288200932.
9.0x12.0x0.091
inches. There's no
better way to motivate
your band than with some
popular Disney music!
This new collection from
Essential Elements works
with all ensembles,
regardless of what method
you're using, and
features great songs your
band members are sure to
know. The arrangements
work for the whole
ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dog Tags GIA Publications
SKU: GI.G-8093 Adventures with Music - Book 2. Composed by Ann Kac...(+)
SKU: GI.G-8093
Adventures with Music
- Book 2. Composed by
Ann Kaczkowski Kimpton
and Paul Kimpton.
Adventures with Music.
Music Education. Book.
GIA Publications #8093.
Published by GIA
Publications (GI.G-8093).
ISBN 9781579998509.
English. A young
boy and his faithful dog
face a big decision. Dale
Kingston isn’t
your average boy. He
saved the Conn musical
instrument factory from
burning to the ground in
Book One of the
Adventures with Music
series. In Dog Tags, Book
Two in the Adventures
with Music series, Dale
faces a big decision:
World War II is in full
swing, and he wants to do
his patriotic duty. But
Dale is only twelve years
old. How can he help
America? His dog, Scout,
provides the answer when
his master hears about
the U.S. Army’s
Dogs for Defense program.
Dale loves his pet, but
he knows Scout would do
his country proud by
serving as an animal
courier for American
troops at war. Should he
enroll Scout in the
program? Along the way,
Dale begins trumpet
lessons as his school
forms a band for the
first time. He loves the
Andrews Sisters and their
hot new song, Boogie
Woogie Bugle Boy. His
dream is to play that
solo for the popular
trio. Could that dream
come true? Dog Tags, the
second volume in the
Adventures with Music
series, answers these
questions and more in a
story told from the heart
that will inspire young
readers everywhere.
Excerpt from the book...
The instruments arrive
and the students have
their first band
rehearsal, but Dale has
his mind on other
things.... Grandpa knelt
down and looked directly
into Dale's eyes. This is
a very brave thing you're
doing for your country
son. You're making the
biggest sacrifice any boy
can make by volunteering
your dog for the
military. Breaking free
from his grandfather,
Dale ran to Scout and
gave him one last deep
hug. He whispered, Do
your best, Scout. I love
you! Â Paul Kimpton
grew up in a musical
family and was a band
director in Illinois for
34 years. His father Dale
was a band director and
professor at the
University of Illinois,
and his mother Barbara
was a vocalist. When Paul
is not writing, he is
reading or enjoying the
outdoors. Ann Kimpton
played French horn
through college and went
on to be a mother,
teacher, and high school
administrator. Her
parents, Henry and
Maryalyce Kaczkowski,
both educators, instilled
an appreciation for the
fine arts and the
outdoors in all of their
children. . $8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sleep, My Child - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2.5
SKU: CF.YAS186
Shlof, Mayn Kind.
Composed by Larry Clark.
Young String Orchestra
(YAS). Set of Score and
Parts. With Standard
notation.
8+5+2+8+5+5+3+12 pages.
Duration 2018. Carl
Fischer Music #YAS186.
Published by Carl Fischer
Music (CF.YAS186).
ISBN 9781491151518.
UPC: 680160909018. 9 x 12
inches. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by a
violin solo on the song.
It them develops through
a variety of different
harmonic presentation
before building to a nice
key change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also
guest-conducted his
Madison Middle School
Orchestra several times
over the past four years.
His musicianship,
teaching skills and love
for his students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song and I felt
the title reflected the
sentiment I was looking
to express, which is of
someone taking rest after
a long battle with
illness, so a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions.Â
Not in a far out way, but
in a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57 as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say, Everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2.5
SKU: CF.YAS186F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young String Orchestra
(YAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#YAS186F. Published by
Carl Fischer Music
(CF.YAS186F). ISBN
9781491151884. UPC:
680160909384. 9 x 12
inches. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by a
violin solo on the song.
It them develops through
a variety of different
harmonic presentation
before building to a nice
key change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also
guest-conducted his
Madison Middle School
Orchestra several times
over the past four years.
His musicianship,
teaching skills and love
for his students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song and I felt
the title reflected the
sentiment I was looking
to express, which is of
someone taking rest after
a long battle with
illness, so a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions.Â
Not in a far out way, but
in a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57 as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say, Everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465. A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gloriosi Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor,
priest, assembly,
keyboard accompaniment, 2
C instruments, trumpet in
B-flat, trumpet in C,
cello, guitar - Early
intermediate SKU:
GI.G-10515 Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. Lent,
Eastertide, Holy
Thursday, Good Friday,
Easter Vigil, Easter
Sunday, Easter PM.
Sacred. With guitar chord
names. 296 pages. GIA
Publications #10515.
Published by GIA
Publications
(GI.G-10515). UPC:
785147051527. English,
Spanish. Scripture: Psalm
16, Psalm 19, Psalm 30,
Psalm 31, Psalm 42:3,
5cdef, Psalm 43:3, 4,
Psalm 103:1–2a,
5–6, 10, 12,
13–14, 24, 35c,
Psalm 103:30, Psalm 116,
Psalm 118, 1 Corinthians
10:16, Luke 23:46, Isaiah
12. The first
comprehensive resource of
its kind, Gloriosi
contains a treasure trove
of ritual music that
bridges linguistic,
cultural, and musical
differences for the
liturgies of Holy
Thursday, Good Friday,
and the Easter Vigil.
Weaving together familiar
tunes and ancient chants
with newly-composed
pieces, Tony Alonso has
meticulously crafted the
music of Gloriosi to
inspire the participation
of a diverse assembly
during these celebrations
at the heart of the
liturgical year. In
addition to settings of
all of the ritual texts
found in the Roman Missal
/ Misal Romano for the
Three Days, this
collection contains
settings of every
prescribed psalm drawn
from texts approved for
liturgical use in English
and in Spanish. El primer
recurso completo de su
tipo, Gloriosi es un
tesoro rebosante de
música ritual que
supera las diferencias
lingüÃsticas,
culturales y musicales
para las liturgias del
Jueves Santo, Viernes
Santo y la Vigilia
Pascual. Tejiendo
melodÃas familiares y
cantos antiguos con
piezas recién
compuestas, Tony Alonso
ha elaborado
meticulosamente la
música de Gloriosi
para inspirar la
participación de una
asamblea diversa durante
estas celebraciones que
están al centro del
año litúrgico.
Además de proporcionar
los textos rituales que
se encuentran en el Misal
Romano / Roman Missal
para los Tres DÃas en
forma musicalizada, esta
colección también
ofrece nueva música
para todos los salmos
prescritos para las
liturgias del Triduo
utilizando los textos
oficiales en español y
en inglés. Listen to
Music Samples on the
Gloriosi Recording Page
by Clicking HERE.
CONTENTS: Holy Thursday
Mass of the Lord’s
Supper / Jueves Santo de
la Cena del Señor: We
Should Glory in the Cross
/ Que Nuestro Único
Orgullo Sea la Cruz
• Blessed Be God
Forever / Bendito Sea
Dios por Siempre •
Kyrie, Eleison •
Our Blessing-Cup / El
Cáliz que Bendecimos
• Glory to You /
Gloria a Ti • A New
Commandment / Un
Mandamiento Nuevo •
Love One Another /
Ãmense Unos a Otros
• Lord, Hear Our
Prayer / Te Rogamos,
Óyenos • Ubi
Caritas • Agnus Dei
• Called to the
Supper of the Lamb /
Llamados al Banquete del
Señor • Called
to Keep Vigil with the
Lord / Llamados a Velar
con el Señor •
Tantum Ergo Sacramentum
Good Friday of the
Passion of the Lord /
Viernes Santo de la
Pasión del Señor:
Into Your Hands / En Tus
Manos • Glory to
You / Gloria a Ti •
Adoramus Te • The
Solemn Intercessions of
Good Friday / La
Oración Universal del
Viernes Santo •
Behold the Wood of the
Cross / Miren el Ãrbol
de la Cruz •
Faithful Cross / Cruz
Fiel • Forgive Us,
Your People / Perdona a
Tu Pueblo • O Come,
Let Us Worship / Venid,
Oh Cristianos •
Called to the Supper of
the Lamb / Llamados al
Banquete del Señor The
Easter Vigil in the Holy
Night / Vigilia Pascual
en la Noche Santa: The
Easter Proclamation /
Pregón Pascual •
Lord, Send Out Your
Spirit / EnvÃa Tu
EspÃritu, Señor
• Keep Me Safe, O
God / Protégeme, Dios
MÃo • Let Us
Sing to the Lord /
Cantemos al Señor
• I Will Praise
You, Lord / Te
Ensalzaré, Señor
• You Will Draw
Water Joyfully / Ustedes
Sacarán Agua con Gozo
• Words of
Everlasting Life /
Palabras de Vida Eterna
• Like a Deer that
Longs / Como Busca la
Cierva (Psalm 42, 43 /
Salmo 42/41, 43/42)
• Easter Alleluia /
Aleluya Pascual •
Litany of the Saints /
LetanÃa de los Santos
• Alleluia Popular:
Blessing of Water /
Aleluya Popular:
Bendición del Agua
• Alleluia Popular:
Baptism / Aleluya
Popular: Bautismo •
Alleluia Popular:
Acclamation / Aleluya
Popular: Aclamación
• Veni Sancte
Spiritus • Alleluia
Popular: Sprinkling /
Aleluya Popular:
Aspersión •
Lord, We Ask You, Hear
Our Prayer / Te Rogamos,
Óyenos • Called
to the Supper of the Lamb
/ Llamados al Banquete
del Señor. Learn more
about this collection in
this webinar below
featuring composer Tony
Alonso. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy to Love Ensemble Jazz [Conducteur] - Facile Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.49207S Composed by Cole Porter. Arrange...(+)
Jazz Ensemble - Grade 2.5
SKU: AP.49207S
Composed by Cole Porter.
Arranged by Paul Baker.
Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
Young Jazz Ensemble.
Jazz. Score. 24 pages.
Duration 3:50. Alfred
Music #00-49207S.
Published by Alfred Music
(AP.49207S). ISBN
9781470647209. UPC:
038081566436.
English. A swing
chart played around 154
BPM on a great jazz
standard. A great sax
section soli, plenty of
tutti ensemble, and
written-out solos
provided for piano (or
vibes), alto 1 (or
trumpet 2). Lead trumpet
range is to written G on
top of the staff.
Optional parts included
for vibes, flute,
clarinet, and more.
Everyone has plenty to do
on Easy to Love arranged
by Paul Baker!
(3:50). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy to Love Ensemble Jazz - Facile Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.49207 Composed by Cole Porter. Arranged...(+)
Jazz Ensemble - Grade 2.5
SKU: AP.49207
Composed by Cole Porter.
Arranged by Paul Baker.
Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
Young Jazz Ensemble.
Jazz. Score and Part(s).
100 pages. Duration 3:50.
Alfred Music #00-49207.
Published by Alfred Music
(AP.49207). ISBN
9781470647193. UPC:
038081566429.
English. A swing
chart played around 154
BPM on a great jazz
standard. A great sax
section soli, plenty of
tutti ensemble, and
written-out solos
provided for piano (or
vibes), alto 1 (or
trumpet 2). Lead trumpet
range is to written G on
top of the staff.
Optional parts included
for vibes, flute,
clarinet, and more.
Everyone has plenty to do
on Easy to Love arranged
by Paul Baker!
(3:50). $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Wedding Music Kit Piano, Voix et Guitare [Partition + CD] Shawnee Press
Music, Planning Tips and more for the perfect wedding. For Keyboard Reductions a...(+)
Music, Planning Tips and
more for the perfect
wedding. For Keyboard
Reductions and
Piano/Vocal/Guitar.
Preludes, Processionals,
Recessionals and more.
Wedding. Songbook and 2
Listening/Accompaniment
CDs. 128 pages. Published
by Shawnee Press.
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Unleashed - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cello, Clarinet,
Euphonium, Euphonium
T.C., Flute, Horn,
Keyboard, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, String
Bass, Suspended Cymbal,
Timpani, Tom-tom,
Trombone, Trumpet and
more. - Grade 2.5 SKU:
CF.XPS14 Composed by
Peter Terry. Flexible
Band (XPS). Set of Score
and Parts. With Standard
notation.
16+8+4+8+4+6+6+2+4+4+4+4+
6+4+4+4+4+4+8+2+6+4+2+4+4
+4+24 pages. Carl Fischer
Music #XPS14. Published
by Carl Fischer Music
(CF.XPS14). ISBN
9781491152607. UPC:
680160910106. Peter
Terry's
Unleashed makes for an
impressive concert opener
that is the musical
equivalent of unleashing
a caged animal. The piece
is exciting from start to
finish, with energetic
and bold material that
students will love to
play. Directors will also
love the instrumentation
flexibility that this new
version
offers. Everyone wants
to be unleashed, to be
set free of restraints.
This piece captures the
exhilaration of being set
into motion with
unlimited optimism and
energy. The piece is a
rhythmic and propulsive
gallop that spins off
lyrical material as it
drives to a climactic
finish that is both
exciting and fun.The
piece opens with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening material. The
opening section repeats
in variation with
different orchestration.
The more lyrical material
that emerges should be
brought out to balance
the opening theme and
rhythmic figures from the
first section. A
development of the
material from the opening
follows, driving to a
brief pause. This pause
feels like it will lead
to a contrasting lyrical
theme, but the energy is
just suspended for a
second before the piece
takes off again. The work
finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed writing
this piece and hope your
students will enjoy
playing these contrasting
styles and that you will
find the piece beneficial
in teaching important
musical
concepts.​​
​​​
€‹â€‹â€‹â
€‹Peter Terry,
2018. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Stephen Sondheim Collection - Volume 2 Piano, Voix et Guitare Rilting music
40 Songs from 14 Shows and Films. Composed by Stephen Sondheim (1930-). Edited...(+)
40 Songs from 14 Shows
and
Films. Composed by
Stephen
Sondheim (1930-). Edited
by
Richard Walters. P/V/G
Composer Collection.
Softcover. 328 pages.
Published by Rilting
Music,
Inc.
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Classics Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094811-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy SKU:
BT.DHP-1094811-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Book
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094811-401. Published by
De Haske Publications
(BT.DHP-1094811-401).
ISBN 9789043132701.
9x12 inches.
English. ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
De Susato
Gershwin, de
l’oratorio au lied
en passant par
l’opéra et
autres genres,
Essential Classics
propose une plongée
dans l’univers
classique. Les
arrangements suivent la
progression des recueils
Essential Elements
(Vol. 1 & 2), mais
peuvent également
être utilisés de
façon indépendante.
La version intégrale
de chaque arrangement est
disponible sur le compact
disc
d’accompagnement
vendu séparément.
Sommaire : La
Mourisque (Susato)
• Le
Printemps (Vivaldi)
• Musette
(J.-S. Bach) •
Le gai laboureur
(Schumann) •
L’Innamorata (Gastoldi) •
2e mouvement du
Quatuor «
L’Empereur
» (Haydn) •
4e mouvement
duQuintette « La
Truite »
(Schubert) •
Ouverture de
Guillaume Tell
(Rossini) • Le
beau Danube bleu (J.
Strauss II) •
Trumpet Voluntary
(Clarke) •
Alléluia du
Messie (Haendel)
• La lettre
Élise (Beethoven)
• Capriccio
italien (Tcha kovski)
• 4e
mouvement de la
Symphonie du »
Nouveau Monde »
(Dvoøák) •
Une petite musique de
nuit - 1er mouvement
(Mozart) • Danse
hongroise n° 5
(Brahms) • Land
of Hope and Glory
(Elgar) • La
donna è mobile
(Verdi) • Marche
Nuptiale (Wagner)
• Cancan
(Offenbach) •
Symphonie n° 1
- 3e mouvement (Mahler)
• Summertime
(Gershwin).
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente.separatamen
te. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essential Classics Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094814-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy SKU:
BT.DHP-1094814-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Book
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094814-401. Published by
De Haske Publications
(BT.DHP-1094814-401).
ISBN 9789043132732.
9x12 inches.
English. ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
De Susato
Gershwin, de
l’oratorio au lied
en passant par
l’opéra et
autres genres,
Essential Classics
propose une plongée
dans l’univers
classique. Les
arrangements suivent la
progression des recueils
Essential Elements
(Vol. 1 & 2), mais
peuvent également
être utilisés de
façon indépendante.
La version intégrale
de chaque arrangement est
disponible sur le compact
disc
d’accompagnement
vendu séparément.
Sommaire : La
Mourisque (Susato)
• Le
Printemps (Vivaldi)
• Musette
(J.-S. Bach) •
Le gai laboureur
(Schumann) •
L’Innamorata (Gastoldi) •
2e mouvement du
Quatuor «
L’Empereur
» (Haydn) •
4e mouvement
duQuintette « La
Truite »
(Schubert) •
Ouverture de
Guillaume Tell
(Rossini) • Le
beau Danube bleu (J.
Strauss II) •
Trumpet Voluntary
(Clarke) •
Alléluia du
Messie (Haendel)
• La lettre
Élise (Beethoven)
• Capriccio
italien (Tcha kovski)
• 4e
mouvement de la
Symphonie du »
Nouveau Monde »
(Dvoøák) •
Une petite musique de
nuit - 1er mouvement
(Mozart) • Danse
hongroise n° 5
(Brahms) • Land
of Hope and Glory
(Elgar) • La
donna è mobile
(Verdi) • Marche
Nuptiale (Wagner)
• Cancan
(Offenbach) •
Symphonie n° 1
- 3e mouvement (Mahler)
• Summertime
(Gershwin).
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essential Classics Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094816-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy SKU:
BT.DHP-1094816-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Book
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094816-401. Published by
De Haske Publications
(BT.DHP-1094816-401).
ISBN 9789043132756.
9x12 inches.
English. ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
De Susato
Gershwin, de
l’oratorio au lied
en passant par
l’opéra et
autres genres,
Essential Classics
propose une plongée
dans l’univers
classique. Les
arrangements suivent la
progression des recueils
Essential Elements
(Vol. 1 & 2), mais
peuvent également
être utilisés de
façon indépendante.
La version intégrale
de chaque arrangement est
disponible sur le compact
disc
d’accompagnement
vendu séparément.
Sommaire : La
Mourisque (Susato)
• Le
Printemps (Vivaldi)
• Musette
(J.-S. Bach) •
Le gai laboureur
(Schumann) •
L’Innamorata (Gastoldi) •
2e mouvement du
Quatuor «
L’Empereur
» (Haydn) •
4e mouvement
duQuintette « La
Truite »
(Schubert) •
Ouverture de
Guillaume Tell
(Rossini) • Le
beau Danube bleu (J.
Strauss II) •
Trumpet Voluntary
(Clarke) •
Alléluia du
Messie (Haendel)
• La lettre
Élise (Beethoven)
• Capriccio
italien (Tcha kovski)
• 4e
mouvement de la
Symphonie du »
Nouveau Monde »
(Dvoøák) •
Une petite musique de
nuit - 1er mouvement
(Mozart) • Danse
hongroise n° 5
(Brahms) • Land
of Hope and Glory
(Elgar) • La
donna è mobile
(Verdi) • Marche
Nuptiale (Wagner)
• Cancan
(Offenbach) •
Symphonie n° 1
- 3e mouvement (Mahler)
• Summertime
(Gershwin).
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essential Classics Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094820-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy SKU:
BT.DHP-1094820-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Book
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094820-401. Published by
De Haske Publications
(BT.DHP-1094820-401).
ISBN 9789043132794.
9x12 inches.
English. ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
De Susato
Gershwin, de
l’oratorio au lied
en passant par
l’opéra et
autres genres,
Essential Classics
propose une plongée
dans l’univers
classique. Les
arrangements suivent la
progression des recueils
Essential Elements
(Vol. 1 & 2), mais
peuvent également
être utilisés de
façon indépendante.
La version intégrale
de chaque arrangement est
disponible sur le compact
disc
d’accompagnement
vendu séparément.
Sommaire : La
Mourisque (Susato)
• Le
Printemps (Vivaldi)
• Musette
(J.-S. Bach) •
Le gai laboureur
(Schumann) •
L’Innamorata (Gastoldi) •
2e mouvement du
Quatuor «
L’Empereur
» (Haydn) •
4e mouvement
duQuintette « La
Truite »
(Schubert) •
Ouverture de
Guillaume Tell
(Rossini) • Le
beau Danube bleu (J.
Strauss II) •
Trumpet Voluntary
(Clarke) •
Alléluia du
Messie (Haendel)
• La lettre
Élise (Beethoven)
• Capriccio
italien (Tcha kovski)
• 4e
mouvement de la
Symphonie du »
Nouveau Monde »
(Dvoøák) •
Une petite musique de
nuit - 1er mouvement
(Mozart) • Danse
hongroise n° 5
(Brahms) • Land
of Hope and Glory
(Elgar) • La
donna è mobile
(Verdi) • Marche
Nuptiale (Wagner)
• Cancan
(Offenbach) •
Symphonie n° 1
- 3e mouvement (Mahler)
• Summertime
(Gershwin).
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essential Classics Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094810-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy SKU:
BT.DHP-1094810-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Book
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094810-401. Published by
De Haske Publications
(BT.DHP-1094810-401).
ISBN 9789043132695.
9x12 inches.
English. ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
De Susato
Gershwin, de
l’oratorio au lied
en passant par
l’opéra et
autres genres,
Essential Classics
propose une plongée
dans l’univers
classique. Les
arrangements suivent la
progression des recueils
Essential Elements
(Vol. 1 & 2), mais
peuvent également
être utilisés de
façon indépendante.
La version intégrale
de chaque arrangement est
disponible sur le compact
disc
d’accompagnement
vendu séparément.
Sommaire : La
Mourisque (Susato)
• Le
Printemps (Vivaldi)
• Musette
(J.-S. Bach) •
Le gai laboureur
(Schumann) •
L’Innamorata (Gastoldi) •
2e mouvement du
Quatuor «
L’Empereur
» (Haydn) •
4e mouvement
duQuintette « La
Truite »
(Schubert) •
Ouverture de
Guillaume Tell
(Rossini) • Le
beau Danube bleu (J.
Strauss II) •
Trumpet Voluntary
(Clarke) •
Alléluia du
Messie (Haendel)
• La lettre
Élise (Beethoven)
• Capriccio
italien (Tcha kovski)
• 4e
mouvement de la
Symphonie du »
Nouveau Monde »
(Dvoøák) •
Une petite musique de
nuit - 1er mouvement
(Mozart) • Danse
hongroise n° 5
(Brahms) • Land
of Hope and Glory
(Elgar) • La
donna è mobile
(Verdi) • Marche
Nuptiale (Wagner)
• Cancan
(Offenbach) •
Symphonie n° 1
- 3e mouvement (Mahler)
• Summertime
(Gershwin).
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essential Classics Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094821-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy SKU:
BT.DHP-1094821-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Book
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094821-401. Published by
De Haske Publications
(BT.DHP-1094821-401).
ISBN 9789043132800.
9x12 inches.
English. ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
De Susato
Gershwin, de
l’oratorio au lied
en passant par
l’opéra et
autres genres,
Essential Classics
propose une plongée
dans l’univers
classique. Les
arrangements suivent la
progression des recueils
Essential Elements
(Vol. 1 & 2), mais
peuvent également
être utilisés de
façon indépendante.
La version intégrale
de chaque arrangement est
disponible sur le compact
disc
d’accompagnement
vendu séparément.
Sommaire : La
Mourisque (Susato)
• Le
Printemps (Vivaldi)
• Musette
(J.-S. Bach) •
Le gai laboureur
(Schumann) •
L’Innamorata (Gastoldi) •
2e mouvement du
Quatuor «
L’Empereur
» (Haydn) •
4e mouvement
duQuintette « La
Truite »
(Schubert) •
Ouverture de
Guillaume Tell
(Rossini) • Le
beau Danube bleu (J.
Strauss II) •
Trumpet Voluntary
(Clarke) •
Alléluia du
Messie (Haendel)
• La lettre
Élise (Beethoven)
• Capriccio
italien (Tcha kovski)
• 4e
mouvement de la
Symphonie du »
Nouveau Monde »
(Dvoøák) •
Une petite musique de
nuit - 1er mouvement
(Mozart) • Danse
hongroise n° 5
(Brahms) • Land
of Hope and Glory
(Elgar) • La
donna è mobile
(Verdi) • Marche
Nuptiale (Wagner)
• Cancan
(Offenbach) •
Symphonie n° 1
- 3e mouvement (Mahler)
• Summertime
(Gershwin).
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essential Classics Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094806-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy SKU:
BT.DHP-1094806-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Score
Only. Composed 2009. 80
pages. De Haske
Publications #DHP
1094806-401. Published by
De Haske Publications
(BT.DHP-1094806-401).
ISBN 9789043132657.
9x12 inches.
English. ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
Essential
Classics est le
matériel idéal pour
familiariser votre Classe
d’Orchestre ou
votre Orchestre Junior
avec le répertoire
classique. Les
arrangements de
difficulté progressive
sont taillés sur
mesure pour développer
les premiers acquis et
renforcer la capacité
d’application des
connaissances dans un
contexte
pédagogiquement
structuré et motivants
pour vos jeunes
musiciens. De Susato
Gershwin, de
l’oratorio au lied
en passant par
l’opéra et
autres genres,
Essential Classics
propose une plongée
dans l’univers
classique. Les
arrangements suivent la
progression des recueils
Essential Elements
(Vol. 1 & 2), mais
peuvent également
être utilisés de
façonindépendante.
La version intégrale
de chaque arrangement est
disponible sur le compact
disc
d’accompagnement
vendu séparément.
Sommaire : La
Mourisque (Susato)
• Le
Printemps (Vivaldi)
• Musette
(J.-S. Bach) •
Le gai laboureur
(Schumann) •
L’Innamorata (Gastoldi) •
2e mouvement du
Quatuor «
L’Empereur
» (Haydn) •
4e mouvement du
Quintette « La
Truite »
(Schubert) •
Ouverture de
Guillaume Tell
(Rossini) • Le
beau Danube bleu (J.
Strauss II) •
Trumpet Voluntary
(Clarke) •
Alléluia du
Messie (Haendel)
• La lettre
Élise (Beethoven)
• Capriccio
italien (Tcha kovski)
• 4e
mouvement de la
Symphonie du »
Nouveau Monde »
(Dvoøák) •
Une petite musique de
nuit - 1er mouvement
(Mozart) • Danse
hongroise n° 5
(Brahms) • Land
of Hope and Glory
(Elgar) • La
donna è mobile
(Verdi) • Marche
Nuptiale (Wagner)
• Cancan
(Offenbach) •
Symphonie n° 1
- 3e mouvement (Mahler)
• Summertime
(Gershwin).
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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