| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| A Cappella Songs for Mixed Chorus Chorale SATB SATB A Cappella Hal Leonard
(SATB a cappella). Choral. Size 6.8x10.5 inches. 24 pages. Published by Hal Leon...(+)
(SATB a cappella).
Choral. Size 6.8x10.5
inches. 24 pages.
Published by Hal Leonard.
$2.65 $2.5175 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| To make a prairie Chorale 2 parties SA, Piano [Octavo] Santa Barbara Music Publishing
Composed by Kenneth Carter. For SA choir, piano, clarinet. Concert. Octavo. Publ...(+)
Composed by Kenneth
Carter. For SA choir,
piano, clarinet. Concert.
Octavo. Published by
Santa Barbara Music
Publishing
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| To Make a Prairie Chorale 3 parties SSA, Piano Seafarer Press
(A delicate setting of Dickinson's timeless poem about dreams and creation). Com...(+)
(A delicate setting of
Dickinson's timeless poem
about dreams and
creation). Composed by
Elizabeth Alexander. For
SSA choir, piano.
Secular, Spring. Medium.
Choral Score. Duration 3
minutes. Published by
Seafarer Press
$2.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Prairie Lullaby Orchestre à Cordes - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5). ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Saga of the Mississippi Theodore Presser Co.
Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2
Oboes, 3 Clarinets, 3
Flutes, 3 Trombones, 3
Trumpets, 4 Horns, Bass
Drum, Contra-bassoon,
Cymbal, English Horn,
Percussion: Snare Drum,
Strings, Timpani, Tuba
SKU: PR.466411770
Composed by Harl
Mcdonald. This edition:
Study Score.
Contemporary. Full score.
With Standard notation.
84 pages. Duration 15
minutes. Theodore Presser
Company #466-41177.
Published by Theodore
Presser Company
(PR.466411770). UPC:
680160640850. 9 x 12
inches. Mississippi
I. Father of Waters: born
of the Highlands and the
Lakes; the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. Saga of the
Mississippi Harl McDonald
Born near Boulder,
Colorado, July 27, 1899
Now living in
Philadelphia The original
suggestion for a
symphonic work on the
subject of the
Mississippi came
indirectly from the late
Booth Tarkington who saw
in it color and movement
and atmosphere
translatable into the
terms of music. In the
course of time, by the
mysterious processes of
composers' chemistry, it
took shape as a tone-poem
of two sections, one
representing the rise of
the great stream from its
primeval geologic
sources, the other the
human history of the
river. Mr. McDonald
devised the following
verbal outline of the
general scheme of his
diptych: I. Father of
Waters: born of the
Highlands and the Lakes;
the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. The first of the
two movements, beginning
molto andante, is vaguel
modal to hint at
antiquity. It is built
upon the conventional two
themes, with an episode,
poco piu mosso,
misterioso, for
prehistoric murk and
muck. There are various
changes of pace and mood.
The second, Allegro ma
vigorosamente, prefigures
an Indian ceremony. A
theme presented by flute,
clarinet and bassoon is a
Canadian Indian fishing
call collected by the
late J.B. Beck. A later
passage of
quasi-Gregorian chant
identifies the French and
Spanish priests who made
the great river their
highway. The fishing-call
is altered in rhythm and
harmony to represent
Negro field hands and
roustabous. A turbulent
close brings all these
elemts together in the
muddy swirling currents
of the Mississippi. The
work was begun in the
summer of 1945, and was
revised and completed in
the summer of 1947. Harl
McDonald, who is the
manager of The
Philadelphia Orchestra,
has concerned himself
with music as an art, as
a science and as a
business in course of his
career. He was born on a
cattle ranch in the
Rockies, but since his
was a musical family, his
up-bringing combined
piano lessons with ranch
life. Years of study and
professional experience
followed in Los Angeles
and in Germany. In 1927
he was appointed lecuter
in composition at the
University of
Pennsylvania and he has
since then made is home
in Philadelphia. In 1933
under a grant of the
Rockefeller FOundation he
collaborated with
physicists in research
dealing with the
measurement of
instrumental and vocal
tone, new scale divisions
and the resultant
harmonies. In that same
year he was named head of
the University's music
faculty and conductor of
its choral organizations.
In 1939, having been a
member of the Board of
Directors for five years,
he was appointed manager
of The Philadelphia
Orchestra. He continus to
write, but otherwise his
entire attention is now
devoted to managerial
duties. Chief items in
the catalogue of his
compositions are four
symphonies, three
orchestra suites, a
half-dozen tone-poems,
three concertos and
considerable quantity of
choral music. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Romantic American Art Songs - High Voice Voix haute, Piano [Partition] - Intermédiaire Schirmer
(High Voice). Arranged by Richard Walters. For high voice and piano. Vocal Colle...(+)
(High Voice). Arranged by
Richard Walters. For high
voice and piano. Vocal
Collection. Classical
Period, Americana and
Vocal Standards.
Difficulty: medium.
Collection (two copies
needed for performance).
Vocal melody, lyrics and
piano accompaniment. 218
pages. G. Schirmer
#ED3851. Published by G.
Schirmer
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Musicianship Hal Leonard
Book 2, Student. By Emily Crocker, John Leavitt. (Mus2st). Essential Elements Ch...(+)
Book 2, Student. By Emily
Crocker, John Leavitt.
(Mus2st). Essential
Elements Choir. Size
8.5x11 inches. 240 pages.
Published by Hal Leonard.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Musicianship Hal Leonard
(Level Two Teacher Edition). Essential Elements Choir. Size 8.5x11 inches. 280 p...(+)
(Level Two Teacher
Edition). Essential
Elements Choir. Size
8.5x11 inches. 280 pages.
Published by Hal Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Musicianship Hal Leonard
Book 2, Student 10-Pak. (Level Two Student 10-pak). Essential Elements Choir. S...(+)
Book 2, Student 10-Pak.
(Level Two Student
10-pak). Essential
Elements Choir. Size
9.5x12.5 inches.
Published by Hal Leonard.
$150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Make A Prairie Piano, Voix Theodore Presser Co.
For Voice and Piano. Composed by Timothy Hoekman. Emily Dickinson. Contem...(+)
For Voice and
Piano. Composed by
Timothy Hoekman. Emily
Dickinson. Contemporary.
Voice and piano. With
Standard notation.
Composed 2002. 20 pages.
Theodore Presser Company
#111-40209. Published by
Theodore Presser Company
(PR.111402090).
$26.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prairie Lullaby Orchestre à Cordes - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5F Composed by Joseph Com...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5F
Composed by Joseph
Compello. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS5F.
Published by Carl Fischer
Music (CF.BAS5F). ISBN
9780825845093. UPC:
798408045098. 8.5 X 11
inches. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First 50 Folk Songs You Should Play on the Piano Piano Facile Hal Leonard
Easy Piano Piano/Keyboard SKU: HL.235867 By Various. Easy Piano Songbook....(+)
Easy Piano Piano/Keyboard
SKU: HL.235867 By
Various. Easy Piano
Songbook. Folk.
Softcover. 106 pages.
Published by Hal Leonard
(HL.235867). ISBN
9781495095634. UPC:
888680694746.
9.0x12.0x0.269
inches. 50 great
folk favorites simply
arranged with lyrics for
beginning pianists to
learn. Includes: Amazing
Grace • Buffalo
Gals (Won't You Come Out
Tonight?) • Down by
the Riverside •
Good Night Ladies •
Home on the Range •
I've Been Working on the
Railroad • Kumbaya
• Man of Constant
Sorrow • Michael
Row the Boat Ashore
• My Old Kentucky
Home • Nobody Knows
the Trouble I've Seen
• Oh! Susanna
• The Red River
Valley •
Scarborough Fair •
She'll Be Comin' 'Round
the Mountain • This
Little Light of Mine
• Turkey in the
Straw • The Wabash
Cannon Ball • When
the Saints Go Marching In
• Yankee Doodle
• The Yellow Rose
of Texas • and
more.
About First
50 You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune. $16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Busk It Country Fake Book Piano seul Music Sales
| | |
| Prairie Dance Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.49973 Composed by Zachary Docter. Concert ...(+)
Concert Band - Grade 2
SKU: AP.49973
Composed by Zachary
Docter. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Young Symphonic.
Programmatic. Score and
Part(s). Duration 1:50.
Alfred Music #00-49973.
Published by Alfred Music
(AP.49973). ISBN
9781470658403. UPC:
038081575964.
English. In Zach
Docter's Prairie Dance,
every instrument gets a
chance to shine. A simple
tune starts in the
clarinets. As it's passed
through the ensemble, it
grows louder before
culminating in a rhythmic
Americana-esque hoedown
that would make Copland
proud. After this
spirited climax, the tune
winds down before ending
quietly with the
clarinets, precisely as
it began. Every
instrument group is
featured in this piece.
Transparency allows
students to gain
experience playing in
thin textures, which may
be a new experience at
this grade level.
(1:50). $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prairie Dance Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.49973S Composed by Zachary Docter. Concert...(+)
Concert Band - Grade 2
SKU: AP.49973S
Composed by Zachary
Docter. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic.
Programmatic. Score.
Duration 1:50. Alfred
Music #00-49973S.
Published by Alfred Music
(AP.49973S). ISBN
9781470658410. UPC:
038081575971.
English. In Zach
Docter's Prairie Dance,
every instrument gets a
chance to shine. A simple
tune starts in the
clarinets. As it's passed
through the ensemble, it
grows louder before
culminating in a rhythmic
Americana-Esque hoedown
that would make Copland
proud. After this
spirited climax, the tune
winds down before ending
quietly with the
clarinets, precisely as
it began. Every
instrument group is
featured in this piece.
Transparency allows
students to gain
experience playing in
thin textures, which may
be a new experience at
this grade level.
(1:50). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitar Class Method Volume 1 Guitare notes et tablatures [Partition + CD] - Débutant Mel Bay
By William Bay. For Guitar (All). Methods. All Styles. Level: Beginning. Book/CD...(+)
By William Bay. For
Guitar (All). Methods.
All Styles. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 146
pages. Published by Mel
Bay Publications, Inc.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs 'Round The Campfire Guitare Centerstream
Performed by Various. Guitar. Size 9x12 inches. 168 pages. Published by Centerst...(+)
Performed by Various.
Guitar. Size 9x12 inches.
168 pages. Published by
Centerstream
Publications.
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata for Oboe and Piano Hautbois, Piano (duo) Imagine Music
| | |
| Canadian Fiddle Music Volume 1 Violon [Partition] Mel Bay
compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-In...(+)
compiled by Dr. Ed
Whitcomb. For Fiddle.
songbook. Canadian.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
224 pages. Published by
Mel Bay Publications,
Inc.
(1)$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prairie Blues - Score Orchestre d'harmonie - Débutant Kjos Music Company
Band concert band - Grade 1 SKU: KJ.WB426F Composed by Vincent Cassotta. ...(+)
Band concert band - Grade
1 SKU: KJ.WB426F
Composed by Vincent
Cassotta. Kjos Beginning
Concert BandWorks. Score
only. Duration 1 minute,
40 seconds. Neil A. Kjos
Music Company #WB426F.
Published by Neil A. Kjos
Music Company
(KJ.WB426F). UPC:
084027039878. Prair
ie Blues is a pop style
beginning band piece that
uses the first 6 notes of
the B-flat scale. It has
a catchy minor blues
melody that your students
will love to play. It has
a very playable bass line
that will make your lower
brass section play with
confidence. Prairie Blues
will be an enjoyable
concert selection for
both your students and
your audience! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Postcards from Wyoming Theodore Presser Co.
Chamber Music Bass Clarinet, Clarinet, Flute, Percussion, Piano, Violin, Violonc...(+)
Chamber Music Bass
Clarinet, Clarinet,
Flute, Percussion, Piano,
Violin, Violoncello, alto
Flute SKU:
PR.11441930S Composed
by Stacy Garrop. Full
score. With Standard
notation. 40 pages.
Duration 13:15. Theodore
Presser Company
#114-41930S. Published by
Theodore Presser Company
(PR.11441930S). UPC:
680160673537. 9 x 12
inches. Written
during a residence at an
artist community in the
isolation of Wyoming,
Postcards from Wyoming is
an impression of the
wilderness and beauty of
the surrounding landscape
and its inhabitants.
Written for Pierre
ensemble with percussion,
Postcards includes High
Plains Prairie (a harsh
landscape which reveals
glimpses of beauty upon
closer examination), Call
of the Wild (animals from
snakes to horses and cows
populate the
environment), and The
Solitude of Stars
(capturing the infinite
awe of the night
sky). In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
Postcards from Wyoming
presents three glimpses
of what I found to be the
most striking aspects of
my residence. The first
movement, High Plains
Prairie, represents the
conundrum that is a high
elevation landscape: from
afar, the eye sees little
else than an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I'm thankful that I
didn't see any predators
(such as wolves), I
became increasingly aware
of the wildness of the
animal population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
Postcards from Wyoming
was commissioned by the
2016 Utah Arts Festival.
-S.G. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and
wildlife.Postcards from
Wyoming presents three
glimpses of what I found
to be the most striking
aspects of my residence.
The first movement, High
Plains Prairie,
represents the conundrum
that is a high elevation
landscape: from afar, the
eye sees little else than
an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I’m thankful that
I didn’t see any
predators (such as
wolves), I became
increasingly aware of the
wildness of the animal
population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the
prairie.Postcards from
Wyoming was commissioned
by the 2016 Utah Arts
Festival.-S.G. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Postcards from Wyoming Theodore Presser Co.
Chamber Music Bass Clarinet, Clarinet, Flute, Percussion, Piano, Violin, Violonc...(+)
Chamber Music Bass
Clarinet, Clarinet,
Flute, Percussion, Piano,
Violin, Violoncello, alto
Flute SKU:
PR.114419300 Composed
by Stacy Garrop. Set of
Score and Parts. With
Standard notation.
40+12+12+12+12+12+20
pages. Duration 13:15.
Theodore Presser Company
#114-41930. Published by
Theodore Presser Company
(PR.114419300). UPC:
680160673513. 9 x 12
inches. Written
during a residence at an
artist community in the
isolation of Wyoming,
Postcards from Wyoming is
an impression of the
wilderness and beauty of
the surrounding landscape
and its inhabitants.
Written for Pierre
ensemble with percussion,
Postcards includes High
Plains Prairie (a harsh
landscape which reveals
glimpses of beauty upon
closer examination), Call
of the Wild (animals from
snakes to horses and cows
populate the
environment), and The
Solitude of Stars
(capturing the infinite
awe of the night
sky). In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
Postcards from Wyoming
presents three glimpses
of what I found to be the
most striking aspects of
my residence. The first
movement, High Plains
Prairie, represents the
conundrum that is a high
elevation landscape: from
afar, the eye sees little
else than an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I'm thankful that I
didn't see any predators
(such as wolves), I
became increasingly aware
of the wildness of the
animal population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
Postcards from Wyoming
was commissioned by the
2016 Utah Arts Festival.
-S.G. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and
wildlife.Postcards from
Wyoming presents three
glimpses of what I found
to be the most striking
aspects of my residence.
The first movement, High
Plains Prairie,
represents the conundrum
that is a high elevation
landscape: from afar, the
eye sees little else than
an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I’m thankful that
I didn’t see any
predators (such as
wolves), I became
increasingly aware of the
wildness of the animal
population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the
prairie.Postcards from
Wyoming was commissioned
by the 2016 Utah Arts
Festival.-S.G. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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