1-4 H. Purcell (ca. 1659 - 1695): 'Air'5-8 G. Finger (ca. 1660 - 1723): 'Air'9-12 J. B. Lully (1632 - 1687): Menuett13-16 B. Campagnoli (1751 - 1827): 'Courtly Dance'17-20 Chr. W. Gluck (1714 - 1787): 'Fröhlicher Tanz'21-24 W. A. Mozart (1756-1791): Allegretto25-28 J. Haydn (1732-1809): 'Deutscher Tanz'28-32 J. Brahms (1833-1897): 'Lied'33-35 Traditional: 'J? ai du bon tabac'36-38 Traditional: 'The hobby horse'

Par WALLACE JOHN / MILLER J.. Premier livre de trompette Solos offre une large sélection de matériel musical - s'étendant sur près de 500 ans - pour les joueurs avec peu ou pas d'expérience de l'instrument. Il faut le trompettiste de sa toute première leçon jusqu'à une norme équivalente à la 4e Conseil associé. Les pièces sont disposées en ordre croissant de difficulté et de compétences essentielles sont introduits dans une progression soigneusement planifiée, ce qui en fait un élément précieux à toute méthode d'enseignement/ Recueil / Trompette et Piano

Ce recueil vous propose une trentaine de falsetas de Moraíto, pour une ou deux guitares (presque une intégrale !), ainsi que la transcription complète de deux solos. Le 'toque por Bulería' de Moraíto restera sans doute longtemps le point culminant d'une tradition jérézane déjà centenaire, de Javier Molina à Manuel Parrilla et Diego del Morao, en passant par Juan et Manuel Morao, Parrilla de Jerez, Paco Cepero' Avec une remarquable économie de moyens, tant pour la forme que pour la technique, Moraíto a en effet créé une redoutable machine à produire des falsetas 'con soniquete'. L'étude des présentes falsetas vous permettra, sans trop de difficultés techniques, non seulement de jouer Moraíto dans le texte et surtout dans l'esprit, mais aussi de composer vos propres falsetas 'con aire jerezano'. Le CD, qui reproduit toutes les interprétations originales des partitions, vous permettra de mieux capter le swing si particulier de la Bulería de Jerez, et donc de Moraíto. / Guitare

Both a dedicated carol singer and an authority on the history of English music Nicholas Temperley here offers a unique book of 37 carols dating from the fifteenth century to the present.For over fifty years he has sung edited and composed carols each Christmas and in Christmas is Coming the fruit of his enthusiasm is combined with his wealth of knowledge to produce an outstanding and original new collection. As John Rutter observes in his Foreword the book does not pointlessly duplicate what can be found in many other carol books but has a personality and purpose of its own.Twenty-two fresh and practical arrangements include carols from Austria France Germany Mexico Poland and the USA alongside music both rare and familiar from the rich heritage of the English carol tradition. As well as eight of his personal favourites from J. S. Bach to Charles Ives the author includes seven new compositions of his own settings of medieval and traditional texts that reveal his skill as a choral composer whose command of style ranges from the humorous to the profound.In addition to sample programmes and translations there are invaluable notes on the performance and history of individual items plus an historical summary of the genre as a whole: everything in fact to make Christmas is Coming an indispensable companion for singers who wish to enrich the seasonal repertoire for concerts churches and traditional Yuletide carolling.

The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano

A Collection Of Irish Traditional Dance And Session Tunes - Taylor David J. (Edited). Par TAYLOR DAVID J.. Ce livre contient 65 irlandaise danse et session airs traditionnels transcrits de 2 albums par le premier ministre céilí irlandais band, Shaskeen : My Love Is en Amérique et la souris derrière le Dresser. Il y a avec les arrangements qui conviennent à la plupart des instruments de mélodie, symboles de la corde pour les guitaristes, des pianistes, ou des accordéonistes plus des photographies, des notes abondantes et Croix-références, qui vont d'un long chemin à remplissage en arrière-plan pour les mélodies, encourageant le musicien d'examiner plus. Les airs en l'espèce et son livre compagnon, à travers la moitié porte, sont ceux actuellement joué dans les sessions irlandaises, qui a été la source d'inspiration pour les produire. La musique est sensés clés, utilement et lisiblement énoncées, répétitons avec précision et facile à lire. Mally est et UK produit # AP102. / Niveau : Intermédiaire / Celtic/Irish - Tune Book / Recueil / Instruments Acoustiques

Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)

61 Traditional Pieces. Par DYER JONNY (Arr.). Scandinavian Folk Tunes for Accordion is a collection 61 arrangements of traditional tunes from Sweden, Finland and Norway. Scandinavian traditional music specialist accordionist Jonny Dyer provides notes on the history of the music, as well as playing techniques and styles. The volume is accompanied by a CD with a recording of all tunes performed by Jonny Dyer. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Musique traditionnelle / Recueil / Accordéon

Violin Play-Along Volume 26-The Violin Play-Along Series will help you play your favorite songs quickly and easily. Just follow the music listen to the CD to hear how the violin should sound and then play along using the separate backing tracks. With themelody and lyrics included in the book you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio CD is playable on any CD player. For PC and Mac computer users the CD isenhanced so you can adjust the recording to any tempo without changing pitch! This volume includes 14 selections: Lied (Brahms) ? Air (Finger) ? Frölicher Tanz (Gluck) ? Bourée (Handel) ? DeutscherTanz (Haydn) ? Menuet (Lully) ? Gavotte (Martini) ? Andantino (Mozart) ? Air (Purcell) ? Ecossaise (Schubert) ? March (Schumann) ? Menuet (Telemann) ? J'ai du bon tabac (traditional) ?Waltz (von Weber).

The Green Willow is a straightforward but rewarding piece for Unison Voices with Piano Accompaniment with traditional lyrics. It was first published in 1926.Dr. J. Frederic Staton (1884-1961)was a British organist composer adjudicator and pedagogue. Born in Yorkshire he was a Parish organist and Choirmaster in Chesterfield from 1899 onwards and also conducted several music societies and orchestras in the 1920s and30s. He was an early examiner for the ABRSM and spent the Second World War in Canada and New Zealand after travelling overseas to examine and adjudicate at Music Festivals. In 1942 he published Sweet Singing In TheChoir a popular handbook of choral technique.

Par ORFF CARL. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils./ Recueil / Voix, Flûte à Bec et Percussion

The Czech composer Antonin Rejcha (also Anton Reicha, 1770?1836) was famous as both an experimental composer and as a teacher and theorist. His ?36 Fugues for Piano? testify to this experimentalism; they can be seen as a type of
?Well-Tempered Piano of the new ages?, basing the traditional Baroque fugue on radical new fundaments.

The first edition of this unusual collection was produced in 1803 in Vienna by Reicha?s own publishing company ?Au Magasin de l?Imprimerie chimique?. It included both a dedication poem to Joseph Haydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text ?Ãœber das neue Fugensystem? (?On the new fugal system?) in the form of a polemic, reacting to his critics, one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn, Bach, Mozart, Scarlatti, Frescobaldi, Handel).

The musical text is a corrected reprint of the edition by Václav Jan Sýkora from 1973, which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna, c. 1828).

- Works historically important to the development of the fugue
- New foreword by Roman Dykast (Cz/Eng/Ger) / [36 Fugues Pour Piano] / Classique / Partition / Broché /

Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Julian Lloyd Webber: Franck 'Panis Angelicus' Elgar 'Chanson De Matin' Elgar 'Salut D'Amour' Debussy 'Reverie' Bach 'Air On A G String' Massanet'Meditation From Thais' Japanese Traditional 'Sakura-Sakura' Caccini 'Ave Maria' Glazunov 'Melodie Op20 no1' Chopin 'Nocturne Op9 No2' Boccherini Adagio' Rheinberger 'Cantilena' Bruch 'Kol Nidei'.   This title is included in the Trinity College London Cello Grade 7 Syllabus 2016-2019.