Par ADAMS SALLY. Not sure what to play? Wish you had all your favourite tunes in one book? This Mini Fake Book for Trumpet has the answer with 101 much-loved songs and melodies from across the decades cleverly compiled in one bumper volume. Each book is packed with themes from film, TV and theatre, including Harry Potter, The Flintstones, Grease, Cabaret, Annie, Wizard of Oz as well as pop classics from Robbie Williams, George Michael, Kate Bush, Abba, Kylie Minogue. Jazz standards from the likes of Gershwin and Porter as well as well-known classical and folk tunes by JS Bach, Mozart, Tchaikovsky, Schubert, Faure and many, many more! All the tunes have been carefully arranged by Sally Adams and Paul Harris to and covers grades 1- 5 level, in melody and chord symbol format. Ideal for buskers young and old, or as an alternative to traditional studies, for improvising or simply for fun, these really are the definitive compilations, with something for everyone!/ Recueil / Trompette

Arrangeur: R. Duckett. Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Strings, Team Brass, Team Recorder and Team Percussion offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and the shows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores. / Niveau : Débutant / Méthode / Clarinette

Par ADAMS SALLY / HARRIS PAUL. Not sure what to play? Wish you had all your favourite tunes in one book? This Mini Fake Book for Clarinet has the answer with 101 much-loved songs and melodies from across the decades cleverly compiled in one bumper volume. Each book is packed with themes from film, TV and theatre, including Harry Potter, The Flintstones, Grease, Cabaret, Annie, Wizard of Oz as well as pop classics from Robbie Williams, George Michael, Kate Bush, Abba, Kylie Minogue. Jazz standards from the likes of Gershwin and Porter as well as well-known classical and folk tunes by JS Bach, Mozart, Tchaikovsky, Schubert, Faure and many, many more! All the tunes have been carefully arranged by Sally Adams and Paul Harris to and covers grades 1- 5 level, in melody and chord symbol format. Ideal for buskers young and old, or as an alternative to traditional studies, for improvising or simply for fun, these really are the definitive compilations, with something for everyone!/ Recueil / Clarinette

Par ADAMS SALLY / COHEN MARY. Not sure what to play? Wish you had all your favourite tunes in one book? This Mini Fake Book for Violin has the answer with 101 much-loved songs and melodies from across the decades cleverly compiled in one bumper volume. Each book is packed with themes from film, TV and theatre, including Harry Potter, The Flintstones, Grease, Cabaret, Annie, Wizard of Oz as well as pop classics from Robbie Williams, George Michael, Kate Bush, Abba, Kylie Minogue. Jazz standards from the likes of Gershwin and Porter as well as well-known classical and folk tunes by JS Bach, Mozart, Tchaikovsky, Schubert, Faure and many, many more! All the tunes have been carefully arranged by Sally Adams and Mary Cohen to and covers grades 1- 5 level, in melody and chord symbol format. Ideal for buskers young and old, or as an alternative to traditional studies, for improvising or simply for fun, these really are the definitive compilations, with something for everyone!/ Recueil / Violon

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Austrian Dance (Traditional) * The Carman's Whistle (Byrd) * The Carnival (Snell) * Crystal Waltz (Snell) * Ecossaise (Beethoven) * Evening Song (Snell) * Little Song (Bach) * March (Snell) * One and Two and... (Snell) * Processional (Snell) * Rigaudon (Daquin) * Round (Byrd) * Six Fanfares and Flourishes (Snell) * Swedish Folk Song (Traditional) * Swiss March (Traditional) * Ten Easy Duets for Trumpet (Snell) * Toccata (Snell).

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegretto (Mozart) * Andante (Mozart) * Austrian Dance (Traditional) * Bouree (Bach) * Cappriccio (Hassler) * Courante in F (Handel) * Easy Sailing (Snell) * El-A-Noy (American Folk Song) * Etude (Gounod) * Fughetta (Pachelbel) * March (Beethoven) * March for Little John (Snell) * Menuett (Mozart) * The Minstrel Boy (Irish Folk Song) * Minuet (Snell) * Prelude and Fughetta (Snell) * Serenade (Snell) * Scherzino Witthauer.

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Par KEYSER PAUL DE. Avec violon Playtime, le violoniste débutant peut faire de la musique des tout premiers enseignements. Dans les trois livres qui composent la série, il y a plus d'une centaine en petits morceaux, une mine de mélodies attrayants - certains traditionnels, certains compositeurs du passé, certains nouvellement formé. Mais ce n'est plus alors seulement une anthologie facile - l'approche sous-jacente est ' apprendre comme vous jouez ', et un plan de sol soigneusement élaborée de développement technique rend un manuel déguisé, un tuteur sans texte. Ce livre vous emmène au Grade 2 standard. Les illustrations animées contribuent visuellement à l'excitation de l'apprentissage du violon./ Recueil / Violon et Piano

Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Flûte Traversière / 44 pages / niveau : Elementaire / Partition