Par DUNCAN CRAIG. Ces solos artistiques, stimulants et belles quinze ont été pris pour l'intermédiaire à la violoniste de niveau avancé. Accompagnement de clavier est inclus. Certains des morceaux contiennent des arrêts doubles. Les sélections comprennent les deux pièces écrites à l'origine pour violon et des transcriptions idiomatiques. Ces mélodies familiers sont des oeuvres de J.S. Bach, Borowski, Brahms, Debussy, G.F. Haendel, Marcello, Moszcowski, Mouret, Mozart, Purcell, Saint-Saens, Strauss et Tchaïkovski. / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Violon

Premier tambour livre de Rick Latham Advanced Studies de Funk, est l'un des livres définitifs pour le batteur contemporain. Maintenant à nouveau disponible, dans une nouvelle édition qui inclut un coffret de deux CD, cette norme dans le domaine est une compilation de toutes les techniques de tambours utilisé dans la musique de la Fusion et de Funk. Le livre comprend des transcriptions par l'auteur des extraits de nombreux enregistrements célèbres par batteurs comme Steve Gladd, David Garibaldi, Harvey Mason, Peter Erskine et beaucoup d'autres, ainsi que spécialement construit solos par l'auteur. L'ensemble de deux CD contient des enregistrements de tous les patrons - transcriptions et les solos effectuée par l'auteur, Rick Latham. Il s'agit d'un livre qui appartient à la bibliothèque de chaque batteur contemporaine. / Percussions

Les volumes de cette nouvelle série contiennent des duos , trios et quatuors , leur degré de difficulté allant de facile à travers intermédiaire à avancé . Chaque pièce est une transcription ou un arrangement, puisque dans l'édition des volumes notre principale préoccupation était de fournir une collection de compositions intéressantes et utiles , comme variable sous la forme possible en ce qui concerne l'instrumentation , pour les élèves des écoles de musique et aussi pour les adultes qui font de la musique pour leur propre plaisir . La gamme et la hauteur des pièces permettent les travaux à exécuter sur n'importe quelle combinaison requise ou possible des instruments proposés . Niveau avancé Quatuors propose de véritables friandises ( Mazurka de Chopin , Träumerei de Schumann ) . Les difficultés techniques et musicales ne dépassent pas le niveau d'un musicien amateur bien formés et expérimentés , et les possibilités de luxe de variations dans les modalités de quatre parties pour les différentes familles d'instruments (cordes , vents, percussions ) proposent de la musique collective prise pour homogène ou ensembles mélangés . Caractéristiques spéciales sont Polka d'Anna par Johann Strauss Jr. et Ragtime de Joplin , qui enrichissent le répertoire de musique de chambre avec la nouvelle couleur . / Quatuor

Premier livre classique de Rick Latham, Advanced Studies Funk, a été nommé par le magazine Modern Drummer comme l'un des 25 plus grands livres jamais publiés de batterie. Dans ce document, Rick Latham enseigne essentiel salut-chapeau, funk, et des motifs de remplissage --- avec des idées tirées de certains des plus célèbres et maîtriser les batteurs de funk de l'histoire. Maintenant, la vidéo de compagnon d'études Funk avancée est disponible pour la première fois en DVD autonome. Regardez comme Rick vous guide à travers les exemples et transcriptions présenté dans le livre. Quatre représentations pleines bandes grésillement sont inclus afin de vous faire des démonstrations dans le monde réel des concepts abordés dans la vidéo. Avancée Funk Studies a été l'un des plus utilisé et a parlé de livres tambour de tous les temps, donc l'amener à la vie et améliorer votre apprentissage avec cette vidéo exceptionnel de compagnon. / Batterie

Par HOWARD LUKE. A selection of twenty-eight of Luke Howard?s favourite and most requested compositions for solo piano, including Portrait Gallery and In Metaphor, Solace. Faber Music presents this beautiful book of scores and photographs, matching the sold-out first edition. These wonderful neo-classical style pieces are ideal for intermediate to advanced level pianists. / Date parution : 2022-10-12/ Recueil / Piano

A continuation of Jeb's highly-acclaimed book on comping, this second volume raises the bar even higher with transcriptions and in-depth discussions of the comping styles of McCoy Tyner, Herbie Hancock, Bud Powell, Hank Jones, Barry Harris and more! 256 pages and 2 CDs (for both demonstration and play-along purposes). Endorsed by Kenny Barron, Harold Mabern, David Hazeltine, etc. / Tout Instrument

MEDIA : BOOK AUTHOR : TOMMY EMMANUEL LEVEL : INTERMEDIATE-ADVANCED DATE PUBLISHED : 8/25/2009 DESCRIPTION : THE MYSTERY, TOMMY EMMANUEL'S SIXTH US ALBUM, WAS INSPIRED BY EMMANUEL'S TRAVELS EACH OF THE ALBUM'S COMPOSITIONS IS A MUSICAL SNAPSHOT OR SOJOURN - A JOURNEY THAT BRINGS US TOGETHER WITH PLACES AND PEOPLE - A JOURNEY INTO SELF DISCOVERY. THIS TRANSCRIPTION BOOK SHOWS ALL TWELVE TUNES ON THE CD NOTE-FOR-NOTE IN STANDARD NOTATION AND TABLATURE. ALSO INCLUDED ARE DETAILED PERFORMANCE NOTES OF EACH TUNE.

Description The Complete Blues/Rock Drummer is an advanced instruction book specializing in blues and blues/rock beats. This book includes fills and instrumentals, both with and without drums for play-along. About half of the book features advanced beats with fills and the other half consists of instrumentals. Drummers interested in studying blues will learn much from this book. There is challenging material for you to practice. The Complete Blues/Rock Drummer is a unique source for those interested in this genre. Like most musical styles, the breadth of blues music is vast, taking on many forms throughout different parts of the United States. Our aim is to focus on a few styles and demonstrate the drumming that is associated with each style. After that, it?s your turn to play-along and come up with your own parts or play the transcription of each song. Remember there isn?t a single all-inclusive book that will cover everything there is to know about blues or any style for that matter. This book provides practical ideas for blues and blues/rock.

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

for Solo Violin. Par BACH JOHANN SEBASTIAN (TR.BRAHMS JOHANNES). Transcribed for solo violin by Stuart Carlson In this impressive transcription Carlson captures much of the sound and power of the organ and offers it to solo violin. This arrangement requires double stops, accents, jumping across strings, high left-hand work, and dramatic flourishes with the bow and with chromatic left-hand runs...The advanced student or professional will surely enjoy bringing this classic to life.--American String Teacher/ Répertoire / Violon

Media Type : Book Level : Intermediate-Advanced Musical Genre : Acoustic Music Number of pages : 168 Tommy Emmanuel is one of the hottest fingerpicking guitar stars today. This complete transcription offers not only a look at his music, but insight to his style and techniques. The performance notes help players over potential hurdles in the pieces. In standard notation and tablature.

Par RACHMANINOV SERGEI / GERSTEIN KIRILL (Arr.). In the Silence of the Secret Night is a piano arrangement of Sergei Rachmaninoff?s setting of Afanasy Fet, taken from the composer?s song cycle Six Romances, Op. 4 (1890-93). The poem describes a fitful lover?s nocturnal yearning. This three-minute piece draws on pianist Kirill Gerstein?s idiomatic grasp of the composer?s music, transcribing the song in a way that recalls Rachmaninoff?s writing from the early 1900s. It makes for an ideal vignette in a recital programme or elegant encore, suitable for advanced players. 'In the transcription of Rachmaninov?s song?[Gerstein?s] musicianship was at once liberated and liberating.' The Observer (Fiona Maddocks) / Date parution : 2023-06-01/ Répertoire / Piano

Description This volume includes 'Ma Mere L'oye' (Mother Goose), 'Valse Nobles Et Sentimentales' and Ravel's own piano transcription of his world-famous 'La Valse'. Intermediate and advanced pianists will welcome this superb compilation of piano classics, reproduced from authoritative French scores. Songlist A La Maniere De Borodine A La Maniere De Emmanuel Chabrier La Valse Le Tombeau De Couperin [Ravel, Maurice] Ma Mere L'oyle Prelude Valses Nobles Et Sentimentales