By Franz Joseph Haydn. Edited by B.C. Macintyre; B.S. Brook. STUDY EDITION. Pages: VIII and 48. Urtext edition (Paper-bound). Published by G. Henle.

SKU: CA.4058200

Composed by Johann Adolf Hasse. Edited by Wolfgang Horn. Arranged by Wolfgang Horn. This edition: Paperbound. German title: Sechs Triosonaten. Full score. 80 pages. Carus Verlag #CV 40.582/00. Published by Carus Verlag (CA.4058200).

ISBN 9790007072674.

For 2 Violins and Basso. By Franz Joseph Haydn. Edited by Barry S. Brook. String Duo and Trios. Pages: Vl I Part = 18 * Vl II Part = 18 * Basso (Vc) Part = 17. Urtext edition without fingering-paper bound. Published by G. Henle.

SKU: CA.5023100

Composed by Josef Gabriel Rheinberger. Edited by Han Theill. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Klavierquartett, -Quintett, -Sextet. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). Carus Verlag #CV 50.231/00. Published by Carus Verlag (CA.5023100).

ISBN 9790007090319.

Volu me 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger's time: The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould ... and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger's chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions.

Chamber Ensemble - intermediate

SKU: HL.49000310

Score and Parts. Composed by Monsieur Naudot. Edited by Hugo Ruf. Arranged by Hugo Ruf. This edition: Saddle stitching. Sheet music. Antiqua (Chamber Music). Classical. Score and Parts. Op. 8. 26 pages. Schott Music #ANT 83. Published by Schott Music (HL.49000310).

ISBN 9790001003001. UPC: 073999291537. 9.0x12.0x0.08 inches.

Recorder (descant or treble), oboe (flute, violin) and basso continuo.

By Ludwig van Beethoven. (Study Score). Schott. Size 5.25x7.5 inches. 28 pages. Published by Eulenburg.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Edited by Weyer, Martin. For Organ. Playing score. Collection. 63 pages. Published by Baerenreiter Verlag (German import).

Composed by Various. Edited by Franz Kessler. This edition: Linen cover. Danziger Orgelmusik. 16.- 18. Jahrhundert. Collection. Composed 2008. Published by Carus Verlag

By George Frideric Handel (1685-1759). For solo keyboard. Piano Collection. Dover Edition. Baroque. Collection. Introductory text (does not include words to the songs). 169 pages. Published by Dover Publications collection Baroque

Organ - Method or Collection. Dover Edition. Masterwork. Book. Published by Dover Publications.

By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / Degott, Matthias / Kolle, Martin / Walter, Meinrad / Geismann, Wilm. Occasions: Eucharist, Communion, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, Death; Use during church year: Advent, Lent and Passiontide, Easter and Eastertide, Christmas. Collection. 224 pages. Published by Carus Verlag (German import).

(The World's Most-Beloved Masterpieces). Edited by E. L. Lancaster and Kenon D. Renfrow. For Piano. Piano Collection. Masterwork. Easy Piano. Book. 174 pages. Published by Alfred Music Publishing

Performed by Valery Lloyd-Watts, arranged by Shinichi Suzuki. Performance CD. Published by Alfred Publishing.

By Franz Joseph Haydn. Edited by George Lucktenberg. For Piano. Piano Collection. Masterwork. Level: Intermediate / Early Advanced (grade 4/5/6/6 ). Book. 64 pages. Published by Alfred Publishing.

(83 Early / Late Intermediate Selections Requiring a Hand Span of an Octave or Less). Edited by Maurice Hinson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Early Intermediate / Late Intermediate. Book. 164 pages. Published by Alfred Music Publishing

By Wolfgang Amadeus Mozart. Keyboard. Level: Intermediate/Late Intermediate (4/5/6). Published by Alfred Publishing.

By Johann Sebastian Bach (1685-1750). Piano Personality. Softcover. 128 pages. Published by Cherry Lane Music

58 Essential Masterworks. Educational Piano Library. Piano Duet. Softcover. 176 pages. Published by Hal Leonard

Solos and Duets. Composed by Chuck Bianchi. Squareback saddle stitch, Solos/Duets/Ensembles, Featured Products, Technique, Theory and Reference, Classical. Style. Book. 88 pages. Mel Bay Publications, Inc #30654. Published by Mel Bay Publications, Inc

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Collection for guitar solo. With guitar tablature, guitar tab glossary and introductory text. Series: Basix. 143 pages. Published by Alfred Publishing.