(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

By Johann Sebastian Bach. For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 900 pages. Published by Subito Music.

(for 3 Cellos - Score and Parts). Composed by Various. Edited by �rp�¡d Pejtsik. For Cello Trio (Score and Parts). EMB. Softcover. Editio Musica Budapest #Z14930. Published by Editio Musica Budapest

Four Authentic Sonatas - with a Violoncello Part. By Johann Sebastian Bach. Edited by H. Eppstein. Flute. Pages: Score = VII and 60 * Fl Part = 22 * Vc Part = 7. Urtext edition without fingering-paper bound. Published by G. Henle.

For 2 Treble Recorders and B.C. By Joseph Bodin de Boismortier. Schott. 22 pages. Published by Schott.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

String Trio. By Various. Arranged by Joel Lish. For Violin, Viola and Cello. 34 arrangements of Baroque Favorites. Baroque. Level: Advanced. Set of parts. Published by Middle Fiddle Music.

For solo piano. Format: piano solo book. Classical period and romantic period. 352 pages. 9x12 inches. Published by Hal Leonard.

For Oboe. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus the soloist. Published by Music Minus One.

3 Cello's - early intermediate

SKU: BT.EMBZ14930

By Arpad Pejtsik. EMB Chamber Music for Violoncellos. Educational Tool. Book Only. Composed 2014. 40 pages. Editio Musica Budapest #EMBZ14930. Published by Editio Musica Budapest (BT.EMBZ14930).

The latest volume of this popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music history's three great Bs. Árpád Pejtsik, the editor of the series, has transcribed the Trio Sonata in G Major for Flute, Violin and Basso continuo by Bach (BWV 1038), a witty bagatelle by Beethoven (WoO 56) and two archaizing piano works (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) by Brahms for three cellos. While intermediate instrumental skills are required due to the use of higher positions when in the upper two parts, the lower part can be performed by beginner cellists. Interpretation is helped byfingerings and bowings provided by the editor.

The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs.
Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande,Gavotte ) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by thefingering and bowing being provided by the editor.

Der neueste Band dieser beliebten Serie verfolgt das Ziel, das Repertoire der Celloschüler der Anfänger- und Mittelstufe mit ausgezeichneten Transkriptionen von Werken der drei großen Bs der Musikgeschichte zu bereichern. Árpád Pejtsik, der Herausgeber der Serie, bearbeitete neben Bachs Triosonate in G-Dur für Flöte, Violine und Basso continuo (BWV 1038) eine geistreiche Bagatelle von Beethoven (WoO 56) und zwei archaisierende Klavierstücke von Brahms (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) für drei Celli.

For Violin, Violoncello and Piano. By Franz Schubert. Edited by E. Badura-Skoda. Piano Trios. Pages: Score = 153 * Vl Part = 43 * Vc Part = 38. Urtext edition-paper bound. Published by G. Henle.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 2. Published by Last Resort Music Publishing.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 1. Published by Last Resort Music Publishing.

2 flutes, basso continuo

SKU: BR.KM-2231

Urtext. Composed by Johann Sebastian Bach. Edited by Barthold Kuijken. Stapled. Kammermusik-Bibliothek (Chamber Music Library).

Bach's flute music brought to a successful end

Sonata; Baroque. Score. 58 pages. Breitkopf and Haertel #KM 2231. Published by Breitkopf and Haertel (BR.KM-2231).

ISBN 9790004503119. 9 x 12 inches.

Perhaps Bach actually did allow himself to be swept away by Telemann's enthusiasm for the Flute traversiere, the Baroque transverse flute, for which he wrote a whole series of pieces, including the Trio Sonata in G major BWV 1039. With the Urtext edition of the sonata, which presumably is the arrangement of a lost first version for two violins and basso continuo, Breitkopf adds the finishing touches to the series of Bach's Complete Flute Works edited by the renowned flutist Barthold Kuijken. In the publication's textual segments, Kuijken takes a comprehensive look at the various sources and versions. Also very useful for performance practice are the unique characteristics found among musicians who are particularly knowledgeable in early music.The continuo has been realized by Ewald Demeyere, taking contemporary treatises into account.A clear, informative and utterly practical edition of this much loved and important trio sonata. The musical typeface here is extremely clear and of a sensible size. Slurs, additional ornaments and annotations are precise and non-invasive, page turns are practical and the separate bass also includes figures.(Lisa Beznosiuk, The Consort)

Bach's flute music brought to a successful end.

Trio Sonata

SKU: BR.KM-2296

Reconstruction. Composed by Carl Ph. Emanuel Bach and Johann Sebastian Bach. Edited by Klaus Hofmann. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). An original - by Bach Sr. and Jr.
Klaus Hofmann has retraced the path to the ur-sonata! Sonata; Baroque. Score and parts. 28 pages. Duration 9'. Breitkopf and Haertel #KM 2296. Published by Breitkopf and Haertel (BR.KM-2296).

ISBN 9790004502891. 9 x 12 inches.

An original by Bach Sr. and Jr. Klaus Hofmann has retraced the path to the ur-sonata! With convincing arguments, he has shown that two well-known Bach works were originally based on one and the same model that is no longer extant. He believes that both the Trio Sonata in G major BWV 1038 and the Violin Sonata in F major BWV 1022 are concealing an original work for violin, viola and basso continuo a work that can easily be reconstructed by a Bach expert. Hofmann has already given ample proof of his unerring sense of style and authenticity in the two B flat major Trio Sonatas (KM 2277 and M 2287). He diplomatically attributes the authorship of the newly recovered sonata to both Johann Sebastian and his son Carl Philipp Emanuel to equal extents. This should preclude any posthumous family arguments, and lovers of Baroque chamber music will be delighted with this rare example of an original Bach piece for viola!

By Franz Schubert. Edited by E. Badura-Skoda. STUDY EDITION. Pages: 156. Study score-no details. Published by G. Henle.

Fentone Play Along Books. Play Along. Size 9x12 inches. 16 pages. Published by Hal Leonard.

Edited by Guy/Mcarthur. For Piano. Contents include: Minuet in G Major, Minuet in G Minor, Prelude in C Major (Bach); Peasant's Flute Song (Bartok); Ode to Joy (Beethoven); Sonatina in A Minor (Benda); Melody (Bloch); Ballade Op. 100 No. 15 (Burgmuller); Waltz in A Minor Op. Posth. (Chopin); King William's March (Clarke); Le Petit Negre (Debussy); Sonatina in G Major Op. 168 No. 2 (Diabelli); The Evening Bell (Granados); Andantino Hob. I:85/2 (Haydn); The Avalanche Op. 45 No. 2 (Heller); Tolling Bell OP. 125 No. 8 (Heller); Bourree (Krieger); Autumn (Maykapar); Minuet in F Major K. 6 (Mozart); Little Fugue in C Major (Pachelbel); Minuet in G Minor (Pezold); In the Forest (Rebikov); Playing Soldiers Op. 31 No. 4 (Rebikov); Gymnopedie No. 1 (Satie); Sonata K. 34, L.S. 7 (Scarlatti); Minuet and Trio, D. 336 (Schubert); Echoes from the Theatre O

Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Flute (or Oboe or Violin). Duets. Intermediate Music for Two. Classical. Level: Intermediate. Score with 2 parts. Published by Last Resort Music Publishing.

Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Clarinet. Duets. Intermediate Music for Two. Classical. Level: Intermediate. Score with 2 parts. Published by Last Resort Music Publishing.

And B.c. - Figured Bass Realization by H. Eppstein - with the reconstructed Version for 2 Violins. By Johann Sebastian Bach. Edited by H. Eppstein. Trio Sonatas. Pages: Score = V and 23 * Fl I (Vl I) Part = 7 * Fl II (Vl II) Part = 7 * Vc Part = 7. Urtext edition without fingering-paper bound. Published by G. Henle.

SKU: SU.00220629

Woodwinds, Clarinet. USB (PDF Scores). CD Sheet Music #00220629. Published by CD Sheet Music (SU.00220629).

This CD Sheet Music collection on USB Flash Drive contains 2 complete CDSM titles: The Clarinet Solos & Duos collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages The Clarinet Methods, Studies & Ensembles collection makes available eight essential clarinet methods, studies and exercises, as well as over 30 works for clarinet with instruments including duos, trios and quartets by 20 familiar and lesser-known composers from the 18th, 19th and early 20th centuries. Scores and parts are included for many ensemble works. Methods, Studies & Exercises include: Baermann (Complete Method for Clarinet, Op. 63); Klosé (Conservatory Method, 25 Daily Exercises, 30 Studies after Aument); Langenus (Complete Method for Clarinet); Rose (32 Etudes for Clarinet) Ensembles include: Amberg (Fantasiestücke, Suite for Flute, Oboe, Clarinet & Piano); Beethoven (Quintet for Piano and Winds); Brahms (Quintet for Clarinet & Strings, Trio for Clarinet, Cello & Piano); Bruch (8 Piece for Clarinet, Cello & Piano); Cavallini (Rêverie Russe for Flute, Clarinet, and Piano); d'Indy (Trio for Piano, Clarinet, and Cello); Fibich (Quintet for Clarinet, Violin, Cello, Horn, & Piano); Glinka (Trio Pathétique, for Clarinet, Cello, & Piano); Hummel (Serenade No. 1 for Flute, Clarinet, Viola, & Cello); Liadov (8 Russian Folk Dances); Mozart (Twelve Minuets for 2 Clarinets or Basset Horns, Five Divertimenti for 2 Clarinets & Bassoon), Quintet for Clarinet & Strings, Quintet for Piano & Winds, Trio for Clarinet, Viola & Piano); Ravel (Intruduction & Allegro); Reger (Quintet for Clarinet & Strings); Rimsky-Korsakov (Quintet for Piano & Winds); Saint-Saëns (Tarantella for Flute, Clarinet & Piano); Schubert (Der Hirt auf dem Felsen); Schumann (Märchenerzählu ngen, for Clarinet, Viola & Piano); Spohr (Fantasy & Variations); Titl (Serenade for Violin, Clarinet & Piano); Zemlinsky (Trio for Clarinet, Violin & Cello) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2100+ pages Published by: CD Sheet Music.

By Lotti, Antonio (1667-1740). Woodwind and string ensembles. Published by International Music Co.