By Anthony Maiello, Jack Bullock. For Electric Bass. Band Method. Belwin 21st Century Band Method. Level: Level 2. Book. 32 pages. Published by Alfred Publishing.

By Douglas E. Wagner. For 2 trumpets, tenor saxophone, trombone, electric bass and drum set. Secular Christmas. Octavo. Published by Heritage Music Press. (30/2113H)

Bb Trumpet. Composed by Otto M. Schwarz. Duration 135 seconds. Hal Leonard #SDP049.21. Published by Hal Leonard

By Michael Cunningham. For Saxophone, Trumpet, Trombone, Piano, Guitar, Doublebass, Drumset (Chamber Music). Sheet music

Choir, solo parts, speakers, flute, 2 keyboards, accordion, piano, cello, electric bass or double bass, guitar or electric guitar, percussion - easy

SKU: HL.49015325

(Die Kinder von Girouan). Composed by Hans-Georg Wolos. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 7 pages. Duration 120'. Schott Music #ED 7577-19. Published by Schott Music (HL.49015325).

ISBN 9790001079112. German.

Part 1 in Eb (Alto Saxophone, Eb Trumpet/Cornet, Eb Clarinet). Arranged by James Curnow. This edition: CMP123908. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.

Choir; orchestra; rhythm (electric bass, drums, flute 1 & 2, oboe, clarinet 1 & 2, bassoon, french horn 1 & 2, trumpets 1, 2 & 3, trombones 1 & 2, bass trombone/tuba, timpani, percussion 1 & 2, harp, violins 1 & 2, viola, cello, and double bass)

SKU: HP.C5614O

Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Thanksgiving, General Worship, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5614O. Published by Hope Publishing Company (HP.C5614O).

UPC: 763628256142. Joseph M. Martin. Philippians 2:10-11, Isaiah 12:4, Acts 18:9, Psalms 19:1-14, Psalms 107:1-7, Luke 17:11-19.

Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass.

4-Part Flexible Ensemble - Grade 2.5

SKU: BT.DHP-1094742-070

Music Box. Christmas. Set (Score & Parts). Composed 2009. 20 pages. De Haske Publications #DHP 1094742-070. Published by De Haske Publications (BT.DHP-1094742-070).

ISBN 9789043132480. 9x12 inches. English-German-French-Dut ch.

Available parts:Part 1 C' FlutePart 1 C'' OboePart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 2 C' FlutePart 2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 Eb Alto Clarinet, Alto Saxophone, HornPart 2 F English Horn, HornPart 3 C Bassoon, Trombone, EuphoniumPart 3 Bb ClarinetPart 3 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 3 Bb BC Trombone, EuphoniumPart 3 Eb Alto Clarinet, HornPart 3 F HornPart 4 C' Bassoon, Trombone, Euphonium, Double Bass, Electric BassPart 4 C'' BassPart 4 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 4 Bb BC Trombone, Euphonium, BassPart 4 Eb TC Baritone Saxophone, BassPart 4 Eb BC Bass

Available parts:Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B A-Kl A-Sax Trp Hn Part 3 A-Kl Fg T-Sax Hn Euph Part 4 B-Kl Fg B-Sax Euph Tuba Kb.

Jazz Band & Digital Sounds (2 soprano sax; alto sax; tenor sax; baritone sax; 4 trumpets (B-flat); 3 trombones; bass trombone; DJ/laptopist; CD (provided by publisher); electric guitar (clean/distortion); keyboard or synthesizer (rhodes patch); electric bass; drum kit)

SKU: SU.17150165

For Jazz Band & Digital Sounds. Composed by Daniel Bernard Roumain. Chamber Music, Mixed Ensemble. DJ/laptopist. Score. Composed 2004. Duration 25'. Notevole Music Publishing #17150165. Published by Notevole Music Publishing (SU.17150165).

Instrumentation : 2 soprano sax; alto sax; tenor sax; baritone sax; 4 trumpets (B-flat); 3 trombones; bass trombone; DJ/laptopist; CD (provided by publisher); electric guitar (clean/distortion); keyboard or synthesizer (rhodes patch); electric bass; drum kit Duration: 25' Full Score & Parts: available on rental Composed: 2004 Published by: Notevole Music Publishing Choreographed by Alexandra Beller.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342S

For Orchestra. Composed by Clint Needham. Study Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342S. Published by Theodore Presser Company (PR.11640342S).

UPC: 680160687749.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342L

For Orchestra. Composed by Clint Needham. Large Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342L. Published by Theodore Presser Company (PR.11640342L).

UPC: 680160687756.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Composed by Camp Kirkland. Allegis. Christmas. Conductor's score and instrumental parts. Allegis #765762134300. Published by Allegis (LO.765762134300).

By Joseph Martin / Joseph Martin. For SATB choir. Scripture References: Phil. 2:10-11 -- Isaiah 12:4 -- Acts 18:9. Praise and Worship, Sacred, Thanksgiving. Choral octavo. 12 pages

Vocal Duet, Key of C

SKU: HP.8999

Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Score. 12 pages. Hope Publishing Company #8999. Published by Hope Publishing Company (HP.8999).

UPC: 763628189990. Joseph M. Martin.

Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass.

By Joseph M. Martin. For SAB choir and piano with optional orchestration and rhythm. The Joseph M. Martin Choral Series. General Worship, Praise and Worship, Thanksgiving and Gratitude, Sacred. Octavo. 12 pages. Published by Hope Publishing Company

Composed by Joseph M. Martin. For medium voice solo (key of C). General Worship, Praise and Worship, Thanksgiving and Gratitude. Vocal score. 8 pages. Published by Hope Publishing Company

Orchestra, Concert Band Concert Band - Grade 3

SKU: FL.FX072470

Composed by Gregory Frelat. Original Composition. Classical. Score and Set of Parts. Duration 1 minute, 45 seconds. FLEX Editions #FX072470. Published by FLEX Editions (FL.FX072470).

Instruments: Flutes 1&2 (4 parts) Oboes 1&2 (2 parts) Bassoon (2 parts) Bb Clarinets 1&2&3 (6 parts) Bass Clarinet (1 part) Alto Saxophones 1&2 (2 parts) Tenor Saxophone (2 parts) Baritone Saxophone (1 part) Bb Trumpets 1&2&3 (3 parts) F Horns 1&2&3&4 (4 parts) Trombones 1&2 (2 parts) Bass Trombone (1 part) C Euphonium B.C. (1 part) Bb Contrabass (1 part) Piano Opt. (1 part) Electric Guitar Opt. (1 part) Electric Bass Opt. (1 part) Timpani (1 part) Cymbals (1 part) Drum Set (1 part) Marimba(1 part) Bass Drum (1 part)
Additional Parts: Eb Horns 1&2&3&4& (2 parts) Bb Baritone / Euphonium T.C. (1 part) C Baritone / Euphonium T.C. (1 part) Bb Euphonium T.C. (1 part) C Tuba (1 part) Bb Tuba (1 part); Difficuly Level: Grade 3.

Concert Band

SKU: YM.GTW01101608

Composed by Shirō Sagisu. Arranged by Masamichi Amano and Miho Hazama. New Sounds in Brass. Anime Song; Jazz. Score and parts. Yamaha Music Media #GTW01101608. Published by Yamaha Music Media (YM.GTW01101608).

ISBN 9784636112993. 8.25 x 11.75 inches.

Welcome to the Tokyo III jazz club serves as the opening song from the album The world! EVAngelion JAZZ night =The Tokyo III Jazz club=, which is a jazz arrangement of the TV/movie soundtrack of the Evangelion series by Miho Hazama, now arrenged for wind orchestra. Why not try a fullfledged JAZZ arrangement with superb solos for alto saxophone and trumpet?
Instrumentation: Conductor×1; Piccolo×1; 1st & 2nd Flutes×2; 1st & 2nd Oboes×2; 1st Bassoon×1; 2nd Bassoon×1; Clarinet in E♭×1; 1st Clarinet in B♭×3; 2nd Clarinet in B♭×3; 3rd Clarinet in B♭×3; Alto Clarinet in E♭×1; Bass Clarinet in B♭×1; 1st Alto Saxophone in E♭×1; 2nd Alto Saxophone in E♭×1; 1st Tenor Saxophone in B♭×1; 2nd Tenor Saxophone in B♭×1; Baritone Saxophone in E♭×1; 1st Trumpet in B♭×1; 2nd Trumpet in B♭×1; 3rd Trumpet in B♭×1; 4th Trumpet in B♭×1; 1st & 2nd Horns in F×2; 3rd & 4th Horns in F×2; 1st Trombone×1; 2nd Trombone×1; 3rd Trombone×1; Bass Trombone×1; Euphonium×2; Tuba×2; String Bass or Electric Bass Guitar×1; Electric Guitar×1; Drums×1; Triangle×1; Xylophone & Glockenspiel×2; Vibraphone×1
Performance time: Approximately 6 minutes 17 seconds
Difficulty Level: 5.

Composed by Danny Elfman, arranged by Jay Bocook, Will Rapp. For 16 flutes, 16 Bb clarinets, 8 Eb alto saxophones, 4 Bb tenor saxophones, 8 Bb trumpets (1st ), 8 Bb trumpets (2nd), 8 Bb trumpets (3rd), 8 horns, 8 Bb horns (optional), 8 trombones (1st), 8 trombones (2nd), 4 baritones (B.C.), 4 baritones (T.C.), 8 tubas, 2 electric basses (optional), 4 bells (bells/xylophone), 8 drums (snare drum), 4 percussions (cymbals), 4 percussions (quad toms), 4 drums (multiple bass drums (4)) and 2 percussions (aux. percussion). Includes set of performance parts (includes pull out parts for all instruments) and conductor's score. Movies. 139 pages. 6.75x10.5 inches. Published by Hal Leonard.

Concert Band

SKU: YM.GTW01101612

Composed by Giacomo Puccini. Arranged by Hideaki Miura. New Sounds in Brass. Arranged Classic. Score and parts. Yamaha Music Media #GTW01101612. Published by Yamaha Music Media (YM.GTW01101612).

ISBN 9784636113037. 8.25 x 11.75 inches.

The famous aria sung in the third act of Puccini's opera Turandot has been arranged in the style of EDM (electronic dance music). Be sure to try out the trumpet solo played by Eric Miyashiro in the recording.
Instrumentation: Conductor×1; Piccolo×1; 1st & 2nd Flutes×2; *Oboe×1; *Bassoon×1; Clarinet in E♭×1; 1st Clarinet in B♭×3; 2nd Clarinet in B♭×3; 3rd Clarinet in B♭×3; *Alto Clarinet in E♭×1; Bass Clarinet in B♭×1; 1st Alto Saxophone in E♭×1; 2nd Alto Saxophone in E♭×1; Tenor Saxophone in B♭×1; Baritone Saxophone in E♭×1; 1st Trumpet in B♭×1; 2nd Trumpet in B♭×1; 3rd Trumpet in B♭×1; 1st & 2nd Horns in F×2; 3rd & 4th Horns in F×2; 1st Trombone×1; 2nd Trombone×1; Bass Trombone×1; Euphonium×2; Tuba×2; Electric Bass Guitar×1; *Electric Guitar×1; Drums×1; Timpani×1; Cymbals, Tambourine, Wood Block & Bass Drum×1; Wind Chime & Suspended Cymbal×1; Glockenspiel×1; Xylophone, Marimba & Chimes×3 The composition can also be performed without the instruments marked with *.
Performance time: Approximately 4 minutes 15 seconds
Difficulty Level: 3.

Ballet noir en sept parties et une entree. By Zimmermann, Bernd Alois. For Flute (3)/ Piccolo, Oboe (2), Oboe 3/ English Horn, Clarinet (B Flat) (2), Clarinet (B Flat) 3/ Bass Clarinet, Tenor Saxophone, Bassoon (2), Bassoon 3/ Contrabassoon, Horn (4), Trumpet (3), Trombone (3), Tuba, Kettledrum, Drums (2), Harp, Piano/ Celesta, Organ, Guitar 1/ Mandolin, Guitar 2/ Electric Guitar, Contrabass (4), Combo: Clarinet (B Flat), Cornet, Electric Guitar, Electric Bass. Study Score. Duration 18'. Published by Baerenreiter-Ausgaben (German import).

(For Trombone Section and Concert Band). By Gilbert Tinner. Score and Parts. Mitropa Music Concert Band. Grade 4

Composed by Allen Pote. For TTBB choir and keyboard with optional handbells and brass or orchestration. Hope's All-Time Best Selling Choral Series. Sacred, General Worship, God's Attributes/Character, Joy, Praise. Octavo. Published by Hope Publishing Company

By Allen Pote. For SSAA choir and keyboard with optional handbells and brass or orchestration. Hope's All-Time Best Selling Choral Series. Sacred, General Worship, God's Attributes/Character, Joy, Praise. Octavo. 12 pages. Published by Hope Publishing Company