Par TYRONE BROWN. A collection of hip musical compositions by award-winning bassist Tyrone Brown. Compositions for Bass offers 10 pieces in various grooves including Swing, Latin and odd meters. The companion CD has Mr. Brown performing each piece - eight on acoustic bass and two on acoustic bass guitar. The pieces are also playable on electric bass guitar. Some tunes are suitable for solos or duets. The solo from each piece is also transcribed. In standard notation and tablature. / Niveau : Intermédiaire / Jazz - Solos / Tablatures / Guitare Basse Tablatures

Seventy-Six popular compositions of the masters including themes from concertos and symphonies arranged for solo piano. Suitable for pianists from grade 5 standard. Edited by Hugo Frey. / Niveau : Difficile / Rép Classique / Recueil / Piano

Ce livre et son volume de compagnon, Blues et Boogies, incluent certaines des meilleures entrées de Composition défi 1987. Cette concurrence internationale a eu lieu à trouver de nouvelles pièces pour les premiers stades de la scolarité de piano. / Piano

piano reduction with solo part. Par WEBER CARL MARIA VON. Carl Maria von Weber (1786-1826), the great German romantic composer, was, after Mozart, the first master to write distinguished works for the solo clarinet. They include two compositions with piano accompaniment: the Grand Duo Concertant, and Theme and Variations ; two compositions for clarinet and string quartet: the Clarinet Quintet and a set of Variations ; three works for clarinet and orchestra: the Concertino and two Concertos. The Clarinet Concerto No. 2 In E Flat Op. 74 is a lively and majestic piece, which truly explores the sonorities and technical capabilities of the instrument& the opening two notes of the solo Clarinet part span an interval of three octaves, showing off the range and compass of the instrument! This is a tremendous work for solo Clarinet and Orchestra, arranged here for B flat Clarinet with Piano accompaniment, and edited by Eric Simon. The solo Clarinet in B flat part is also included on a separate insert. / Répertoire d'Examen / Répertoire / Clarinette et Orchestre

Tabla For All is a complete learning method for Indian Tabla percussion set, intended to gradually develop the Tabla player's skills, from the beginner stages of playing position and tuning, to more advanced levels of interpretation. It is also designed for musicians and general public who are interested in learning how the Industani Tala system of rhythmic cycles works. With a simple and novel system based on the onomatopoeic syllables commonly used in the Industani music, it is accessible for anyone, even without prior knowledge of traditional music notation.Tabla For All includes plenty of graphics, pictures and 2 CDs with 70 audio examples, analyzing in detail the intricate fascinating Tabla technique skills: strokes, vocal percussion, different time signatures, fixed compositions and variations, etc. / Tabla

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's friend, the cellist Jules Desart, was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the cello part into the piano score of the original edition. For this purpose the piano score had received a new cover and the publisher had expanded the title of the composition to 'Sonate pour piano et violon ou violoncelle?. This version by the cellist Jules Delsart for piano and violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter's new scholarly-critical publication.Bärenreiter's new edition also includes a separate movement, 'Mélancolie?, first published after Franck's death in 1911, again for the same instrumentation, piano and violin or violoncello. This short piece is based on a solfège exercise and was written at the height of the composer's creative powers, at about the same time as his famous violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng), a complete list of sources, editorial notes and a Critical Commentary (Eng).- Pioneering new Urtext edition- Informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)- Detailed Critical Commentary (Eng) / Violoncelle Et Piano

The volume of duos for advanced players contains pieces or parts of compositions which are longer and more difficult than in the previous volume. They are often to be played in high positions and sometimes involve several movements. They include such special compositions as The Swallow by Louis-Claude Daquin, Romance and Rondo by Jacques Féréol Mazas and two canons by Max Reger. / Tout Instrument

Par GOODIN JOHN. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories:Sonatas for two treble-clef instruments without bass accompaniment.Pieces for solo instrument and bass.Movements from Telemann's many trio sonatas and overture-suites for two melody instruments and bass.Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions.

Kantate zu Exaudi. Par BACH JOHANN SEBASTIAN. The cantata 'Sie werden euch in den Bann tun', part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo./ Répertoire / Chant

Toute personne qui ouvre ce 'coffre au trésor pour les duos' apprécierez pierres précieuses sous la forme de compositions originales pour deux guitares. Ce volume fournit un échantillon représentatif de la littérature facile à intermédiaire duo guitare avec des oeuvres de la Renaissance, époques classique, romantique et moderne. Le présent volume est destiné aux guitaristes qui possèdent une profonde connaissance de base du jeu de guitare.Les travaux sont particulièrement adaptés pour des concerts, auditions et concours.Comme le matériel à utiliser dans les leçons, l'accord morceaux, surtout avec certains aspects de jeu en duo, comme la confiance en menant son propre rôle et la formation des sens, les joueurs du style de la musique des époques différentes. Tout en considérant un son équilibré, les joueurs doivent apprendre à s'écouter les uns les autres, d'améliorer leurs propres performances au regard des aspects techniques et musicales et de développer conjointement leurs propres interprétations lors de la lecture ensemble. / 2 Guitares

from Encanto. Par MIRANDA LIN-MANUEL. Avec les compositions de Lin-Manuel Miranda du dernier Disney arrangées pour ch?urs SSA, SAB, SATB, à deux et trois voix, retrouvez les airs les plus populaires du grand succès Disney célébrant la culture colombienne à travers des thèmes tels que l'amour, la famille, le pardon et la nourriture. Vous ferez chanter les ch?urs pendant des jours avec le tube We don't talk about Bruno et les chansons tout aussi populaires The Family Madrigal, Two Oruguitas, Surface Pressure et Colombia, Mi Encanto. / Date parution : 2022-04-26/ Répertoire / Choeur à 2 Voix