Concert Band - Grade 1

SKU: AP.36662

Composed by John O'Reilly. Concert Band; Performance Music Ensemble; Single Titles. Accent on Achievement. Form: Suite. Score and Part(s). 118 pages. Alfred Music #00-36662. Published by Alfred Music (AP.36662).

UPC: 038081416601. English.

The first modal episode begins with a chant-like melody in G Aeolian mode (natural minor) that is reminiscent of early medieval music. The full brass section answers with simple block chords that accentuate the modal tonality. The Allegro that follows is set in B-flat Mixolydian mode (major scale with a flatted seventh). A dance-like melody dominates this episode and the percussion section is featured in a simple question-and-answer exchange.

Orchestra - Grade 2

SKU: AP.38463

Composed by John O'Reilly. Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Score and Part(s). 72 pages. Alfred Music #00-38463. Published by Alfred Music (AP.38463).

UPC: 038081434599. English.

Explore two modes, first in a chant-like E Aeolian section reminiscent of early Medieval music, followed by a dance-like G Mixolydian section. What a great change of pace that includes dialogues between parts of the orchestra as they move through less familiar modes! Correlates to Sound Innovations for String Orchestra, Book 1 Level 5.

Orchestra - Grade 2

SKU: AP.38463S

Composed by John O'Reilly. Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Score. 8 pages. Alfred Music #00-38463S. Published by Alfred Music (AP.38463S).

UPC: 038081434605. English.

Explore two modes, first in a chant-like E Aeolian section reminiscent of early Medieval music, followed by a dance-like G Mixolydian section. What a great change of pace that includes dialogues between parts of the orchestra as they move through less familiar modes! Correlates to Sound Innovations for String Orchestra, Book 1 Level 5.

(22 Full Band Arrangements Correlated to Accent on Achievement (Oboe)). Composed by John O'Reilly and Mark Williams. Concert Band. For Oboe. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Treble Clef)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Treble Clef. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music (AP.41377

(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Bass Clef)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Bass Clef. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 1)). By John O'Reilly and Mark Williams. Concert Band. For Trumpet 1. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 1)). By John O'Reilly and Mark Williams. Concert Band. For Clarinet 1. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Trombone)). By John O'Reilly and Mark Williams. Concert Band. For Trombone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 2)). By John O'Reilly and Mark Williams. Concert Band. For Percussion 2. Band Supplement; Book. Accent on Performance. 32 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 2)). By John O'Reilly and Mark Williams. Concert Band. For Clarinet 2. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Alto Saxophone)). By John O'Reilly and Mark Williams. Concert Band. For Alto Saxophone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Bassoon)). Composed by John O'Reilly and Mark Williams. Concert Band. For Bassoon. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Saxophone)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Saxophone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Tenor Saxophone)). By John O'Reilly and Mark Williams. Concert Band. For Tenor Saxophone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 2)). By John O'Reilly and Mark Williams. Concert Band. For Trumpet 2. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Flute)). By John O'Reilly and Mark Williams. Concert Band. For Flute. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Score)). By John O'Reilly and Mark Williams. Concert Band. For Score. Band Supplement; Score. Accent on Performance. 140 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Tuba)). By John O'Reilly and Mark Williams. Concert Band. For Tuba. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (F Horn)). By John O'Reilly and Mark Williams. Concert Band. For F Horn. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 1)). By John O'Reilly and Mark Williams. Concert Band. For Percussion 1. Band Supplement; Book. Accent on Performance. 32 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Piano)). By John O'Reilly and Mark Williams. Concert Band. For Piano. Band Supplement; Book. Accent on Performance. 48 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). By John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

Organ

SKU: SU.80101397

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101397. Published by Zimbel Press (SU.80101397).

Suite in F (2017) is in three movements: Praeambulum, Ground, and Fantasia. The first movement, Praeambulum, begins with F's as descending octaves followed by a rising scalar passage. This theme returns throughout the movement and also serves to provide the harmonic material for the intervening episodes. The second movement, Ground, unfolds over a repeating bass line, beginning with a spare two-part texture (that returns near the end) and increases in harmonic density. The third movement, Fantasia, begins in F and introduces its two basic musical ideas: a fanfare-like march figure and a pattern of quickly alternating 3rds. The music moves through several modal areas before reaching an exultant conclusion. Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.

Viola, Cello & Piano

SKU: SU.32040150

For Viola, Cello & Piano. Composed by Amy Riebs Mills. Chamber Music, String Trio/Quartet/Quintet. Score & Parts. Subito Music Corporation #32040150. Published by Subito Music Corporation (SU.32040150).

From delightful to lonesome to fiery, this three movement suite invites both performers and listeners to share the joy of being enveloped in richness of tone, creating poignant expressions of the heart. Marvelous recital and concert music. Vignette I: Delightful Dance Jaunty rhythms and clever surprises render a joyful opening section. Later, a warm, love filled melody is poured out by each instrumentalist, and climbs to a glorious tutti. Then it is back to the joyful dance, a few more surprises, and a delightfully happy ending. Vignette II: Lonesome Chaconne opens with two dark chords. Then the piano begins the chaconne with a mournful bass line and plaintive off beats. The viola enters and plays a lonesome melody, then is joined by the cello in a melancholy duet over the chaconne until it dies away. The cello's brief recitative emerges from the depths into an aching cry that is then echoed by the viola. Joining together, they pour out a fervent melody, moving higher and higher until they breakthrough to the light. Alas, the vision fades, and they return to only fragments as the chaconne disappears. Vignette III: Fiery Fugue opens with a feisty subject melody, first in the viola, followed by the cello, piano right hand, and left hand. It is similar in form to a Bach fugue, but uses modal tonality and syncopated rhythms. The statements and episodes build to a recall of the fervent melody from the second movement, leading to the final dynamic unison statement of the fugue subject. Just as it almost dies away, it recharges and boldly bounds ahead to the end. Difficulty Level: 5 (Advanced) Viola, Cello, Piano Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC See composer website for audio sample.