Accompanies Second Edition. Composed by David Blackwell and Kathy Blackwell....(+)
Accompanies Second
Edition.
Composed by David
Blackwell
and Kathy Blackwell.
Cello
Time. Oxford University
Press
#9780193563315. Published
by
Oxford University Press
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be
Played by Any Combination
of String Instruments).
By Doris Gazda. Arranged
by Doris Gazda. For
Viola. Book. 48 pages.
Published by Carl Fischer
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be
Played by Any Combination
of String Instruments).
By Doris Gazda. Arranged
by Doris Gazda. For
Violin. Book. 48 pages.
Published by Carl Fischer
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be
Played by Any Combination
of String Instruments).
By Doris Gazda. Arranged
by Doris Gazda. For
Cello. Book. 48 pages.
Published by Carl Fischer
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be
Played by Any Combination
of String Instruments).
By Doris Gazda. Arranged
by Doris Gazda. For
String Bass. Book. 48
pages. Published by Carl
Fischer
Essentials of Music Theory Software, Version 2.0, Volume 1. (For 5 computers (1 ...(+)
Essentials of Music
Theory Software, Version
2.0, Volume 1. (For 5
computers (1 Educator, 4
Students)). By Andrew
Surmani and Morton Manus.
Reference Textbooks;
Textbook - General;
Theory. Essentials of
Music Theory. Software.
Published by Alfred Music
Publishing
Essentials of Music Theory Software, Version 2.0. (For 5 computers (1 Educator, ...(+)
Essentials of Music
Theory Software, Version
2.0. (For 5 computers (1
Educator, 4 Students)).
By Andrew Surmani and
Morton Manus. Reference
Textbooks; Textbook -
General; Theory.
Essentials of Music
Theory. Software.
Published by Alfred Music
Publishing
Yellow Jersey 2 Saxophones (duo) Oxford University Press
Composed by Libby Larsen (1950-). For 2 alto saxophones. New Horizons. Saxophone...(+)
Composed by Libby Larsen
(1950-). For 2 alto
saxophones. New Horizons.
Saxophone score. 16
pages. Duration 9
minutes. Published by
Oxford University Press
(Bassoon Duet Two Performance Scores). By Thea Musgrave (1928-). For Bassoon Due...(+)
(Bassoon Duet Two
Performance Scores). By
Thea Musgrave (1928-).
For Bassoon Duet. Music
Sales America. Softcover.
Novello and Co Ltd.
#NOV121693. Published by
Novello and Co Ltd.
2 Violoncelles (duo) [Partition + CD] - Facile Mel Bay
47 Irish and Scottish Tunes. By Renata Bratt. For Cello. Duets. Celtic/Irish. Le...(+)
47 Irish and Scottish
Tunes. By Renata Bratt.
For Cello. Duets.
Celtic/Irish. Level:
Beginning-Intermediate.
Book/CD Set. Size 8.5x11.
64 pages. Published by
Mel Bay Publications,
Inc. ISBN 078667511X.
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Clarinet. Duets. In...(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe or Violin) and
Clarinet. Duets.
Intermediate Music for
Two. Christmas. Level:
Intermediate. Score with
2 parts. Published by
Last Resort Music
Publishing.
Arranged by Daniel Kelley. For Trumpet Duet. Duets. Music for Two. Christmas. Le...(+)
Arranged by Daniel
Kelley. For Trumpet Duet.
Duets. Music for Two.
Christmas. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon)....(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe or Violin) and Cello
(or Bassoon). Duets.
Intermediate Music for
Two. Christmas. Level:
Intermediate. Score with
2 parts. Published by
Last Resort Music
Publishing.
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Flute (or Oboe or V...(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe or Violin) and Flute
(or Oboe or Violin).
Duets. Intermediate Music
for Two. Christmas.
Level: Intermediate.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Recorder and Piano - Advanced SKU: FP.FDD02 Composed by David Dubery. She...(+)
Recorder and Piano -
Advanced
SKU:
FP.FDD02
Composed by
David Dubery. Sheet Music
and Books. An evocative
piece for treble recorder
or oboe and piano
inspired by two historic
Stockport landmarks.
Classical. Collection.
Forsyths Publications
#FDD02. Published by
Forsyths Publications
(FP.FDD02).
ISBN
9790570503834.
Vern
on Park,
Stockport’s oldest
park, was created on land
donated by Lord Vernon
(George John Warren). It
was built by poor mill
workers who called it
pinch-belly park and
opened on 20th September
1858. Comprising
twenty-one acres, it
houses a museum, a
bandstand, ornamental
fountains, a fernery,
rockery, borders and
sunken rose garden as
well terraced walkways
that overlook the river
and weir. The piece
depicts a solitary walker
engrossed in his own
thoughts on a
winter’s day, the
landscape, and the
park’s Victorian
past.
At the very
end of the piece a
reminder of the
park’s Victorian
origins can be detected
in a quote from
Elgar’s Salut
d’amour of 1899,
which may well have been
played by a band in the
bandstand. Stockport
market celebrated its
750th anniversary in
2010. It dated back to
September 1260 when a
Royal Charter allowed
Robert de Stokeport, the
Mayor, to hold a weekly
market within the
defensive walls of the
Norman Castle on the
present site of Castle
Yard.
The Glass
Umbrella was a popular
name given to the 1861
covered market built of
timber, glass and iron -
nine bays with open sides
and a glass canopy. In
1912, one bay was removed
to enable electric trams
and trolley buses to turn
a sharp
corner.
The piece
depicts a lively market
day, the multiculturalism
of the present day and
the old cries of pick and
pay without delay. The
bells of St Mary’s
Church are depicted by a
cascading peel tuned to
the ten bells of the
church tower, and a
fleeting reference to
John Wainwright’s
famous Christmas hymn
Christians Awake, and the
Westminster chimes
striking the hour from St
Mary’s, bring to
piece to a conclusion.
Separate parts are
provided for recorder and
oboe.
Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello SKU: CF.MXE...(+)
Chamber Music Double
Bass, Vibraphone, Viola,
Violin, Violoncello
SKU: CF.MXE55
Composed by Paul Lansky.
Set of Score and Parts.
8+8+8+8+8+32 pages.
Duration 17:55. Carl
Fischer Music #MXE55.
Published by Carl Fischer
Music (CF.MXE55).
ISBN
9781491153864. UPC:
680160911363.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four frames
comment on the harmonies
of the movements that
they surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 187273;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
Paul Lansky
Frame 1
100
Minuetto
(Post-Classical, c. 1810)
352
Frame
2 125
Angst
(Post-Romantic, c. 1910)
353
Frame
3 122
Dance
(Post-Modern, c. 2010)
535
Frame
4 050
Total Duration
1755
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872-73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
--Paul
Lansky
Frame 1 1'00
Minuetto
(Post-Classical, c. 1810)
3'52
Frame 2 1'25
Angst
(Post-Romantic, c. 1910)
3'53
Frame 3 1'22
Dance
(Post-Modern, c. 2010)
5'35
Frame 4
0'50'
Total Duration
17'55
. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872-73; Three Wise Men
Greeting Entry into
Lagos, by Kehinda Wiley,
2008. --Paul Lansky Frame
1 1'00 Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25 Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22 Dance
(Post-Modern, c. 2010)
5'35 Frame 4 0'50' Total
Duration
17'55. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames’ comment on
the harmonies of the
movements that they
surround.The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872–73; Three
Wise Men Greeting Entry
into Lagos, by Kehinda
Wiley, 2008.—Paul
LanskyFrame 1
1’00Minuetto
(Post-Classical, c. 1810)
3’52Frame 2
1’25Angst
(Post-Romantic, c. 1910)
3’53Frame 3
1’22Dance
(Post-Modern, c. 2010)
5’35Frame 4
0’50’Total
Duration
17’55.
Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello SKU: CF.MXE...(+)
Chamber Music Double
Bass, Vibraphone, Viola,
Violin, Violoncello
SKU: CF.MXE55F
Composed by Paul Lansky.
Full score. 32 pages.
Duration 17:55. Carl
Fischer Music #MXE55F.
Published by Carl Fischer
Music (CF.MXE55F).
ISBN 9781491153895.
UPC:
680160911394.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four frames
comment on the harmonies
of the movements that
they surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 187273;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
Paul Lansky
Frame 1
100
Minuetto
(Post-Classical, c. 1810)
352
Frame
2 125
Angst
(Post-Romantic, c. 1910)
353
Frame
3 122
Dance
(Post-Modern, c. 2010)
535
Frame
4 050
Total Duration
1755
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872-73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
--Paul
Lansky
Frame 1 1'00
Minuetto
(Post-Classical, c. 1810)
3'52
Frame 2 1'25
Angst
(Post-Romantic, c. 1910)
3'53
Frame 3 1'22
Dance
(Post-Modern, c. 2010)
5'35
Frame 4
0'50'
Total Duration
17'55
. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872-73; Three Wise Men
Greeting Entry into
Lagos, by Kehinda Wiley,
2008. --Paul Lansky Frame
1 1'00 Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25 Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22 Dance
(Post-Modern, c. 2010)
5'35 Frame 4 0'50' Total
Duration
17'55. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames’ comment on
the harmonies of the
movements that they
surround.The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872–73; Three
Wise Men Greeting Entry
into Lagos, by Kehinda
Wiley, 2008.—Paul
LanskyFrame 1
1’00Minuetto
(Post-Classical, c. 1810)
3’52Frame 2
1’25Angst
(Post-Romantic, c. 1910)
3’53Frame 3
1’22Dance
(Post-Modern, c. 2010)
5’35Frame 4
0’50’Total
Duration
17’55.