Accordion - intermediate

SKU: M7.VHR-1801

Akkordeon Pur. Edited by Hans-Gunther Kolz. Sheet music. 28 pages. Holzschuh Musikverlag #VHR 1801. Published by Holzschuh Musikverlag (M7.VHR-1801).

ISBN 9783940069047.

AKKO RDEONpur bietet Spezialarrangements im mittleren Schwierigkeitsgrad. A Prayer For Freedom, Everybody Needs Somebody To Love, FlashdanceWhat A Feeling, Something Stupid, Thank You For The Music, Unbreak My Heart, Yesterday, You Are Not Alone.

Performed by Il Divo, composed by Diane Warren, lyrics by Marco Flores. For voice, piano and guitar (chords only). Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Pop Vocal, Adult Contemporary and Classical Pop. A Minor. Text language Spanish. 6 pages. 9x12 inches. Published by Alfred Publishing.

Composed by Ludvig S�¶derberg, Jakob Jerlstr�¶m, Oscar Holter, Alexander Kronlund, Tori Kelly, James Allen, and Laleh Pourkarim. Arranged by Alan Billingsley. Choral Octavo. Alfred Pop Series. Secular. 16 pages. Published by Alfred Music (AP.45434).

Sacred. Lorenz Publishing Company #70/2163L. Published by Lorenz Publishing Company

Easy Piano Selections Based on the Original Album Recording. Composed by Andrew Lloyd Webber. Easy Piano Vocal Selections. Broadway. Softcover. Duration 120 seconds. Published by Hal Leonard

Brass Band - Grade 4

SKU: BT.GOB-000149-030

Composed by Torstein Aagaard-Nilsen. Set (Score & Parts). 58 pages. Gobelin Music Publications #GOB 000149-030. Published by Gobelin Music Publications (BT.GOB-000149-030).

This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band.

The title referes to a story from norse mythology.
“The Binding of the Wolf” is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story:

“...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken.
It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish.
When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless.
Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand.
The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction.
The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...”.

Brass Band - Grade 4

SKU: BT.GOB-000149-130

Composed by Torstein Aagaard-Nilsen. Score Only. 34 pages. Gobelin Music Publications #GOB 000149-130. Published by Gobelin Music Publications (BT.GOB-000149-130).

This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band.

The title referes to a story from norse mythology.
“The Binding of the Wolf” is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story:

“...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken.
It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish.
When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless.
Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand.
The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction.
The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...”.

Choir Secular

SKU: AP.45435

Composed by Alexander Kronlund, Jakob Jerlström, James Allen, Laleh Pourkarim, Ludvig Söderberg, Oscar Holter, and Tori Kelly. Arranged by Alan Billingsley. This edition: SoundTrax CD. CD. Alfred Pop Choral Series. Secular. CD. Alfred Music #00-45435. Published by Alfred Music (AP.45435).

UPC: 038081511757. English.

Taken from her debut album Unbreakable Smile, this rhythm and blues influenced single from Tori Kelly uses fun triadic harmonies that are quickly learned. Coulda been the real thing, now we'll never know for sure!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Choir Secular (SATB choir)

SKU: AP.45589

Composed by Alexander Kronlund, Jakob Jerlström, James Allen, Laleh Pourkarim, Ludvig Söderberg, Oscar Holter, and Tori Kelly. Arranged by Robert Dietz. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Secular. Choral Octavo. 16 pages. Alfred Music #00-45589. Published by Alfred Music (AP.45589).

UPC: 038081513287. English.

Taken from her debut album Unbreakable Smile, this rhythm and blues influenced single from Tori Kelly uses fun triadic harmonies that are quickly learned. Coulda been the real thing, now we'll never know for sure!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Guest Spot. Guest Spot. Pop and Rock. Book with CD. Wise Publications #MUSAM976855. Published by Wise Publications

Piano/Vocal Selections Based on the Original Album Recording. Composed by Andrew Lloyd Webber. Vocal Selections. Broadway. Softcover. 100 pages. Published by Hal Leonard

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.16500092L

For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L).

UPC: 680160039531. 11 x 17 inches.

Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland.

(The Best Songs from Movies and Radio of the 1990s). Arranged by Larry Shackley. For Piano. Book; Piano Collection; Piano Supplemental. Popular Performer Series. Pop/Rock; Recital. Advanced. 40 pages. Published by Alfred Music Publishing

For Saxophone (tenor) or Saxophone (alto). Includes a high-quality printed music score with parts for both B-flat tenor and E-flat alto saxes, and a compact disc containing a complete performance with soloist (on tenor sax); then a second version with accompaniment only. Published by Music Minus One.

Performed by Il Divo. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 96 pages. Published by Hal Leonard.

For Guitar. Jazz/RandB. Includes a printed music score on high-quality ivory paper; and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

For Piano/Vocal/Chords. This edition: Piano/Vocal/Guitar. P/V/C Mixed Folio. Pop/Rock. Book. 272 pages. Published by Alfred Music Publishing

Performed by Diane Warren. By Diane Warren. Edited by Carol Cuellar. Songbook (Piano/Vocal/Chords. Arrangements for piano and voice with guitar chords). 172 pages. Published by Alfred Publishing.

Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Easy Piano. 148 pages