Composed by Howard J. Buss (1951-). For flute, oboe, and bassoon. The music of Turbulent Times suggests the ebb and flow of the intense uncertainty felt by many with the more pleasant aspects of everyday life. Following the lyrical and plaintive introduction, stormy passages give way to sections of relative tranquility,. 21st Century. Grade 6. Score and parts. Composed 2009. Duration 11'. Published by Brixton Publications

Choral SSAA choir

SKU: CF.CM9717

Composed by Mark Burrows. 8 pages. Duration 3 minutes, 7 seconds. Carl Fischer Music #CM9717. Published by Carl Fischer Music (CF.CM9717).

ISBN 9781491160961. UPC: 680160919567. Psalm 91:4-5.

The Lord will overshadow you with his pinions, and you will find refuge under his wings. His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart. What a blessing it is, especially during times of distress or uncertainty, to know that we aren't alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, It's okay. I've got you. It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong. The first word - scapulis - is translated as pinions. On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section - mm. 1-20 - encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort. In mm. 21-30 we have a new section where uncertainty grows. At this point the text - and you will find refuge under his wings - is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs: Alto I - Measure 22 the Ab in pennis, m. 26 the Bb in sperabis Soprano II - Measure 23 the A natural in pennis, m. 29 the C in sperabis Soprano I - Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress. The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase. The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance - Felix Mendelssohn's Lift Thine Eyes.
The Lord will overshadow you with his pinions,and you will find refuge under his wings.His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart.What a blessing it is, especially during times of distress or uncertainty, to know that we aren’t alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, “It’s okay. I’ve got you.” It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong.The first word – scapulis – is translated as “pinions.” On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section – mm. 1-20 – encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort.In mm. 21-30 we have a new section where uncertainty grows. At this point the text – and you will find refuge under his wings – is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs:Alto I – Measure 22 the Ab in pennis, m. 26 the Bb in sperabisSoprano II – Measure 23 the A natural in pennis, m. 29 the C in sperabisSoprano I – Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress.The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase.The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance – Felix Mendelssohn’s Lift Thine Eyes.

SATB Chorus, Men's Chorus, & Two Organs (Opt. One Organ)

SKU: SU.80101419

For SATB Chorus, Men's Chorus, & Two Organs (Opt. One Organ). Composed by Carson Cooman. Vocal/Choral, Sacred Choral. Accompanied by organ, Men’s Chorus. Choral Octavo. Zimbel Press #80101419. Published by Zimbel Press (SU.80101419).

Missa in incerto tempore (The Davison Mass) (2018) was commissioned by the Harvard Glee Club. It was premiered by the Harvard Glee Club, Cambridge, Massachusetts (Andrew Clark, Director of Choral Activities) and the All Saints' Choir of Men and Boys (Ashmont Boy Choir), Dorchester, Massachusetts; (Andrew Sheranian, Organist and Master of Choristers). The Latin title, meaning Mass in uncertain times, refers to the centuries of comfort, inspiration, and spiritual enrichment that the mass (and the musical settings for its celebration) has provided to many individuals through difficulty and uncertainty. I cannot deny that the times in which this piece was composed are the most nationally and internationally uncertain of my own life to date. That fact had a definite impact on the tone and emotional character of the piece. However, there is a universality as well, since one could readily feel that all times have a sense of uncertainty, especially since we never know exactly what the future holds. The first three movements have somewhat enigmatic endings. The end of the Agnus Dei tries to temper (but not erase) that uncertainty with a degree of optimism and fervor in a passionate plea of Dona nobis pacem. Instrumentation: SATB Chorus, Men's Chorus, and Two Organs (Opt. One Organ) Duration: 20' Composed: 2018 Published by: Zimbel Press.

Concert Band (Full Score) - Grade 5

SKU: HL.48023472

Score Only. Composed by Edward Fairlie. Windependence Artist Level. Festival. 20 pages. Boosey & Hawkes #M051663286. Published by Boosey & Hawkes (HL.48023472).

UPC: 888680052591. 10.5x14 inches.

Edward Fairlie's Storm and Urge is a significant work for wind band and portrays a journey of emotional turbulence. The title comes from the German “Sturm und Drang,” a literary and musical movement of the late 1700s which focused on extremes of emotion. Opening with a simple and reflective theme, we are then taken through a range of emotional settings from uncertainty to resistance, and then calm resolve and self-knowledge. With a variety of textures and vivid imagery, this is a masterful work for the contemporary ensemble. Duration: 9:00

(Recorded by the University of Minnesota Wind Ensemble – Ingrid Martin, conductor).

SATB choir, divisi, soprano voice solo, tenor voice solo, piano reduction - Intermediate

SKU: GI.G-8815

Composed by Cortlandt Matthews. Ordinary Time 20 A. Evoking Sound. Music Education. Octavo. 8 pages. GIA Publications #8815. Published by GIA Publications (GI.G-8815).

UPC: 785147881506. English, Latin. Text Source: Romans 11:29, Latin Vulgate. Scripture: Romans 11:29.

I composed this setting in my last weeks of study at Westminster Choir College. The Latin text (Sine paenitentia enim sunt dona et vocatio Dei) translates roughly to “Truly, without regret are the gifts and callings of God.” This piece serves not only as an outward affirmation for all to embrace and use their God-given talents, but also as an inward mantra for myself, as I move into an uncertain period in my life after completing my undergraduate studies. Many of the colors and textures found within this piece were influenced by my experience singing with the Westminster Williamson Voices for two years. While the “sine paenitentia” text may allow shades of doubt to creep in, all uncertainty and fear is dispelled upon singing “sunt dona et vocatio Dei.” —Cortlandt Matthews Here is an amazing performance by The Westminster Williamson Voices at the Choral Insititute at Oxford. Ryan Manni, Conductor.

Concert Band - Grade 0.5

SKU: AP.50902S

Composed by Michael Kamuf. Concert Band; Performance Music Ensemble; Single Titles. Belwin Very Beginning Band. Score. Duration 1:40. Belwin Music #00-50902S. Published by Belwin Music (AP.50902S).

ISBN 9781470666934. UPC: 038081585543. English.

Courageous Spirit, by Michael Kamuf, is a musical celebration of the bravery we summon in the face of uncertainty. The piece features bold and contrasting melodies, making it an ideal choice to reinforce slurs and accents with your students. Additionally, the work provides an opportunity to support and explore the SEL competency of Responsible Decision-Making during rehearsals. Whether as an opening or closing selection, this piece is perfect for your next concert! (1:40).

Chamber Music Marimba, alto Saxophone

SKU: PR.114423770

Composed by Stacy Garrop. Set of Score and Parts. 16+12+16 pages. Duration 11 minutes. Theodore Presser Company #114-42377. Published by Theodore Presser Company (PR.114423770).

UPC: 680160688579.

When RoseWind Duo’s Clifford Leaman and Scott Herring commissioned me for Silver Linings, we could not have anticipated that we would be in the middle of the COVID-19 pandemic when I composed the piece. In the early summer of 2020, when the three of us met virtually to discuss possible topics, we had all been in lockdown for several months; the causes and effects of the lockdown were at the forefront of our discussion. In themidst of daily tragedies, I had been seeing news stories using the words “silver lining” to describe unexpectedly positive situations arising from our global situation, ranging from small effects (i.e. people having time to work on projects they never could get around to doing) to global ramifications (resurging animal populations in areas where they’re no longer challenged for space with humanity).Silver Linings consists of two movements. Groundhog Day, the first movement, is slow and brooding. It embodies the strong feeling of déjà vu that so many of us experienced early on into lockdown, as we seemed to live the same day repeatedly with minor variances to our schedules. There are two main musical gestures: the first opens the piece as a slow, ascending minor chord which is a representation of uncertainty, and the secondis a falling minor scale. These gestures depict how our lives were reduced to the basic building blocks of life – wake up, eat, work, eat, sleep – as our daily activities and livelihoods were suddenly knocked down. These same two gestures are utilized in the energetic second movement, Making Lemonade, except that they are spun around to reveal their silver linings: the minor chord falls to sound centered and decisive, and the minor scale rises as it bubbles with activity. Among the seeds of despair are also foundseeds of hope, and the saxophone and marimba explore this hopefulness with great vigor and excitement.

Orchestra 2 Bassoons, 2 Clarinets, 2 Oboes, 3 Flutes (3rd doubles Piccolo), 3 Trombones, 3 Trumpets, 4 Horns, 4 Trumpets ad lib. (in rear of hall), Bass Clarinet, Bass Drum, Cele, Contrabassoon, Cymbals, English Horn, Gong, Harp, Snare Drum, Timpani, Triangle, Tuba

SKU: PR.47600137L

Composed by Radie Britain. This edition: Large Score. Contemporary. Large Score. With Standard notation. Composed 1946. Duration 13 minutes. Theodore Presser Company #476-00137L. Published by Theodore Presser Company (PR.47600137L).

UPC: 680160637157. 11x17 inches.

This piece, dedicated to the memory of a heroic feat, does not desire to be classed as a Symphonic Poem in the generally accepted sense of this term. It does not attempt to picture, or to strictly follow, the various mechanical and realistic phases of this heroic adventure although, on the other hand, it does not entirely avoid allusion to such realistic phenomena as are characteristic of and inseperable from the nature of this adventure and the technical means of its realization. The composer's main object, however, was to try to express in sound the emotional phases of an adventure that might be called a prototype of modern romance; to touch upon its human aspect and its ethical meaning, not only in the relation to the individual, but to humanity in general. To the individual, the venturing Hero, refer the opening phrases; the sinister aspect of a bold inspiration at its first manifestation. To his human environments, his character and conquering spirit, refer certain lyrical as well as martial and ehical themes. According to the nature of the venture, the clash of motoric forces and that of an indomitable spirit with the threatening elements presented themselves for musical consideration as well as the plausible uncertainty of the outcome, the increasing conficence and the final victory, and triumphant victory itself. And as emotion in its purest and most intense form reverts to the primitive, the composer thought it not amiss to make fragmentary use of the anthems of two nations, thus symbolizing the appeal from soil to soil; an appeal that found its joyous echo in all humanity. And in the midst of the turbulent rejoicing stands the lone figure of the Hero whose daring had materialized the dream of aeons.

Chamber Music Cello, Piano

SKU: CF.B3444

For Cello and Piano. Composed by Daniel Godfrey. SWS. Set of Score and Parts. With Standard notation. Composed 1990. 12+4 pages. Duration 7 minutes. Carl Fischer Music #B3444. Published by Carl Fischer Music (CF.B3444).

ISBN 9780825887321. UPC: 798408087326. 9 x 12 inches.

From 1990, Godfrey's Arietta for cello and piano is a delightful duo for two. It opens with a quiet uncertainty, swells to a rhapsodic denouement, and fades away in requiescence. (program notes) For advanced performers. Duration: 7'.

Piano Accompaniment; Violin (Score and Solo Part) - advanced

SKU: HL.49045598

Poem for Violin and Piano. Composed by Tatjana Komarova. This edition: Saddle stitching. Sheet music. String Solo. Musiker sind auf der Buhne von Rampenlicht und Ruhm, und nach der Auffuhrung von einem seltsamen Nebel in Einsamkeit umhullt.Licht verknupft sich mit Auf- und Untergang, es fuhrt in die Helligkeit, aber auch in die Finsternis. Licht kann erleuchten oder b. Classical. Softcover. Composed 2014. 36 pages. Duration 14'. Schott Music #VLB193. Published by Schott Music (HL.49045598).

ISBN 9790001165709. 0.196 inches.

Musicians onstage stand in the limelight and enjoy their fame whereas after performance they become shrouded in a strange fog of isolation. Light is associated with ascent and descent: it can lead into brightness, but equally into darkness. Light can illuminate and yet bedazzling; fog stands for insecurity, uncertainty and anxiety ... but also for mysticism and wafting dreams. Somehow time stands still...

Chamber Music Violin, cello, Piano

SKU: PR.114418250

Composed by Stacy Garrop. Contemporary. Set of Score and Parts. With Standard notation. Composed 2013. 40+16+16 pages. Duration 23 minutes. Theodore Presser Company #114-41825. Published by Theodore Presser Company (PR.114418250).

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

For Concert Band and Prerecorded Soundscape. Composed by Alex Shapiro (1962-). Activist Music. Concert. Softcover. Duration 600 seconds. Published by Activist Music

Choral SATB Choir and Piano

SKU: CF.CM9765

Composed by Richard Waters. Duration 1:45. Carl Fischer Music #CM9765. Published by Carl Fischer Music (CF.CM9765).

ISBN 9781491162538. UPC: 680160921287. Key: A major. Original.

I composed Sing with Me during the summer of 2020 as my own personal response to the relentless series of heartaches that we faced: the uncertainty of the COVID-19 pandemic, the anguish of not being able to sing together and the rise of social justice crises across the country. It is the first piece for which I have also written the text. At the time, I was unsure of what the fall semester would look like for my own choir. Would we be in person? If so, for how long?  Therefore, I designed the piece to be accessible and adaptable to whatever situation we faced. It is my wish that the message of hope and unity will resonate with all who sing or hear it.Sing with me, as I sing with you,Let the music revive us anew;Yearning for beautiful harmony,Come and sing with me. All the world is longing for peace,For all meaningless hatred to cease;Joining together, your hand in mine,Let our voices shine! Dream with us, together as one,For the day when the battle is done;Fervently striving for unity,Come and dream with me.Come and sing with me. .

Concert Band - Grade 0.5

SKU: AP.50902

Composed by Michael Kamuf. Concert Band; Performance Music Ensemble; Single Titles. Belwin Very Beginning Band. Score and Part(s). Duration 1:40. Belwin Music #00-50902. Published by Belwin Music (AP.50902).

ISBN 9781470666927. UPC: 038081585536. English.

Courageous Spirit, by Michael Kamuf, is a musical celebration of the bravery we summon in the face of uncertainty. The piece features bold and contrasting melodies, making it an ideal choice to reinforce slurs and accents with your students. Additionally, the work provides an opportunity to support and explore the SEL competency of Responsible Decision-Making during rehearsals. Whether as an opening or closing selection, this piece is perfect for your next concert! (1:40).

Concert Band; Orchestra 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A718902

Composed by George Butterworth. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A718902. Published by LudwigMasters Publications (AP.36-A718902).

UPC: 659359730764. English.

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Double Bass; Orchestra (STUDY SCORE)

SKU: HL.51487451

Study Score. Composed by Serge Koussevitzky. Edited by Tobias Glö and ckler. Henle Study Scores. Classical. Softcover. 92 pages. G. Henle #HN7451. Published by G. Henle (HL.51487451).

UPC: 196288158110. 6.75x9.5x0.294 inches.

Thanks to its skilful combination of Romantic melody and sparkling virtuosity, Koussevitzky’s Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere in 1905. No wonder, for the virtuoso double bass player Koussevitzky had composed it for his very own instrument. As early as 1906/07 a first piano reduction was published in Moscow, followed by a second in 1910 in Leipzig. However, both contain so many mistakes in the solo part that there is still uncertainty about the correct musical text in many passages to this day. The double bass player Tobias Glöckler has therefore prepared his Urtext edition using several sources: as well as the manuscript performance material and the piano reductions published during the composer's lifetime, he has also studied recordings with Koussevitzky as soloist - thereby finally producing a thoroughly-researchedUrte xt edition of the orchestral score and piano reduction of this classic of the double bass literature. As with all double bass concertos published by Henle Publishers, this edition also contains the piano reduction by Christoph Sobanski in two keys (E minor and F sharp minor) for performance with solo or orchestral tuning.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SATB choir

SKU: HP.C5992C

Composed by Howard Helvey. Piano Accompaniment. General Worship, Assurance, God - Faithfulness, Hope, Unity, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5992C. Published by Hope Publishing Company (HP.C5992C).

UPC: 763628959920. Words by Bonita Bond. Philippians 4:6.

Original anthem with words by Bonita Bond Filled with a variety of choral textures and a lyrical piano accompaniment, this dynamic anthem of hope, trust, and assurance begins tenderly with a sense of spiritual questioning and uncertainty during difficult times. The anthem then progresses to an ever-building crescendo and concludes with a renewed, restored spirit in light of God's promise to be ever faithful.

Concert Band Symphonic Band - Grade 4

SKU: FJ.B1721

Composed by Brian Balmages. Concert Band; MakeMusic Cloud. FJH Symphonic Band. Meters. Score and Part(s). Duration 7:15. The FJH Music Company Inc #98-B1721. Published by The FJH Music Company Inc (FJ.B1721).

UPC: 241444385500. English.

Inspired by the juxtaposition of uncertainty and boundless optimism, this powerful piece seeks to forge a path of faith, trust, belief and assurance amidst a world of chaos. The opening lyrical section ultimately gives way to unbridled power and optimism as the music ultimately comes together in a show of unity and unfettered glory. Amazingly playable, and forever powerful.

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

Composed by Elaine Hagenberg. Beckenhorst Press #BP2241. Published by Beckenhorst Press

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Concert Band (SCORE) - Grade 5

SKU: HL.4008737

Composed by Philip Sparke. Anglo Music Concert Band. Concert. Softcover. Duration 570 seconds. Anglo Music Press #AMP501140. Published by Anglo Music Press (HL.4008737).

UPC: 196288197072.

Altho ugh specifically describing the uncertainty of approaching night and an evening prayer, Hymn at Twilight is actually about the human emotions of doubt, insecurity, hope and resolve. This solemn piece opens quietly and introduces a recurring four-note rising figure. Optimism, anxiety and resignation alternate, with the flute taking centre stage. Brass and woodwind take up the chorale. The piece ends in a mood of sanguine optimism.

Concert Band (SCORE+PARTS) - Grade 5

SKU: HL.4008736

Composed by Philip Sparke. Anglo Music Concert Band. Concert. Softcover. Duration 570 seconds. Anglo Music Press #AMP501010. Published by Anglo Music Press (HL.4008736).

ISBN 9798350120134. UPC: 196288197065.

Altho ugh specifically describing the uncertainty of approaching night and an evening prayer, Hymn at Twilight is actually about the human emotions of doubt, insecurity, hope and resolve. This solemn piece opens quietly and introduces a recurring four-note rising figure. Optimism, anxiety and resignation alternate, with the flute taking centre stage. Brass and woodwind take up the chorale. The piece ends in a mood of sanguine optimism.