Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

Performance Kit/Audio (Teacher w/SGR PDF Access, Audio Access) (Perf Kit with Audio Download)

SKU: HL.266465

A Rollicking Western Adventure. Composed by Cristi Cary Miller and Jay Michael Ferguson. ExpressiveArts. Elementary, Musicals. Softcover Audio Online. Published by Hal Leonard (HL.266465).

ISBN 9781540022752. UPC: 888680732974. 8.5x11.0x0.199 inches. By Cristi Cary Miller and Jay Michael Ferguson.

Come on, dudes and dudettes! Join us for a rollicking western adventure – ride the open range, have a rough 'n' tumble hootenanny, share a tale and a song or two, and sleep under the stars. This 35-minute musical adventure features seven songs with rhyming narration and 39 speaking parts adaptable to various cast sizes. The Teacher Edition includes piano/vocal arrangements with choreography, script, helpful production guide and digital access to PDFs of singer songsheets, lyric sheets and narrations. To perform with recordings, there are 2 options. For cost-saving value, the Performance Kit/Audio Access includes the Teacher Edition w/singer PDFs and digital access to performance/accompaniment audio recordings. The dialog is not recorded. Songs include: Yee-Haw, Home on the Range in Montana, Giddy-Up, The Cowboy Code, Billy the Bad, Under the Stars, Until We Meet Again. Approx. 35 minutes. Suggested for grades 1-5 (with opportunities for all grade levels).

For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.

by Dean Marshall. For Fiddle. ensemble. Swath Publishing. Fiddle Tunes. Level: Intermediate-Advanced. Book/CD Set. Size 8.75x11.75. 72 pages. Published by Mel Bay Publications, Inc.

Piano, Vocal and Guitar - Grade 2

SKU: HL.14029542

By Alison Hedger. By Sheila Wilson. Music Sales America. Musical Education. Book and CD. Composed 2015. 56 pages. Golden Apple Productions #GA11095. Published by Golden Apple Productions (HL.14029542).

ISBN 9780711978140. English.

An essential resource collection of twelve new songs for assemblies, choirs, class singing and Sunday schools. Includes songs for each season and the main Christian festivals such as Harvest and a setting of Psalm 23. The teachers part contains piano part, lyrics, guitar chord symbols and a matching CD containing all the songs, plus great backing tracks to sing along to.

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.14440757S

Composed by Ellen Taaffe Zwilich. Full score. 64 pages. Duration 24 minutes. Merion Music #144-40757S. Published by Merion Music (PR.14440757S).

ISBN 9781491136539. UPC: 680160689347.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.144407570

Composed by Ellen Taaffe Zwilich. Set of Score and Parts. 64+12+12+12+12+12+12 pages. Duration 24 minutes. Merion Music #144-40757. Published by Merion Music (PR.144407570).

ISBN 9781491136522. UPC: 680160689330.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

By Sally K. Albrecht. For Choir. (2-Part). Choral Octavo. Choral Designs. Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Sally K. Albrecht. For Choir. (SATB). Choral Octavo. Choral Designs. Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.

SATB chorus - intermediate

SKU: XC.HRMG1741

Composed by Michael John Trotta. Graduation, Funeral. Michael John Trotta. Sacred. Octavo. 8 pages. Hampton Roads Music Group LLC #HRMG1741. Published by Hampton Roads Music Group LLC (XC.HRMG1741).

UPC: 785147101857. Text source: Traditional.

May the roads rise up to meet you, may the winds be always at your back... until we meet again. A lovely a cappella texture with straightforward rhythms and close harmonies. Whether chosen for its moving text, its educational value, or soaring optional descant, this piece is a wonderful choice for both worship and concert settings.  .

Composed by Queen Lili'uokalani. Arranged by Justin Ka'upu. Pavane Choral. Octavo. 12 pages. Duration 235 seconds. Pavane Publishing #P1739. Published by Pavane Publishing

Choral (SATB)

SKU: HL.1197767

Composed by Reginal Wright. Gentry Publications. Octavo. 12 pages. Duration 250 seconds. Gentry Publications #JG2626. Published by Gentry Publications (HL.1197767).

UPC: 196288135005. 6.75x10.5x0.029 inches.

The familiar hymn's melody is embraced by a rich choral tapestry and stunning piano accompaniment in this setting by Reginal Wright. The piece was commissioned by the Bridgeland High School Choirs in honor of their first senior class, by directors Christopher Fiorini and Dolores Noel. Truly stunning!

Choir Secular. SATB choir. Choral Octavo. Choral Designs. Graduation. Choral Octavo. 12 pages

Choral SSA chorus

SKU: ES.S-487

Composed by ka'upu. Secular. Octavo. Earthsongs #S-487. Published by Earthsongs (ES.S-487).

With piano.

By Ronald M. Kean. (SATB). Sacred Choral. Sacred. Size 6.75x10.5 inches. 6 pages. Published by Pavane Publishing.

Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. Graduation. Choral Octavo. 12 pages

SATB chorus - intermediate

SKU: XC.HRMG2376

Composed by Michael John Trotta. Michael John Trotta. Classical. Octavo. Hampton Roads Music Group LLC #HRMG2376. Published by Hampton Roads Music Group LLC (XC.HRMG2376).

UPC: 785147111252.

Irish Blessing features straightforward rhythm and close harmonies of this a cappella setting of a traditional text is a favorite with conductors and choirs alike. Whether chosen for its moving text, its educational value or soaring optional descant, this piece is wonderful choice for both liturgical and concert settings. The comforting refrain Until We Meet Again. unfolds to reveal a rich (and accessible) harmonic palette that allows choirs to work on tuning chords. The optional descant is a wonderful way to showcase a soloist or small group.

Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Graduation. Choral Octavo. 12 pages