Viola

SKU: HL.48187487

Composed by Darius Milhaud. Heugel. Classical. Softcover. 20 pages. Heugel & Cie #HE31122. Published by Heugel & Cie (HL.48187487).

UPC: 888680844882. 9.0x12.0x0.086 inches.

“Fren ch composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements; 1) Rural, 2) Dramatic, and 3) Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.”.

(Transcription of Violin Sonata No. 2 for Viola and Piano). By John Ireland (1879-1962). Edited by John White. Arranged by Lionel Tertis. For Viola, Piano Accompaniment. Boosey & Hawkes Chamber Music. Softcover. 74 pages. Boosey & Hawkes #M060124501. Published by Boosey & Hawkes

Arranged by Deborah Greenblatt. Viola Duet. For viola 1, viola 2. This edition: spiral-bound. Tunes for Two. Tunebook. 52 pages. Published by Greenblatt and Seay

For Clarinet in A and Piano Richard Stoltzman 21st Century Series for Clarinet. Composed by Johann Sebastian Bach (1685-1750). Edited by Richard Stoltzman. LKM Music. Classical. Southern Music Company #S131017. Published by Southern Music Company

For Viola. Classical (with piano accompaniment). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One

Recorder performed by Marion Verbruggen, Viola da gamba performed by Mary Springfels, Harpsichord performed by Arthur Haas. For Recorder. Recorder Method (Suzuki). CD. 1 pages. Published by Alfred Publishing.

For Violoncello and Piano Viola version included. By Nikolai Miaskovsky. Arranged by Mstislav Rostropovich. String. Size 8.25x11.75 inches. 88 pages. Published by Sikorski.

(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel Lish. String quartet. For 2 Violins, Viola and Cello. Quartets. Baroque. Advanced. Set of 4 parts. Published by Middle Fiddle Music

Viola - Piano Accompaniment. Solo Collection (Rubank). Size 9x12 inches. 56 pages. Published by Hal Leonard.

(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle

Version of the Piano Sonata, Op. 14, No. 1 - Revised Edition - for 2 Violins, Viola and Violoncello. By Ludwig van Beethoven. Edited by E. Herttrich. String Quartets. Pages: Parts - Vl I = 67* Vl II = 59 * Va = 58 * Vc = 54. Urtext edition without fingering-paper bound. Published by G. Henle.

Chamber Music String Quartet

SKU: PR.14440265S

Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 25 minutes. Merion Music #144-40265S. Published by Merion Music (PR.14440265S).

UPC: 680160027910.

The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.
The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed.  Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force.  A five-note motive, usually very deliberate, also keeps recurring like an insistent caller.  All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms.  The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda.  The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response. ’  It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani.  The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition.  For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.

Viola

SKU: HL.48187485

Composed by Darius Milhaud. Heugel. Classical. Softcover. 24 pages. Heugel & Cie #HE31119. Published by Heugel & Cie (HL.48187485).

UPC: 888680844837. 9.0x12.0x0.132 inches.

“1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entrée 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of the characteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish).”.

By Donald Martino (1931-2005). For Violin and Piano. This edition: Score - Piano, Viola Part. Contemporary Classical. Conservatory. Sheet Music. Published by Dantalian, Inc.

Viola and piano

SKU: IM.3778

Arranged for Viola. Composed by Felix Bartholdy Mendelssohn. Arranged by Paul Neubauer. Score and part. International Music Co. #3778. Published by International Music Co. (IM.3778).

Originally for cello, this joyous four-movement work is now available for viola and piano, edited by master violist Paul Neubauer.

Viola & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57120

Composed by Benedetto Marcello. Arranged by John G. Mortimer. Score and parts. Duration 7'53. Editions Marc Reift #EMR 57120. Published by Editions Marc Reift (MA.EMR-57120).

E Minor.

Viola & Piano

SKU: SU.50501720

For Viola & Piano. Composed by Frank Ezra Levy. Strings, Viola. Score & Parts. Seesaw Music Corp #50501720. Published by Seesaw Music Corp (SU.50501720).

Viola & Piano Duration: 15' Composed: 2010 Published by: Seesaw Music.

Viola and Piano. By Nikolai Andreyevich Roslavets. Schott. 66 pages. Published by Schott.