Composed by Johann Sebastian Bach (1685-1750). Collection for violin solo. With introductory text, performance notes, bowings and fingerings. Text language English, German, and French. 88 pages. Published by Schott.

By Johann Sebastian Bach. Edited by K. Ronnau. STUDY EDITION. Pages: VII and 62. Study score-no details. Published by G. Henle.

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

Sonatas and Partitas, 4 Concertos, and Arioso. Composed by Johann Sebastian Bach (1685-1750). String Solo. Softcover. 88 pages. Published by G. Schirmer

For Violin and Piano. By Ellen Taaffe Zwilich. For Violin Solo, Piano. First performance: Colin Jacobsen, solo violin, Anthony Aibel conducting The School for Strings Orchestra - June 16, 2001, Carnegie Hall. Solo Part with Piano Reduction. Composed 2000. 25 pages. Duration 18:00. Published by Theodore Presser Company.

(For Violin Alone). By Richard Wernick (1934-). For Violin Solo. Solo part. Standard notation

Composed by Johann Sebastian Bach (1685-1750). Edited by Ida Elkan. Masterworks; Solo; Solo Small Ensembles; String - Violin and Piano. Kalmus Edition. Baroque; Masterwork. Book. 40 pages. Kalmus Classic Edition #00-K03023. Published by Kalmus Classic Edition

A Double Concerto for Violin, Violoncello, and Orchestra (Full Score). By Henri Lazarof. Orchestra. Full Score - Study. 68 pages. Duration 22:00. Published by Theodore Presser Company.

Clarinet Solo. By Johann Sebastian Bach. Arranged by Alamiro Giampieri. (Clarinet). Woodwind Solo. Size 9x12 inches. 37 pages. Published by Ricordi.

(Clarinet Method) Composed by Himie Voxman. Clarinet studies book for clarinet. With standard notation. 72 pages. Published by Rubank Publications.

By Johann Sebastian Bach (1685-1750). Piano Personality. Softcover. 128 pages. Published by Cherry Lane Music

By Sergei Rachmaninoff (1873-1943). Collection and performance CD for solo piano. Series: Alfred's Classic Editions. 93 pages. Published by Alfred Publishing.

Solo Flute. By Johann Sebastian Bach. Arranged by Robert Stallman. (Flute). Woodwind. Size 9x12 inches. 48 pages. Published by Schirmer.

By Johann Sebastian Bach (1685-1750). Arranged by John Bullard. For Banjo (5-String). Solos. Baroque. Intermediate-Advanced. Book. 72 pages

Piano

SKU: BO.B.3288

Composed by Jordi Cervello. Duration 7:00. Published by Editorial de Musica Boileau (BO.B.3288).

ISBN 9790350303760.

Engl ish comments:
ARABESQUE: Is a subtle and smooth movement of a virtuous disposition based on fast uses of triplets. These oscillate weaving a parabolic picture within a romantic atmosphere. The music disappears gently and mysteriously. PRELUDIANDO: Is the adaptation for piano of the famous prelude of the III Partita for solo violin by J. S. Bach. Staccato and legato, vigour and softness freely run through the Prelude which is integrated through a dramatic pedal before its end. Recording: Columna Musica.

Comentarios del Espanol:
ARABESQUE Es un sutil y escurridizo movimiento de caracter virtuosistico basado en rapidas figuraciones de seisillos. Estos oscilan tejiendo un dibujo parabolico dentro de una atmosfera romantica. La musica desaparece suave y misteriosamente. PRELUDIANDO Es la transformacion pianistica del celebre preludio de la III Partita para violin solo de J. S. Bach. Staccato y legato, vigor y suavidad recorren libremente el Preludio que se instalara en un dramatico pedal antes de su conclusion. Grabacion: Columna Musica.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

With Comments in English. By Johann Sebastian Bach. Edited by Georg Von Dadelsen. Piano (Harpsichord), 2-hands. Pages: VI and 138. Urtext edition-paper bound. Published by G. Henle.

Composed by Lily Afshar. Squareback saddle stitch. Classic. Book. 80 pages. Mel Bay Publications, Inc #30831. Published by Mel Bay Publications, Inc