By Isabella Leonarda; Maria Xaveria Peruchona; Mrs. Wilbraham. Edited by Barbara Jackson. Soprano, 2 violins, organ continuo (cello ad lib). For Soprano voice, 2 violins, organ continuo (cello ad lib). Solo motets and anthem. Motets with instruments. Baroque. Medium. Sheet music. 105 pages

By Camilla De Rossi; Catterina Benedetta Grazianini. Edited by Barbara Jackson. Text by: Camilla de Rossi; Cardinal Benedettoo Pamphili. Voices and basso continuo. Arias. Arias From Oratorios By Women Composers Of The 18th Century, Volume 3. Arias from oratorios. Baroque. Level: Adult. Sheet music. 73 pages. Published by ClarNan Editions.

Voice and Piano. Performed by Cesare Siepi. Arranged by Paolo Rossini. Vocal. Size 8.75x12 inches. 76 pages. Published by Ricordi.

By Franz Schubert. Arranged by Daniel Kelley. For Voice, Piano and Cello. Solos. Recital. Level: Intermediate/Advanced. Piano Score and Cello Part. Published by Last Resort Music Publishing.

(Romansy i pesni : dlia golosa v soprovozhdenii fortepiano). By Aleksandr Porfir'evich Borodin. For voice and piano accompaniment. Vocal music. Language: Russian. Published by Noten Roehr

By Julius Chajes. For voice, cello and piano or organ. Vocal music. Score and part. Language: English. Published by Noten Roehr

(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised. Book; CD; Method/Instruction; String - Cello (Suzuki); Suzuki. Suzuki Cello School. 20 pages. Published by Alfred Music

(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Various. For Cello, Piano Accompaniment. String Solo. Softcover. 72 pages. G. Schirmer #ED 4550. Published by G. Schirmer

By Louis Karchin. For Baritone Solo, Flute (Piccolo), Clarinet (Bass clarinet), Violin, Cello, Piano, Percussion, Harp. Modern. Photoprint (printed on demand). Duration circa 27 minutes

By Andre Previn. For Soprano, Cello, Piano Accompaniment. 20th Century. Sheet Music. 16 pages. Published by Chester Music.

Arranged by Douglas Pew. For Cello and Piano. Level: Medium Difficullt. Published by Jackman Music Corporation.

By John Biggs (1932-). For baritone singer and cello unaccompanied. 5 songs on 5 Renaissance texts. Neo Renaissance. Advanced. Score and part. Duration 14 minutes

By Douglas Smith. Cello. Level: Medium. Sacred instrumental. Published by Lorenz Publishing Company.

Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by Kevin Mayhew Publishers

Arranged by Deborah Greenblatt. For cello. Rounds. Book. Published by Greenblatt and Seay.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Composed by Joseph M. Martin. For medium voice solo (key of C). General Worship, Praise and Worship, Thanksgiving and Gratitude. Vocal score. 8 pages. Published by Hope Publishing Company

Voice and string quartet

SKU: ST.CLD161

Composed by Anonymous. Vocal music. CelloLid.com #CLD161. Published by CelloLid.com (ST.CLD161).

ISBN 9790708113614.

Soprano voice, cor anglais, viola, cello and piano (P/ST) - difficult

SKU: HL.49033261

Composed by Ekkehard Jost. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 1999. 50 pages. Duration 12'. Schott Music #ED 9740. Published by Schott Music (HL.49033261).

ISBN 9790001136679. German.

Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.