Viola and 1 other inst.
SKU: BR.EB-9205
Composed by Nicolaus A.
Huber. Solo instruments;
Folder. Edition
Breitkopf.
World
premiere: Donaueschingen,
April 25, 2010
Music
post-1945; New music
(post-2000). Performance
score. Composed 2009. 30
pages. Duration 14'.
Breitkopf and Haertel #EB
9205. Published by
Breitkopf and Haertel
(BR.EB-9205).
ISBN
9790004183632. 11 x 14
inches.
On the
broadcast of the film
From Dusk Till Dawn, the
following note could be
read in Gong (German
radio and television
programme guide) on 21
May: The gangsters Seth
(George Clooney) and
Richard Gecko (Quentin
Tarantino) are on the
run. On their way to
Mexico, they take the
apostate preacher Fuller
and his children hostage.
On their journey, they
end up in Titty Twister
Bar, not suspecting that
it is peopled by
vampires. Well, after
deducting some film junk,
some typical elements
remain: what is past and
over, constant new
dramatic pair
constellations, what is
dead and constantly
reawakening, the
transformations, the
troubles and
destructions, the final
annihilation teeming with
destruction etc.
Basically, it is a myth
of ruin, in whose
structure the elements
are interchangeable. It
could also be told with a
coherent material
concept, in a
historically obsolete
manner, in an
old-fashioned way, with
non-compensation, with
flaring abolition yes,
does everything always
work??? It is good that
it only takes place in a
bar and that the bar
invites us into Titty
Twister in attractive
neon writing. Restless
nature and beauty are at
home in the bar today.
That facilitates for us
the effortlessness of
having fun in life. And
today there is a special
programme my piece Titty
Twister for Accordion,
Viola, Nepalese Singing
Bowl, Pinballs and Mini
Dramolettes. Its all
expression, isnt it???
Nicolaus A. Huber (2009)
CD: Anton Hubert (viola),
Wolfgang Dimetrik
(accordeon) CD Gramola
98922 Bibliography :
Kampe , Gordon: Erinnern
und Vergessen.
Wechselwirkungen in der
Kammermusik Nicolaus A.
Hubers, in: Programmbuch
,,Wittener Tage fur neue
Kammermusik 2017, S.
42-47, auch abgedruckt
in: MusikTexte, Heft 154
(August 2017), pp.
37-39.
World
premiere: Donaueschingen,
April 25, 2010.
