Composed by Mary Mcdonald. For SATB choir, piano accompaniment (with optional orchestration). Sacred Anthem. Octavo. Lorenz Publishing Company #10/4631L. Published by Lorenz Publishing Company

(from Eternal Light: A Requiem). By Howard Goodall. Choir Sacred. Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Published by Faber Music

Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Joachim Linckelmann. Gattungen vokal: Sacred vocal music. Full Score. MWV A 25, Op. 70. Duration 130 minutes. Published by Carus Verlag

Mixed choir

SKU: FG.55011-857-7

Composed by Žibuoklė Martinaitytė. Classical, contemporary. Book. Fennica Gehrman #55011-857-7. Published by Fennica Gehrman (FG.55011-857-7).

Žibuoklė Martinaitytė tells about the background of Aletheia (2022) for mixed choir (SSSSAAAATTTTBBBB): Aletheia is variously translated from Greek as unconcealedness, revealing or unclosedness. It is uncovering of the Truth - the one we are afraid to face, the truth that can only be expressed directly through the pre-verbal communication. How do you find words for the horrors of the war, for all unimaginable global atrocities? How do you even allow yourself to feel it out? Solely through art, through music that offer a safe space and a formalized framework for processing these accumulated complex emotions and sharing them with others in a moment. This piece has no verbal text and it is based on various combinations of vowels and consonants, thus connecting us on a deeper level through the immediate emotional experience.

The war in Ukraine in spring of 2022 had an impact on all of us and shattered my deeply rooted Lithuanian identity. When the freedom is threatened and innocent people are dying, it is hard to make sense out of the reality. Yet there is poetry even in the worst nightmares. I was imagining that the only instrument people have even in situations of destruction, in the midst of the war, is their VOICE. It brought back memories of my youth when Singing revolution was taking place in the Baltic countries. Human voice was the only weapon that people used to express their determination for freedom and independence. Voice is our first and the very last instrument we have in our lifetime. Thinking in these terms brings almost a sacred dimension to the voice as an expression of the life itself - from the very first baby's scream until the last breath and whisper.

Duration c. 15'

The works of New York -based Lithuanian composer Žibuoklė Martinaitytė (b. 1973) have been lauded as breathtaking and profoundly moving. Her stimulating music bristles with energy and tension and revolves often around the subject of beauty, which she calls both a guiding principle and an aesthetic measure for sonic quality.

SATB choir

SKU: WD.080689632235

Choral. Sacred Anthem, Christmas. Octavo. Word Music #080689632235. Published by Word Music (WD.080689632235).

UPC: 080689632235.

Arran ged by David Wise and orchestrated by David Shipps is this new sweet and serene anthem called Make Room. This reflective anthem pulls at the heart, reminding the listener that the Savior King who had no home came down for us. And when we make room for Him in our hearts, He will set us apart and use us for His glory.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001811

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 1. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Violin 1. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/11. Published by Carus Verlag (CA.4001811).

ISBN 9790007248932. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001849

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Organ. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Organ. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/49. Published by Carus Verlag (CA.4001849).

ISBN 9790007240691. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001814

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Basso continuo. Sacred vocal music, Psalms, Latin, Psalms. Single Part, basso continuo. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/14. Published by Carus Verlag (CA.4001814).

ISBN 9790007248963. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001812

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 2. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Violin 2. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/12. Published by Carus Verlag (CA.4001812).

ISBN 9790007248949. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001819

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Complete orchestral parts. Sacred vocal music, Psalms, Latin, Psalms. Set of Orchestra Parts. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/19. Published by Carus Verlag (CA.4001819).

ISBN 9790007248970. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and parts available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001805

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Psalms, Latin, Psalms. Choral Score. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/05. Published by Carus Verlag (CA.4001805).

ISBN 9790007240684. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001800

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Psalms, Latin, Psalms. Full score. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/00. Published by Carus Verlag (CA.4001800).

ISBN 9790007240677. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001813

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Viola. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Viola. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/13. Published by Carus Verlag (CA.4001813).

ISBN 9790007248956. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB choir

SKU: CA.965300

Antiphon for Holy Thursday. Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Holy Week. Full score. Composed 2014. 4 pages. Duration 3 minutes. Carus Verlag #CV 09.653/00. Published by Carus Verlag (CA.965300).

ISBN 9790007164881. Language: Latin.

For the moving moment in the Good Friday liturgy, when the priest symbolically washes the feet of several people thereby recalling the thoughtful, loving gesture of Christ at the Last Supper, the Christian church provides a specially intimate, conciliatory text in the antiphon Ubi caritas. Matsushita's composition sets this text quite simply to reflect this moment in a beautiful motet, which is both charming and grateful to sing. In an entirely tonal setting in F major, with chromatic accents sparingly employed, he uses elements from organum and pedal points to create tonally atmospheric expanses contrasting with the syllabic setting which runs throughout. In his writing he uses unisons, thirds and contrary motion, spanning quasi-Gregorian melodies. Matsushita sets the three verses of the hymn usually set nowadays, and these also divide the composition. Each verse is introduced with the ascending pentatonic motif Ubi caritas, but the melody is transformed according to the text and expresses the immeasurable joy of the glory of God in the third verse in a brief forte outburst with leaps of a fifth, before the composition concludes with a final Ubi caritas and an Amen lost in reverie. voice range: S: c' - f'' / A1:adeg - es'' / A2: gdeg - b' / T: fdeg - f' / B1: B - des' / B2: F - a'.

Composed by Ethan McGrath. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

SATB choir - Easy to Moderate

SKU: WD.080689932328

Composed by Marty Parks. Choral. Sacred Anthem. CD choraltrax. Duration 4 minutes, 20 seconds. Word Music #080689932328. Published by Word Music (WD.080689932328).

UPC: 080689932328.

Brigh t and engaging, Marty Parks has crafted an easy-to-learn arrangement of this uplifting song looking forward to the days when Christ will call His church home to share eternity.

SATB choir, cantor, voice solo, assembly, piano accompaniment - Early intermediate

SKU: GI.G-9430

Entrance and Communion Antiphons for the Church Year. Composed by M. Roger Holland, II. Palm Sunday B. Sacred. With guitar chord names. 64 pages. GIA Publications #9430. Published by GIA Publications (GI.G-9430).

UPC: 785147943006. English. Text Source: Vv. The Grail, 1963, 1. Ps. 91:15-16, Ps. 91:1-2, 8-9, 10-11, 14-15, 2. Mt. 4:4, Ps. 19:8, 10, 11, 12-13, 15, 3. Ps. 27:8-9, Ps. 27:1, 4abcd, 5, 13-14, 4. Mt. 21:9, Ps. 118:29, 22-23, 27bc-28, 5. Lk. 24:34, Rev. 1:6, Ps. 98:1, 2-3ab, 3. Scripture: Psalm 91:15–16, Psalm 91:1–2, 8–9, 10–11, 14–15, Matthew 4:4, Psalm 19:8, 10, 11, 12–13, 15, Psalm 27:8–9, Ps. 27:1, 4abcd, 5, 13–14, Matthew 21:9, Psalm 118:29, 22–23, 27bc–28, Luke 24:34, Reveleation 1:6, Psalm 98:1, 2–3ab, 3cd–4.

Noted composer M. Roger Holland has taken antiphons from the 2010 Roman Missal and paired them with psalm verses, creating compositions that have wide use in the liturgy. Some parishes will want to use these pieces on the appointed day for entrance or communion processionals. Others may find use for them throughout the entire year, perhaps using them as a weekly song through the season. The songs work well as stand-alone processional pieces and many choirs will want to use them as choir anthems or congregational songs during the preparation of the gifts and altar. While utilizing official texts of the Roman rite, they can be used by congregations of any denomination. Roger explores the wide breadth that is African American music, you’ll find lyric ballades, spiritualinspired offerings, gospel-style songs, and pieces with a more uptempo feel. This is the third volume in this series. Contains: When He Calls on Me • Not by Bread Alone • Hide Not Your Face • Hosanna • The Lord Is Truly Risen, Alleluia For cantor or soloist.

SATB choir, cantor, priest, assembly, keyboard accompaniment, guitar, 2 C instruments, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C - Early intermediate

SKU: GI.G-9822

Mass of the Breath of God. Composed by Ian Callanan. Mass. Sacred. Octavo. With guitar chord names. 72 pages. GIA Publications #9822. Published by GIA Publications (GI.G-9822).

UPC: 785147982203. English, Greek. Text Source: Revised Order of Mass 2010, Lectionary for Mass

“We are, inescapably, filled with Ruah, the Holy Spirit, from our first breath to our last. As Paul reminds the early church in Romans 8:9 ‘you are not controlled by your sinful nature. You are controlled by the Spirit if you have the Spirit of God living in you.’ Paul is reminding us that we are filled with the Ruah of God and so should choose to live accordingly.”                                                                   – Ian Callanan (from the Introduction)   Drawing on the rich tradition of composer Ian Callanan’s musical background Ruah: Ma ss of the Breath of God is filled with Celtic themes and motifs. With the exception of the Our Father, the entire Mass is composed in the key of D, the key in which traditional Irish instruments are tuned, making the setting as accessible as possible. The recording models the sound of full Celtic instrumentation, though the setting is just as effective when simple accompaniment is used.    Ruah utilizes the Eucharistic Prayer for Children, yet the choice is by no means meant to be limiting. This is a setting composed with the entire assembly in mind, encouraging all to take a deep breath, then sing with the Ruah of God.