|
| Prophesies [Conducteur et Parties séparées]
Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication.
(See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile
Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Rise Up Singing
Paroles et Accords [Partition]
Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Rise Up Singing
Paroles et Accords [Partition]
Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Go Where I Send Thee
Chorale SATB
SSATB, Orgue [Octavo]
Earthsongs
By Paul Caldwell and Sean Ivory. For SSATB Chorus and Piano accompaniment. (SSA...(+)
By Paul Caldwell and Sean
Ivory. For SSATB Chorus
and Piano accompaniment.
(SSATB). Anton Armstrong
Choral Series. Sacred.
Octavo. Published by
Earthsongs.
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Go Where I Send Thee! [Octavo]
Earthsongs
Arranged by Paul Caldwell & Sean Ivory. For TTB choir and piano accompaniment. A...(+)
Arranged by Paul Caldwell
& Sean Ivory. For TTB
choir and piano
accompaniment. Anton
Armstrong Choral Series.
Gospel, Spiritual.
Octavo. 6 pages.
Published by Earthsongs
$1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Essential Musicianship
Hal Leonard
By Emily Crocker, John Leavitt. (Mus3te). Essential Elements Choir. Size 9.3x11 ...(+)
By Emily Crocker, John
Leavitt. (Mus3te).
Essential Elements Choir.
Size 9.3x11 inches. 288
pages. Published by Hal
Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Essential Musicianship
Hal Leonard
By Emily Crocker, John Leavitt. (Mus3st). Essential Elements Choir. Size 8.5x11 ...(+)
By Emily Crocker, John
Leavitt. (Mus3st).
Essential Elements Choir.
Size 8.5x11 inches. 240
pages. Published by Hal
Leonard.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Essential Musicianship
Hal Leonard
Book 3, Student 10-Pak. By Emily Crocker, John Leavitt. (Mus3st10). Essential El...(+)
Book 3, Student 10-Pak.
By Emily Crocker, John
Leavitt. (Mus3st10).
Essential Elements Choir.
Size 10.2x12.25 inches.
Published by Hal Leonard.
$150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Guitar Hymnal
Guitare [Partition] - Facile
Mel Bay
by William Bay. For all guitars. Sacred, strum/sing. Level: Beginning. Book. Son...(+)
by William Bay. For all
guitars. Sacred,
strum/sing. Level:
Beginning. Book.
Songbook. Size 5.5x8. 80
pages. Published by Mel
Bay Pub., Inc.
(1)$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Gospel's Greatest
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire
Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
(26)$37.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| How Lovely is Thy Dwelling Place
Chorale 3 parties
SAB
Carl Fischer
Choral SAB chorus, piano SKU: CF.CM9731 From Requiem, Op 45. Compo...(+)
Choral SAB chorus, piano
SKU: CF.CM9731
From Requiem, Op
45. Composed by
Johannes Brahms. Arranged
by Russell L. Robinson.
20 pages. Duration 5:30.
Carl Fischer Music
#CM9731. Published by
Carl Fischer Music
(CF.CM9731). ISBN
9781491161111. UPC:
680160919703. Key: C
major.
English. Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In addition to
being a composer, he was
also well-known as a
pianist and conductor.
Brahms began writing the
Requiem (also known as
the German Requiem, Opus
45) soon after his mother
died in February 1865
which caused him great
grief. In April of that
year, he completed the
first, second and fourth
movements and completed
the rest of the seven
movements in May of 1868.
How Lovely is Thy
Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement work.
Originally written for
SATB voices in E-flat
major, this seamlessly
similar arrangement for
SAB voices, now in C
major, affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience. I hope you
enjoy singing this
beautiful and timeless
piece by Johannes Brahms!
Russell Robinson,
Arranger
.
Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In
addition to being a
composer, he was also
well-known as a pianist
and conductor. Brahms
began writing the Requiem
(also known as the German
Requiem, Opus 45) soon
after his mother died in
February 1865 which
caused him great
grief. In April of
that year, he completed
the first, second and
fourth movements and
completed the rest of the
seven movements in May of
1868. How Lovely is
Thy Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement
work. Originally
written for SATB voices
in E-flat major, this
seamlessly similar
arrangement for SAB
voices, now in C major,
affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience.I hope you
enjoy singing this
beautiful and timeless
piece by Johannes
Brahms!Russell Robinson,
Arranger    .
$3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Ndji Raisa Ondundu
Chorale SATB
SATB, Percussion(s)
Pavane Publishing
SATB and Percussion Choral (SATB) SKU: HL.1189835 The Jennaya Robison ...(+)
SATB and Percussion
Choral (SATB) SKU:
HL.1189835 The
Jennaya Robison Choral
Series SATB and
Percussion. Composed
by Eslon V. Hindundu.
Pavane Choral. General
Worship, Multicultural,
Sacred. Octavo. Duration
150 seconds. Pavane
Publishing #P1665.
Published by Pavane
Publishing (HL.1189835).
UPC: 196288131410.
6.75x10.5x0.019
inches. When
Jennaya Robinson visited
Namibia, she discovered a
wonderful composition
with a warm message:
â??Father, show me the
mountain where I can
climb to see your face,
show me the way and world
to dwell in your house
and live in a house of
peace...â? This is
a compelling selection,
well suited for both
worship and concert
programs. Its uniquely
African sound will
enthrall choirs and
audiences alike. $2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Gospel Songs & Hymns – Strum Together
Ukulele
Hal Leonard
Melody/Lyrics/Chords Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: ...(+)
Melody/Lyrics/Chords
Banjo; Baritone Ukulele;
Guitar; Mandolin; Ukulele
SKU: HL.365041
Composed by Various.
Arranged by Mark
Phillips. Strum Together.
Christian, General
Worship, Gospel, Hymns,
Sacred. Softcover. 144
pages. Published by Hal
Leonard (HL.365041).
ISBN 9781705135259.
UPC: 840126960624.
9.0x12.0x0.359
inches. The Strum
Together series enables
players of five different
instruments – or
any combination of them
– to “strum
together†on 70
great songs. This new,
easy-to-use format
features melody, lyrics,
and chord diagrams for
five popular folk
instruments: standard
ukulele, baritone
ukulele, guitar,
mandolin, and banjo. This
collection includes 70
gospel/hymn favorites:
Amazing Grace •
Blessed Be the Name
• Down by the
Riverside • Great
Is Thy Faithfulness
• His Eye Is on the
Sparrow • In the
Garden • Just As I
Am • Love Lifted Me
• Nothing but the
Blood • The Old
Rugged Cross •
Precious Memories •
Rock of Ages •
Shall We Gather at the
River? • There Is a
Balm in Gilead •
What a Friend We Have in
Jesus • When the
Saints Go Marching In
• and more. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| George Frideric Handel: Messiah (Oratorio, 1741) - Violin I
Violon [Partie séparée]
Schirmer
Violin 1 Part. By George Frideric Handel. (Violin). Choral Large Works. Size 9x1...(+)
Violin 1 Part. By George
Frideric Handel.
(Violin). Choral Large
Works. Size 9x12 inches.
44 pages. Published by
Schirmer.
(1)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Hymnal Companion For Woodwinds, Brass And Percussion [Partition]
Concordia Publishing House
By Rose. For keyboard/instruments. Reformation; Praise; General. Level: Easy-Mod...(+)
By Rose. For
keyboard/instruments.
Reformation; Praise;
General. Level:
Easy-Moderately Easy.
Published by Concordia
Publishing House.
$32.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Hymnal Companion For Woodwinds, Brass And Percussion [Partition]
Concordia Publishing House
By Rose. For keyboard/instruments. Lent; Easter. Level: Easy-Moderately Easy. Pu...(+)
By Rose. For
keyboard/instruments.
Lent; Easter. Level:
Easy-Moderately Easy.
Published by Concordia
Publishing House.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul [Partition]
Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Old Hundredth
Ensemble de cuivres [Conducteur] - Facile
Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-238-130 Composed by Louis Bourgeois. Arr...(+)
Brass Band - Grade 3
SKU:
BT.AMP-238-130
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2008. 16
pages. Anglo Music Press
#AMP 238-130. Published
by Anglo Music Press
(BT.AMP-238-130). 9x12
inches.
English-German-French-Dut
ch. The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie.
Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
L’h
ymne Old Hundredth
est une des plus
célèbres hymnes
chrétiennes de tous
les temps. Elle fut
publiée pour la
première fois en 1551
dans le psautier de
Genève Pseaumes
octante-trois de
David avec
accompagnement du
Psaume 134. La
mélodie est
fréquemment
attribuée au
compositeur français
Louis Bourgeois (vers
1510-vers 1560).En 1561,
William Kethe, un pasteur
écossais, reprend la
mélodie pour
réaliser une
paraphrase du Psaume
100, All People that on
Earth do Dwell (Vous
tous, habitants de la
terre !), qui sera
publiée dans le
Psautier de
Sternhold et Hopkins.
Cette paraphrase reste le
texte le plus chanté
sur la mélodie de
Bourgeois. En 1696,Nahum
Tate et Nicholas Brady
réalisent une
Nouvelle Version des
Psaumes de David (New
Version of the
Psalms). Par
opposition la version
révisée de la
mélodie, la version
initiale prend alors le
nom de Old
Hundredth, autrement
dit «
l’ancienne version
du Psaume 100 ». $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Old Hundredth
Orchestre d'harmonie [Conducteur] - Facile
Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-238-140
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2007. 16
pages. Anglo Music Press
#AMP 238-140. Published
by Anglo Music Press
(BT.AMP-238-140). 9x12
inches.
English-German-French-Dut
ch. The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie.
Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
L’h
ymne Old Hundredth
est une des plus
célèbres hymnes
chrétiennes de tous
les temps. Elle fut
publiée pour la
première fois en 1551
dans le psautier de
Genève Pseaumes
octante-trois de
David avec
accompagnement du
Psaume 134. La
mélodie est
fréquemment
attribuée au
compositeur français
Louis Bourgeois (vers
1510-vers 1560).En 1561,
William Kethe, un pasteur
écossais, reprend la
mélodie pour
réaliser une
paraphrase du Psaume
100, All People that on
Earth do Dwell (Vous
tous, habitants de la
terre !), qui sera
publiée dans le
Psautier de
Sternhold et Hopkins.
Cette paraphrase reste le
texte le plus chanté
sur la mélodie de
Bourgeois. En 1696,Nahum
Tate et Nicholas Brady
réalisent une
Nouvelle Version des
Psaumes de David (New
Version of the
Psalms). Par
opposition la version
révisée de la
mélodie, la version
initiale prend alors le
nom de Old
Hundredth, autrement
dit «
l’ancienne version
du Psaume 100 ».Cet
arrangement présente
trois strophes
contrastantes. Il peut
être interprété
comme une œuvre de
concert ou comme un
interlude dans le cadre
d’un office
religieux ou d’une
cérémonie de
mariage. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Old Hundredth
Ensemble de cuivres [Conducteur et Parties séparées] - Facile
Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-238-030 Composed by Louis Bourgeois. Arr...(+)
Brass Band - Grade 3
SKU:
BT.AMP-238-030
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2008. Anglo Music Press
#AMP 238-030. Published
by Anglo Music Press
(BT.AMP-238-030). 9x12
inches.
English-German-French-Dut
ch. The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie.
Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
L’h
ymne Old Hundredth
est une des plus
célèbres hymnes
chrétiennes de tous
les temps. Elle fut
publiée pour la
première fois en 1551
dans le psautier de
Genève Pseaumes
octante-trois de
David avec
accompagnement du
Psaume 134. La
mélodie est
fréquemment
attribuée au
compositeur français
Louis Bourgeois (vers
1510-vers 1560).En 1561,
William Kethe, un pasteur
écossais, reprend la
mélodie pour
réaliser une
paraphrase du Psaume
100, All People that on
Earth do Dwell (Vous
tous, habitants de la
terre !), qui sera
publiée dans le
Psautier de
Sternhold et Hopkins.
Cette paraphrase reste le
texte le plus chanté
sur la mélodie de
Bourgeois. En 1696,Nahum
Tate et Nicholas Brady
réalisent une
Nouvelle Version des
Psaumes de David (New
Version of the
Psalms). Par
opposition la version
révisée de la
mélodie, la version
initiale prend alors le
nom de Old
Hundredth, autrement
dit «
l’ancienne version
du Psaume 100 ». $75.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Old Hundredth
Orchestre d'harmonie [Conducteur et Parties séparées] - Facile
Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-010 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-238-010
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2007. Anglo Music Press
#AMP 238-010. Published
by Anglo Music Press
(BT.AMP-238-010). 9x12
inches.
English-German-French-Dut
ch. The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie.
Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
L’h
ymne Old Hundredth
est une des plus
célèbres hymnes
chrétiennes de tous
les temps. Elle fut
publiée pour la
première fois en 1551
dans le psautier de
Genève Pseaumes
octante-trois de
David avec
accompagnement du
Psaume 134. La
mélodie est
fréquemment
attribuée au
compositeur français
Louis Bourgeois (vers
1510-vers 1560).En 1561,
William Kethe, un pasteur
écossais, reprend la
mélodie pour
réaliser une
paraphrase du Psaume
100, All People that on
Earth do Dwell (Vous
tous, habitants de la
terre !), qui sera
publiée dans le
Psautier de
Sternhold et Hopkins.
Cette paraphrase reste le
texte le plus chanté
sur la mélodie de
Bourgeois. En 1696,Nahum
Tate et Nicholas Brady
réalisent une
Nouvelle Version des
Psaumes de David (New
Version of the
Psalms). Par
opposition la version
révisée de la
mélodie, la version
initiale prend alors le
nom de Old
Hundredth, autrement
dit «
l’ancienne version
du Psaume 100 ». $115.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Family Hymn Book [Partition] - Intermédiaire
Mel Bay
By Pamela Cooper Bye. For piano/vocal. SongBook. Sacred. Book. 148 pages. Publis...(+)
By Pamela Cooper Bye. For
piano/vocal. SongBook.
Sacred. Book. 148 pages.
Published by Mel Bay
Publications, Inc.
Level: Intermediate.
(2)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| 100 Gospel Favorites for Guitar
Guitare [Partition] - Intermédiaire
Mel Bay
by William Bay. For all guitars. Gospel-old time, strum/sing. Level: Beginning-I...(+)
by William Bay. For all
guitars. Gospel-old time,
strum/sing. Level:
Beginning-Intermediate.
Book. Solos. Size
8.75x11.75. 112 pages.
Published by Mel Bay
Pub., Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Hymns for Autoharp
Autoharp [Partition]
Mel Bay
by Meg Peterson. For autoharp/chromaharp. Sacred, hymns. Level: Beginning-Interm...(+)
by Meg Peterson. For
autoharp/chromaharp.
Sacred, hymns. Level:
Beginning-Intermediate.
Book. Songbook. Size
8.75x11.75. 56 pages.
Published by Mel Bay
Pub., Inc.
(1)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
|
