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Lamontagne Ray And The Pariah Dogs God Willin' And The Creek…
31.50
Lamontagne Ray And The Pariah Dogs God Willin' And The Creek…
Guitare notes et tablatures
[Partition]
-
Avancé
Hal Leonard
Partitions pour chant (ligne mélodique et paroles) et guitare (tablatures et sy...
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Partitions pour chant (ligne mélodique et paroles) et guitare (tablatures et symboles d'accords) de l'album 'God Willin' and The Creek Don't Rise' de Ray Lamontagne and the Pariah Dogs. / Guitare
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Belwin Master Duets Fl 1 Int. (SNELL KEITH)
13.30
Belwin Master Duets Fl 1 Int. (SNELL KEITH)
Flûte traversière
[Partition]
Warner Bros.Publications
Par SNELL KEITH. Arrangé par snell Keith ce livre est un des trois folios de du...
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Par SNELL KEITH. Arrangé par snell Keith ce livre est un des trois folios de duos flûte dans la série des duos de maître BELWIN. Chacun des ces folios contient une collection de duos graduées qui devrait s'avérer être une ressource utile pour l'étudiant et l'enseignant de la flûte. Chaque folio willin oeuvres des Renaissance, Baroque et classiques périodes, chansons folkloriques et airs traditionnels et une sélection de compositions originales dans une variété de styles par l'éditeur. Pour l'étudiant, ces duos nourriront avec challengehythm spécifique, plage et signatures de clés dans la musique qui est instructif et agréable à effectuer. Les enseignants trouveront ces duos utile parce que chacune a ben sélectionné et arrangé pour contester l'étudiant dans différents domaines de la technique et de la musicalité offrant une exposition à une variété de styles musicaux qui sont agréables à effectuer. Disponible pour les flûte, trombone, trompette, saxophone alto et clarinette. Les volumes 1 et 2 sont disponibles dans les niveaux faciles, intermédiaires et avancés, comme le sont.../ Recueil / Flûte Traversière
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March Willing And Able (YAGISAWA SATOSHI)
148.60
March Willing And Able (YAGISAWA SATOSHI)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
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De Haske Publications
Par YAGISAWA SATOSHI. Willing and Able (“Enthousiastes et volontaires”) est ...
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Par YAGISAWA SATOSHI. Willing and Able (“Enthousiastes et volontaires”) est une marche écrite dans un style choral qui exploite pleinement les couleurs et le caractère de l’orchestre. Willing and Able est une pièce universelle. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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March Willing And Able (YAGISAWA SATOSHI)
29.30
March Willing And Able (YAGISAWA SATOSHI)
Orchestre d'harmonie
[Conducteur]
-
Intermédiaire/avancé
De Haske Publications
Par YAGISAWA SATOSHI. Willing and Able (“Enthousiastes et volontaires”) est ...
(+)
Par YAGISAWA SATOSHI. Willing and Able (“Enthousiastes et volontaires”) est une marche écrite dans un style choral qui exploite pleinement les couleurs et le caractère de l’orchestre. Willing and Able est une pièce universelle. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Titanic Selections From
4.40
Titanic Selections From
Flûte à Bec, Piano
Hal Leonard
Huit favoris du film à succès, arrangées pour flûte à bec. Includes 'My Hea...
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Huit favoris du film à succès, arrangées pour flûte à bec. Includes 'My Heart Will Go On? and: Hard to Starboard - Hymn to the Sea - Never an Absolution - Rose - Southampton - Take Her to Sea, Mr. Murdoch - Unable to Stay, Unwilling to Leave. / Flûte A Bec Et Piano
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Intros, Endings and Turnarounds For Ukulele (REV LIL')
23.90
Intros, Endings and Turnarounds For Ukulele (REV LIL')
Ukulele
[Partition + Accès audio]
Hal Leonard
Spice Up Your Uke Repertoire with These Timeless Chestnuts. Par REV LIL'. Great ...
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Spice Up Your Uke Repertoire with These Timeless Chestnuts. Par REV LIL'. Great songs have four things in common: a strong intro, a powerful ending, a melodic hook or catchy riff, and memorable lyrics. If you'd like to learn how you can spice up your repertoire, let Lil' Rev show you how a simple intro or ending can really lift a tune up. In this book and video pack, you'll explore early jazz, blues, rock, folk and old time traditions. Open to anyone who already knows some basic chords and is willing to venture up the neck a little! Includes nearly an hour of video lessons available for download or streaming online, featuring performances by Lil' Rev. Great songs have four things in common: a strong intro, a powerful ending, a melodic hook or catchy riff, and memorable lyrics. If you'd like to learn how you can spice up your repertoire, let Lil' Rev show you how a simple intro or ending can really lift a tune up. In this book and video pack, you'll explore early jazz, blues, rock, folk and old time traditions. Open to anyone who already knows some basic chords and is willing to venture up the neck a little! Includes nearly an hour of video lessons available for download or streaming online, featuring performances by Lil' Rev./ Etude / Ukulélé
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Berliner Messe (PART ARVO)
60.50
Berliner Messe (PART ARVO)
Chœur Mixte [SATB] et Orchestre à Cordes
[Conducteur d'étude / Miniature]
Universal Edition
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentec...
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Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)/ Répertoire / Chœur Mixte [SATB] et Orchestre à Cordes
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Oktett In F (SCHUBERT FRANZ)
22.10
Oktett In F (SCHUBERT FRANZ)
Clarinette, Basson, Cor, 2 Violons, Viole, Violonc
[Partition]
Barenreiter
Par SCHUBERT FRANZ. Octet in F major Op. post. 166 D 803 for Clarinet (in B-flat...
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Par SCHUBERT FRANZ. Octet in F major Op. post. 166 D 803 for Clarinet (in B-flat), Bassoon, Horn, Violin (2), Viola, Violincello, Double Bass “I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things, for I have composed two quartets for Violins, Viola and Violincello [A minor, D 804; D minor, D 810] and an octet [F major, D 803] and will write yet another quartet [not carried out]. Indeed, in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] . . . I too am inclined to give a similar concert next Year, God willing. ” Thus Schubert, writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome, in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony – by which he doubtless meant the genre as a whole rather than any specific work – he wrote string quartets and a large-scale piece of chamber music for strings and winds, taking Beethoven as his guide. Urtext of the New Schubert Edition Parts (BA5617) and study score format 22. 5 x 16. 5cm (TP302) available for sale/ Répertoire / Clarinette, Basson, Cor, 2 Violons, Viole, Violonc
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Berliner Messe (PART ARVO)
63.00
Berliner Messe (PART ARVO)
Chœur Mixte SATB ou Solistes et Orgue
[Partition]
Universal Edition
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentec...
(+)
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier) / Musique contemporaine / Répertoire / Chœur Mixte SATB ou Solistes et Orgue
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A Box of Darkness With a Bird in Its Heart (MENDONCA VASCO)
27.10
A Box of Darkness With a Bird in Its Heart (MENDONCA VASCO)
Violon
[Partition]
Leduc, Alphonse
Par MENDONCA VASCO. 'Terrance Hayes? series of sonnets is an extraordinary colle...
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Par MENDONCA VASCO. 'Terrance Hayes? series of sonnets is an extraordinary collection of poems: his poetry captures the spiralling social and political chaos in America (and the world) in a way no newspaper article or scholarly essay has been able to; his words have the rare quality of clarifying a collective feeling that is messy and confusing, an elusive and disturbing combination of fear, hope, perhaps despair. I have never personally experienced (and probably never will) the reality Hayes writes about: the oppression, danger and ambiguity he reflects upon are alien to my own experience. But I nevertheless felt compelled to create something inspired by his words. To engage - how can you not engage' The first movement of ''A Box of Darkness with a Bird in its Heart'' is a hurtful ostinato with an uneven, organic pulse - not unlike the way we breathe under physical or emotional strain. The second is a quiet, delicate birdsong; its very high melody almost a secret that?s unwillingly shared - followed by an expressive lament. The ending in the low register brings me the image of a viola da gamba played outside in a warm summer night, a distant tale of violence and loss. In the final movement the energy picks up, in a relentless and unforgiving mechanism of pizzicati. This piece was written for the wonderful violinist Diana Tishchenko, and is dedicated to her. (Vasco Mendonça)' / Date parution : 2022-04-26/ Répertoire / Violon
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Gabon (ZARATE JOSE)
30.70
Gabon (ZARATE JOSE)
Orchestre à Cordes
[Conducteur]
Unión Musical Ediciones
Par ZARATE JOSE. 'Gabon' ('good night' in the basque language) (2001), is a work...
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Par ZARATE JOSE. 'Gabon' ('good night' in the basque language) (2001), is a work where the composer investigates and delves into his personal idealization of the relationship of the text and its interpretation as poetic-musical recital. The piece tries to propose to the musician certain meaningful poetical concepts, with the requirement of a meticulous willingness to sing, to recite, and to feel. / Date parution : 2021-11-03/ Répertoire / Orchestre à Cordes
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Berliner Messe (PART ARVO)
33.40
Berliner Messe (PART ARVO)
Chœur Mixte [SATB] et Piano
Universal Edition
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentec...
(+)
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)/ Répertoire / Chœur Mixte [SATB] et Piano
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Children's Lied 2 (ESKELINEN MARJUKKA)
71.30
Children's Lied 2 (ESKELINEN MARJUKKA)
Piano, Voix
[Partition]
Fennica Gehrman
Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Li...
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Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Lied 2 is a collection of repertoire for young singers and pianists with songs from a wide range of countries and cultures. There are songs in eight languages, all of them with sung English translations. Text interpretation and storytelling, social and musical interaction skills together with instrument and performance skills are activated when children themselves take the active role in devising interpretations. A thorough pedagogical introduction and a large collection of downloadable versions of the songs in various keys make this collection a valuable tool for all educators willing to open the door to the world of Lied for kids and teens./ Recueil / Chant et Piano
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Siegfried - Full Score (WAGNER RICHARD)
53.81
Siegfried - Full Score (WAGNER RICHARD)
Opéra Full Score
[Partition]
Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as wel...
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in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater — one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's Realpolitik, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In The Perfect Wagnerite, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as 'a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche. ' Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of Der Ring des Nibelungen are indisputable. The crowning achievement of German music of the Romantic era, the Ring forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form. Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings Siegfried, an important opera in the Ring and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price. Reproduced from first 1876 edition. The third Ring opera, 'Siegfried' is here carefully reproduced from the authoritative edition of 1876 which Wagner himself approved. / Opéra-opérette / Répertoire / Opéra Full Score
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24 Melodious Etudes (VASILIEV)
19.50
24 Melodious Etudes (VASILIEV)
En Français
Tuba
[Partition]
Leduc, Alphonse
for Tuba. Par VASILIEV. 24 Melodious Etudes is a set of studies by S. Vasiliev f...
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for Tuba. Par VASILIEV. 24 Melodious Etudes is a set of studies by S. Vasiliev for Tuba. Number 276 of the collection ; Music for Brass, each study is between one and two pages long, and will enable intermediate players to work on their embouchure and their breathing. They will also help to gain a better sonority. S. Vasiliev has managed to make them quite lyrical to avoid any fastidious feeling while working on them. This volume is definitely a must-have for all tubists willing to improve their skills and abilities. This volume was selected for the ABRSM Tuba Syllabus Grade 4. / Répertoire d'Examen / Etude / Tuba
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Schärfe. Schatten (SCHWEITZER BENJAMIN)
41.20
Schärfe. Schatten (SCHWEITZER BENJAMIN)
Flûte [Piccolo], Hautbois, Clarinette en Bb, A et
[Conducteur et Parties séparées]
Schott
for wind quintet and piano. Par SCHWEITZER BENJAMIN. Benjamin Schweitzer present...
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for wind quintet and piano. Par SCHWEITZER BENJAMIN. Benjamin Schweitzer presents his first work for this combination. Willing to try out something new, he adds to the typical character of the wind instruments the sound of the piano. The work is made up of two movements, each movement of several parts. Complex interwoven passages are set against stringently composed sections. The composer says of his piece: 'the combination of shortness and an ease of attitude with the complexity of a major chamber music work relates, in a certain way, the piece to the late works of Elliott Carter.'/ Répertoire / Flûte [Piccolo], Hautbois, Clarinette en Bb, A et
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Kris Lennox : Etudes - Download Card
29.30
Kris Lennox : Etudes - Download Card
Guitare notes et tablatures
[Partition + Accès audio]
-
Intermédiaire
Amsco Wise Publications
Contained within Etudes For Electric Guitar are twelve exciting pieces for solo ...
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Contained within Etudes For Electric Guitar are twelve exciting pieces for solo Electric Guitar designed to improve your skill and technique, specially devised by renowned composer Kris Lennox. As well as the standard notation and tab, the accompanying Download Card also gives you instant access to professionally-recorded demonstrations by the author himself.If your Guitar-playing is somehow stuck in a rut, or perhaps you just want some pieces to play away from a band setting, then Etudes For Electric Guitar is the book for you. Designed for intermediate guitarists, these twelve, completely original studies will help improve your technique and range by really focusing on certain aspects of your playing, such as fingering, rhythm and picking. These are challenging pieces, but if incorporated into a practice routine, they'll be hugely beneficial, as well as simply enjoyable to play. Author and composer Kris Lennox feels strongly about the etudes included in this collection of solo Guitar sheet music, and this is evident in his extensive written introductions, justifications and guidance notes for each study. He has noticed that the majority of electric guitarists can play the rhythm or lead parts of songs, while the electric Guitar is rarely thought of as its own solo instrument. With Etudes For Electric Guitar, Lennox hopes to change this, composing pieces that sound great, while also being technically challenging and entirely worthy of your time. You won't need any special equipment, just a standard electric Guitar and a willingness to learn and improve. The extensive notes give you essential tips on working through each study, making sure they are as beneficial as possible.Featuring twelve etudes, all in different keys, the notes are included in standard notation and tablature, so you don't have to know how to read music. There are also some fingering suggestions, so for particular stretches or complex passages, you can get help on where to put your fingers! The accompanying download card also gives you instant online access to studio-quality demonstrations, recorded by Kris Lennox himself, so you can hear exactly how each etude should sound. If you're feeling brave enough, you could attempt to play along with Lennox's recording, but be sure to start slowly! This collection of Etudes For Electric Guitar is a fantastic opportunity to play a set of twelve expertly-composed studies for solo Electric Guitar, the likes of which are difficult to find among today's PVG or tab songbooks. To improve your playing, or just to expand your repertoire beyond simple songs, Etudes For Electric Guitar by Kris Lennox is a creative collection of pieces that are both enjoyable to play and invaluable to your technique. / Guitare
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CASTOR ET POLLUX (RAMEAU JEAN-PHILIPPE) (RAMEAU JEAN-PHILIPPE)
65.60
CASTOR ET POLLUX (RAMEAU JEAN-PHILIPPE) (RAMEAU JEAN-PHILIPPE)
Piano, Voix
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to u...
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Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano
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Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
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Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
Piano Trio: piano, violon, violoncelle
Furore Verlag
Instrumentation: piano trio (violin, violoncello and piano) Edition: score and p...
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Instrumentation: piano trio (violin, violoncello and piano) Edition: score and parts editor: Eberhard Mayer Item no.: fue 4160 Difficulty: medium ISMN: 979-0-50012-916-5 Mel Bonis's music became more and more influenced by a highly refined impressionism over the years. Her work was enriched by new rhythmic innovations and willingly turned towards humour. Surely they belong to the most important chamber music compositions in French Post Romanticism and can greatly enrich today's concert programmes.
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Blythswood. Three Pieces For Viola And Piano (SAMUEL RHIAN)
12.90
Blythswood. Three Pieces For Viola And Piano (SAMUEL RHIAN)
Alto, Piano
[Partition]
Stainer and Bell
Par SAMUEL RHIAN. Rhian Samuel's fresh and stimulating vocal and instrumental wo...
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Par SAMUEL RHIAN. Rhian Samuel's fresh and stimulating vocal and instrumental works have earned her an enviable reputation as a composer willing to tackle challenging subjects and a variety of musical forms. The three contrasting pieces of Blythswood were written at Glaick in Scotland, on the mainland across from Skye, and each one evokes in terms of seascape or memory the idea of the 'distant view'./ Répertoire / Alto et Piano
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