(For Flute, Harp And Orchestra) Composed by Wolfgang Amadeus Mozart (1756-1791),...(+)
(For Flute, Harp And
Orchestra) Composed by
Wolfgang Amadeus Mozart
(1756-1791), edited by
Franz Giegling. K. 299
(297c). Set of
performance parts
(includes separate
pull-out flute and harp
parts) for flute, harp
and piano. With solo
parts and piano
reduction. C Major. 64
pages. Published by
Baerenreiter-Ausgaben
(German import).
Set of performance parts. By Wolfgang Amadeus Mozart. Arranged by Louis Moyse. ...(+)
Set of performance parts.
By Wolfgang Amadeus
Mozart. Arranged by Louis
Moyse. (Flute). Woodwind
Solo. Size 9x12 inches.
50 pages. Published by G.
Schirmer, Inc.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 12 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-15.
Published by Breitkopf
and Haertel
(BR.OB-15134-15).
ISBN
9790004341476. 10 x 12.5
inches.
Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-26.
Published by Breitkopf
and Haertel
(BR.OB-15134-26).
ISBN
9790004341506. 10 x 12.5
inches.
Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-16.
Published by Breitkopf
and Haertel
(BR.OB-15134-16).
ISBN
9790004341483. 10 x 12.5
inches.
Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-19.
Published by Breitkopf
and Haertel
(BR.OB-15134-19).
ISBN
9790004341490. 10 x 12.5
inches.
Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical. Set
of parts. 16 pages.
Duration 27'. Breitkopf
and Haertel #OB 15134-30.
Published by Breitkopf
and Haertel
(BR.OB-15134-30).
ISBN
9790004341513. 10 x 12.5
inches.
Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin.
