By Michael Davis. Composed by Michael Davis. For trombone. The 20 Minute Warm-Up Routine is a dynamic, comprehensive set of 15 exercises and 15 play-along tracks that will both warm you up and work you out. Book and CD. C bass clef edition. 27 pages. Published by Hip-Bone Music. (182) Level: intermediate.

By Gene Pokorny. Composed by Michael Davis. For tuba. The 20 Minute Warm-Up Routine is a dynamic, comprehensive set of 15 exercises and 15 play-along tracks that will both warm you up and work you out. Book and CD. C bass clef edition. 27 pages. Published by Hip-Bone Music. (183) Level: intermediate.

By Chris Komer. Composed by Michael Davis. For french horn. The 20 Minute Warm-Up Routine is a dynamic, comprehensive set of 15 exercises and 15 play-along tracks that will both warm you up and work you out. Book and CD. F horn edition. 27 pages. Published by Hip-Bone Music. (181) Level: intermediate.

By Phil Smith. Composed by Michael Davis. For trumpet. The 20 Minute Warm-Up Routine is a dynamic, comprehensive set of 15 exercises and 15 play-along tracks that will both warm you up and work you out. Book and CD. Bb trumpet edition. 27 pages. Published by Hip-Bone Music. (180) Level: intermediate.

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Tim McCarrick. Orchestra. Masterworks; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Masterwork Arrangement; Romantic. Grade 3.5. Conductor Score and Parts. 72 pages. Published by Belwin Publishing

By Pam Wedgwood. For Piano. This edition: Revised Edition. Book; CD; Piano Collection; Piano Supplemental. Faber Edition: Jazzin' About. Jazz. Elementary. Published by Faber Music

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Hanon Power Workouts for Guitar arranged by Larry McCabe. For guitar. This edition: Paperback. Instructional. Exercises. Book. Text Language: English; Standard notation and tablature. 32 pages. Published by Santorella Publications

Hanon Power Workouts for Violin and Fiddle arranged by Larry McCabe. For violin, fiddle. This edition: Paperback. Instructional. Exercises. Book. Text Language: English. 32 pages. Published by Santorella Publications

By Beyonce. For piano, voice, and guitar (chords only). This edition: Piano/Vocal/Chords. Sheet. Movie. Sheet. 8 pages. Published by Alfred Publishing.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Saxophone Mouthpiece Selection by Robert Scarff. For saxophone or clarinet. This edition: spiral-bound. Book. 88 pages. Published by Jamey Aebersold Jazz

Piano Solo

SKU: YM.GTP01101569

Composed by Hayato Sumino. J-Pop. Score. Yamaha Music Media #GTP01101569. Published by Yamaha Music Media (YM.GTP01101569).

ISBN 9784636112634. 12 x 9 inches.

Introducing the official sheet music collection of Hayato Sumino, currently one of the most prominent active Japanese pianists globally. Known for his extensive concert performances both in Japan and abroad, Sumino captivates fans through his YouTube channel as Cateen, where he uniquely blends classical techniques, arrangements, and improvisation. This collection features seven pieces, ranging from familiar piano compositions showcased on YouTube and in concerts to lively performances using a toy piano and melodica, such as Tinkerland. Also included are the jazzy number composed for a commercial, TOUT LE MONDE VALSE, and the beautiful piano trio (violin, cello, piano) piece Kasumigusa. This compilation not only explores classical genres but showcases Sumino's versatile talent. --About Hayato Sumino 'Cateen': A Japanese pianist and composer gaining international recognition, Hayato Sumino won the Grand Prix at the 42nd PTNA Piano Competition Special Class during his graduate studies at the University of Tokyo. Beyond numerous concert activities, he captivates a global audience as a YouTuber under the name 'Cateen,' blending classical techniques, arrangements, and improvisation. In addition to his piano performances, he shares insights into the mechanisms of his playing and arrangements through the Cateen Lab. Explore the sheet music collections of the pianist who continues to challenge and innovate, offering not just a chance to try piano performances but also an opportunity to savor the charm of his arrangements.

Chamber Music Cornet

SKU: CF.O88X

Composed by Narcisse Bousquet. Edited by Joey Tartell Edwin Franko Goldman. SWS. Softcover. With Standard notation. 44 pages. Carl Fischer Music #O88X. Published by Carl Fischer Music (CF.O88X).

ISBN 9781491153406. UPC: 680160910908. 9 X 12 inches.

These studies are a staple of the advanced trumpet method repertoire. Each etude is an exploration of a wide variety of registers, articulations and tonalities. While going through these 36 etudes the trumpeter will develop an even sound in all registers while tackling the musical and melodic challenges that lie within.
IntroductionTi ps on Musical PracticeStarting a new study can be overwhelming. Using Etude No. 1, here’s an example of how to approach working on these etudes with both musicality and technique in mind.Bousquet’s first study can be broken down into three large musical sections:Section 1: from the beginning to the downbeat of m. 26.Section 2: from the upbeat of 2 in m. 26 to the downbeat of m. 51.Section 3: from the downbeat of m. 51 to the end.Each one of those sections can be broken down into two smaller sections:Section 1a: from the beginning to the downbeat of m. 16.Section 1b: from the downbeat of m. 16 to the downbeat of m. 26.Section 2a: from the upbeat of 2 in m. 26 to the end of m. 35.Section 2b: from m. 36 to the downbeat of m. 51.Section 3a: from the downbeat of m. 51 to the downbeat of m. 59.Section 3b: from the downbeat of m. 59 to the end.To get started playing, choose a slow tempo that allows you to play Section 1 all the way through without stopping. If that is problematic, just play through 1a.Remember to focus on the music. Section 1a is light, moving in four-measure phrases to the ninth measure, where it cadences in G. From there, retain the lightness through the arpeggiation that concludes with the trill that brings an arrival point at Section 1b. Here the style changes completely, alternating two measures of fluid, connected sixteenth notes with two measures of scalar staccato sixteenths before finally cadencing on the downbeat of m. 26.Section 2 begins with a melodic line of eighth notes, punctuated by sixteenths in the third full measure before returning to the original line for only a measure before driving forward with a flourish to finish Section 2a. Section 2b starts back in C with four-measure phrases in which the line moves up for two measures, then down for two measures, ending in G. The last seven measures of Section 2 stay light as they work their way back to C.Section 3 is very exciting, starting with a fiery cornet solo-like passage in 3a. 3b brings the piece to a dramatic conclusion outlining C major for the first four measures before arpeggiating C major and G dominant for two measures, finally finishing with the C-major scale.The next step is to isolate any of the parts that proved troublesome. Examples could include missed notes or figuring out where to breathe. Once you have practiced the troublesome sections in isolation, play the section all the way through without stopping again. Even if there are still problems, you are now practicing in a way that is preparing you to perform musically.The next day, play through Section 1 again, at a tempo that allows you to do this without stopping. Now go on to Section 2, and follow the same three steps:Play all the way through, at a tempo that allows you to do so without stopping,Isolate and practice the troublesome passages, thenPlay all the way through, at a tempo that allows you to do so without stopping.Now play from the beginning to the end of Section 2.The next day, play Section 1. Now play Section 2. Then play Section 3 and apply the same three steps outlined above.Now play the whole study. At this point you have spent time on each section, making musical decisions and correcting mistakes. Increase the tempo as you gain confidence and control of the material. As you work towards performing the entire study as a piece of music, record yourself playing the entire study as a performance each day. Review the recordings to reveal what still needs work. Be honest with yourself! When you are happy with the recording of your performance, it’s time to move on to the next study.About the Goldman PrefaceThese studies will be an excellent practice, especially for the lower register of the Cornet, which is somewhat neglected in other instruction books. It is recommended that the pupil should practice one of this series of Studies now and then to repose his lips, and acquire facility in difficult fingering.— Edwin Franko GoldmanIn his original preface, Edwin Franko Goldman is absolutely correct that these studies are excellent practice and will help with the dexterity demanded of today’s player. Although the low register is certainly explored throughout the book, it does not appear to be the focus of these studies. There are many books available now that concentrate on the low register. The suggested fingerings have been removed. Using alternate fingerings was more common to cornet players to aid in the fluidity of a passage. This practice is not nearly as common today, especially with trumpet players, as the difference in timbre caused by the alternate fingerings is disruptive to the musical line. Published for cornet, as it was the solo instrument of choice in the 1920s, these etudes are just as useful to today’s trumpet player. When playing these studies on trumpet, the performer should strive for a fluid line while maintaining a full and clear sound. Because of the musicianship and technique demanded, this book remains as useful today as it has ever been.— Joey TartellAbout Narcisse Bousquet and the 36 EtudesNarcisse Bousquet (c. 1800–1869) was French by birth, active as a composer, editor and arranger in both France and England in the early nineteenth century. Bousquet was respected as an accomplished performer of the French flageolet, a high-pitched woodwind instrument much like a recorder, although later outfitted with the Boehm key system like the modern flute. Although obsolete in modern times, the instrument once enjoyed great popularity with a variety of composers and performers, both amateur and professional. Purcell and Handel composed for the instrument, and Berlioz was purportedly an accomplished amateur performer of the flageolet. The Scottish author Robert Louis Stevenson, likewise, was a proficient performer of the instrument and composed a number of pieces for it.Little is known today of Bousquet’s life. He composed a large variety of music, including works specifically for the flageolet, which were widely appreciated in their day. The 36 Etudes for flageolet are undoubtedly the most well known of his works. Published in 1851, the Etudes explore a variety of techniques, such as scales, arpeggios, ornamentation, breath control and expressive playing, and their technically demanding writing confirms Bousquet’s prowess as a flageolet performer. However, the date of the arrangement of the etudes for cornet and their arranger remain speculative. Edwin Franko Goldman is credited as the arranger of the 1890 publication by Carl Fischer, although Goldman would have been only twelve years old at the time; his work on these pieces surely came at a later time. Bousquet himself may have arranged these pieces for cornet at the request of an accomplished cornet player at some point after their publication.

Composed by Gabriel Faure (1845-1924). Edited by Jean- Pierre Bartoli. This edition: complete edition, urtext edition. Cloth bound. Gabriel Faure. OEuvres completes VI/3. Complete edition, Performance score, anthology. Opus 84, 32, 17. Baerenreiter Verlag #BA09471-01. Published by Baerenreiter Verlag

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

Lyrics/Chords Guitar

SKU: HL.242081

By The Beatles. The Little Black Songbook. Pop. 384 pages. Hal Leonard #HL00242081. Published by Hal Leonard (HL.242081).

ISBN 9781785588617. UPC: 888680704407. 4.75x7.75x0.956 inches.

A pocket-sized collection of 195 Beatles hits presented in chord songbook format. Includes complete lyrics, chord names & a handy chord box reference sheet. Including classic hits such as: All You Need Is Love • Can't Buy Me Love • Day Tripper • Do You Want to Know a Secret • Eleanor Rigby • From Me to You • Get Back • Help! • Hey Jude • I Want to Hold Your Hand • Let It Be • Magical Mystery Tour • Ob-La-Di Ob-La-Da • Please Please Me • Ticket to Ride • Twist and Shout • and more.

Lyrics/Chords Ukulele

SKU: HL.232108

By The Beatles. Ukulele. Pop. Softcover. Composed 2014. 384 pages. Hal Leonard #NO91894. Published by Hal Leonard (HL.232108).

ISBN 9781783052738. UPC: 888680677329. 4.5x7.5x0.899 inches.

Complete lyrics and chords to 195 Beatles songs, including: Across the Universe • All My Loving • All You Need Is Love • And I Love Her • Back in the U.S.S.R. • The Ballad of John and Yoko • Birthday • Blackbird • A Day in the Life • Day Tripper • Dear Prudence • Drive My Car • Eight Days a Week • Eleanor Rigby • Good Day Sunshine • Got to Get You into My Life • A Hard Day's Night • Help! • Helter Skelter • Here Comes the Sun • Hey Jude • I Saw Her Standing There • I Want to Hold Your Hand • In My Life • Let It Be • The Long and Winding Road • Lucy in the Sky with Diamonds • Penny Lane • Revolution • Something • Ticket to Ride • Twist and Shout • When I'm Sixty-Four • While My Guitar Gently Weeps • Yellow Submarine • Yesterday • and more. 4-1/2 inches x 7-1/2 inches.

This enjoyable and challenging exercise routine will prepare you for the rigors of contemporary bass playing and sharpen your technique. The strategy focuses on warm-ups and stretching, exercises for strength, agility and stamina, and specific techniques such as hammer-ons and pull-offs. Jam-packed with tried-and-true "bassrobic" exercises from the National Guitar Workshop curriculum, this book will build your technique, no matter what style of music you play. Don't let another day go by without making this a perfect new addition to your bass library.