Performed by Hank Williams Jr.. For guitar and voice. Format: guitar tablature songbook. With leadsheet notation (chords and melody), lyrics, chord names, guitar chord diagrams and strum and pick patterns. Country and honky tonk. Series: Strum It (guitar). 64 pages. 9x12 inches. Published by Hal Leonard.

Performed by Celine Dion. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Adult contemporary and pop vocal. 9x12 inches. Published by Warner Brothers.

(A Choral Medley: I Could Have Danced All Night / On the Street Where You Live / Wouldn't It Be Loverly / I've Grown Accustomed to Her Face / Get Me to the Church On Time). By Alan Jay Lerner, music by Frederick Loewe. Arranged by Andy Beck. Choir Secular. For SoundPax. This edition: SoundPax. Choral Octavo; Part(s). Pop Choral. Form: Medley. Broadway; Movie. 72 pages. Published by Alfred Music Publishing

(The Little Pageant That Wouldn't Give Up!). By Celeste Clydesdale. Arranged by David Clydesdale. For 2-part/Unison. Musical. Modern Christian: Christmas. Easy. Choral Book. Duration 40'00 . Published by Word Music

Composed by Tom Trenney. Comfort / Healing / Hope; General; Justice. Secular. Octavo. Beckenhorst Press #BP2288. Published by Beckenhorst Press

By H. Wolf. Edited by Gerhardt. For high voice, piano. (Eng-Ger). Published by C.F. Peters.

By Ronald Arnatt. Text: British Museum MS 5665,c. 1500. For Soprano and Mezzo-Soprano soli, SA Choir. (Women's or Children's Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcover. 336 pages. Published by Hal Leonard

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 pages. Published by Hal Leonard.

By Various. Guitar Chord Songbook. Softcover. 152 pages. Published by Hal Leonard