| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Josh Groban: You Raise Me Up - String Orchestra Orchestre à Cordes [Conducteur et Parties séparées] - Facile Hal Leonard
Performed by Josh Groban, arranged by Larry Moore. For string orchestra. Format:...(+)
Performed by Josh Groban,
arranged by Larry Moore.
For string orchestra.
Format: set of
performance parts
(includes: (1) Conductor
Score, (8) Violin 1, (8)
Violin 2, (4) Violin 3
(Viola T.C.), (4) Viola,
(4) Cello, (4) String
Bass, (1) Piano, (2)
Percussion). With
standard notation. Adult
contemporary. Series: Hal
Leonard Easy Pops
Specials For Strings.
9x12 inches. Published by
Hal Leonard.
$40.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonatina Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Samuel Barber : 65 Songs (Medium/Low Voice Edition)
Voix basse Schirmer
(Medium/Low Voice Edition). By Samuel Barber (1910-1981). Edited by Richard Walt...(+)
(Medium/Low Voice
Edition). By Samuel
Barber (1910-1981).
Edited by Richard
Walters. Vocal
Collection. 288 pages
$32.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flexible Praise Orchestre d'harmonie Curnow Music
Electric Bass/Double Bass. Arranged by James Curnow. This edition: CMP125408. Cu...(+)
Electric Bass/Double
Bass. Arranged by James
Curnow. This edition:
CMP125408. Curnow Concert
Band Full Set. 16 pages.
Published by Curnow
Music.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flexible Praise Orchestre d'harmonie Curnow Music
Keyboard (Piano/Synthesizer/Organ - Guitar Chords included). Arranged by James C...(+)
Keyboard
(Piano/Synthesizer/Organ
- Guitar Chords
included). Arranged by
James Curnow. This
edition: CMP125208.
Curnow Concert Band Full
Set. 28 pages. Published
by Curnow Music.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flexible Praise Orchestre d'harmonie Curnow Music
Part 3 in Eb (Alto Clarinet, Alto Saxophone, Alto Horn). Arranged by James Curno...(+)
Part 3 in Eb (Alto
Clarinet, Alto Saxophone,
Alto Horn). Arranged by
James Curnow. This
edition: CMP124708.
Curnow Concert Band Full
Set. 16 pages. Published
by Curnow Music.
$5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flexible Praise Orchestre d'harmonie [Partition] Curnow Music
Full Score. Arranged by James Curnow. This edition: CMP123408. Curnow Concert Ba...(+)
Full Score. Arranged by
James Curnow. This
edition: CMP123408.
Curnow Concert Band Full
Set. Softcover. 76 pages.
Published by Curnow
Music.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flexible Praise Orchestre d'harmonie Curnow Music
Part 1 in Eb (Alto Saxophone, Eb Trumpet/Cornet, Eb Clarinet). Arranged by James...(+)
Part 1 in Eb (Alto
Saxophone, Eb
Trumpet/Cornet, Eb
Clarinet). Arranged by
James Curnow. This
edition: CMP123908.
Curnow Concert Band Full
Set. 16 pages. Published
by Curnow Music.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spider Dance Orchestre à Cordes - Intermédiaire Belwin
By Michael Hopkins. Orchestra. For string w/ vln3. Part(s); Score; String Orches...(+)
By Michael Hopkins.
Orchestra. For string w/
vln3. Part(s); Score;
String Orchestra. Belwin
Intermediate String
Orchestra. Form: Dance.
Fall; Halloween; Novelty.
Grade 3. 144 pages.
Published by Belwin
Publishing
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment [CD d'accompagnement] - Facile Alfred Publishing
(Cello/String Bass). Arranged by Victor López. For Cello/String Bass. Book; M...(+)
(Cello/String Bass).
Arranged by Victor
López. For
Cello/String Bass. Book;
Mixed Instruments -
Flexible Instrumentation.
U.Play.Plus. Pop/Rock.
Grade 2.5; Grade 3. 24
pages. Published by
Alfred Music Publishing
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Snowflake Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Yukiko Nishimura. For Full Score, Violin I, Violin II, Violin III, Viola, Cel...(+)
By Yukiko Nishimura. For
Full Score, Violin I,
Violin II, Violin III,
Viola, Cello, Bass,
Piano. Carl Fischer Young
String Orchestra Series.
Grade 2-2.5. Score and
parts. Published by Carl
Fischer
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Faithful Gazelle Peters
Other Woodwinds; Clarinet; Violin; Viola; Cello; Bass SKU: PE.EP73642 Com...(+)
Other Woodwinds;
Clarinet; Violin; Viola;
Cello; Bass SKU:
PE.EP73642 Composed
by Roxanna Panufnik.
Mixed Instruments -
Clarinet & String
Quartet; Solo Small
Ensembles. Edition
Peters. Contemporary;
Multicultural. Book. 88
pages. Edition Peters
#98-EP73642. Published by
Edition Peters
(PE.EP73642). ISBN
9790577022901. When
I started work on this
clarinet quintet, in
October 2021, the
3-month-old Taliban
takeover of Afghanistan
was very fresh in
everyones mind and there
seemed to be a collective
feeling of utter
helplessness as the
country descended into
chaos and fear, once
more. The idea for this
piece came in a
conversation with my
Afghan friend, Gulwali
Passarlay, in which he
was expressing the hope
that people would
continue to think about
Afghanistan and to
remember, violent
political upheaval aside,
what an incredibly rich,
beautiful and ancient
culture this country
has.
Part of this
wonderful culture are the
centuries-old, mythical
tales, often with a moral
message, that have been
passed down through many
generations. The Faithful
Gazelle tells of a Beggar
raised to riches by a
magical Gazelle, only to
lose everything again
when she becomes sick and
he ignores her pleas for
help.
The
clarinet with its
enormous scope of timbre
and pitch seemed the
perfect vehicle for the
Gazelle and the cello a
gruff, then majestic,
then gruff again Beggar!
I am deeply
grateful to West Cork
Chamber Festival for
commissioning this work
and to clarinettist Matt
Hunt and the Signum
Quartet for working so
patiently on it, with me.
Also to Gulwali Passarlay
and specialist Afghan
musicologists John Baily,
Katherine St John and Dr
Lloyd Miller for sharing
their immense knowledge
and love of Afghan music
and culture. Roxanna
Panufnik, 31 January 2022
This product is
Printed on Demand and may
take several weeks to
fulfill. Please order
from your favorite
retailer. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony in G Major, Opus 88, No. 8 Contre Basse Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85). ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major. Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pacem Noel Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Larry Clark. Arranged by Larry Clark. For Full Score, Violin I, Violin II, Vi...(+)
By Larry Clark. Arranged
by Larry Clark. For Full
Score, Violin I, Violin
II, Violin III, Viola,
Cello, Bass, Piano. Carl
Fischer Young String
Orchestra Series. Grade
2-2.5. Score and parts.
Published by Carl Fischer
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Marvelous Light - Orchestration (Praise Band Charts) Word Music
Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3;...(+)
Instrumental ensemble
(flute; oboe; clarinet;
alto sax; trumpet 1, 2;
trumpet 3; trombone 1, 2;
trombone 3; percussion 1,
2; rhythm; *violin 1, 2;
*viola; cello; string
bass; string reduction
(*simplified part
included) ADDITIONAL
PARTS: clarinet 2
(doubles viola); bass
clar) SKU:
WD.080689159473
Composed by Dave
Williamson. Choral.
Sacred Anthem,
Eastertide. Orchestration
(praise band charts).
Word Music #080689159473.
Published by Word Music
(WD.080689159473).
UPC:
080689159473. Marve
lous Light provides you
with FOUR possible
performance options for
your Easter worship
services, utilizing a
combination of two
well-known contemporary
Easter worship songs plus
a contemporary and a
traditional hymn.
Possible configurations
include: * a two-song
set; * two different
three-song sets; * a
four-song set. Designed
for the worship leading
choir, each option gives
you a ready-made,
all-in-one worship set
that utilizes a worship
leader (or optional
reader), your choir
and/or praise team, and
your worship band, horn
section or orchestra. The
sets are skillfully
crafted to provide a
smooth thematic and
musical flow, while
facilitating a
celebratory and
congregationally-friendly
worship experience. An
optional Accompaniment
DVD is available. $79.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto In E Minor Theodore Presser Co.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo SKU:
PR.114418820 For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820). ISBN
9781491113998. UPC:
680160667697. Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018. $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festival March Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78 Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major. Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Festival March Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Organ Book
Orgue [Partition] Hope Publishing Company
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
(4)$79.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Praise to the Lord the Almighty (Orchestration) Chorale SATB Lillenas Publishing Co.
SATB choir (trumpet 1, trumpet 2 & 3, trombone 1 & 2, trombone 3, percussion, rh...(+)
SATB choir (trumpet 1,
trumpet 2 & 3, trombone 1
& 2, trombone 3,
percussion, rhythm,
violin 1 & 2, viola
(opt.), cello, string
bass (opt.)) SKU:
LP.765762182400
Composed by Phil Mehrens
& Stralsund Gesangbuch
Joachim Neander. Arranged
by Dave Williamson.
Anthems. Hymns and
Sacred. Orchestration on
CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762182400).
UPC: 765762182400.
Text by Joachim Neander &
Phil Mehrens. Treat
yourself and your choir
to this traditional hymn
artfully arranged and
orchestrated by Dave
Williamson. Upbeat and
rhythmic with new text
and lyrics in the bridge
it's a traditional
classic with a
contemporary twist. $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral
(Instrumental Consort)
SKU: HL.35029297
A Service of Lessons
and Carols Celebrating
the Life of Christ
Chamber
Orchestration.
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Sacred.
CD-ROM. Duration 2400
seconds. Published by
Shawnee Press
(HL.35029297). UPC:
884088951801.
5.0x5.0x0.19
inches. Chamber
Orchestration CD-ROM:
Written in a traditional
style and inspired by the
celebrated lessons and
carols format, Testimony
of Life presents the
life, death and
resurrection of Jesus
Christ. Comprised of
choral anthems, Scripture
and congregational songs,
the work also divides
easily into three
sections, enabling
directors to present the
work progressively
through Lent and Easter.
Choirs of any size will
enjoy the thoughtful part
writing and the easily
learned melodies. From
joyful celebrations of
Christ's early ministry
to the deep sadness of
His suffering and
crucifixion, from the
shadowed whispers of
Gethsemane to the
brilliant alleluias of
Easter, Testimony of Life
is a thoughtful mix of
artistry and ministry. A
full line of support
products is available to
enhance your performance.
Songs include: Prologue *
I Will Sing the Wondrous
Story * The Story Begins
* A Day of Rejoicing and
Praise * Hosanna, Loud
Hosanna * Banquet of
Mercy * Into the Garden *
When I Survey the
Wondrous Cross * A Day
Bright with Joy * I Know
that My Redeemer Lives.
Instrumentation: (1
Player per Part) Score
and parts for flute, oboe
clarinet, bassoon (sub.
Bass clarinet), trumpet,
percussion, harp, piano
(play from vocal score),
violin 1&2, viola,
cello, double bass. Can
work with woodwinds only
or with strings only. $175.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marvelous Light - Orchestration (Full) Word Music
Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3;...(+)
Instrumental ensemble
(flute; oboe; clarinet;
alto sax; trumpet 1, 2;
trumpet 3; trombone 1, 2;
trombone 3; percussion 1,
2; rhythm; *violin 1, 2;
*viola; cello; string
bass; string reduction
(*simplified part
included) ADDITIONAL
PARTS: clarinet 2
(doubles viola); bass
clar) SKU:
WD.080689156472
Composed by Dave
Williamson. Choral.
Sacred Anthem.
Orchestration (full).
Word Music #080689156472.
Published by Word Music
(WD.080689156472).
UPC:
080689156472. Marve
lous Light provides you
with FOUR possible
performance options for
your Easter worship
services, utilizing a
combination of two
well-known contemporary
Easter worship songs plus
a contemporary and a
traditional hymn.
Possible configurations
include: * a two-song
set; * two different
three-song sets; * a
four-song set. Designed
for the worship leading
choir, each option gives
you a ready-made,
all-in-one worship set
that utilizes a worship
leader (or optional
reader), your choir
and/or praise team, and
your worship band, horn
section or orchestra. The
sets are skillfully
crafted to provide a
smooth thematic and
musical flow, while
facilitating a
celebratory and
congregationally-friendly
worship experience. An
optional Accompaniment
DVD is available. $119.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Instruments of Praise, Vol. 2: Cello/Double Bass - Score and insert SoundForth
String solo cello and piano - Easy SKU: S2.094243 Christmas, Thanksgiving...(+)
String solo cello and
piano - Easy SKU:
S2.094243 Christmas,
Thanksgiving. Score and
insert. SoundForth
#094243. Published by
SoundForth (S2.094243).
UPC:
821617009602. This
second volume of simple
hymn arrangements for
young instrumentalists is
a seasonal collection. It
contains 6 hymns suitable
for Thanksgiving and
Christmas. Removable
instrumental parts are
included. $16.95 - Voir plus => Acheter | | |
| You're Worthy Of My Praise, Praise Pak Orchestre Lillenas Publishing Co.
Orchestra SKU: LO.765762081406 Composed by David Ruis. Arranged by David ...(+)
Orchestra SKU:
LO.765762081406
Composed by David Ruis.
Arranged by David Shipps.
Conductor's score and
instrumental parts.
Lillenas Publishing
Company #765762081406.
Published by Lillenas
Publishing Company
(LO.765762081406).
UPC:
765762081406. Core
Instruments: Rhythm, 2
Tpts, A or T Sax, Tbn;
Optional Woodwind/F Horn
Line: Fl, Ob, Cl, Hn, S
Sax; Keyboard/StringPart:
Kybd (Vln and Vla
provided to cover the
right hand); Bass Line
Part: El Bass, Tbn, Tba,
B Cl, B Sax, Cello, or
Bass (provided in C bass
clef, B-flat treble clef,
and E-flat treble clef);
Additional Optional
Parts: Perc, Harp. $54.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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