| Easy Instrumental Solos For Special Occasions and Celebrations Trompette [Partition + CD] - Intermédiaire Alfred Publishing
(Trumpet). For Trumpet. Book; CD; Instrumental Series; Play-Along. Easy In...(+)
(Trumpet). For Trumpet.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
2;
Grade 3. 48 pages.
Published
by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Saxophone Tenor [Partition + CD] - Intermédiaire Alfred Publishing
(Tenor Sax). For Tenor Sax. Book; CD; Instrumental Series; Play-Along. Easy I...(+)
(Tenor Sax). For Tenor
Sax.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
2;
Grade 3. 48 pages.
Published
by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Trombone [Partition + CD] - Intermédiaire Alfred Publishing
(Trombone). For Trombone. Book; CD; Instrumental Series; Play-Along. Easy Ins...(+)
(Trombone). For Trombone.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
2;
Grade 3. 48 pages.
Published
by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings Violon [Partition + CD] - Intermédiaire Alfred Publishing
(Violin). For Violin. Book; CD; Play-Along; String Series. Easy Instrumental ...(+)
(Violin). For Violin.
Book;
CD; Play-Along; String
Series. Easy Instrumental
Solos. Grade 2; Grade 3.
48
pages. Published by
Alfred
Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Célébrations (Clarinet) Clarinette [Partition + CD] - Débutant Alfred Publishing
(Clarinet). Arranged by Various. For Clarinet. Book; CD; Instrumental Series; Pl...(+)
(Clarinet). Arranged by
Various. For Clarinet.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
1. 48 pages. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 15 Easy Classical Solos Clarinette et Piano [Partition + CD] - Facile Anglo Music
Clarinet and Piano - easy SKU: BT.AMP-299-400 Arranged by Philip Sparke. ...(+)
Clarinet and Piano - easy
SKU:
BT.AMP-299-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
299-400. Published by
Anglo Music Press
(BT.AMP-299-400). ISBN
9789043138062. 9x12
inches.
English-German-French-Dut
ch. Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
<
I>15 Easy Classical
Solos, de Philip
Sparke, est un ouvrage
qui sâ??adresse aux
jeunes musiciens,
maîtrisant un peu plus
dâ??une octave. 15
Easy Classical Solos
a été conçu pour
être joué en
corrélation avec les
séries Artist et/ou
Master Level de la
collection Essential
Elements ®,
publiée par les
éditions Hal
Leonard. Mais il peut
également être
utilisé
indépendamment.Spéc
ifiquement adapté
chaque instrument, ce
volume rassemble quinze
mélodies écrites
par des compositeurs
aussi variés que Bach,
Purcell, Grieg et
Satie.Comprenant les
parties
dâ??accompagnement de
piano et une version
dâ??accompagnement sur
compact disc, ces
ouvrages représentent
une
sourcecomplémentaire
inestimable toute
méthode
pédagogique.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Flûte traversière [Partition + CD] - Débutant Alfred Publishing
(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Alo...(+)
(Flute). Arranged by
Various. For Flute. Book;
CD; Instrumental Series;
Play-Along. Easy
Instrumental Solos. Grade
1. 48 pages. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Instrumental Solos For Special Occasions and Célébrations (Alto Sax) Saxophone Alto [Partition + CD] - Débutant Alfred Publishing
(Alto Sax). Arranged by Various. For Alto Sax. Book; CD; Instrumental Series; Pl...(+)
(Alto Sax). Arranged by
Various. For Alto Sax.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade
1. 48 pages. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings (Cello) Violoncelle [Partition + CD] - Débutant Alfred Publishing
(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Ea...(+)
(Cello). Arranged by
Various. For Cello. Book;
CD; Play-Along; String
Series. Easy Instrumental
Solos. Grade 1. 48 pages.
Published by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings (Viola) Alto seul [Partition + CD] - Débutant Alfred Publishing
(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Ea...(+)
(Viola). Arranged by
Various. For Viola. Book;
CD; Play-Along; String
Series. Easy Instrumental
Solos. Grade 1. 48 pages.
Published by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Boundless Hope - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2
and more. - Grade 2
SKU: CF.YPS245
Composed by Mark Lortz.
Set of Score and Parts.
16+8+2+4+4+2+2+5+2+2+4+4+
4+3+3+3+2+3+1+1+1+4+2
pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #YPS245.
Published by Carl Fischer
Music (CF.YPS245).
ISBN 9781491159910.
UPC:
680160918508. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2 of
the mallet percussion and
then at m. 15 in the main
melody. The Lydian mode
naturally gives a sense
of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors. This piece
is very personal to me,
and I appreciate you
playing the
composition. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2
of the mallet percussion
and then at m. 15 in the
main melody. The Lydian
mode naturally gives a
sense of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors.This piece is
very personal to me, and
I appreciate you playing
the composition. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Boundless Hope - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2
and more. - Grade 2
SKU: CF.YPS245F
Composed by Mark Lortz.
Full score. 11 pages.
Carl Fischer Music
#YPS245F. Published by
Carl Fischer Music
(CF.YPS245F). ISBN
9781491159927. UPC:
680160918515. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2 of
the mallet percussion and
then at m. 15 in the main
melody. The Lydian mode
naturally gives a sense
of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors. This piece
is very personal to me,
and I appreciate you
playing the
composition. In
December of 2020, after
almost a year of living
socially distanced,
isolated, and not knowing
when we would return to
life as we knew it, I
began to think about what
life used to look like. I
realized that I sometimes
might have taken all the
beautiful things in my
life for granted.
Personally, the year 2020
was a time of loss where
someone close to me left,
and at the same time, I
was also able to have
other successes. This
dichotomy inspired me to
realize that there is
hope in all that we do;
it is how we perceive
life. Boundless Hope
represents my thoughts,
feelings, and emotions
during this time. The
piece is roughly based on
the Lydian mode,
introducing the raised
fourth degree in m. 2
of the mallet percussion
and then at m. 15 in the
main melody. The Lydian
mode naturally gives a
sense of positivity,
hopefulness, inspiration,
and heavenly colors. That
was my exact intention
with this piece: using
the mode to define the
mood showing gratitude
for all that we have, and
yearning to return to
normalcy with a new and
fresh perspective.
Measure 30 should be
slightly faster, followed
by a rit. into the
grandiose recapitulation
of the theme in m. 38. At
m. 45, the wind chimes
should start before the
clarinet entrance, with
the subsequent measures
representing dark and
warm colors.This piece is
very personal to me, and
I appreciate you playing
the composition. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Here for You Chorale SATB SATB [Octavo] - Intermédiaire Lillenas Publishing Co.
By Russell Mauldin. Arranged by Russell Mauldin. For SATB choir. Anthems. Adult ...(+)
By Russell Mauldin.
Arranged by Russell
Mauldin. For SATB choir.
Anthems. Adult Choral
Anthem for Worship.
Praise and Worship and
Sacred. Moderate. Octavo.
14 pages. Published by
Lillenas Publishing
Company
$1.75 $1.6625 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festival March Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Praise and Exaltation Shawnee Press
Choral (orchestration on CD-rom) SKU: HL.35027321 (Incorporating Prais...(+)
Choral (orchestration on
CD-rom) SKU:
HL.35027321
(Incorporating Praise
to the Lord the
Almighty). Composed
by David Angerman and
Joseph M. Martin. Shawnee
Sacred. General Worship,
Thanksgiving. CD-ROM,
Score and Parts.
Published by Shawnee
Press (HL.35027321).
UPC: 884088501129. 5x5
inches. Words by Joseph
M. Martin; Music by
Joseph M. Martin, David
Angerman. Uses:<
/b> General,
Thanksgiving
Sc
ripture: Psalm
150:1-2; Psalm
41
Let there be
praise and thanksgiving
with this driving paean
of joy. The hymn
Praise to the Lord the
Almighty is the
centerpiece of this
amazing anthem.
Deceptively learnable,
the mixed meter is so
natural your choir will
learn it in an instant. A
festive orchestration
completes the package.
Score and Parts for flute
1&2, oboe, clarinet 1&2,
bassoon, horn 1&2,
trumpet 1, trumpet 2&3,
trombone 1&2, bass
trombone/tuba, timpani,
perc 1&2, piano, violin
1, violin 2, viola,
cello, double bass. $60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flexible Praise Orchestre d'harmonie Curnow Music
Part 1 in Eb (Alto Saxophone, Eb Trumpet/Cornet, Eb Clarinet). Arranged by James...(+)
Part 1 in Eb (Alto
Saxophone, Eb
Trumpet/Cornet, Eb
Clarinet). Arranged by
James Curnow. This
edition: CMP123908.
Curnow Concert Band Full
Set. 16 pages. Published
by Curnow Music.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Thank You, Lord Hope Publishing Company
Choir; orchestra; rhythm (electric bass, drums, flute 1 & 2, oboe, clarinet 1 & ...(+)
Choir; orchestra; rhythm
(electric bass, drums,
flute 1 & 2, oboe,
clarinet 1 & 2, bassoon,
french horn 1 & 2,
trumpets 1, 2 & 3,
trombones 1 & 2, bass
trombone/tuba, timpani,
percussion 1 & 2, harp,
violins 1 & 2, viola,
cello, and double bass)
SKU: HP.C5614O
Composed by Joseph M.
Martin. Piano
Accompaniment with
Optional Orchestra. Vocal
Solo Sheet Music Series.
Thanksgiving, General
Worship, Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C5614O. Published by
Hope Publishing Company
(HP.C5614O). UPC:
763628256142. Joseph M.
Martin. Philippians
2:10-11, Isaiah 12:4,
Acts 18:9, Psalms
19:1-14, Psalms 107:1-7,
Luke
17:11-19. Original
anthem From Joseph Martin
here is a gorgeous,
lyrical expression of
praise and thanksgiving.
The memorable melody and
personal text build to
the familiar quote, If
Christ is Lord of heaven
and earth, how can I keep
from singing? The
orchestration, by Stan
Pethel, heightens the
impact of this deeply
felt anthem of gratitude
useful for Thanksgiving
and general occasions.
This top-seller has been
newly re-voiced for SAB
voices. The Rhythm packet
contains parts for Drums
and Electric Bass. The
Orchestration includes a
Conductor's Score and
parts for: Electric Bass,
Drums, Flute 1 & 2, Oboe,
Clarinet 1 & 2, Bassoon,
French Horn 1 & 2,
Trumpets 1, 2 & 3,
Trombones 1 & 2, Bass
Trombone/Tuba, Timpani,
Percussion 1 & 2, Harp,
Violins 1 & 2, Viola,
Cello, and Double
Bass. $89.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| I Thank You, Lord Hope Publishing Company
Vocal Duet, Key of C SKU: HP.8999 Composed by Joseph M. Martin. Piano Acc...(+)
Vocal Duet, Key of C
SKU: HP.8999
Composed by Joseph M.
Martin. Piano
Accompaniment with
Optional Orchestra. Vocal
Score. 12 pages. Hope
Publishing Company #8999.
Published by Hope
Publishing Company
(HP.8999). UPC:
763628189990. Joseph M.
Martin. Original
anthem From Joseph Martin
here is a gorgeous,
lyrical expression of
praise and thanksgiving.
The memorable melody and
personal text build to
the familiar quote, If
Christ is Lord of heaven
and earth, how can I keep
from singing? The
orchestration, by Stan
Pethel, heightens the
impact of this deeply
felt anthem of gratitude
useful for Thanksgiving
and general occasions.
This top-seller has been
newly re-voiced for SAB
voices. The Rhythm packet
contains parts for Drums
and Electric Bass. The
Orchestration includes a
Conductor's Score and
parts for: Electric Bass,
Drums, Flute 1 & 2, Oboe,
Clarinet 1 & 2, Bassoon,
French Horn 1 & 2,
Trumpets 1, 2 & 3,
Trombones 1 & 2, Bass
Trombone/Tuba, Timpani,
Percussion 1 & 2, Harp,
Violins 1 & 2, Viola,
Cello, and Double
Bass. $7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral
(Instrumental Consort)
SKU: HL.35029297
A Service of Lessons
and Carols Celebrating
the Life of Christ
Chamber
Orchestration.
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Sacred.
CD-ROM. Duration 2400
seconds. Published by
Shawnee Press
(HL.35029297). UPC:
884088951801.
5.0x5.0x0.19
inches. Chamber
Orchestration CD-ROM:
Written in a traditional
style and inspired by the
celebrated lessons and
carols format, Testimony
of Life presents the
life, death and
resurrection of Jesus
Christ. Comprised of
choral anthems, Scripture
and congregational songs,
the work also divides
easily into three
sections, enabling
directors to present the
work progressively
through Lent and Easter.
Choirs of any size will
enjoy the thoughtful part
writing and the easily
learned melodies. From
joyful celebrations of
Christ's early ministry
to the deep sadness of
His suffering and
crucifixion, from the
shadowed whispers of
Gethsemane to the
brilliant alleluias of
Easter, Testimony of Life
is a thoughtful mix of
artistry and ministry. A
full line of support
products is available to
enhance your performance.
Songs include: Prologue *
I Will Sing the Wondrous
Story * The Story Begins
* A Day of Rejoicing and
Praise * Hosanna, Loud
Hosanna * Banquet of
Mercy * Into the Garden *
When I Survey the
Wondrous Cross * A Day
Bright with Joy * I Know
that My Redeemer Lives.
Instrumentation: (1
Player per Part) Score
and parts for flute, oboe
clarinet, bassoon (sub.
Bass clarinet), trumpet,
percussion, harp, piano
(play from vocal score),
violin 1&2, viola,
cello, double bass. Can
work with woodwinds only
or with strings only. $175.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Give Our Lives Shawnee Press
Choral (Studiotrax CD) SKU: HL.35028268 Composed by Joseph M. Martin. Sha...(+)
Choral (Studiotrax CD)
SKU: HL.35028268
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Lent,
Youth Choir. CD only.
Published by Shawnee
Press (HL.35028268).
UPC: 884088638221.
4.75x5.5
inches. Uses: General, Lent, Youth
Choir, Church
Anniversary
Scr
ipture: Psalm 67:3;
Psalm 30:4; Romans
12:1
A clarion
call to commitment is at
the heart of this ballad
of praise. Soaring on the
wings of melody and a
powerful accompaniment,
this contemporary sacred
song springs with
confidence from
Scripture. The stately
gait of the theme is
solidly supported with
strong unison singing and
sturdy harmonies. The
anthem moves as a
unifying credo of purpose
ending in a mighty
crescendo of praise.
Available separately:
SATB, StudioTrax CD
(Accompaniment/Split-Trax
/Performance),
Orchestration (Score &
parts for Flute 1&2,
Oboe, Clarinet 1&2,
Bassoon, Horn 1&2,
Trumpets 1-3, Trombones
1-3, Bass Trombone/Tuba,
Timpani, Percussion 1&2,
Harp, Piano, Violin 1&2,
Viola, Cello, Double
Bass). Duration: ca.
3:38. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marvelous Light - Orchestration (Praise Band Charts) Word Music
Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3;...(+)
Instrumental ensemble
(flute; oboe; clarinet;
alto sax; trumpet 1, 2;
trumpet 3; trombone 1, 2;
trombone 3; percussion 1,
2; rhythm; *violin 1, 2;
*viola; cello; string
bass; string reduction
(*simplified part
included) ADDITIONAL
PARTS: clarinet 2
(doubles viola); bass
clar) SKU:
WD.080689159473
Composed by Dave
Williamson. Choral.
Sacred Anthem,
Eastertide. Orchestration
(praise band charts).
Word Music #080689159473.
Published by Word Music
(WD.080689159473).
UPC:
080689159473. Marve
lous Light provides you
with FOUR possible
performance options for
your Easter worship
services, utilizing a
combination of two
well-known contemporary
Easter worship songs plus
a contemporary and a
traditional hymn.
Possible configurations
include: * a two-song
set; * two different
three-song sets; * a
four-song set. Designed
for the worship leading
choir, each option gives
you a ready-made,
all-in-one worship set
that utilizes a worship
leader (or optional
reader), your choir
and/or praise team, and
your worship band, horn
section or orchestra. The
sets are skillfully
crafted to provide a
smooth thematic and
musical flow, while
facilitating a
celebratory and
congregationally-friendly
worship experience. An
optional Accompaniment
DVD is available. $79.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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