| Leonard Cohen - Sheet Music Collection: 1967-2016 Piano, Voix et Guitare Hal Leonard
Composed by Leonard Cohen. P/V/G Composer Collection. Softcover. 112 pages. P...(+)
Composed by Leonard
Cohen.
P/V/G Composer
Collection.
Softcover. 112 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Movie Songs Ever Songbook - 5th Edition Piano, Voix et Guitare Hal Leonard
Composed by Various. Piano/Vocal/Guitar Songbook. Movies, Pop, Standards, TV a...(+)
Composed by Various.
Piano/Vocal/Guitar
Songbook.
Movies, Pop, Standards,
TV and
Movies. Softcover.
Published
by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Martin 2Wah Pedal Hal Leonard
SKU: HL.438850 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0205. Pu...(+)
SKU: HL.438850
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0205. Published by Hal
Leonard (HL.438850).
UPC: 196288079422.
4.75x11.75x3.333
inches. Have you
ever wanted two
distinctly different
vintage 'wah' sounds at
your feet? Perhaps you
wished for a brighter wah
for rhythm work and a
deeper, darker wah for
leads; and the ability to
switch back and forth
quickly? Well, Carl
Martin has been busy
creating your wish; the 2
Wah. This familiar
looking, retro-styled
pedal, has an all-metal
casing with a non-slip
foot pad. It can be
powered by 9v battery,
but we always recommend
using a regulated power
supply (like the Carl
Martin Big John Power
Supply) for maximum
headroom and effect.
Input is on the right and
output on the left
(remember your Wah should
be the first pedal in
your chain), and the
standard effect on-off by
stepping on the front of
the rocker to engage the
true bypass on-off
switch. There are two
three-way mode switches
on the front of the 2 Wah
marked Low (red LED) and
High (green LED). These
are connected to an
on-off switch at the back
of the pedal (step on
back of rocker to engage
this switch). The three
low and the three high
settings are recreations
of six of the most
popular vintage wah
sounds since the
beginning of wah. The
Attack knob allows you to
fine-tune exactly how you
want the rocker to
modulate your guitar
signal. Six different wah
sounds, from Hendrix to
Trower to Earth Wind
& Fire and beyond,
all in one pedal. So why
didn't we call it the 6
Wah? Well you would have
to ask Carl... $209.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tartan Tapestries Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225 Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225). ISBN
9781491152515. UPC:
680160910014. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tartan Tapestries Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225F Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F). ISBN
9781491153192. UPC:
680160910694. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best Movie Songs Ever - 3rd Edition Piano Facile - Facile Hal Leonard
Composed by Various. Easy Piano Songbook. Movies. Softcover. Published by Hal ...(+)
Composed by Various. Easy
Piano Songbook. Movies.
Softcover. Published by
Hal
Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Martin DC Drive Pedal Hal Leonard
SKU: HL.438851 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0207. Pu...(+)
SKU: HL.438851
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0207. Published by Hal
Leonard (HL.438851).
UPC: 852940000851.
3.25x5.75x2.5
inches. When Carl
decided to update the
Vintage Series, it did
not take long to decide
on a drive pedal....the
DC Drive. Super simple
but extremely versatile,
the DC Drive features
Level Tone and Drive
controls which do the
obvious, but it also has
the Reg/Fat
switch.....this is where
the magic begins. In the
Reg setting you get a
traditional overdrive
sound that is very quiet
and adds no color to your
tone. Dial in just enough
to put an edge on your
sound or crank it right
up to full saturation,
the DC Drive is
pleasantly musical. Now
switch over to the Fat
setting and get
more...much more. There's
more drive, more mids,
more bass, more natural
compression, more
sustain, and... who
wouldn't want want more
of that? The Fat setting
is darker, and much more
modern, so you get two
distinct drives in one
pedal. Only the clean
boost was dropped from
the original pedal in
order to save space.
Carl, is a smart man.
Check out the new look DC
Drive...cool, anodized,
smaller footprint, die
cast case, head mounted
input/output/9v and that
awesome Carl Martin DC/DC
converter circuitry which
allows the pedal to run
with +-12V internally
(this means better parts
and better sound), all
while being powered by a
standard 9v 200mA power
supply. Bigger sound,
bigger tone, all analog,
all Carl Martin! $139.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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