The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

(Song for Mixed Voices and Orchestra). By Ralph Vaughan Williams (1872-1958). For SATB, Piano Reduction. This edition: Orchestra score and parts are available for purchase. Orchestra score and parts are available for purchase. Octavo. 28 pages. Duration 12 minutes. Published by Thorpe Music

By Franz Schubert. Edited by Reiser, Salome. For Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. D 486. Full score available separately - see item CA.7005300. Magnificat; Stuttgart Urtext editions; Use during church year: Advent, Christmas. Piano/Vocal score. Language: Latin. Composed 1815. 24 pages. Duration 9 min. Published by Carus Verlag (German import).

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Complete orchestral parts. Language: English/German. Composed 1742. HWV 56. Duration 150 minutes. Published by Carus Verlag

The Majesty And Glory Of Your Name arranged by Thomas Fettke. For SATB choir and piano. * Also available in SSAA (080689462276). Modern Christian. Choral octavo. Duration 4'48". Published by Word Music

(Nelson-Messe). By Franz Joseph Haydn (1732-1809). Edited by Hochstein, Wolfgang. For Soprano solo voice, Alto solo voice, Tenor solo voice, Bass solo voice, SATB chorus, 3 clarinets, timpani, 2 violins, viola, cello/contrabass, organ, [flute, 2 oboes, 2 clarinets, bassoon, 2 horns]. This edition: paperbound. Hob. XXII:11. Full score available separately - see item CA.4060900. Masses, Latin. Study score. Language: Latin. Composed 1798. 216 pages. Duration 40 min

(The Most Complete Guitar Course Available). Composed by Aaron Stang. For Guitar. This edition: 2nd. Book; Guitar Method or Supplement; Method/Instruction; Other. Belwin's 21st Century Guitar Course. Beginner. 48 pages. Published by Belwin Music

(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. BWV 236. Full score available separately - see item CA.3123600. Masses, Latin, Incomplete Masses (also Kyrie and Gloria); Stuttgart Urtext editions. Level 3. Piano/Vocal score. Language: Latin. Composed 1742 (terminus ante quem). 52 pages. Duration 30 min

(Laetatus sum). By Antonio Vivaldi (1678-1741). For SATB Choir, Violin, Viola, Basso continuo. RV 607. Full score available separately - see item CA.4001300. Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms, Daily hours. Level 2. Choral score. Language: Latin. 8 pages. Duration 4 min

(Passionskantate). By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Mathias Siedel. For Soli SB, SATB Choir, 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Basso continuo. This edition: paperbound. KV 42 (35a). Full score available separately - see item CA.5104200. Cantatas; Use during church year: Holy Week. Piano/Vocal score. Language: German. Composed 1767. 36 pages. Duration 12 min. Published by Carus Verlag

By Peter Schindler. For SATB Choir, Organ, Saxophone, Percussion. This edition: paperbound. Full score available separately - see item CA.2702800. Masses, Latin. Choral score. Language: Latin. Composed 2001. 48 pages

(For Mallet Quartet). By Brian Slawson. For Glockenspiel, vibraphone, small marimba (4 octave), 4.3 octave marimba (low A) (4 players). This edition: Mallet quartet. Concert Percussion Ensembles. NOTE: If two marimbas aren't available, both marimba parts may be played by sharing one 4.3 octave (low A) marimba. Easy. Folio parts on CD-Rom. 8 pages. Duration 3:00. Published by Tapspace Publications

Composed by John Philip Sousa (1854-1932). Arranged by Keith Brion and Loras Schissel. Concert Band. Sousa Centennial. Audio recording available separately (items CL.WFR137 and CL.WFR184). Sacred, Classical. Score and set of parts. Composed 1995. Duration 8 minutes, 40 seconds. Published by Willow Blossom Music

Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar, SSATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, 2 Cellos, Contrabass. Full score available separately - see item CA.4018900. Cantatas; Stuttgart Urtext editions; Use during church year: Christmas. Study score. Language: German/English. Composed 1831. 72 pages. Duration 16 min. Published by Carus Verlag (German import).

By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: Paperbound. French Sacred Music. Score available separately - see item CA.4045500. Oratorios, Christmas, French Sacred Music. Level 3. Study score. Language: Latin. Opus 12. 64 pages. Duration 40 min. Published by Carus Verlag

Arranged and Performed by Jerry Willard. Book and CD(s). Published by Music Sales. Since their introduction, Bach's Two-Part Inventions have been an essential resource for developing hand independence and ornamentation technique. Keyboard players have enjoyed these etudes for centuries and for the first time ever this body of work is available to guitarists. Presented in standard music notation and tablature with two specially-designed CDs: Disc One presents Bach's Inventions arranged for two guitars with Guitar One panned left and Guitar Two panned right, and Disc Two presents each Invention performed by one guitar at a time (with a count in). This provides the player with the opportunity to play along with the CD track or study each part individually. Bach Inventions for Guitar Duet is a must for every guitarist.

(March). By Julius Fucik (1872-1916). Arranged by Andrew Glover. Concert band. Heritage of the March Series. Audio recording available separately (item CL.WFR372). Grade 3.5. Score and set of parts. Composed 2011. Duration 3 minutes, 6 seconds. Published by C.L. Barnhouse

By Ennio Morricone (1928-). Arranged by L. Robbemont. For solo flute / clarinet / alto saxophone or soprano saxophone with concert band. Recording available on CD #130612. Grade 2 / Solo - Grade 3-4. Score and set of parts. Duration 04:00. Published by Tierolff Muziekcentrale

March. Composed by John Philip Sousa (1854-1932). Arranged by Keith Brion and Loras Schissel. Concert Band. Sousa Centennial. Audio recording available separately (item CL.WFR137). March. Score and set of parts. Composed 1999. Duration 2 minutes, 17 seconds. Published by Willow Blossom Music

A Progressive Sight-Reading Method with Supporting Audio Available Online. Composed by Paul Harris. Method/Instruction; Piano Musicianship; Technique Musicianship. Faber Edition: Improve Your Sight-Reading. Book and Digital Download. Faber Music #12-0571542336. Published by Faber Music

By David Baker. Published by Jamey Aebersold Jazz. (BASS) David's newest and most innovative book yet on the art of Jazz Improvisation. Through systematic study, this text will allow more complete musical expression by emphasizing the patterns and phrases that work. Available for Treble or Bass clef instruments. Contains special instruction for string players. 160 spiral bound pages.

(Bohmische Hirtenmesse). By Jakub Jan Ryba (1765-1815). Edited by Milan Kuna. For Soli SATB, SATB Choir, Flute, 2 Clarinets, 2 Horns, Trumpet, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: Paperbound. Score available separately - see item CA.4067800. Masses, German, Masses, Latin, Christmas. Level 2. Vocal score. Language: Czech/German. 64 pages. Duration 37 min. Published by Carus Verlag

By Edward Pola and George Wyle. Arranged by Chris Sharp. For concert band. FJH Concert Band. Full set (score and parts). Score only also available: B1408S. Christmas. Grade 4. Score and set of parts. Composed 2009

By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, SATB Choir, 2 Flute, 2 Oboe, Bassoon, 2 Violin, Viola, Viola da gamba, Basso Continuo. This edition: paperbound. TVWV 20:39. Full score available separately - see item CA.3913700. Cantatas. Level 3. Piano/Vocal score. Language: German. 52 pages. Duration 55 min

(Ein Musical-Happening). By Wolfgang Konig. For Arrangement 1: Solo, divisi Speaker, Unison Children's Choir (2-part and 3-part ad lib.) Flute, 2 Clarinet, Horn, Tuba, Guitar, Electric Guitar, Electric Bass, Pianoforte, Keyboard, Percussion / Arrangement 2: Solo, divisi Speaker, Unison Children's Choir. Full score available separately - see item CA.1200800. Musicals; Children's Music/Musicals. Piano/Vocal score. Language: German. 56 pages. Duration 60 min