(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

Bass. By Various. Arranged by Max Spicker. Vocal Collection. Size 7x10.5 inches. 232 pages. Published by G. Schirmer, Inc.

By Eugene Butler. Piano. Level: Medium. Sacred piano. Published by Lorenz Publishing Company.

By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.

Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str)

SKU: BR.DV-6081

Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081).

ISBN 9790200460032. 9.5 x 12 inches.

Duration: full evening

Translation : German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines)
Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century

Characters : Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )

There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Nebe n der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky 's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.

SATB chorus and piano

SKU: JK.19990

Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990).

Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017).
Collection includes:
All Ye Who Watch the Master's Sheep
Are the Heavens Truly Open?
Are We Not All Beggars?
As an Ensign to the Nations
A Sinless, Pure and Holy Man
Be Clean, Oh House of Israel
Be Not Afraid, But Be Believing
Bless Me to Be a Little More Like Thee
Do You Love Me?
Christ Can Heal the Broken Hearted
ever We'll Remember
For God Loves Us With All His Heart
For God So Loved the World
God Has Raised Up Noble Daughters
God will Never Leave the Weary
He Will Bring Rest to Your Soul
His More Excellent Way
Holy Father, King of Heaven
How Fair Upon the Mountain
I Am a Child of Destiny
I Bear My Witness of the Lord
In Heaven There Is a Law
Inviting All to Come to Christ
I Testify
I Would Be Thy True Disciple
let Not Your Heart Be Troubled
Let Thy Word Be In Our Hearts
Lord, Accept My Humble Offering
Lord, I Believe
Lord, I'll Strive to Live Worthy of Thy Love
Lord, We Pray For All the Children
May We Have the Tongues of Angels
My Life is Not My Own
None Were With Him
Oh Come Ye Heavy Laden Come
Our Faith Unites Us With One Heart
The Keys of the Kingdom
The Love of God Is Without End
The Mother of All Living
The Words of God Will Never Cease
The Worth of Souls Is Great Indeed
Through a Thousand Generations
To the Rising Generation
Who Will Now Speak For the Widow?
Wilt Thou, Lord, In Me Abide
You Can Always Come Back Home
Composer: Janice Kapp Perry
Lyricist: David B. Larsen
Reference: Hebrews 9:28, John 14:6
*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / Degott, Matthias / Kolle, Martin / Walter, Meinrad / Geismann, Wilm. Occasions: Eucharist, Communion, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, Death; Use during church year: Advent, Lent and Passiontide, Easter and Eastertide, Christmas. Collection. 224 pages. Published by Carus Verlag (German import).

SATB choir

SKU: ST.EM28

Composed by Henry Youll. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Note: Print on demand. Spiral-bound A4. Madrigals. Collection. Stainer & Bell Ltd. #EM28. Published by Stainer & Bell Ltd. (ST.EM28).

ISBN 9790220218798.

CONT ENTS
Awake, sweet love (SSA (or T))
But behold where they return (SST)
But though poor sheep (SST)
Cease, restless thoughts (SST)
Come, love, let's walk (SSA (or T))
Come, merry lads, let us away (SSA)
Each day of thine (SST)
Early before the day doth spring (SSA)
In the merry month of May (SSA)
In pleasant summer's morning (SST)
In yonder dale (SST (or A))
Now the country lasses hie them (SSB (or T))
Of sweet and dainty flowers (SAT)
Once I thought to die for love (SST)
Only joy, now here you are (SST)
Pipe, shepherds, pipe (SSB (or T))
Pity me, mine own sweet jewel (SST)
Say, shepherd, say (SST)
See where this nymph (SSA (or T))
Slow, slow, fresh fount (SST)
Sweet Phyllis, stay (SST)
The shepherd's daughters (SST)
Where are now those jolly swains? (SSB)
Whiles joyful springtime lasteth (SST).

Easy

SKU: WD.080689561177

Composed by Ali Carlson. Choral, cantatas. Book. Word Music #080689561177. Published by Word Music (WD.080689561177).

UPC: 080689561177.

ALL ABOUT THE CALL is the newest non-seasonal addition to the Simply WordKidz Series, a best-selling performance-friendly, easy-learn-easy-sing series for children’s choir from Word Music & Church Resources!

< b>ALL ABOUT THE CALL takes place during the first summer morning of Prayground (a church day camp), and the very old-fashioned Coach Walker is about to be schooled in cell phone technology. But as his kid-campers teach him about apps and text codes and selfies, he teaches them about the most important call of all—the call of God on our lives. With humor, fun, and unforgettable songs, this little musical blends the modern cell phone obsession with Biblical truth in an engaging w. y that will have you laughing, praying and singing, all at the same time!

In less than 25 minutes, ALL ABOUT THE CALL brings to light an important, Bible-centric lesson not only for your kids, but for you and your audience, reminding us all to be present in each other’s lives and to focus on the Lord and the people who make up His body…not on our cell phones. Our call as sons and daughters of Christ is so much greater than apps, text codes, selfies, or even selfie-sticks! This playful, easy-learn Simply WordKidz musical serves as a great reminder of that Biblical truth, and will have everyone leaving the performance hugging more tightly to their families and less tightly to their mobile devices!

A LL ABOUT THE CALL from the Simply WordKidz Series…the perfect w. y to bring your church and community together to refocus on the most important “call” of all!