Jam with Seven Rockin' Carmine Appice Charts. Percussion. Rock. Softcover with DVD. 76 pages. Modern Drummer Publications #0739MD. Published by Modern Drummer Publications

Book with Online Audio Drums

SKU: HL.609286

By Steve Smith. Book. Biography/Composers and Musicians, Drum Reference. Softcover Audio Online. Modern Drummer Publications #MDLEGENDSSSMITH. Published by Modern Drummer Publications (HL.609286).

ISBN 9781705167618. UPC: 196288078616. 9.0x12.0x0.595 inches.

In the new Steve Smith Legends, you get a brand new 40-page interview which covers Steve's entire career and virtually every band and recording in which he's played as a sideman or a leader including: Jean-Luc Ponty, Ronnie Montrose, Steps Ahead, Vital Information, Mike Stern, Hiromi, the many editions of the band Electric Miles, the tribute gigs playing The Music of Coltrane and The Music of Ornette Coleman. We discuss what it means to be a professional drummer and musician, the history of jazz and fusion drumming, the music business, and being an eternal student of the drums and music. To help you study how Steve interprets music and creates drum parts, he gave us eight of his own handwritten drum charts from the Journey and Mike Stern gigs. The reader also gets an in-depth step-by-step lesson on Indian rhythms and drumming. LEGENDS also comes with a free download component of Steve's drum solo recording The Fabric of Rhythm (a $200 value) with exclusive in-depth explanations of each solo. For the gear obsessed drummers, Steve gives us a complete rundown of every drum set that he has owned, recorded, and toured with, and hundreds of never-before-seen pictures from his own archive. You will also get over 50 brand new transcriptions. However, LEGENDS transcriptions are not just the notes and rests. LEGENDS also includes Steve's thoughts on what makes the transcribed parts and recordings special and unique. Along with the detailed transcriptions, we discuss WHAT and WHY he played what he did. Plus, you get all six of Steve's past Modern Drummer cover feature interviews. There are a lot of surprises in every LEGENDS book, and there is a mountain of useful information inside the over 248 pages! This is not just another drum book or magazine, it's Modern Drummer LEGENDS.

The Musical Approach to Snare Drum for Band and Orchestra. Percussion. Play Along. Softcover Audio Online. 64 pages. Published by Hal Leonard

Your passport to a new world of music. By Pete Sweeney. For Drum. Percussion - Miscellaneous Educational Books and Manuals. Drum Atlas. Latin; Multicultural. Book & CD. 48 pages. Published by Alfred Publishing.

(Learn Rock by Playing Rock: Scores, Parts, Tips, and Tracks Included). For Drumset. Artist/Personality; Book; DVD; Method/Instruction; Percussion - Drum Set Method or Collection; Play-Along. Alfred's Rock Ed.. Rock. 32 pages. Published by Alfred Music (A

By Rick Gratton with Carmine Appice. For Drum Set. Percussion - Drum Set Method or Collection. Ultimate Play-Along. Play along. Book and 2 CDs. 76 pages. Published by Alfred Publishing.

By Rick Gratton with Marco Minnemann. For Drum Set. Percussion - Drum Set Method or Collection. Ultimate Play-Along. Play along. Book & 2 CDs. 100 pages. Published by Alfred Publishing.

By Dawn Richardson. For Drum Set. Technic. Rock. Beginning. Chart. 4 pages. Published by Mel Bay Publications, Inc

(Learn Rock by Playing Rock: Scores, Parts, Tips, and Tracks Included (Easy Guitar TAB)). For Guitar. This edition: Easy Guitar TAB. Artist/Personality; Book; DVD; Guitar Method or Supplement; Guitar TAB; Method/Instruction; Play-Along. Alfred's Rock Ed.. Rock. 48 pages. Published by Alfred Music

Value Pak of 24 Part Books. By Gino Cipriani, Jay Bocook. Performance/Easy Limited Edition. Published by Hal Leonard.

Book/CD Pack. By Ed Wennink. De Haske Play-along Book. Book and CD package. With notes and tablature. Size 9x12 inches. 72 pages. Published by De Haske Publications.

By Ed Uribe. For Drum Set. Percussion - Drum Set Method or Collection. Latin. Book and 2 CDs. 332 pages. Published by Alfred Publishing.

By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Claus Ogerman. For studio ensemble (Piccolo (doubles Alto Flute), C Flute (doubles Alto Flute), Alto Flute, Trombone, 2 Violins, 2 Celli, Guitar, Piano, Bass, Drums, Synthesizer (optional)). Bossa Nova. Medium. Score and parts. Published by Jazz Lines Publications

By The Gerry Mulligan Concert Jazz Band. Edited by Ted Hogarth, Rob Duboff, and Jeffrey Sultanof. Arranged by Bob Brookmeyer. For big band (Clarinet, Alto Saxophone, Tenor Saxophone, 2 Baritone Saxophones, 3 Trumpets, 2 Trombones, Bass Trombone, Bass, Drums (Optional)). Ballad. Medium. Score and parts. Published by Jazz Lines Publications

Conductor. By Gino Cipriani, Jay Bocook. Performance/Easy Limited Edition. Size 6.75x10.5 inches. 39 pages. Published by Hal Leonard.

Brass. By Gino Cipriani, Jay Bocook. Performance/Easy Limited Edition. Size 5.25x6.75 inches. 28 pages. Published by Hal Leonard.

Woodwinds. By Jay Bocook, Gino Cipriani. Performance/Easy Limited Edition. 28 pages. Published by Hal Leonard.

Danny the Drummer by Kevin Olson. For piano. Single sheet. The FJH Piano Ensemble Series. Single. Elementary. Single sheet. Published by The FJH Music Company Inc

Drumset/Bass Guitar

SKU: AP.1-ADV14601

How to Play in Bands. Composed by Dave Weigert. Method/Instruction; Percussion - Drumset Method or Collection; Play-Along; Technique Musicianship. Advance Music. Jazz. Book and CD. Advance Music #01-ADV14601. Published by Advance Music (AP.1-ADV14601).

ISBN 9783892210474. UPC: 805095146011. English.

This comprehensive book & CD set can help drummers and bassists gain valuable playing experience in jazz, funk, and Latin jazz styles. The CD features 16 play-along tracks with parts and playing suggestions for each tune. Jazz classics by John Coltrane, Miles Davis, Herbie Hancock, and Sonny Rollins are included along with funk tunes by Pee Wee Ellis, Russell Ferrante, and others. The book explains in detail how to play in bands and how to practice effectively. Reading topics include jazz history, chart reading, feel, song form, and musician's vocabulary. The rhythm section includes Berklee faculty bassists Bruce Gertz, Oscar Stagnaro, Bruno Raberg, and Anthony Vitti. Soloists are Billy Pierce, Hal Crook, Ken Cervenka, and Walter Beasley. Educators may also benefit by referring students to the carefully notated rhythmic feels.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Crash Cymbals, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3 and more. - Grade 5

SKU: CF.SPS85F

Composed by Jeremy Martin. Sws. Sps. Full score. 44 pages. Duration 7 minutes, 8 seconds. Carl Fischer Music #SPS85F. Published by Carl Fischer Music (CF.SPS85F).

ISBN 9781491156438. UPC: 680160914975. 9 x 12 inches.

Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy.
Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece” to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms” into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy.

Edited by Dylan Canterbury. Arranged by Duke Pearson. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-7330).

(Solo for multiple percussion and pre-recorded sound). By Robert McClure. For Kick drum with double pedal, 4 toms (8 , 10 , 12 , 14 ), 2 mini timbales (high/low), log drum (2 pitches), wooden headed tom, 2 woodblocks, PA system with monitor and house speakers for accompaniment audio. (1 players). This edition: Multiple-percussion solo with audio. Concert Percussion Solos. Medium-Advanced. Folio CD-Rom. 16 pages. Duration 10.00

By Brian Balmages. Arranged by Brian Balmages. Beginning Band. FJH Beginning Band. This fanfare captures the spirit of Olympia, the birthplace of the Olympic Games. The Games began in 776 B.C. In honor of Zeus. Since then, they have become the central location for heroes and champions to compete for the highest honors in the world. This work also serves as a reminder that heroes are all around us - in teachers who stay after school to help students, in parents who strive to give their children the best possible lives, and most of all in students themselves, the young champions of our world who see nothing between them and their dreams. The mallet part calls for multiple sets of bells (or other metallic instruments such as the vibraphone). Certainly, two to three players can really make this an effective part. There are two Percussion 1 parts included: a normal part and an advanced part. The level of the snare drummer will determine which part should be used. However, both parts may be used simultaneously if percussionists are available. Score for this title: B1270S. Extra part for this title: B1270P. Concert Band. Level: 1. Score and Set of Parts. Published by The FJH Music Company Inc.

Recorder Quartet and Accompaniment [opt.] - late intermediate

SKU: BT.DHP-1216356-070

Soon May The Wellerman Come. Arranged by Ralf Bienioschek. De Haske Recorder Series. Folk Music. Set (Score & Parts). Composed 2021. De Haske Publications #DHP 1216356-070. Published by De Haske Publications (BT.DHP-1216356-070).

ISBN 9789043162210. English-German-French-Dut ch.

This old New Zealand folk song, made popular worldwide by the Scottish singer Nathan Evans in 2021, is sure to put you in a good mood. This arrangement was made by the renowned German recorder soloist and teacher Ralf Bienioschek for his special ‘Ralf Bienioschek Signature Edition’ series. The arrangement is for a standard quartet of Soprano, Alto, Tenor and Bass Recorder, with additional parts provided for Great Bass Recorder or Sub Bass (Contrabass) Recorder. Optional parts for Melodica/Accordion/Keys, (Electric) Guitar, (Electric) Bass, (Electronic) Drum Set, Cajon and a playback (available via our website www.bandmusicshop.com) are also included. You can find a Score Play demo and a How to Play video on our YouTube channel Hal Leonard Europe Ensemble. There are several ways to play the song. In principle, many options are conceivable, e.g. - standard Recorder Quartet (expandable to quintet) with (or without) the Playback - with a band: Melodica/Accordion/Keys, E-Guitar, E-Bass, (E)-Drum Set - with an acoustic band: Melodica/Accordion, Western Guitar, Acoustic Bass, Cajon - or just the Melody part with (or without) the Playback. Have fun with the song and enjoy!

Dit oude Nieuw-Zeelandse volkslied werd in 2021 over de hele wereld bekend in de versie van de Schotse zanger Nathan Evans. Je krijgt er gegarandeerd een goed humeur van! Dit arrangement werd geschreven door de gerenommeerde Duitse fluitsolist en -docent Ralf Bienioschek, speciaal voor zijn serie Ralf Bienioschek Signature Edition. Het arrangement is geschreven voor een standaardkwartet van sopraan-, alt-, tenor- en basblokfluit, met aanvullende partijen voor grootbasblokfluit en contrabasblokfluit. Er worden ook optionele partijen voor melodica/accordeon/keyboa rd, (elektrische) gitaar, (elektrische) basgitaar, (elektronisch) drumstel, cajon en een playbackversie (beschikbaar op onze website www.bandmusicshop.com) meegeleverd. Op ons YouTube-kanaal Hal Leonard Europe Ensemble zijn een demo met partituur en een How to play video te vinden. Er zijn verschillende bezettingen mogelijk om de song te spelen, bijvoorbeeld - standaard blokfluitkwartet (uit te breiden tot kwintet) met (of zonder) de playbackversie: - met een band: (e)-gitaar, baskeyboard/ e-basgitaar, (e)-drumset, cowbell - met een akoestische band: melodica/accordeon, westerngitaar, akoestische bas, cajon - of alleen de melodiepartij met (of zonder) de playbackversie. Heel veel speelplezier gewenst!

Dieses alte neuseeländische Volkslied, das 2021 durch den schottischen Sänger Nathan Evans weltweit bekannt wurde, sorgt mit Sicherheit für gute Laune. Der renommierte deutsche Blockflötist und Lehrer Ralf Bienioschek hat dieses Arrangement für seine Serie Ralf Bienioschek Signature Edition“ erstellt. Das Arrangement ist für ein Standardquartett mit Sopran-, Alt-, Tenor- und Bassblockflöte gedacht, mit zusätzlichen Stimmen für Großbassblockflöte oder Subbassblockflöte. Optionale Stimmen für Melodica/Akkordeon/Keyboa rd, (E-)Gitarre, (E-)Bass, (elektronisches) Drumset, Cajón und ein Play-back (verfügbar auf unserer Website www.bandmusicshop.com) sind ebenfalls enthalten. Auf unserem YouTube-Kanal Hal Leonard Europe Ensemble finden Sie auch ein Score Play Demo“ (Partitur mit Probeaufnahme) und ein How to Play“-Video (Erklärvideo zu dem Arrangement). Es gibt unterschiedliche Besetzungsmöglichkeite n, um den Song zu spielen, z. B. - Standard Blockflötenquartett (erweiterbar zum Quintett) mit (oder ohne) Play-back - mit einer Band: Melodica/Akkordeon/Keyboa rd, E-Gitarre, E-Bass, (E)-Drumset - mit einer Akustikband: Melodica/Akkordeon, Westerngitarre, Akustikbass/Kontrabass, Cajón - oder einfach nur die Melodiestimme mit (oder ohne) Play-back. Viel Spaß beim Musizieren!

Cette vieille chanson populaire néo-zélandaise, qui a recueilli un succès mondial en 2021 gr ce au chanteur écossais Nathan Evans, ne manquera pas de vous mettre de bonne humeur. Le présent arrangement a été réalisé par Ralf Bienioschek, célèbre soliste et professeur de fl te bec, pour sa série « Ralf Bienioschek Signature Edition ». Il est destiné un quatuor standard de Fl tes Soprano, Alto, Ténor et Grande Basse, des parties supplémentaires étant fournies pour Fl tes Basse et Soubasse. Des parties optionnelles pour Mélodica/Accordéon/ Clavier, Guitare (Électrique), Basse (Électrique), Batterie (Électronique) et Cajón sont également incluses, ainsi qu’un play-back (tous disponibles sur notre site web www.bandmusicshop.com). Vous trouverez aussi une démo Score Play et une vidéo « How to Play » sur notre chaîne YouTube Hal Leonard Europe Ensemble. Cette pièce peut être interprétée de différentes manières. En principe, de nombreuses options s’offrent vous, par exemple : - quatuor de fl tes bec standard (possibilité de quintette) avec (ou sans) le play-back.- avec un groupe amplifié: Mélodica/Accordéon/ Clavier, Guitare et Basse Électriques, Batterie (Électronique). - avec un groupe acoustique: Mélodica/Accordéon, Guitare Western, Basse Acoustique, Cajón. - Ou simplement la mélodie avec (ou sans) le play-back. J’espère que vous prendrez plaisir jouer cet arrangement!