| The Gospel Mass - Facile De Haske Publications
Concert Band and Mixed Choir - Grade 3 SKU: BT.DHP-1145564-050 Composed b...(+)
Concert Band and Mixed
Choir - Grade 3 SKU:
BT.DHP-1145564-050
Composed by Jacob De
Haan. Musica Sacra. Set
of Parts. Composed 2014.
De Haske Publications
#DHP 1145564-050.
Published by De Haske
Publications
(BT.DHP-1145564-050).
English-German-French-
Dutch. The
Gospel Mass—a
mass for mixed choir,
combo and concert
band—is based on
the gospel music that has
spread throughout the
world since its creation
in America. After
Missa Brevis
and Missa
Katharina this is the
third mass fromthe pen of
Jacob de Haan. The
movements of the mass
ordinary as we know it
have now been composed in
various pop styles that
have their origin in the
gospel music. We hear,
then, not only the
classic American gospel
style (including
thecharacteristic
clapping and swing
rhythms), but also freer
gospel styles that have
developed over the course
of time. The
Credo, for
example, is a ballad with
rock and funk influences.
The Agnus Dei is
heard as a slow
blues—a
genreclosely linked to
gospel music. The unique
feature of this work, of
course, is in the
combination of all these
pop and gospel elements
with the Latin liturgy of
the Kyrie, Gloria,
Sanctus, Benedictus
and Agnus Dei,
which results in
abeautiful, cohesive
whole. As far as we know,
The Gospel Mass is
the only true gospel
mass.
The
Gospel Mass –
een mis voor gemengd
koor, combo en
blaasorkest – is
gebaseerd op de
gospelmuziek zoals die
zich sinds haar ontstaan
in Amerika overal in de
wereld heeft verspreid en
ontwikkeld. Het werk is
na Missa Brevisen
Missa Katharina de
derde mis van componist
Jacob de Haan. De
ordinariumdelenzoals we
die kennen van een mis,
zijn hier gecomponeerd in
diverse popstijlen die
hun oorsprong vinden in
de gospelmuziek. Zo horen
we niet alleen
deklassiekeAmerikaanse
gospelstijl (inclusief
hand-clapping en swing),
maar ook de vrijere
gospelstijlen die zich in
de loop der tijd hebben
ontwikkeld. Het Credo is
bijvoorbeeld gecomponeerd
als een ballad, terwijl
in andere delen rock- en
funkinvloeden
zijnverwerkt. Het Agnus
Dei klinkt in een slow
blues, een genre dat nauw
verbonden is met de
gospelmuziek. De unieke
factor is de combinatie
van al deze pop- en
gospelelementen met de
Latijnse misteksten van
het Kyrie, Gloria, Credo,
Sanctus, Benedictusen
Agnus Dei – daarmee
ontstaat een fraai,
samenhangend geheel. Voor
zover bekend is The
Gospel Mass de enige
echte
gospelmis.
The
Gospel Mass eine
Messe für gemischten
Chor, Combo und
Blasorchester basiert auf
der Gospelmusik, wie sie
sich seit ihrer
Entstehung in Amerika
überall auf der Welt
verbreitet hat. Das Werk
ist nach Missa
Brevis und
MissaKatharina die
dritte Messe aus der
Feder von Jacob de Haan.
Die Ordinariumsteile,
wie man sie aus einer
Messe kennt, sind hier in
diversen Popstilen
komponiert, die ihren
Ursprung in der
Gospelmusik haben. So
hören wir nicht nur
den klassischen
amerikanischen Gospelstil
(inklusive
Händeklatschen und
Swing),sondern auch
freiere Gospelstile, die
sich im Laufe der Zeit
entwickelt haben. Das
Credo ist
beispielsweise eine
Ballade, in der Rock- und
Funk-Einflüsse
verarbeitet wurden. Das
Agnus Dei erklingt
als langsamer Blues ein
Genre, daseng mit der
Gospelmusik verknüpft
ist. Der einzigartige
Faktor dieses Werkes
besteht natürlich in
der Kombination all
dieser Pop- und
Gospelelemente mit den
lateinischen Messetexten
der Ordinariumsteile
Kyrie, Gloria,
Sanctus,
Benedictusund
Agnus Dei, die ein
schönes,
zusammenhängendes
Ganzes ergibt. Soweit
bekannt, ist The
Gospel Mass die
einzige echte
Gospelmesse.
Th
e Gospel Mass messe
pour chœur mixte,
combo et orchestre
d’harmonie, fut
composée partir du
style gospel, qui, depuis
ses origines en
Amérique, s’est
peu peu étendu dans le
monde entier. Après
Missa Brevis et
MissaKatharina, voici
la troisième messe
signée par le
compositeur Jacob de
Haan. Les
différents mouvements
de la composition de
Jacob de Haan
s’articulent selon
le déroulement
d’une
célébration
liturgique ordinaire. La
Gospel Mass
comporte divers styles
pop qui trouvent leur
origine dans la musique
gospel. Nous
entendonsalors, non
seulement le style
classique américain
des gospels songs (y
compris les
applaudissements
caractéristiques et
rythmes swinguant), mais
aussi une plus grande
liberté d’usage
des styles de gospel qui
se sont développés
au fil du temps.
LeCredo, par
exemple, est une ballade
aux influences rock et
funk. LAgnus Dei
résonne comme un slow
blues - un genre lent
étroitement lié la
musique gospel. La
particularité de cette
œuvre réside dans
une belle et cohérente
combinaisonde tous ces
éléments pop et
gospel avec le Kyrie,
Gloria, Sanctus,
Benedictus et
Agnus Dei de la
liturgie latine. Pour
autant que nous sachions,
The Gospel Mass
est la seule véritable
messe
gospel.
The
Gospel Mass-a mass
for mixed choir, combo
and concert band-is based
on the gospel music that
has spread throughout the
world since its creation
in America. After
Missa Brevis
and Missa
Katharina this is the
third mass fromthe pen of
Jacob de Haan. The
movements of the mass
ordinary as we know it
have now been composed in
various pop styles that
have their origin in the
gospel music. We hear,
then, not only the
classic American gospel
style (including
thecharacteristic
clapping and swing
rhythms), but also freer
gospel styles that have
developed over the course
of time. The
Credo, for
example, is a ballad with
rock and funk influences.
The Agnus Dei is
heard as a slow blues-a
genreclosely linked to
gospel music. The unique
feature of this work, of
course, is in the
combination of all these
pop and gospel elements
with the Latin liturgy of
the Kyrie, Gloria,
Sanctus, Benedictus
and Agnus Dei,
which results in
abeautiful, cohesive
whole. As far as we know,
The Gospel Mass is
the only true gospel
mass. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass of the Angels Chorale SATB SATB, Orgue CanticaNOVA Publications
Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass sett...(+)
Composed by Richard J.
Clark. Text: The Roman
Missal. Our most popular
Mass setting! Liturgy.
Published by CanticaNOVA
Publications (C5.3136-2).
$4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Kyrie from "Missa Brevis" Chorale SATB Hope Publishing Company
Choral SATB choir SKU: HP.K322 Composed by Alwes. Arranged by Chester Alw...(+)
Choral SATB choir SKU:
HP.K322 Composed by
Alwes. Arranged by
Chester Alwes. Piano
Accompaniment. Classics,
Latin Text, General
Worship, Latin, Sacred.
Octavo. Composed 1994. 8
pages. Hope Publishing
Company #K322. Published
by Hope Publishing
Company (HP.K322).
UPC: 763628140953. By
Giovanni P. da
Palestrina. Kyrie
fromMissa Brevis by
Giovanni P. da
Palestrina For SATB
voices, unaccompaniedFor
SATB voices,
unaccompanie. $2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Liber Missarum Chorale SATB Barenreiter
SATB Choir (Mixed choir) SKU: BA.BA02938 Composed by Leonhard Lechner. Ed...(+)
SATB Choir (Mixed choir)
SKU: BA.BA02938
Composed by Leonhard
Lechner. Edited by
Walther Lipphardt. This
edition: complete
edition, urtext edition.
Linen. Leonhard Lechner
Works 8. Messen (Masses).
Complete edition, Singing
Score, anthology.
Composed 1584.
Baerenreiter Verlag
#BA02938_00. Published by
Baerenreiter Verlag
(BA.BA02938). ISBN
9790006427772. 27.6 x
19.8 cm inches. 3
Mess-Kompositionen, 10
Introitus-Kompositionen.
Anhang: 3
Modell-Kompositionen zu
den Messen. Urtext der
Lechner-Gesamtausgabe. About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$230.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa solemnis Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, S...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Ernst Herttrich. For Soli
SATB, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons,
contrabassoon, 4 horns, 2
trumpets, 3 trombones,
timpani, 2 violin, viola,
cello, double bass,
organ. This edition:
Paperbound. D-Dur (D
major). Stuttgart Urtext
Edition. German title:
Missa solemnis. Masses,
Latin. Vocal score.
Language: Latin. Composed
1817/23. Op. 123. 128
pages. Duration 90
minutes. Published by
Carus Verlag
$18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevis in G Chorale SATB [Set de Parties séparées] Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Willi Schulze. This...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Willi Schulze. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa pastoralis in G KV
140 rev.2001. Missa
brevis in Latin. Complete
orchestral parts.
Composed circa 1773. KV
140 (235d). Duration 17
minutes. Published by
Carus Verlag
(CA.4062319).
$114.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gloria from Missa Brevis Pro Pace Chorale SATB SATB divisi, A Cappella [Octavo] Alliance Music Publications
| | |
| Paul Basler: Gloria (from Missa Brevis) Chorale SATB SATB Walton Music
| | |
| Benedictus Chorale SATB SATB, Clavier [Octavo] Carl Fischer
(from Missa Brevis). By David Perry, Jean Perry. For SATB choir, Keyboard, Optio...(+)
(from Missa Brevis). By
David Perry, Jean Perry.
For SATB choir, Keyboard,
Optional Strings,
Optional Harp 1-2.
Octavo. 8 pages.
Published by Carl Fischer
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tomas Luis De Victoria: Masses And Motets - Missa Dum Complerentur Orgue Music Sales
SATB Choir (Organ) SKU: HL.14021606 By Andrew Parker. By Tomas Luis de Vi...(+)
SATB Choir (Organ)
SKU: HL.14021606
By Andrew Parker. By
Tomas Luis de Victoria.
Edited by Andrew Parker.
Music Sales America.
Motet. Book [Softcover].
72 pages. Music Sales
#NOV020691. Published by
Music Sales
(HL.14021606). ISBN
9781846091841. UPC:
884088434793.
6.75x10.0x0.222
inches. This
beautifully presented
edition from Novello
offers a full Mass
setting alongside a
Motet, both for large
mixed chorus, by Tomas
Luis De Victoria.
Regarded by many as one
of the greatest composers
of Spanish renaissance
polyphony, this Mass
setting is rich in his
characteristic tonalities
and the textures of the
sacred choral tradition.
Alongside this is the
original Motet upon which
the Mass setting is
based. Both are
transcribed and edited by
Andrew Parker. The
pairing of the two works
offers an exciting and
fascinating performance
opportunity, with the
devout grandeur of the
Mass set against the
modesty of the original
Motet. Missa Dum
Complerentur for SAATTB
voices. Motet: Dum
Complerentur Dies
Pentecostes for SSATB
voices. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sanctus (SSAA) Chorale SSAA SSAA A Cappella - Intermédiaire Walton Music
From Missa Brevis for Vocal Ensemble. Composed by Hyun Kook. Jo-Michael Scheib...(+)
From Missa Brevis for
Vocal
Ensemble. Composed by
Hyun
Kook. Jo-Michael Scheibe
Choral Series. Octavo. 8
pages. Walton Music
#WJMS1171. Published by
Walton Music
$2.80 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dona Nobis Pacem (from Missa Brevis in F) Chorale SATB SATB [Octavo] - Intermédiaire Alfred Publishing
By Wolfgang Amadeus Mozart. Edited by And Arr. Patrick M. Liebergen. For Choir. ...(+)
By Wolfgang Amadeus
Mozart. Edited by And
Arr. Patrick M.
Liebergen. For Choir.
(SATB). Choral Octavo.
Belwin Festival Series.
Masterwork. Level:
Moderate (grade 3).
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dona Nobis Pacem (from Missa Solemnis) Chorale SATB SATB [Octavo] Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Patrick M. Liebergen. For Opt. 2 Flutes....(+)
By Wolfgang Amadeus
Mozart. Arranged by
Patrick M. Liebergen. For
Opt. 2 Flutes. (SATB).
Choral Octavo. Choral
Designs. Masterwork.
Choral Octavo. 12 pages.
Published by Alfred
Publishing. Level:
Level 4 (grade L4).
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kyrie Chorale SATB [Octavo] Carl Fischer
(from Missa brevis). Composed by David Perry, Jean Perry. For SATB choir, Keyboa...(+)
(from Missa brevis).
Composed by David Perry,
Jean Perry. For SATB
choir, Keyboard, Optional
Strings and Harp. Octavo.
Duration 2 minutes, 43
seconds. Published by
Carl Fischer
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Credo Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Octavo] Carl Fischer
(from Missa brevis). By David Perry, Jean Perry. For SATB choir, SATB Solo Quart...(+)
(from Missa brevis). By
David Perry, Jean Perry.
For SATB choir, SATB Solo
Quartet, Keyboard,
Optional Strings and
Harp. Octavo. 24 pages.
Duration 5 minutes, 7
seconds. Published by
Carl Fischer
$3.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Agnus Dei from Missa Carolae Chorale SATB SATB, Orgue Chester
Choral, Organ Accompaniment, Piccolo (SATB Choir) SKU: HL.14048245 For...(+)
Choral, Organ
Accompaniment, Piccolo
(SATB Choir) SKU:
HL.14048245 For
Solo Treble, SATB Choir,
Organ and Optional
Piccolo. Composed by
James Whitbourn. Choral.
Classical, Sacred.
Octavo. Composed 2016. 8
pages. Chester Music
#CH85591. Published by
Chester Music
(HL.14048245). UPC:
888680694487. 6.75x9.75
inches.
English. Extracted
from the 2004 work,
Missa Carolae. $2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa Gaia: Within the Circles of Our Lives (Full Score) Chorale [Conducteur] Schirmer
From Missa Gaia. Composed by Libby Larsen (1950-). Secular, Choral, 21s...(+)
From Missa Gaia.
Composed by Libby Larsen
(1950-). Secular,
Choral, 21st Century.
Full score. Published by
E.C. Schirmer Publishing
(EC.6828).
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Primavera Chorale SATB Boosey and Hawkes
(CME From the Podium). Composed by Stephen Hatfield. For Choral (SATB). BH CME A...(+)
(CME From the Podium).
Composed by Stephen
Hatfield. For Choral
(SATB). BH CME Advanced.
48 pages. Boosey and
Hawkes #M051482016.
Published by Boosey and
Hawkes
$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Edward Gregson: Missa Brevis Pacem Music Sales
Baritone Voice SSA Piano Accompaniment SKU: HL.14021601 Composed by Edwar...(+)
Baritone Voice SSA Piano
Accompaniment SKU:
HL.14021601 Composed
by Edward Gregson. Music
Sales America. Sacred.
Book [Softcover]. Music
Sales #NOV070509.
Published by Music Sales
(HL.14021601). ISBN
9780853603092. Lyrics by
Susan Gregson. A
combination of settings
from the Latin mass, with
new English text by Susan
Gregson. Written for
boys' voices, baritone
solo and large symphonic
wind ensemble. This
volume contains all voice
parts and a piano
accompaniment.
Commissioned by the
National School Band
Association, the first
performance of this work
took place at the Snape
Maltings Concert Hall in
Suffolk, 1988, conducted
by the composer. $13.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Adagio Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
(Agnus Dei from Missa Solemnis). By Anton Bruckner (1824-1896). Arranged by Jos ...(+)
(Agnus Dei from Missa
Solemnis). By Anton
Bruckner (1824-1896).
Arranged by Jos van de
Braak. For Concert Band.
Grade 3. Score. Duration
3:30
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| O salutaris Hostia, from Missa ad octo voces inaequales Chorale SATB [Conducteur] Crescendo Music Publications
SATB choir SKU: C4.9790-902250498 Composed by George Henschel. Edited by ...(+)
SATB choir SKU:
C4.9790-902250498
Composed by George
Henschel. Edited by
Daniel Mitterdorfer and
Harold Fabrikant. Score.
Crescendo Music
Publications
#9790-902250498.
Published by Crescendo
Music Publications
(C4.9790-902250498).
ISBN
9790902250498. Hens
chel's O salutaris Hostia
was originally issued as
an appendix to his Missa
ad octo voces inaequales,
Op. 65 originally
published in 1920 by the
London firm of Bayley &
Ferguson. This was not
the work's first outing,
however. In 1918, Bailey
& Ferguson published a
setting of this mass in
English (Communion
Service: Mass in C, for
Eight Voices a Cappella,
Op. 65), where it was
also published as an
appendix. The only
difference between the
1918 and 1920 editions is
the bass underlay in bars
9-10; we have reproduced
the later version
here. $4.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 2014 American Choral Directors Association, Western Division (ACDA): Counterpoint & Mt. Eden High School Chamber Singers and Women's Choir CD Chorale [CD d'écoute] Mark Custom Music
Recorded live. By Counterpoint from the Golden Gate Men's Chorus; Mt. Ede...(+)
Recorded live. By
Counterpoint from the
Golden Gate Men's Chorus;
Mt. Eden High School
Chamber Singers & Women's
Choir. Release date:
2014. Mark Records.
Listening CD. Duration
57:20:00. Published by
Mark Custom Music
(MK.51159-MCD).
$14.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Gloria Chorale 3 parties SAB, Piano Alfred Publishing
(From Missa Solemnis, K. 139). Composed by Wolfgang Amadeus Mozart (1756-...(+)
(From Missa Solemnis,
K. 139). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
and arr. Patrick M.
Liebergen. Choir Sacred.
3-Part Mixed Choir (SAB).
Choral Octavo;
Masterworks. Choral
Designs. Classical;
Masterwork Arrangement;
Sacred. 8 pages.
Published by Alfred Music
$2.05 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Benedictus and Agnus Dei from Missa Aedis Christi Chorale SATB SATB divisi - Intermédiaire MorningStar Music Publishers
SATB choir divisi and organ - Late Intermediate SKU: MN.56-0076 Composed ...(+)
SATB choir divisi and
organ - Late Intermediate
SKU: MN.56-0076
Composed by Howard
Goodall. 21st Century.
Instrument parts.
Duration 7 minutes, 33
seconds. MorningStar
Music Publishers
#56-0076. Published by
MorningStar Music
Publishers (MN.56-0076).
UPC: 688670220791.
Latin. This mass
setting was commissioned
by the Friends of Christ
Church Cathedral, Oxford
and first performed on
Ascension Sunday, 1994.
Suitable for both church
and concert use, the
music is both lyrical and
dramatic. The
ââ¬ÅBenedictus
¢â¬Â is for SATB
divisi and begins with a
short 6/8 declamation,
then moves into a section
where the rhythmic idea
is set in a sort of
off-the-beat fashion,
with all parts divisi
playing against each
other. A unison section
with the off-the-beat
motif follows. A majestic
ââ¬ÅHosannaâ
â¬Â follows. The
ââ¬ÅAgnus
Deiââ¬Â is set
in a rubato triple meter
in a homophonic style
with close chords (also
divisi.) At the
ââ¬Åmiserere,Ã
¢â¬Â the choir
1/choir 2 call and
response motif from the
ââ¬ÅGloriaâ
¬Â returns. That
same motif continues into
the ââ¬Ådona
nobis
pacem,ââ¬Â as
the movement (and the
entire Mass) ends with a
long decrescendo into a
quiet call,
ââ¬ÅPacem.â
¬Â Duration
7:33. $3.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Credo from Missa Aedis Christi Chorale SATB SATB divisi - Intermédiaire MorningStar Music Publishers
SATB choir divisi and organ - Late Intermediate SKU: MN.56-0074 Composed ...(+)
SATB choir divisi and
organ - Late Intermediate
SKU: MN.56-0074
Composed by Howard
Goodall. 21st Century.
Instrument parts.
Duration 7 minutes, 16
seconds. MorningStar
Music Publishers
#56-0074. Published by
MorningStar Music
Publishers (MN.56-0074).
UPC: 688670220777.
Latin. This mass
setting was commissioned
by the Friends of Christ
Church Cathedral, Oxford
and first performed on
Ascension Sunday, 1994.
Suitable for both church
and concert use, the
music is both lyrical and
dramatic. The mood of the
text is faithfully
represented in the
setting, yet with a lot
of originality. The
setting is sometimes
declamatory, sometimes
mysterious, with a
ââ¬ÅCrucifixus
¢â¬Â which is
hushed and reverent.
Material from the
ââ¬ÅKyrieââ
¬Â returns at
ââ¬ÅEt
resurrexit.ââ¬Â
Sections of this movement
are in eight parts.
Duration 7:16. $3.70 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa Omnium Sanctorum ZWV 21 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 0.2.0.1. -
0.0.0.0. - str - bc)
SKU: BR.EB-8052
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Arranged by Matthias (KA)
Grunert. Choir;
Softbound. Edition
Breitkopf. The Missa
Omnium Sanctorum is the
last of the three
transmitted Missae
ultimae. The piano vocal
score is based on the
score published by
Wolfgang Horn in volume
101 of the series Das
Erbe deutscher Musik, now
available as PB 5589.
Mass; Baroque.
Piano/Vocal Score. 100
pages. Duration 60'.
Breitkopf and Haertel #EB
8052. Published by
Breitkopf and Haertel
(BR.EB-8052). ISBN
9790004185148. 7.5 x 10.5
inches. The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report. Zelenka's
artistic personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung) Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt)
The
Missa Omnium Sanctorum is
the last of the three
transmitted Missae
ultimae. The piano vocal
score is based on the
score published by
Wolfgang Horn in volume
101 of the series Das
Erbe deutscher Musik, now
available as PB
5589.. $36.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa "Iste confessor" Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-3142-02 Urtext. Composed by Giovanni...(+)
Chorus a cappella SKU:
BR.CHB-3142-02
Urtext. Composed
by Giovanni Pierl da
Palestrina. Edited by
Rudolf Ewerhart. Choir;
stapled. Chor-Bibliothek
(Choral Library). Mass;
Renaissance/early
Baroque. Choral score. 20
pages. Breitkopf and
Haertel #ChB 3142-02.
Published by Breitkopf
and Haertel
(BR.CHB-3142-02). ISBN
9790004403471. 7.5 x 10.5
inches. Palestrina'
s Missa Iste confessor is
contained in the Missarum
liber quintus, the
composer's fifth book of
masses which was first
printed in Rome in 1590
and reprinted the
following year in Venice.
Palestrina dedicated this
book of masses to the
art-loving Duke Wilhelm V
of Bavaria, the lord and
patron of his famous
contemporary Orlando di
Lasso.The thematic
substance of the mass is
based on the old,
eponymous hymn melody
from the Commune
Confessorum. The various
parts of the hymn not
only constitute the
melodic framework for the
principal themes of the
different movements, but
are also heard in melodic
and rhythmic variations
at a great number of
places within the
movements.The Missa Iste
corifessor had been
published several decades
ago by Breitkopf & Hartel
in a practical edition
prepared by Hermann
Bauerle. Our edition is
based on the print of
1590, a copy of which was
consulted at the
Bayerische
Staatsbibliothek in
Munich. For today's
choral practice, it
seemed preferable to
transpose the mass, which
was originally in the
eighth church mode. The
note values were reduced
by a half and, departing
from the original, the
closing notes are
reproduced uniformly as
longae.The Missa Iste
confessor has long ranked
as one of the most widely
admired masses of the
Roman master. The compact
dimensions, the
simplicity and suaveness
of the melodic lines, the
model vocal declamation
all constitute assets
which elevate this mass
to an exemplary level and
reveal the hand of the
great master in spite of
its brevity.Rudolf
Ewerhart, May 1961
Munster/Westfalen. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Meditation on 'Kyrie de Angelis' CanticaNOVA Publications
Composed by Glenn Caluda. For organ and flute (or violin). Instrumental chant me...(+)
Composed by Glenn Caluda.
For organ and flute (or
violin). Instrumental
chant meditation.
General. Published by
CanticaNOVA Publications
$3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Simplex - Full Score [Conducteur] GIA Publications
SKU: GI.G-018070 Composed by Michael O'Connor and Richard Proulx. Sacred....(+)
SKU: GI.G-018070
Composed by Michael
O'Connor and Richard
Proulx. Sacred. Full
score. 16 pages. GIA
Publications #018070.
Published by GIA
Publications
(GI.G-018070). UPC:
641151125848. Missa
Simplex, one of
WLP’s
simplest musical
settings of the new
translation of The
Roman Missal, has fast
become one of our most
popular. Shortly before
his death, Richard Proulx
wrote the Gloria
Simplex,(WLPÂ 005304),
a straightforward
and easily
learned chant setting
of the newly revised
Gloria. The simple
melodic pattern of the
chant is repeated
throughout the setting as
the Gloria unfolds, with
a few musical surprises
that result in a setting
that is anything but
boring! After
Proulx’s untimely
death, Michael
O’Connor, O.P.,
utilizing the melodic
structure of
Proulx’s work, set
the rest of the
components of the Mass.
The Gloria is widely used
during Ordinary Time from
the smallest parish with
keyboard and cantor to
this country’s
largest cathedral
communities, accompanied
by pipe organ and
supported by a large
choir. Because of its
simplicity, this setting
has
become the setting
in many parishes for the
seasons of Advent and
Lent—minus the
Gloria, of course! Chant
has a universal Catholic
sense, and this Mass
setting captures that
sense and brings the
assembly into an intimacy
with the newly translated
texts of the Mass in a
simple and at times
haunting way. Highlights:
One of
the simplest settin
gs GIA/WLP has to offer.
The Gloria Simplex,
written by Richard Proulx
shortly before his death,
is a chant setting
with a simple melodic
pattern—with some
musical surprises!
Michael O’Connor
continued Proulx’s
work by utilizing the
melodic structure for the
remaining components
of the Mass. Used in
parishes with only
keyboard and
cantor, but also
widely used in large
cathedrals with pipe
organ and a large choir.
An ideal Mass setting for
Advent and Lent. $5.45 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Brevis [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and
Opt. Choir - Grade 2
SKU:
BT.DHP-1033337-015
Composed by Jacob De
Haan. Musica Sacra. Hymns
& Chorals. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033337-015. Published by
De Haske Publications
(BT.DHP-1033337-015).
9x12
inches. Missa
Brevis, written for
choir and wind band, was
commissioned by the
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(France), in celebration
of the millennium of Pope
Leon IX’sbirth in
Éguisheim (France).
The composer conducted
the first performance on
June 23, 2002. It was
performed live for the
French television channel
France 2. The mass
movements Kyrie,
Gloria, Credo, Sanctus,
Benedictus, and
Agnus Deiare very
suitable for the Catholic
as well as the Protestant
liturgy. For this mass,
various ways for
performing in diverse
variable strengths are
possible. An instrumental
performance is possible
if the brass represents
the choir parts. In
thisoption, it is
desirable for the brass
to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is approached. In
a performance with a
large choir, the brass
can work very well as a
support. Inthat case, the
dynamics of the brass
should be adapted
somewhat, since these are
actually intended for an
instrumental performance.
You can also leave out
the brass entirely for
the benefit of the choir.
For the accompaniment of
smaller choirs, youcan
opt for a small ensemble
from the band. This can
also be a quartet, put
together as desired. For
the performance of this
mass, the obvious choice
is one of the above
options. However, as an
alternative, a
performance with a
combination of
theseoptions
(vocally/instrumentally)
is also possible not just
from an artistic point of
view (variation), but
also from a practical
starting point for
example in the case that
the choir has rehearsed
only two movements. With
a full strength,
theconductor can vary the
instrumentation to his or
her liking. Then the
brass can also play a
role in the accompaniment
(instead of supporting
the choir). The following
combinations are
possible: 1. clarinet
choir (from Eb Clarinet
to BassClarinet) 2.
clarinet choir +
saxophones 3. brass
(flugelhorns, horns,
euphoniums, bass
section) 4. brass (2
trumpets / 2
trombones) 5. double
reeds (optional + flute,
optional + string
bass) 6. tutti 7.
all winds 8.
allbrass In a
performance by brass band
and choir, it is usually
advisable to leave out
option 1 (choir + brass +
band). The choir sings
self-reliantly,
accompanied by a full
brass band. In an
instrumental performance,
you can consider a
combinedquartet (two
cornets and two
trombones) + brass
band. Choral parts
available
separately.
Mis
sa Brevis, geschreven
voor koor en blaasorkest,
werd gecomponeerd in
opdracht van de Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (dir.
Philippe Pfisterer) in
Guebwiller (Frankrijk),
ter gelegenheid van het
duizendstegeboortejaar
van paus Leo IX. In zijn
geboorteplaats,
Éguisheim (Elzas,
Frankrijk), vond op 23
juni 2002 de première
van deze mis plaats onder
leiding van de componist.
Het betrof een
live-registratie voor de
Franse televisiezender
France 2. Demisdelen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
en Agnus Dei
lenen zich uitstekend
voor zowel de katholieke
als de protestantse
liturgie. Er zijn voor
deze mis diverse
uitvoeringsmogelijkheden
mogelijk, aangezien er
sprake is van
eenvariabele bezetting.
Een instrumentale
uitvoering behoort
uitdrukkelijk tot de
mogelijkheden, indien het
scherp koper de
koorpartijen
vertegenwoordigt. In deze
optie is het wenselijk
dat het scherp koper zich
separaat opstelt van de
rest van hetorkest
(bijvoorbeeld op een
galerij), zodat het idee
van dubbelkorigheid wordt
benaderd. Bij een
uitvoering voor groot
koor werkt het scherp
koper zeer goed als
ondersteuning. In dat
geval kan de dynamiek van
het koper iets worden
aangepast,aangezien deze
in eerste instantie
bedoeld is voor een
instrumentale versie. Ook
kan men ervoor kiezen het
scherp koper helemaal weg
te laten ten gunste van
het koor. Bij begeleiding
van kleinere koren kan
men kiezen voor een klein
ensemble uit hetorkest.
Dit kan ook een naar wens
samengesteld kwartet
zijn. Voor de uitvoering
van deze mis ligt het
voor de hand een van deze
opties te kiezen. Als
alternatief is echter ook
een uitvoering mogelijk
met een combinatie van
deze opties
(vocaal/instrumentaal)
niet slechts vanuit een
artistiek motief
(afwisseling), maar ook
vanuit een praktisch
motief, voor het geval
dat het koor bijvoorbeeld
slechts twee delen heeft
ingestudeerd. Bij een
volledige bezetting kan
de dirigent
deinstrumentatie naar
believen afwisselen.
Hierbij kan ook het
scherp koper in de
begeleiding een rol
krijgen (in plaats van
ondersteuning van het
koor). Zo zijn de
volgende combinaties
mogelijk: 1.
clarinet choir (van
Es-klarinet tot
basklarinet) 2.
clarinet choir +
saxofoons 3. zacht
koper (bugels, hoorns,
euphoniums, bassen)
4. scherp koper (2
trompetten / 2
trombones) 5.
dubbelrieten (eventueel +
fluit, eventueel +
contrabas) 6.
tutti 7. alle
hout 8. alle
koper In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones) +
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis,
geschrieben für Chor
und Blasorchester
entstand im Auftrag des
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(Frankreich),
anlässlich des
tausendjährigen
Jubiläumsder Geburt
von Papst Leo IX in
Éguisheim. Der
Komponist dirigierte die
Uraufführung am 23.
Juni 2002. Sie wurde live
vom französischen
Fernsehen France 2
übertragen. Die
Messesätze Kyrie,
Gloria, Credo, Sanctus,
Benedictus und
Agnus Deieignen
sich ausgezeichnet sowohl
für die katholische
als auch die
protestantische Liturgie.
Diese Messe kann in
diversen variablen
Spielstärken
aufgeführt werden.
Eine
Instrumentalaufführung
ist möglich, wenn das
Blech die Chorstimme
übernimmt.Um der Idee
von zwei Chören in
dieser Variante
möglichst gerecht zu
werden, empfiehlt es
sich, das Blechregister
getrennt vom Rest des
Blasorchesters
aufzustellen
(beispielsweise auf einer
Galerie). In einer
Aufführung mit einem
großen Chor kann
dasBlechregister sehr gut
als Unterstützung
dienen. In diesem Fall
sollten die
Dynamikangaben der
Blechbläser etwas
angepasst werden, da sie
ja eigentlich für eine
Instrumentalaufführung
gedacht sind. Man kann
zugunsten des Chors auch
völlig auf dasBlech
verzichten. Zur
Begleitung kleinerer
Chöre können Sie
ein kleines Ensemble aus
dem Blasorchester
wählen. Dies könnte
auch ein Quartett in
beliebiger
Zusammensetzung sein.
Für die Aufführung
dieser Messe bietet sich
eine der oben
genanntenVarianten an.
Eine Kombination dieser
Wahlmöglichkeiten
(vokal/instrumental) ist
jedoch auch möglich
und das nicht nur vom
künstlerischen
Standpunkt aus betrachtet
(zur Abwechslung),
sondern auch aus
praktischen Erwägungen
beispielsweise, wennder
Chor nur zwei Sätze
einstudiert hat. In
voller Besetzung kann der
Dirigent die
Instrumentierung nach
Belieben variieren. Dann
können die
Blechbläser auch eine
Rolle in der Begleitung
übernehmen (anstatt
den Chor zu
unterstützen). Die
folgendenKombinationen
sind möglich:
1. Klarinettenchor
(von Klarinette in Es bis
Bassklarinette) 2.
Klarinettenchor +
Saxophone 3. Blech
(Flügelhorn, Horn,
Euphonium,
Bassregister) 4.
Blech (2 Trompeten / 2
Posaunen) 5.
Doppelrohrblattinstrument
e (wahlweise + Flöte,
wahlweise +
Kontrabass) 6.
Tutti 7. Alle
Holzbläser 8.
Alle Blechbläser
In einer Aufführung
mit Brass Band und Chor
ist es gewöhnlich
ratsam, nicht die erste
Option (Chor + Blech +
Blasorchester) zu
wählen. Der Chor singt
unabhängig, begleitet
von einer
vollständigen Brass
Band. In einer
Instrumentalaufführung
könnenSie sich für
ein kombiniertes Quartett
(zwei Kornette und zwei
Posaunen) + Brass Band
entscheiden. Chorstimmen
separat
erhältlich.
Missa Brevis est une
messe pour Orchestre
d’Harmonie et
Choeur composée la
demande du Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (Dir. :
Philippe Pfisterer) de
Guebwiller en France,
l’occasion des
célébrations
dumillénaire de la
naissance du Pape Léon
IX Éguisheim. La
création mondiale a eu
lieu le 23 juin 2002 sous
la direction du
compositeur, et a
été diffusée en
direct sur la chaîne
de télévision
nationale France 2. Les
différentes parties de
cettemesse (Kyrie,
Gloria, Credo,
Sanctus,
Benedictus et
Agnus Dei)
conviennent autant la
liturgie catholique
qu’ la liturgie
protestante. Missa
Brevis peut être
interprétée dans
différentes
combinaisons
instrumentales. Ellepeut
être jouée dans une
version purement
instrumentale, où les
cuivres prennent en
charge la partie vocale.
En tel cas, il est
conseillé de placer
les cuivres
l’écart de la
formation (sur une
estrade, par exemple) de
façon reproduire
l’idée dedeux
groupes indépendants.
Dans le cadre
d’une
interprétation avec un
grand Choeur, les cuivres
jouent un rôle de
soutien. Leurs nuances
doivent alors être
adaptées dans la
mesure où elles ont
été écrites,
l’origine, pour
une version
instrumentale.Il est
également possible de
ne pas faire intervenir
les cuivres et de
privilégier le Choeur.
Pour accompagner de
petits ensembles vocaux,
il faut opter pour une
formation instrumentale
réduite voire même
un Quatuor
(instrumentation au
choix).
Pourl’interprét
ation de cette messe
l’un des choix
proposés ci-dessus
s’impose. Il
existe néanmoins une
alternative qui consiste
interpréter cette
oeuvre en combinant ces
options (vocales /
instrumentales). Cela
peut être
bénéfique tant
d’un point devue
artistique (variante) que
pratique dans le cas
où le Choeur
n’a travaillé
que deux mouvements de la
messe. Si le chef dispose
de deux formations
complètes (Choeur et
Orchestre
d’Harmonie), il
peut varier
l’instrumentation
selon ses
préférences. ce
moment-l , il peut
confier un rôle
d’accompagnement
et non de soutien aux
cuivres de sa formation.
Les combinaisons
suivantes peuvent être
formées : 1.
Choeur de Clarinettes (de
la Clarinette Mib la
Clarinette
Basse) 2. Choeur de
Clarinettes +
Saxophones 3.
Cuivres (Bugles, Cors,
Barytons / Euphoniums,
Basses) 4. Cuivres
(2 Trompettes / 2
Trombones) 5.
Instruments anches
doubles (Fl te et
Contrebasse cordes
optionnelles) 6.
Tutti 7. Tous les
Bois 8. Tous les
Cuivres Dans le
cadre d’une
interprétation par un
Brass Band accompagné
d’un Choeur, il
est préférable de
supprimer l’option
1 (Choeur + Cuivres +
Orchestre
d’Harmonie) car le
Choeur étant autonome.
Dans une version
instrumentale pour
Cuivres, il estpossible
de former la combinaison
suivante : Quatuor (2
Cornets / 2 Trombones) et
Brass Band.Partitions
pour chœur
disponibles
séparément.
Parti per coro
disponibili a parte. $327.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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