(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(75 Hymns and Choruses). By David Winkler. String ensemble. For medium voice, guitar. Easy. Published by Lillenas Publishing Company

For Easy Guitar Tablature. Performed by Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). With notes and tablature. Size 9x12 inches. 240 pages. Published by Word Music.

SATB choir (a cappella)

SKU: LO.10-5616L

Composed by Jay Rouse. Choral. Sacred Anthem, Advent, Christmas. Octavo. Lorenz Publishing Company #10/5616L. Published by Lorenz Publishing Company (LO.10-5616L).

ISBN 9780787775247.

Jay Rouse is well-known for his a cappella writing, and this anthem is one of his best! Featuring luscious harmonies, inventive choral writing, and a beautiful solo, this piece will undoubtedly find its place in both the sanctuary and the concert stage!

By Ruth Elaine Schram. For SATB Choir. Choral, A Cappella, Masterworks, General Repertory, Sacred. Sheet Music. Published by Shawnee Press.

24 Selections from Shows and Albums. Composed by Jason Robert Brown. P/V/G Composer Collection. Broadway, Musicals. Softcover. Published by Hal Leonard

For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. Published by Hal Leonard (HL.160838).

Ketèlbey’s most popular works appear to be a series of programmatic Orchestral tone poems, like this one based on a verse from his own poem In A Monastery Garden and rendered in G for easy Piano. Composer and arranger Albert WKetèlbey is now almost unknown except for his work Bells Across the Meadows, but until the time of the Second World War, he strode the country’s musical stage like a giant of light musical entertainment. In 1929, he was declared‘Britainâ⠂¬â„¢s greatest composer’ according to the number of performances of his works. Over the course of his career, he was a church Organist, musical director at London’s Vaudeville Theatre, editor to several music publishingfirmsand Music Director of the Columbia Gramophone Company.Arranger, composer and pianist John Schaum was an American educator who, frustrated with the lack of appropriate works for his students, created his own books. Over hiscareer, he arranged hundreds of works for student pianists and they are still in use today

By Jamie Humphries. For Guitar. Rock. Book and 2 Audio CDs. 174 pages. Published by Music Sales.

Chamber Music Violin, cello, Piano

SKU: PR.114418250

Composed by Stacy Garrop. Contemporary. Set of Score and Parts. With Standard notation. Composed 2013. 40+16+16 pages. Duration 23 minutes. Theodore Presser Company #114-41825. Published by Theodore Presser Company (PR.114418250).

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Guitar Chord Songbook. Brentwood-Benson Miscellaneous. Size 5.75x8.75 inches. 160 pages. Published by Brentwood-Benson.

Composed by Natalie Sleeth. Arranged by John Leavitt. Shawnee Sacred. Easter, General Worship, Sacred. Octavo. Duration 165 seconds. Published by Shawnee Press

The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instruments. Fake Book. Softcover. 432 pages. Published by Hal Leonard

For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Gospel and worship. 207 pages. 9x12 inches. Published by Word Music.

Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 312 pages. Published by Hal Leonard.