Piano - Level 3

SKU: LM.27676

Composed by Hans Gunter Heumann. Decouvrir les grands compositeurs. Classical. Score. Editions Henry Lemoine #27676. Published by Editions Henry Lemoine (LM.27676).

ISBN 9790230976763.

Menu et KV 1 - Allegro KV 15a - Ah ! Vous dirai-je, maman - Marche turque (Sonate KV 331) - Sonate KV 545 - Concerto pour piano KV 467 - Concerto pour clarinette KV 622 - Symphonie n. 40 KV 550 - Une Petite musique de nuit KV 525 - Sehnsucht nach dem Fruhling KV 596 - Non piu andrai, farfallone amoroso (Les Noces de Figaro) - Der holle Rach kocht in meinem Herzen (La Flute enchantee) - Das klinget so herrlicht (La Flute enchantee) - Ave verum corpus KV 618 - Lacrymosa (Requiem KV 626).

SKU: HL.49015392

Beitrage zu Leben und Werk. Composed by Heinrich Poos. Edited by Heinrich Poos. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 417 pages. Schott Music #ED 7903. Published by Schott Music (HL.49015392).

ISBN 9783795718640. German.

Vorwort - P. Rummenholler: Er ist der Vater, wir sind die Buben - H.-G. Ottenberg: Die Klaviersonaten Wq 55 im Verlage des Autors - G. Wagner: Anmerkungen zur historischen Auffuhrungspraxis am Beispiel von C.Ph.E. Bachs Versuch - L. Hoffmann-Erbrecht: Mit aller Freyheit und zu meinem eigenen Gebrauch gemacht - G. Puchelt: Fur Kenner und Liebhaber - P. Dinslage: Anspruch und Anpassung - I. Pfingsten: Er ubersetzte, indem er phantasierte, die Sprache des Verstandes in die Sprache der Empfindungen: denn dazu diente ihm die Musik - H. Poos: C.P.E. Bachs Rondo a-Moll aus der Zweiten Sammlung... fur Kenner und Liebhaber - C. Thorau: Kuhn, nie gehort und doch sachrichtig - U. Ringhandt: Die Litaneien von C.P.E. Bach als musikalische Lehrgedichte - R. Brandt: Der Konig und sein Zuhorer - W. Busch: Joseph Wright of Derby: Das Experiment mit der Luftpumpe - D. Diderot: Aus der Klavierschule von Bemetzrieder - J.N. Forkel: Reszension - J.J. Engel: Uber die musikalsiche Malerei - G.J. Vogler: Wie verhalten sich die zwei grossen Clavierspieler C.P.E. Bach und Alberti von Rom gegeneinander - J.F. Reichhardt: Uber die musikalische Idylle - C.F.Cramer: Rezension - C.F. Michaelis: Einige Bemerkungen uber das Erhabene der Musik - H.G. Nageli: Vorlesungen uber Musik mit Berucksichtigung der Dilettanten - F.Chrysander: Eine Klavier-Phantasie von Karl Philipp Emanuel Bach mit nachtraglich von Gerstenberg eingefugten Gesangsmelodien zu zwei verschiedenen Texten - H. Mermann: Ein Programmtrio K.P.E. Bachs - A. Schering: C.P.E. Bach und das redende Prinzip in der Musik - R. Peters: Chronologische Bibliographie des Schrifttums zu C.P.E. Bach - Sach- und Personenregister zur Bibliographie.

By Holley Gene Leffer. Creative Concepts Publishing. Size 9x12 inches. 80 pages. Published by Creative Concepts.

The Diary of One Who Disappeared / Tagebuch eines Verschollenen. Composed by Leos Janacek (1854-1928). Edited by Jiri Zahradka. This edition: urtext edition. Paperback. Vocal score, anthology. Published by Baerenreiter Verlag (BA.BA9575).

String orchestra Violin 1, Violin 2, Viola, Cello, Contrabass

SKU: PR.41641451L

For String Orchestra. Composed by Roger Zare. Contemporary. Large Score. With Standard notation. Composed 2008. 25 pages. Duration 9 minutes. Theodore Presser Company #416-41451L. Published by Theodore Presser Company (PR.41641451L).

UPC: 680160611386.

This work is based on Mozarts overture to The Magic Flute, breaking down the themes and motives from that overture as well as the famous Queen of the Night aria, Der Holle Rache, and spinning them out of control. While the title seems to be nonsense, it is actually an anagram of Zauberflote. Im sure that Mozart would have appreciated the humor in this work, even though the harmonic language is quite far removed from the Classical era. The piece opens with repeated E-flats, suggesting the beginning of the main theme of the Magic Flute overture, and it gradually expands outward chromatically, creating gritty dissonances. Other borrowed motives from Mozart creep their way in, as well as complex polyrhythms on the repeated notes. I imitate the structure of Mozarts overture by writing a fugue (subtitled Overt Metrical Fugue, a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. Gradually, I work in references to the excessively high coloratura part of Der Holle Rache, treating it as a second subject. After the fugue runs its course, I quote small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor to create a disembodied sound.

Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass

SKU: PR.416414510

For String Orchestra. Composed by Roger Zare. Sws. Contemporary. Full score. With Standard notation. Composed 2008. 24 pages. Duration 9 minutes. Theodore Presser Company #416-41451. Published by Theodore Presser Company (PR.416414510).

ISBN 9781598068191. UPC: 680160611379. 9x12 inches.

The enigmatic title of Roger Zare’s overture is an anagram of Zauberflöte — the work is based on Mozart’s The Magic Flute, breaking down themes from the opera’s overture as well as the Queen of the Night aria, and spinning them out of control. Zare’s charming and clever work includes an “Overt Metrical Fugue,” (a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. After the fugue runs its course, Zare quotes small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor to create a disembodied sound.
This work is based on Mozart’s overture to The Magic Flute, breaking down the themes and motives from that overture as well as the famous Queen of the Night aria, “Der Hölle Rache,” and spinning them out of control. While the title seems to be nonsense, it is actually an anagram of “Zauberflöte.” I’m sure that Mozart would have appreciated the humor in this work, even though the harmonic language is quite far removed from the Classical era. The piece opens with repeated E-flats, suggesting the beginning of the main theme of the Magic Flute overture, and it gradually expands outward chromatically, creating gritty dissonances. Other borrowed motives from Mozart creep their way in, as well as complex polyrhythms on the repeated notes. I imitate the structure of Mozart’s overture by writing a fugue (subtitled “Overt Metrical Fugue,” a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. Gradually, I work in references to the excessively high coloratura part of “Der Hölle Rache,” treating it as a second subject. After the fugue runs its course, I quote small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor tocreate a disembodied sound.

SKU: HL.49006114

Geistliche Lieder. Edited by Rolf Wilhelm Dr. Brednich, Wolfgang Suppan, and Zmaga Kumer. This edition: Full-cloth binding. Book. Edition Schott. Classical. 392 pages. Schott Music #ED 6202. Published by Schott Music (HL.49006114).

ISBN 9783795715113. German.

GemCh(SSATB)

SKU: HG.GH-4322

Composed by Ferdinand Rebay. Octavo. Hug Musikverlage #GH 4322. Published by Hug Musikverlage (HG.GH-4322).

Nur in Chorstarke, ab 20 Stuck.

Bb Bass & Piano or CD Play Back / Play Along - Grade 6

SKU: MA.EMR-56853

Le Roi de l'Enfer / Der Konig der Holle. Composed by Bertrand Moren. Score and parts. Duration 6'24. Editions Marc Reift #EMR 56853. Published by Editions Marc Reift (MA.EMR-56853).

Possible instrumentations:

Bb Bass & CD Play Back / Play Along
Bb Bass & Piano (+ CD Play Back / Play Along optional).

Eb Horn & Piano or CD Play Back / Play Along - Grade 6

SKU: MA.EMR-56845

Le Roi de l'Enfer / Der Konig der Holle. Composed by Bertrand Moren. Score and parts. Duration 6'24. Editions Marc Reift #EMR 56845. Published by Editions Marc Reift (MA.EMR-56845).

Possible instrumentations:

Eb Horn & CD Play Back / Play Along
Eb Horn & Piano (+ CD Play Back / Play Along optional).

Violoncello & Piano or CD Play Back / Play Along - Grade 6

SKU: MA.EMR-56856

Le Roi de l'Enfer / Der Konig der Holle. Composed by Bertrand Moren. Score and parts. Duration 6'24. Editions Marc Reift #EMR 56856. Published by Editions Marc Reift (MA.EMR-56856).

Possible instrumentations:

Violoncello & CD Play Back / Play Along
Violoncello & Piano (+ CD Play Back / Play Along optional).

(G. Schirmer Opera Anthology). For soprano voice solo and piano accompaniment. G. Schirmer Opera Anthology Series. Baroque, Classical Period, 20th Century and Opera. Difficulty: difficult. Collection. Vocal melody, piano accompaniment, introductory text and notes and translations. 344 pages. Published by G. Schirmer

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Charlotte Lehmann, Eike Wernhard. For soprano voice and piano. Urtext of the New Mozart Edition. Format: vocal/piano songbook. With vocal melody, lyrics and piano accompaniment. Classical period. Text language Italian/German. 96 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).

Cantolopera Series with a CD of performances and orchestral accompaniments. Composed by Various. Cantolopera Series. Classical, Opera. Softcover book with listening/accompaniment CD. Composed 2009. 68 pages. Ricordi #NR140131. Published by Ricordi

(2.2.0.2/2.2.0.0,timp,str ,S solo)

SKU: TM.02014SC

Composed by Wolfgang Amadeus Mozart. Score. Lucks Music Library #A2944. Published by Lucks Music Library (TM.02014SC).

...kocht in meinem Herzen.

Violin & Piano or CD Play Back / Play Along - Grade 6

SKU: MA.EMR-56854

Le Roi de l'Enfer / Der Konig der Holle. Composed by Bertrand Moren. Score and parts. Duration 6'24. Editions Marc Reift #EMR 56854. Published by Editions Marc Reift (MA.EMR-56854).

Possible instrumentations:

Violin & CD Play Back / Play Along
Violin & Piano (+ CD Play Back / Play Along optional).

44 All Time Classical Songs Arranged for Easy Piano. Arranged by Franco Concino. Masterworks; Piano - Easy Piano Collection. Classical; Masterwork Arrangement. Book. Alfred Music #99-MB397. Published by Alfred Music

Symphonic Fantasia after Dante. By Peter Ilyich Tchaikovsky. Arranged by David Lloyd-Jones. (Study Score). Schott. 152 pages. Published by Eulenburg.

ARIAS from OPERAS. By Wolfgang Amadeus Mozart. Voice and piano. Published by International Music Co.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1043740-140

Composed by Jan Hadermann. Sovereign Series. Concert Piece. Score Only. Composed 2004. De Haske Publications #DHP 1043740-140. Published by De Haske Publications (BT.DHP-1043740-140).

English-German-French- Dutch.

Guernica, a peaceful town in the Basque region of Spain, was reduced to ruins on the 26th of April 1937 by Nazi bombers. It was a totally unexpected attack that happened while the crowded open-air market was in progress. Over 1600 innocent citizens were killed.This was one of the most senseless and abhorrent war crimes in history. In this new work by Jan Hadermann the music of the Basque region can clearly be heard, with street musicians adding lustre to the open-air market with dance music. Spring is in the air when suddenly from behind the mountaintops, the death squad appears and all hell breaks loose. The work ends with an intense plea to never let anything like this happenagain. A moving and contemplative new work for concert band.

Guernica, een vredig stadje in het Spaanse Baskenland, werd op 26 april 1937 door nazi bommenwerpers volledig in puin gelegd. Die aanval vond totaal onverwacht plaats terwijl de drukbezochte openluchtmarkt volop aan de gang was. Meerdan 1600 onschuldige burgers werden gedood. Dit is een van de meest zinloze en weerzinwekkende oorlogsmisdaden uit de geschiedenis. In het stuk Guernica van Jan Haderman horen we hoe de Baskische muziek klinkt: straatmuzikantenluisteren de openluchtmarkt op met dansmuziek. Het is lente. Dan duikt plotseling vanachter de bergtoppen het doodseskader op en barst de hel los. Het werk eindigt met een intense smeekbede zoiets nooit meer te laten gebeuren. Eenontroerend nieuw werk voor harmonieorkest.

Gu ernica, eine friedliche, strategisch eher bedeutungslose Stadt im Baskenland in Spanien, ist durch einen furchtbaren Blitzangriff von Nazibombern im Jahr 1937 zum Symbol für die Sinnlosigkeit und Grausamkeit von Kriegsverbrechen und Terror geworden. Im Stück Guernica ist die fröhliche Musik der Basken herauszuhören, bevor die Hölle des Angriffs losbricht. Das Werk endet mit der eindringlichen Bitte, so etwas nie wieder geschehen zu lassen. Ein eindrucksvolles Werk mit einer nach wie vor aktuellen Botschaft.

Le 26 avril 1937, la paisible ville de Guernica dans le Pays basque espagnol est anéantie par les bombardiers de l’aviation nazie. Plus de mille six cents civils sont tués. La ville br le pendant trois jours. Guernica de Jan Hadermann se développe aux sons de la musique basque. La place du marché est pleine de monde. L’atmosphère est douce, le printemps s’éveille sur un air de danse joué par des musiciens de rue quand surgit par dessus les montagnes, l’escadron de la mort. L’enfer commence Guernica. L’œuvre se conclut dans une intense expression de supplication pour qu’une telle folie ne se reproduise plus.