ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110814

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Cello/Double Bass. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/14. Published by Carus Verlag (CA.3110814).

ISBN 9790007047986. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110813

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Viola. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/13. Published by Carus Verlag (CA.3110813).

ISBN 9790007047979. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110805

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Choral Score. Composed 1725. BWV 108. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.108/05. Published by Carus Verlag (CA.3110805).

ISBN 9790007047924. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score available separately - see item CA.3110800.

Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110807

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Study score. Composed 1725. BWV 108. 68 pages. Duration 20 minutes. Carus Verlag #CV 31.108/07. Published by Carus Verlag (CA.3110807).

ISBN 9790007047931. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110812

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Violin 2. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/12. Published by Carus Verlag (CA.3110812).

ISBN 9790007047962. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110819

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut, dass ich hingehe. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Composed 1725. BWV 108. Duration 20 minutes. Carus Verlag #CV 31.108/19. Published by Carus Verlag (CA.3110819).

ISBN 9790007136581. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and parts available separately - see item CA.3110800.

Soli ATB, SATB Choir, 2 Obda, Vl solo, 2 Vl, Va, Bc - Level 3

SKU: CA.3110849

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Organ. Composed 1725. BWV 108. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.108/49. Published by Carus Verlag (CA.3110849).

Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110811

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Violin 1. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/11. Published by Carus Verlag (CA.3110811).

ISBN 9790007047955. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110809

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.108/21 oboe d'amore 1, 1x 31.108/22 oboe d'amore 2. German title: Es ist euch gut 2. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/09. Published by Carus Verlag (CA.3110809).

ISBN 9790007047948. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and parts available separately - see item CA.3110800.

Piano - Grade 3

SKU: BT.EMBZ14622

By Judit Peteri. By Franz Liszt. Book Only. Composed 2008. 36 pages. Editio Musica Budapest #EMBZ14622. Published by Editio Musica Budapest (BT.EMBZ14622).

Hungarian-English-Germ an-French.

Liszt was one of the greatest piano virtuosos of the 19th century and a very influential teacher who played an enormous part in the development of modern piano technique. For this reason the majority of his works make the highest technical demands of the performer - this selection, however, contains only pieces at an intermediate difficulty level. In addition to the hits (D flat major Consolation, Liebestraum No. 3) the moderately advanced student or amateur player will discover real finds such as the three pieces in the Bunte Reihe ( Colourful Series ), the earlier version of the Valse impromptu and the Romance oubliée ( Forgotten Romance ) and the later, simplified versionthe composer made of the i>Grand galop chromatique. This publication was based on the EMB New Liszt Edition, but bearing practical considerations in mind. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence.

Franz Liszt war einer der größten Klaviervirtuosen des 19. Jahrhunderts und als Lehrer von großem Einfluss, in der Entwicklung der modernen Klaviertechnik spielte er eine herausragende Rolle. Gerade deswegen konfrontiert ein Großteil seiner Werke die Vortragenden mit höchsten technischen Anforderungen - diese Auswahl beinhaltet aber nur Stücke, die auch schon auf einer mittleren Stufe spielbar sind. Neben den Schlagern“ (Consolation in Des-Dur, Liebesträume Nr. 3) können die drei Stücke aus dem Zyklus Bunte Reihe“, die frühere Version des Valse impromptu und der Vergessenen Romanze, bzw. die von dem Komponisten im nachhinein gefertigte, vereinfachte Version des Grandgalop chromatique für die mäßig fortgeschrittenen Schüler oder Musikamateure eine wahre Entdeckung bedeuten. Die Ausgabe wurde aufgrund der Neuen Liszt-Gesamtausgabe des Verlags Editio Musica Budapest, aber unter Berücksichtigung praktischer Aspekte, angelegt.

SKU: CA.1290100

Composed by Various. Edited by Gunther Kretzschmar. This edition: Paperbound. Choral collections for children's choir; Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern. Musik fur Gottesdienst, Spiel und Fest. Psalms, German, Songs for children, Secular choral music, Special days, Ascension, New year, Easter and Eastertide, Whitsun, Reformation day, Praise and thanks, Morning, midday, evening. Collection. Composed 1992-96. 160 pages. Carus Verlag #CV 12.901/00. Published by Carus Verlag (CA.1290100).

ISBN 9790007088194.

SAT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo - Level 3

SKU: CA.3118419

Cantata for the 3rd Sunday of Pentecost. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Erwunschtes Freudenlicht. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1724. BWV 184. Duration 25 minutes. Carus Verlag #CV 31.184/19. Published by Carus Verlag (CA.3118419).

ISBN 9790007134235. Key: G major / e minor. Language: German/English.

The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score and parts available separately - see item CA.3118400.

Orchestra SAT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo - Level 3

SKU: CA.3118407

Cantata for the 3rd Sunday of Pentecost. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Erwunschtes Freudenlicht. Sacred vocal music, Cantatas, Whitsun. Study score. Composed 1724. BWV 184. 68 pages. Duration 25 minutes. Carus Verlag #CV 31.184/07. Published by Carus Verlag (CA.3118407).

ISBN 9790007050481. Key: G major / e minor. Language: German/English.

The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score available separately - see item CA.3118400.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3113749

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Lobe den Herren, den machtigen. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1725. BWV 137. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.137/49. Published by Carus Verlag (CA.3113749).

ISBN 9790007049096. Key: C major. Language: German/English. Text: Neander, Joachim. Text: Joachim Neander.

Bach's chorale cantata Lobe den Herren, den machtigen Konig der Ehren BWV 137, has long been, thanks to its popular chorale text, one of the most frequently-performed works by the Kantor of St. Thomas's. Unlike the cantatas in the cycle of chorale cantatas, the text of the hymn is not only used in the opening and final chorales, but Bach uses it in all the movements. The new edition reflects the current state of research and presents this work in Carus's clear-to-read music setting. Score and part available separately - see item CA.3113700.

Chorus a cappella

SKU: BR.CHB-5234-02

Composed by Fanny Cecile Mendelssohn. Edited by Gottfried Heinz and J. Draheim. Choir; stapled. Chor-Bibliothek (Choral Library). Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica). Song; Romantic. Choral score. 4 pages. Breitkopf and Haertel #ChB 5234-02. Published by Breitkopf and Haertel (BR.CHB-5234-02).

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).

Chamber Music Piano

SKU: PR.140401320

Composed by Eubie Blake. Edited by Lara Downes. Arranged by Jeremy Siskind. Sws. Score. 8 pages. Duration 3:45. Theodore Presser Company #140-40132. Published by Theodore Presser Company (PR.140401320).

ISBN 9781491134177. UPC: 680160684274. 9 x 12 inches. Key: F major.

LOVE WILL FIND A WAY is one of the great hits of the 1920s – an era of remarkable cultural growth giving rise to “The Roaring '20s,” “The Harlem Renaissance,” and a fun-loving society known for the Charleston dance craze and the surge of jazz into the mainstream of American music. A song from Shuffle Along, the first all-Black Broadway musical, LOVE WILL FIND A WAY has been arranged by pianist Jeremy Siskind especially for Lara Downes’ recording that launches the Rising Sun series.
According to Langston Hughes, Eubie Blake’s 1921 Shuffle Along was the real start of the Harlem Renaissance. In Hughes’ words: “Everybody was in the audience, including me. It gave just the proper push, a pre-Charleston kick, to that Negro vogue of the '20s that spread to books, African sculpture, music, and dancing.”As Broadway’s first all-Black hit musical, with an all-star cast including Paul Robeson and a young Josephine Baker, Shuffle Along ran for an unprecedented 504 performances in New York, then toured nationally for three years as the first Black musical to play in white theaters across the United States. The show’s appeal to a multi-racial audience, and its integration of the jazz and Broadway communities, not only changed the history of the American musical theater, but made important strides forward in American race relations.Love Will Find a Way is one of the show’s most popular tunes. This intimate, pensive arrangement by Jeremy Siskind celebrates the song’s centenary by making it a love song for our own time as much as its own – a reminder that no matter how dark the path or how gray the skies, love will always find a way.

By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Hans Gruss. For orchestra (3 trumpets/timpani/2 oboes/2 violins/viola/basso continuo (cello/double bass/harpsichord)). This edition: Stapled, Urtext edition. Score. Text Language: German/English. BWV 1068. 50 pages. Duration 24'. Published by Baerenreiter Verlag

2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3230419

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (Fk 64.C8). Set of Orchestra Parts. BR-WFB C 8. Carus Verlag #CV 32.304/19. Published by Carus Verlag (CA.3230419).

ISBN 9790007141134. Key: D major. Language: all languages.

The Sinfonia in D major (BR-WFB C 8) was probably composed in the mid-1750s during Bach's tenure as organist and Director Musices in Halle. Evidence shows that it was used as the instrumental introduction to the Whitsun cantata Dies ist der Tag (BR-WFB F 13 / Fk 85). However, this is not a piece characterized by the church style, hence a separate performance in a secular context is not only possible, but was probably intended by the composer. Score and parts available separately - see item CA.3230400.

2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3230411

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (Fk 64.C8). Single Part, Violin 1. BR-WFB C 8. 4 pages. Carus Verlag #CV 32.304/11. Published by Carus Verlag (CA.3230411).

ISBN 9790007211820. Key: D major. Language: all languages.

The Sinfonia in D major (BR-WFB C 8) was probably composed in the mid-1750s during Bach's tenure as organist and Director Musices in Halle. Evidence shows that it was used as the instrumental introduction to the Whitsun cantata Dies ist der Tag (BR-WFB F 13 / Fk 85). However, this is not a piece characterized by the church style, hence a separate performance in a secular context is not only possible, but was probably intended by the composer. Score and part available separately - see item CA.3230400.

2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3230400

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. This edition: Paperbound. Stuttgart Urtext edition. Sinfonia In D (Fk 64.C8). Full score. BR-WFB C 8. 28 pages. Carus Verlag #CV 32.304/00. Published by Carus Verlag (CA.3230400).

ISBN 9790007137274. Key: D major. Language: all languages.

The Sinfonia in D major (BR-WFB C 8) was probably composed in the mid-1750s during Bach's tenure as organist and Director Musices in Halle. Evidence shows that it was used as the instrumental introduction to the Whitsun cantata Dies ist der Tag (BR-WFB F 13 / Fk 85). However, this is not a piece characterized by the church style, hence a separate performance in a secular context is not only possible, but was probably intended by the composer.

2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3230413

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (Fk 64.C8). Single Part, Viola. BR-WFB C 8. 4 pages. Carus Verlag #CV 32.304/13. Published by Carus Verlag (CA.3230413).

ISBN 9790007211844. Key: D major. Language: all languages.

The Sinfonia in D major (BR-WFB C 8) was probably composed in the mid-1750s during Bach's tenure as organist and Director Musices in Halle. Evidence shows that it was used as the instrumental introduction to the Whitsun cantata Dies ist der Tag (BR-WFB F 13 / Fk 85). However, this is not a piece characterized by the church style, hence a separate performance in a secular context is not only possible, but was probably intended by the composer. Score and part available separately - see item CA.3230400.

2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3230409

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. 2x 32.304/21 2 flutes, 2x 32.304/22 2 oboes, 1x 32.304/23 bassoon, 2x 32.304/31 2 horns. Stuttgart Urtext edition. Sinfonia In D (Fk 64.C8). Set of Orchestra Parts. BR-WFB C 8. Carus Verlag #CV 32.304/09. Published by Carus Verlag (CA.3230409).

ISBN 9790007211813. Key: D major. Language: all languages.

The Sinfonia in D major (BR-WFB C 8) was probably composed in the mid-1750s during Bach's tenure as organist and Director Musices in Halle. Evidence shows that it was used as the instrumental introduction to the Whitsun cantata Dies ist der Tag (BR-WFB F 13 / Fk 85). However, this is not a piece characterized by the church style, hence a separate performance in a secular context is not only possible, but was probably intended by the composer. Score and parts available separately - see item CA.3230400.

2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3230414

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (Fk 64.C8). Single Part, Violone. BR-WFB C 8. 4 pages. Carus Verlag #CV 32.304/14. Published by Carus Verlag (CA.3230414).

ISBN 9790007211851. Key: D major. Language: all languages.

The Sinfonia in D major (BR-WFB C 8) was probably composed in the mid-1750s during Bach's tenure as organist and Director Musices in Halle. Evidence shows that it was used as the instrumental introduction to the Whitsun cantata Dies ist der Tag (BR-WFB F 13 / Fk 85). However, this is not a piece characterized by the church style, hence a separate performance in a secular context is not only possible, but was probably intended by the composer. Score and part available separately - see item CA.3230400.

2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3230412

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (Fk 64.C8). Single Part, Violin 2. BR-WFB C 8. 4 pages. Carus Verlag #CV 32.304/12. Published by Carus Verlag (CA.3230412).

ISBN 9790007211837. Key: D major. Language: all languages.

The Sinfonia in D major (BR-WFB C 8) was probably composed in the mid-1750s during Bach's tenure as organist and Director Musices in Halle. Evidence shows that it was used as the instrumental introduction to the Whitsun cantata Dies ist der Tag (BR-WFB F 13 / Fk 85). However, this is not a piece characterized by the church style, hence a separate performance in a secular context is not only possible, but was probably intended by the composer. Score and part available separately - see item CA.3230400.

Piano

SKU: BT.EMBZ14658

Composed by Zoltán Abrudbányay. Book Only. Composed 2009. 36 pages. Editio Musica Budapest #EMBZ14658. Published by Editio Musica Budapest (BT.EMBZ14658).

Hungarian-English-Germ an-French.

This volume features Schumann s works and contains real hits. The majority of the pieces can be played at an intermediate level, but some demand more advanced technique.

Im neuesten Band der beliebten Serie kommen echten ‚Schlager'. Die meisten Stücke können in der Mittelstufe, einige von denen aber auch schon in den höheren Klassen der Musikschulen gespielt werden.