| Meet Me At The Manger Chorale Unison Unison/2-parties, Piano Word Music
Meet Me At The Manger (Wise Men Still Follow Him Today). By Celeste Clydesdale. ...(+)
Meet Me At The Manger
(Wise Men Still Follow
Him Today). By Celeste
Clydesdale. Arranged by
David Clydesdale. For
2-part/Unison choir.
Musical. Characters and
Casting: 6 Male
Characters, 3 Female
Characters, 1 Adult, 12
solos. Modern Christian,
Christmas. Easy. Choral
Book. Duration 37'00".
Published by Word Music
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Relevance in the Choral Art GIA Publications
SKU: GI.G-10102 A Pathway to Connections. Composed by Tim Sharp. M...(+)
SKU: GI.G-10102
A Pathway to
Connections. Composed
by Tim Sharp. Music
Education. 206 pages. GIA
Publications #10102.
Published by GIA
Publications
(GI.G-10102). ISBN
9781622774241. Cont
ributors: Juan Carlos
Acosta, Melissa Baughman,
Rhonda Fuelberth, Monte
Garrett, Alex Gartner,
Stephanie Henry, Joy
Hirokawa, Suzy Johnson,
Chris Ludwa, Jennifer
Rodgers
Relevance unlocks new
ways to build deep
connections with people
who do not immediately
self-identify with our
work as musicians.
Relevance in the Choral
Art outlines the alchemy
of relevance and its role
in offering meaningful
programs and concerts for
today’s audiences.
Relevance in the Choral
Art is a collection of
essays from leading
practitioners in the
choral field that
challenges musicians to
reflect on the role
choral music plays in
today’s culture
and what can be done to
keep it relevant. Now
more than ever we must
face the challenge of the
relevancy of choral music
in our culture, for
artistic directors and
their role within choral
organizations, for
members of choral
organizations, and for
the community that choral
music education and
performance serves. Tim
Sharp along with ten
contributing authors
explore the idea of
relevance and what it
means to the choral
community, offering
wisdom and guidance on a
range of topics,
including: The alchemy of
choral relevance A rubric
for achieving choral
relevance Programming for
choral relevance How to
empower minority and
underrepresented groups
in choral music How to
create choral experiences
for non-traditional
groups, such as those
comprised of individuals
with Alzheimer’s
or dementia, cognitive or
physical differences, and
even those who are
incarcerated How to
encourage and develop
youth leadership in
choral organizations When
something is relevant it
leads somewhere, brings
new value, and succeeds
in opening a door to
something valuable. It
gives new information,
adds meaning to life,
makes a difference, and
yields a positive effect.
Relevance in the Choral
Art provides valuable
insights based on
research, decades of
experience, and practical
applications for those
looking to revive and
grow the relevancy of
their work in choral
music. Tim Sharp is
Executive Director of the
American Choral Directors
Association (ACDA),
Vice-President of the
International Federation
for Choral Music (IFCM),
and Artistic Director of
the Tulsa Chorale.
Relevancy is at the
center of his aggressive
agenda in strategic
planning and progressive
initiatives, achieving
unprecedented success and
changing the conversation
in the choral world. Tim
appears regularly as a
guest conductor and
choral clinician
throughout the world.
Additional books in this
series are Mentoring in
the Ensemble Arts,
Collaboration in the
Ensemble Arts, and
Innovation in the
Ensemble Arts. Chapter 3:
Programming for the
Twenty-First Century
Handout Chapter 10:
Previous i2Choir Concert
Programs Chapter 10: Full
Color Examples. $22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All Shall Be Well Chorale SATB Carl Fischer
Choral SATB Choir SKU: CF.CM9654 Composed by Mark Burrows. Fold. Performa...(+)
Choral SATB Choir SKU:
CF.CM9654 Composed by
Mark Burrows. Fold.
Performance Score. 12
pages. Duration 4:15.
Carl Fischer Music
#CM9654. Published by
Carl Fischer Music
(CF.CM9654). ISBN
9781491157268. UPC:
680160915828. 6.875 x
10.5 inches. Key: Ab
major. English, English.
Julian of Norwich
(1342-1416). Burrow
s's setting of words of
assurance from the
English mystic Julian of
Norwich (1342-1416) is as
relevant today as ever.
For the advanced mixed
ensemble, the powerful
lyrics coupled with
gorgeous harmonies make
this an optimistic song
of hope appropriate
throughout the
year. All shall be
well, And all shall be
well, And all manner of
thing shall be well.
These words of assurance
from the English mystic
Julian of Norwich
(1342-1416) are as
relevant today as ever.
During her life, Julian
saw her community
devastated by the Great
Plague as well as deep
civil unrest. Yet through
all the turmoil came a
vision of hope that has
given the world this
profound text. One of the
most striking features is
how this short text
incorporates so much
repetition. It's as if
the writer knew she must
be gently persistent in
order for her optimistic
message to truly sink in.
The opening section tries
to capture musically some
of that persistent
optimism. Then there is a
departure from this
optimistic tone (measure
26) The feel becomes more
desperate, building to an
anguished cry (measure
38), acknowledging the
reality that, while all
shall be well, things are
very much NOT well right
now. Eventually the
anguish subsides (measure
52) as the music turns
back hopeward with the
calm assurance, again and
again, that all shall be
well. All shall be
well,And all shall be
well,And all manner of
thing shall be well.These
words of assurance from
the English mystic Julian
of Norwich (1342-1416)
are as relevant today as
ever. During her life,
Julian saw her community
devastated by the Great
Plague as well as deep
civil unrest. Yet through
all the turmoil came a
vision of hope that has
given the world this
profound text.One of the
most striking features is
how this short text
incorporates so much
repetition. It’s
as if the writer knew she
must be gently persistent
in order for her
optimistic message to
truly sink in.The opening
section tries to capture
musically some of that
persistent optimism.Then
there is a departure from
this optimistic tone
(measure 26) The feel
becomes more desperate,
building to an anguished
cry (measure 38),
acknowledging the reality
that, while all shall be
well, things are very
much NOT well right
now.Eventually the
anguish subsides (measure
52) as the music turns
back hopeward with the
calm assurance, again and
again, that all shall be
well. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hominis Dies, Op. 158a - Satb Chorale SATB - Intermédiaire Wilhelm Hansen
Mixed Choir [SATB] - Grade 5 SKU: HL.14041389 Liber Canticorum Va....(+)
Mixed Choir [SATB] -
Grade 5 SKU:
HL.14041389 Liber
Canticorum Va.
Composed by Vagn Holmboe.
Large Choral. Hymns &
Chorals. Vocal Score.
Composed 2002. Edition
Wilhelm Hansen #WH29767.
Published by Edition
Wilhelm Hansen
(HL.14041389).
Latin. The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope. The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Everyone Sang Chorale SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano SKU:
CF.CM9740 Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740). ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson. Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let There Be Peace on Earth - SSA Chorale 3 parties SSA [Octavo] - Intermédiaire Alfred Publishing
By Jill Jackson and Sy Miller. Arranged by Jay Althouse. For Choir. (SSA). Chora...(+)
By Jill Jackson and Sy
Miller. Arranged by Jay
Althouse. For Choir.
(SSA). Choral Octavo.
Peace/Brotherhood; Pop.
Level: Level 3 (grade
L3). Choral Octavo. 8
pages. Published by
Alfred Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Riders of the Purple Sage: The Opera based on the novel by Zane Grey (Piano/Vocal Score) Opéra - Intermédiaire Schirmer
Opera in 3 Acts for mixed voices (2[1.2/pic] 2 [1.2/Eh] 2 2- 4 2 2 1-tmp 2-hp,...(+)
Opera in 3 Acts for mixed
voices (2[1.2/pic] 2
[1.2/Eh]
2 2- 4 2 2 1-tmp 2-hp,
kbd-
str) - Late Intermediate
SKU: EC.8932
Composed by Craig
Bohmler.
Instrumental part. E.C.
Schirmer Publishing
#8932.
Published by E.C.
Schirmer
Publishing
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let There Be Peace on Earth - CD Only CD Chorale [CD d'accompagnement] - Intermédiaire Alfred Publishing
By Jill Jackson and Sy Miller. Arranged by Jay Althouse. For Choir. Choral Octav...(+)
By Jill Jackson and Sy
Miller. Arranged by Jay
Althouse. For Choir.
Choral Octavo.
Peace/Brotherhood; Pop.
CD. Published by Alfred
Publishing.
$27.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Notes on The Teaching of First Piano Lessons (Scenes at a Farm) Piano seul Forsyth Publications
| | |
| Hominis Dies Op.158a - Liber Canticorum Va Chorale SATB SATB A Cappella - Intermédiaire Wilhelm Hansen
SATB Choir a cappella - Grade 5 SKU: BT.WH29767 Liber Canticorum Va(+)
SATB Choir a cappella -
Grade 5 SKU:
BT.WH29767 Liber
Canticorum Va.
Composed by Vagn Holmboe.
Liber Canticorum
(Hansen). Hymns &
Chorals. Vocal Score.
Composed 2002. 40 pages.
Edition Wilhelm Hansen
#WH29767. Published by
Edition Wilhelm Hansen
(BT.WH29767).
Latin. The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Make Them Hear You Chorale TTBB TTBB A Cappella Alfred Publishing
Choir Secular (Men's Choir) SKU: AP.47625 From Ragtime. Com...(+)
Choir Secular (Men's
Choir) SKU:
AP.47625 From
Ragtime.
Composed by Lynn Ahrens
and Stephen Flaherty.
Arranged by Kirby Shaw.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Secular. Choral
Octavo. 8 pages. Alfred
Music #00-47625.
Published by Alfred Music
(AP.47625). UPC:
038081543185.
English. Here's the
heart-swelling central
anthem from Ragtime,
beautifully arranged for
a cappella voices! A lush
ah and oo introduction
yields to the stirring
strains of Stephen
Flaherty's stunning
Broadway ballad, which
gradually builds to a
wall of sound as Lynn
Ahrens' lyrics unfold.
This arrangement delivers
the spirit and truth of
an important
message---especially
relevant today.
About Alfred
Pop Choral
Series The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs. $2.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Make Them Hear You Chorale SATB SATB, Piano Alfred Publishing
Choir Secular (SATB choir) SKU: AP.47623 From Ragtime. Comp...(+)
Choir Secular (SATB
choir) SKU:
AP.47623 From
Ragtime.
Composed by Lynn Ahrens
and Stephen Flaherty.
Arranged by Kirby Shaw.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Secular. Choral
Octavo. 8 pages. Alfred
Music #00-47623.
Published by Alfred Music
(AP.47623). UPC:
038081543161.
English. Here's the
heart-swelling central
anthem from Ragtime,
beautifully arranged for
a cappella voices! A lush
ah and oo introduction
yields to the stirring
strains of Stephen
Flaherty's stunning
Broadway ballad, which
gradually builds to a
wall of sound as Lynn
Ahrens' lyrics unfold.
This arrangement delivers
the spirit and truth of
an important
message---especially
relevant today.
About Alfred
Pop Choral
Series The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs. $2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Cross (Book) Chorale SATB Lillenas Publishing Co.
SATB choir, drama, media, and congregation SKU: LP.ME-61 Where God's G...(+)
SATB choir, drama, media,
and congregation SKU:
LP.ME-61 Where
God's Grace Meets Our
Need. Composed by Tom
Fettke & Camp Kirkland.
Arranged by Kirkland,
Fettke, Allen, and Parks.
This edition: Paperback.
Musical. Easter musical.
Multicultural, Easter and
Sacred. Book. Duration 38
minutes. Published by
Lillenas Publishing
Company (LP.ME-61).
ISBN
9780834174016. The
cross of Jesus is as
relevant today as when it
first stood atop Calvary.
It is a symbol that
represents the
intersection of saved
lives after Jesus' death
and resurrection.The
multi-sensory musical
with DVD multi-media. $8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prayer of Devotion Chorale SATB SATB A Cappella Brookfield Press
Open My Eyes. Composed by Lee Dengler. Brookfield Choral Series. A Cappella, G...(+)
Open My Eyes. Composed by
Lee
Dengler. Brookfield
Choral
Series. A Cappella,
General
Worship, Sacred. Octavo.
4
pages. Published by
Brookfield Press
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Let There Be Peace on Earth - TTB Chorale 3 parties TTB/TBB [Octavo] - Intermédiaire Alfred Publishing
By Jill Jackson and Sy Miller. Arranged by Jay Althouse. For Choir. (TBB). Chora...(+)
By Jill Jackson and Sy
Miller. Arranged by Jay
Althouse. For Choir.
(TBB). Choral Octavo.
Peace/Brotherhood; Pop.
Level: Level 3 (grade
L3). Choral Octavo. 8
pages. Published by
Alfred Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Listen to the Music Chorale SATB Alfred Publishing
Composed by Tom Johnston. Arranged by Kirby Shaw. Choir Secular. SATB choir. Cho...(+)
Composed by Tom Johnston.
Arranged by Kirby Shaw.
Choir Secular. SATB
choir. Choral Octavo. Pop
Choral. Pop; Secular. 16
pages. Published by
Alfred Music
$2.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let There Be Peace on Earth - 2 Part Chorale 2 parties 2 parties [Octavo] - Facile Alfred Publishing
By Jill Jackson and Sy Miller. Arranged by Jay Althouse. For Choir. (2-Part). Ch...(+)
By Jill Jackson and Sy
Miller. Arranged by Jay
Althouse. For Choir.
(2-Part). Choral Octavo.
Peace/Brotherhood; Pop.
Level: Level 2 (grade
L2). Choral Octavo. 8
pages. Published by
Alfred Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let There Be Peace on Earth Chorale SATB SATB [Octavo] Alfred Publishing
By Jill Jackson and Sy Miller. Arranged by Jay Althouse. For Choir. (SATB). Cho...(+)
By Jill Jackson and Sy
Miller. Arranged by Jay
Althouse. For Choir.
(SATB). Choral Octavo.
Peace/Brotherhood; Pop.
Level: Level 4 (grade
L4). Choral Octavo. 8
pages. Published by
Alfred Publishing.
(3)$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Voice of the Warm Livre - Pas de partitions Biographie [Livre]
The Life of Rod McKuen. Book. Biography/Composers & Musicians. Softcover...(+)
The Life of Rod McKuen.
Book.
Biography/Composers &
Musicians. Softcover. 240
pages. Published by
Rowman &
Littlefield
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Let There Be Peace on Earth Chorale 3 parties SAB [Octavo] Alfred Publishing
By Jill Jackson And Sy Miller. Arranged by Jay Althouse. For Choir. (SAB). Chor...(+)
By Jill Jackson And Sy
Miller. Arranged by Jay
Althouse. For Choir.
(SAB). Choral Octavo.
Choral Designs.
Peace/Brotherhood; Pop.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soundbreaking Hal Leonard
SKU: HL.275913 Stories from the Cutting Edge of Recording Music. E...(+)
SKU: HL.275913
Stories from the
Cutting Edge of Recording
Music. Edited by
Robert Santelli. Book.
Biography / Music Bisac,
Biography/Composers &
Musicians,
Recording/Music Business.
Hardcover Media Online.
144 pages. Published by
Hal Leonard (HL.275913).
ISBN 9781495177538.
UPC: 888680745134.
9.0x12.0x0.756 inches. As
Told By The Artists
Foreword by George Martin
Introductory Essays -
Robert
Santelli. This book
was inspired by the
eight-part Grammy(r)
nominated film series
titled, Soundbreaking:
Stories from the Cutting
Edge of Recorded Music.
As Executive Producer,
Sir George Martin, was
the inspiration and
intellectual force behind
the series, which
explores a century's
worth of innovation and
experimentation in the
creation of music to
present a
behind-the-scenes look at
the birth of new sounds.
From the Beatles'
groundbreaking use of
multitrack technology to
the synthesized stylings
of Stevie Wonder, from
disco-era drum machines
to the modern art of
sampling, Soundbreaking
tells the stories behind
the sounds and reveals
how innovation redefined
not only what we listen
to and how we listen to
it, but our very sense of
what music is and can be.
Soundbreaking features
original interviews with
more than 150 of the most
celebrated artists,
producers, and music
industry pioneers of our
time. This volume
presents a curated
selection of those
interviews from across
eras and genres. The
twenty-one artists
featured here share their
personal insights, which
point to themes that
emerge and echo
throughout: the
importance of varied
cultural influences on
music careers; the role
of technology innovation
in the creative process;
and most commonly, the
human connection to
music. Through their lens
we discover fascinating
new insights into music
and especially into the
relationship between
artist and genres, an
area that has been rarely
studied. For some
readers, this book will
evoke many of the sounds
and textures of days gone
by. For others, it will
serve to open doors to
further enjoyment and
that those readers will
pursue artists and others
whose names may not be
familiar. Robert
Santelli's introductions
to each of the profiles
puts each artist in
context. They have all
made valuable
contributions to what has
often been referred to as
the soundtrack of our
lives. Their music is as
relevant today as when we
first heard it. Recorded
music has crossed the
lines that separate
cultures, ideas, and
generations. In exploring
the story of their own
music, the voices in this
book provide thoughtful
insight to the
extraordinary influences
of recorded music on the
modern world. $39.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Five Little Dances Orchestre d'harmonie - Facile Schirmer
Score Only Concert Band (FULL SCORE) - Grade 3 SKU: HL.50498648 Composed ...(+)
Score Only Concert Band
(FULL SCORE) - Grade 3
SKU: HL.50498648
Composed by Paul Creston.
Arranged by Robert
Longfield. G. Schirmer
Band/Orchestra.
Classical. 28 pages.
Published by G. Schirmer
(HL.50498648). ISBN
9781480312951. UPC:
884088878481.
9.0x12.0x0.071
inches. Paul
Creston was one of the
most performed composers
of the 1940s and '50s,
and his music remains
important and relevant
today. His unique
rhythmic and harmonic
style is apparent in Five
Little Dances, his only
work for piano. Robert
Longfield's marvelous
adaptation for band
retains the character and
charm of these delightful
dances. Dur: 6:40. $10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Listen to the Music Chorale 3 parties SAB, Piano Alfred Publishing
Composed by Tom Johnston. Arranged by Kirby Shaw. Choir Secular. 3-Part Mixed Ch...(+)
Composed by Tom Johnston.
Arranged by Kirby Shaw.
Choir Secular. 3-Part
Mixed Choir (SAB). Choral
Octavo. Pop Choral. Pop;
Secular. 16 pages.
Published by Alfred Music
$2.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Master Conductors: Frank Battisti [DVD] GIA Publications
| | |
| Listen to the Music Chorale 3 parties SSA, Piano Alfred Publishing
Composed by Tom Johnston. Arranged by Kirby Shaw. Performance Music Ensemble; Si...(+)
Composed by Tom Johnston.
Arranged by Kirby Shaw.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-43580.
Published by Alfred Music
(AP.43580).
$2.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nowhere to Run (Book) Lillenas Publishing Co.
Unison choir with 2nd and 3rd part optional voicings SKU: LP.MB-835 A ...(+)
Unison choir with 2nd and
3rd part optional
voicings SKU:
LP.MB-835 A
Contemporary Prodigal Son
Musical. Composed by
Peter & Hanneke Jacobs.
This edition: Paperback.
Musical. A musical
designed for middle
schoolers that shows the
lessons of the prodigal
son are still relevant
today. Contemporary and
Sacred. Book. Duration 50
minutes. Published by
Lillenas Publishing
Company (LP.MB-835).
ISBN
9780834199989. Some
things NEVER change!
Human nature, for
example. Peter and
Hanneke Jacobs offer an
updated, contemporary
approach to Jesus'
parable of the Prodigal
Son. Specifically
arranged for middle
school voices, singers
and congregations alike
will apprec. $8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Short Piano Pieces Piano seul Carl Fischer
| | |
| O the Chimneys Theodore Presser Co.
Chamber Music Clarinet, Flute, Percussion, Piano, Tape, Violoncello, soprano voi...(+)
Chamber Music Clarinet,
Flute, Percussion, Piano,
Tape, Violoncello,
soprano voice SKU:
PR.11140180S For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of performance
scores. With Standard
notation. Composed 1969.
52 pages. Duration 18
minutes. Theodore Presser
Company #111-40180S.
Published by Theodore
Presser Company
(PR.11140180S). UPC:
680160601691. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger. O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O the Chimneys Theodore Presser Co.
Chamber Music Clarinet, Flute, Mezzo-soprano voice, Percussion, Piano, Tape, Vio...(+)
Chamber Music Clarinet,
Flute, Mezzo-soprano
voice, Percussion, Piano,
Tape, Violoncello SKU:
PR.111401800 For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Arranged by
Nelly Sachs. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 1969.
51+16+14+20+14+15 pages.
Duration 18 minutes.
Theodore Presser Company
#111-40180. Published by
Theodore Presser Company
(PR.111401800). UPC:
680160618132. 8.5 x 11
inches. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger. O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Page suivante 1 31 61 |