Performed by Mannheim Steamroller. Piano Solo. Size 9x12 inches. 64 pages. Published by Hal Leonard.

By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017A. Published by Musik Fabrik

Why Charlie Watts Matters. By Charlie Watts and The Rolling Stones. Book. Biography/Composers & Musicians. Softcover. Published by Rowman & Littlefield

14 Formula 602 Sound Edge Hi-Hat Bottom

SKU: HL.3710140

14-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1043314. Published by Hal Leonard (HL.3710140).

UPC: 697643109261. 14.0x14.0x1.25 inches.

One of the world's most referred and legendary cymbal lines in history. Renowned and loved for its fine, pure, soft, delicate musical tone that requires precise playing. Alloy: CuSn20, also known as “Traditional Bronze” or “602 Bronze” Applications: Low to medium loud settings, especially well-suited for recording, live; jazz, fusion, blues, moderate pop and rock, country folk, acoustic music Sound: Warm, silvery, mellow, cool, light, fine, precise and controlled; Cymbals with clarity and retro vintage character combined with a velvety, sensitive, very responsive feel. Size: 14-inches Weight: medium bottom Volume: medium low to medium loud Stick Sound: soft, fairly dry Intensity: lively Sustain: medium Chick Sound: airy, light, papery Sound character: Rich, silvery, bright, somewhat mellow. Wide range, fairly complex mix. Quick and responsive feel with a soft and warm touch. Very controllable. Full, round and energetic open sound, paired with a light and airy chick sound. Ideal for playing at moderate volume level and a wide range of studio applications.

Piano, Vocal and Guitar

SKU: HL.14029949

By Alison Hedger. By Sheila Wilson. Music Sales America. Musicals. Book and CD. Composed 2015. 48 pages. Music Sales #GA11858. Published by Music Sales (HL.14029949).

ISBN 9781847722218. English.

Now available for the first time as a book and CD package. In this highly entertaining Nativity, Sheik, Rattle and Roll are the names of the three wise men, who tell the tale from their own perspective. A large cast list can include children as young as 5. With a wide variety of song styles, including a lullaby, rock and roll and blues. The CD contains demonstration and backing tracks.

SKU: HL.347642

15-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1043115. Published by Hal Leonard (HL.347642).

UPC: 697643110472. 15.0x15.0x0.126 inches.

Formula 602 Classic Sounds is one of the world's most preferred and legendary cymbal lines in history. Renown and loved for its fine, pure, soft, delicate musical tone, that requires precise playing. Reintroduction of the most popular models, faithfully re-created in terms of sound and look, started in 2011. Forged from the legendary “602 Bronze” (CuSn20), handcrafted from start to finish by highly skilled Swiss craftsmen, Formula 602 Classic Sounds cymbals produce a true, pure sound of unique clarity and consistency. Weight: medium top/medium bottom Volume: medium low to medium loud Stick Sound: soft, fairly dry Intensity: lively Sustain: medium Chick Sound: airy, light, papery Sound Character: Rich, silvery, somewhat mellow. Wide range, fairly complex mix. Quick and responsive feel with a soft and warm touch. Very controllable. Full, round and energetic open sound, paired with a light and airy chick sound. Ideal for playing at moderate volume level and a wide range of studio applications.

By Jeff Moore. For Snare Drum. Percussion - Snare Drum Method. Book & CD. 80 pages. Published by Alfred Publishing.

Easy-to-Use Drum Charts with Kit Legends and Lyric Cues. Composed by Various. Drum Book. Pop. Softcover. 336 pages. Published by Hal Leonard

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

By Alessandro Rolla (1757-1841). Winds and Strings. For flute, clarinet in A, bassoon, 2 violins, and viola. Unique combination.. Classical. Score and parts. Published by Rosewood Publications

250 Songs. By Various. Bass. Blues, Pop, Rock. Softcover. 500 pages. Published by Hal Leonard

Treble Recorder and Piano - Advanced

SKU: FP.FHP07

Composed by Peter Hope. Sheet Music and Books. Peter Hope's charming work for recorder and piano, evoking a ride on a tram in the first half of the 20th century. Classical. Score and part. Forsyths Publications #FHP07. Published by Forsyths Publications (FP.FHP07).

ISBN 9790570504091.

This short piece for recorder and piano, written for the 50th anniversary of the Stockport Recorder College, is an affectionate memory of the double decker trams the composer recalls from his childhood in the 1930s and 40s. The conductor rings the bell, the tram starts, picks up speed and away we go bringing memories of care free days some 80 years ago.

Peter Hope has worked for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other leading composers including John Williams and James Horner. His original compositions include the Suite Ring of Kerry (which won an Ivor Novello Award in1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble, and an Oboe Sonata, recently published by Forsyth and written in memory of Evelyn Barbirolli.

Hopeâ €™s Bramall Hall Dances, for recorder and guitar/piano is also published by Forsyth and has become a standard repertoire work for the recorder. Further recorder publications Geordie Tunes, Tallis Remembered and his Recorder Sonata are available from the same publisher.

By AC/DC. For Guitar. Rock. Lyric and Chord Book. Text language: English. 285 pages

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

SKU: AP.40-31512

Composed by Featuring The Edge (U2), Jack White (The White Stripes), and Jimmy Page (Led Zeppelin). Artist/Personality; Personality DVD. Rock. DVD. Alfred Music #40-31512. Published by Alfred Music (AP.40-31512).

UPC: 043396315129. English. Featuring The Edge (U2); Jimmy Page (Led Zeppelin); Jack White (The White Stripes).

There are guitar players, and then there are rock stars. It Might Get Loud is an epic, exhilarating backstage pass into the world of the latter. Over the course of one day, three generations of electric guitar phenoms come together, crank up their amps, and let it roll. Documentarian Davis Guggenheim gives us so much more than an all-star jam session (that alone would make even the gnarliest of rock geeks giddy); he leads us to these artists' inner sanctums and illuminates the paths each one traveled to forge a sound of his own. We begin to understand how a London studio musician, a Dublin schoolboy, and a one-time furniture upholsterer from Detroit redefined the horizons of guitar playing. Meanwhile, Jimmy Page (Led Zeppelin), the Edge (U2), and Jack White (The White Stripes) seem genuinely to enjoy each other's company while sharing riffs, swapping stories, and divulging their distinct philosophies of craft. This soulful opus is at once a portrait of each artist and a captivating examination of the creative process. It Might Get Loud does get loud, and in the process, opens up our minds and hearts to a whole new way of listening to and enjoying what it means to rock.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

SKU: GI.G-7647

Foreword by Peter Loel Boonshaft. Composed by Trey Reely. Music Education. Book. 204 pages. GIA Publications #7647. Published by GIA Publications (GI.G-7647).

ISBN 9781579997663. English.

Roll James Thurber, Woody Allen, Art Buchwald, and Dave Barry into a single person and make him a band director in Arkansas, then give him a regular column in The Instrumentalist magazine. The result is chuckling, chortling, and out-and-out guffawing as author Trey Reely present the trials and rewards of band directing in his unique, rambunctious style. On page after page, Reely has us nodding it’s true, it’s true with funny, pithy essays like The Unwritten Rules of Band (When you make a mistake, glare at your neighbor), Top Excuses for not Practicing (My reed is cracked and I don’t have any money to buy a new one on account of the iPod I bought. Or If I get better than Joey he won’t let me be his girlfriend anymore. Or I do better if I don’t practice.), Band Directors Are from Mars, Football Coaches Are from Venus, and plenty of instructional, conceptual, conducting, and rehearsal tips. More than 37 illustrated articles chock full of laughter and wisdom await you from the author of Mr. Holland on the Edge. Trey Reely is Director of Bands at Paragould High School in Paragould, Arkansas. He has a regular column in The Instrumentalist magazine.

By Glenn Riley. For Guitar. Guitar Method or Supplement. 0. Rock. Book & CD. 96 pages. Published by Alfred Publishing.

(Build Blazing Speed, Power and Control). Percussion. DVD. Published by Centerstream Publications

by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.

Chorus (with soloists) and piano (solos: 2S2Mez6TBar7B - choir: SSAATB - 2(picc).2(cor ang).2(Bb-clar).2(dble bsn) - 4.2.3.0 - timp.perc(3) - hp - cel - str - stage music: trp.2tbne.perc)

SKU: BR.EB-9429

A Chinese Fable in 2 Acts after Carlo Gozzi. Composed by Ferruccio Busoni. Choir. Edition Breitkopf. Opera; Music theatre; Early modern. Piano/Vocal Score. Duration 85'. Breitkopf and Haertel #EB 9429. Published by Breitkopf and Haertel (BR.EB-9429).

ISBN 9790004189061. 0 x 0 inches. German / Italian.

Text by the composer based on a drama by Carlo GozziTranslation: engl. (L. Salter), ital. (O. Previtali)Place: Im aussersten Orient. Vor dem Stadttor Pekings, Thronsaal im Kaiserpalast, das Frauengemach TurandotsCharacters: Altoum, Kaiser (bass) - Turandot, seine Tochter (soprano) - Adelma, ihre Vertraute (mezzo-soprano) - Kalaf, Sohn des Timur, ein Prinz (tenor) - Barak, sein Getreuer (baritone) - Die Koniginmutter von Samarkand, eine Mohrin (soprano) - Truffaldino, Haupt der Eunuchen (tenor) - Pantalone, Minister (bass) - Tartaglia, Minister (bass) - Acht Doktoren (4 tenors, 4 basses) - Eine Vorsangerin (mezzo-soprano) - Der Scharfrichter (stumme Rolle)Busoni's work, which antedates Puccini's famous setting by a few years, seems rather cool in com-parison to the later piece. Busoni tones down the colors of his orientalisms and totally eschews sentimental lyricism. His strengths lie especially in the scintillating, unfathomable characters and in a music that hovers in an ambivalent manner between brightness and darkness, sadness and humor, danger and harmlessness. This work of art makes its references clear: Gozzi's play about the murderous princess is peopled with familiar commedia dell'arte figures, and one is not quite sure whether this mixture of fun and danger gives a more relaxed feeling to the activity on the stage or whether it does not do precisely the opposite, adding the irreconcilable perspective of a gondola trip on the edge of a bottomless gulf. Busoni is more faithful to Gozzi than Puccini and thus to the gracious levity that hovers over the excesses of the action. His mild chinoiseries repeatedly lead to a Neo-Classicism inspired by Venetian folklore. (Hans-Klaus Jungheinrich, 1985) Turandot was premiered with Arlecchino in Zurich on 11 May 1917.

Concert Band - Grade 2.5

SKU: AP.49109S

Composed by Jorge L. Vargas. Concert Band; MakeMusic Cloud; Performance Music Ensemble. Young Symphonic. Score. 24 pages. Duration 3:05. Alfred Music #00-49109S. Published by Alfred Music (AP.49109S).

ISBN 9781470646295. UPC: 038081564654. English.

A musical roller coaster, this enthusiastic Jorge Vargas original composition will keep your students and audiences on the edge of their seats. With an energetic pace, syncopated rhythms, and exciting chords, Tension will take you on an emotional journey that will keep your students engaged until the very end! (3:05) This title available in MakeMusic Cloud.

Concert Band - Grade 2.5

SKU: AP.49109

Composed by Jorge L. Vargas. Concert Band; MakeMusic Cloud; Performance Music Ensemble. Young Symphonic. Score and Part(s). 153 pages. Duration 3:05. Alfred Music #00-49109. Published by Alfred Music (AP.49109).

ISBN 9781470646288. UPC: 038081564647. English.

A musical roller coaster, this enthusiastic Jorge Vargas original composition will keep your students and audiences on the edge of their seats. With an energetic pace, syncopated rhythms, and exciting chords, Tension will take you on an emotional journey that will keep your students engaged until the very end! (3:05) This title is available in MakeMusic Cloud.