Mezzo-soprano voice, strings - Grade 5

SKU: OT.38062

Composed by Daniel Akiva. Study score. With Text Language: Ladino. Duration 20:00. Published by OR-TAV Music Publications (OT.38062).

Text: Avner Peretz, traditional.

Daniel Akiva is an internationally known composer and guitar artist. Like many of his works, Sarina kanta relates to music of the Sephardic (Spanish) Jewish tradition. This song cycle on poems by the contemporary Ladino poet Avner Perez and traditional Ladino songs. Study score. Parts available on hire from the publisher.

Fifty Years of Jewish Song. Edited by Velvel Pasternak. Tara Books. Jewish. Softcover. 424 pages. Tara Publications #JUBILEE. Published by Tara Publications

Soprano voice

SKU: OT.28101

Composed by Daniel Akiva. For mezzo-soprano and piano. Classical, Jewish. Performance score. OR-TAV Music Publications #28101. Published by OR-TAV Music Publications (OT.28101).

ISBN 9789655050752. 8.27 x 11.69 inches.

Song cycle in Ladino for mezzo-soprano and piano.
The song cycle Sarina kanta is sung in Ladino and was inspired by Sephardic folk songs. Various folk songs are quoted in the work. The first movement is a fantasia based on a poem by Avner Perez, Sarina kanta romansas, (Sarina sings romances). Sarina is Perez' grandmother, whose memory is recalled in this cycle of poems. The remaining movements are based on songs from the Ladino repertoire. Sarina kanta is also published for soprano and piano, and in the original version for mezzo-soprano and string orchestra.
Contents:
Sarina kanta
Una matika de ruda
Ya abasha la novia
La Estreyas
Ya salio de la mar
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. FOr many years he chaired the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-1019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Arranged by Flo Jagoda. Tara Books (Tara: The Best in Jewish Music). Size 8.7x11.2 inches. 90 pages. Published by Hal Leonard.

Arranged by Michael Isaacson. (TB). Transcontinental Music Choral. Jewish. 13 pages. Published by Transcontinental Music Publications.

By David Poole. (SAB). TRANSCONTINENTAL MUSIC CHORAL. Jewish. Size 6.75x10.5 inches. 8 pages. Published by Transcontinental Music Publications.

Guitar - Intermediate

SKU: OT.26114

Composed by Ariel Lazarus. A short suite for classical guitar based on themes from the Spanish and Portuguese tradition. Classical. Score. OR-TAV Music Publications #26114. Published by OR-TAV Music Publications (OT.26114).

ISBN 9789655051049. 8.27 x 11.69 inches.

Ariel Lazarus
Guitarra Liturgia
Two pieces based on music from the Spanish and Portuguese tradition.
Contents:
Jerusalem de Sefarad - Suite for Guitar
Contrapunto Sefardi
The composer writes:
For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.
Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions.
Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program.
His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe.
Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.

Voice,guitar

SKU: OT.28104

Composed by Daniel Akiva. Sephardic Anthology for voice and guitar. Classical,Jewish. Performance score. OR-TAV Music Publications #28104. Published by OR-TAV Music Publications (OT.28104).

ISBN 9789655051100. 8.27 x 11.69 inches.

Daniel Akiva
Alma i Vida i Korason
Sephardic Anthology for voice and guitar

The 18 songs of the collection Alma i Vida i Korason include romansas, cantigas, life cycle songs and original music composed to poems by Avner Perez, a journey in Ladino song from the Middle Ages through the 21st century. Alma i Vida i Korason was recently recorded by Sivan Goldman, soprano and Daniel Akiva, guitar, together with a special series of short videos filmed at the Ralli Museum in Caesarea, Israel. For further information, please visit the YouTube and Spotify channels of the composer.
Contents:
1. A la una Naci yo
2. Kisa Agora el Amor
3. Durme Durme Mi Andjeliko
4. Morena me Yaman
5. La Serena
6. Durme Durme Mi Alma Donzeya
7. Noches Noches
8. Mama Yo no Tengo Visto
9. Ya Abasha La Novia
10. Esta Noche
11. Ya Viene El Kativo
12. Komo La Roza
13. Ay Linda Amiga
14. El Prisionero
15. Kantiga de Kune Para Selanik
16. Puncha Puncha
17. Durme Hermozo Hiziko
18. Sirkiji

Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have earned international acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies of lute with Jonathan Rubin and composition with Jean Ballisa at the Geneva Conservatorium in Switzerland. In 1986 he founded the Music Department at the WIZO High School for the Arts in Haifa which he headed for over thirty years. As part of his work at WIZO High School, he developed a method for teaching free improvisation which has been incorporated into the music program at the school. He also served as the Artistic Director of the Guitar Gems Festival from 2006-2018.
Mr. Akiva has performed in concerts as a guitarist and lutenist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. Akiva's work Psalms for guitar solo was awarded the ACUM prize for composition in 1990, and his string quartet Ciclos was awarded the ACUM prize for composition in 2002. In 2006 his CD Hope, recorded with Laurel Zucker (flute) and Ronit Widmann-Levy (soprano) was awarded the Amazon prize. In 2017 Akiva was awarded the Prime Minister's Prize for composers in Israel.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. A large part of his oeuvre has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue throughout the years with poets and writers Amnon Shemesh, Rivka Miriam, and Avner Perez.
105 pages, softcover.

Arranged by Michael Isaacson. (TTB). Transcontinental Music Choral. Jewish. Size 8.5x11 inches. 12 pages. Published by Transcontinental Music Publications.