Arranged by Michael Story. Traditional. For Concert Band. Concert Band. Belwin Young Band. Level: Easy (grade II). Conductor Score. 24 pages. Published by Alfred Publishing.

Arranged by Michael Story. Traditional. For Concert Band. Concert Band. Belwin Young Band. Multicultural. Level: 2 (Easy) (grade 2). Conductor Score and Parts. 358 pages. Published by Alfred Publishing.

Classroom/Pre-School; Early Childhood. Multicultural; Traditional. Book and Digital Download. 72 pages. Faber Music #12-0571542549. Published by Faber Music

Composed by Daniele Carnevali. For Concert band. 1.Jota 2.Habanera 3.Paso doble. Original Work, Suite. Grade 3. Score and set of parts. Duration 6:20. Published by Scomegna Edizioni Musical srl

Choir (SATB choir)

SKU: AP.48897

Arranged by Victor C Johnson. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Carol Arrangement; Christmas; Multicultural; Sacred; Traditional; World. Choral Octavo. 12 pages. Alfred Music #00-48897. Published by Alfred Music (AP.48897).

UPC: 038081562216. English. Traditional Spanish Carol.

Victor's arrangement of this gentle nativity carol from Spain is sung entirely in the original language (a pronunciation and translation are included). This sensitive treatment captures the lullaby mood and adds a light rhythmic undercurrent in moderate 3/4 time. The tonality shifts seamlessly between D minor and D major to reflect a text that moves from quieting the baby to a rushing fountain and singing birds. While the words do return, no two verses are set in the same manner, creating an ever-evolving arrangement. Piano fingers dance over the keys with triplet turns and easily grasp the bigger chords in the supportive and stylistic accompaniment. A nice contrast on holiday programs.

Choir (Women's Choir)

SKU: AP.48898

Arranged by Victor C Johnson. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Carol Arrangement; Christmas; Multicultural; Sacred; Traditional; World. Choral Octavo. 12 pages. Alfred Music #00-48898. Published by Alfred Music (AP.48898).

UPC: 038081562223. English. Traditional Spanish Carol.

Victor's arrangement of this gentle nativity carol from Spain is sung entirely in the original language (a pronunciation and translation are included). This sensitive treatment captures the lullaby mood and adds a light rhythmic undercurrent in moderate 3/4 time. The tonality shifts seamlessly between D minor and D major to reflect a text that moves from quieting the baby to a rushing fountain and singing birds. While the words do return, no two verses are set in the same manner, creating an ever-evolving arrangement. Piano fingers dance over the keys with triplet turns and easily grasp the bigger chords in the supportive and stylistic accompaniment. A nice contrast on holiday programs.

An Anthology of Music from Around the World. By Jonathan Stock. Schott. Transcription book (only). Size 8.25x11.75 inches. 96 pages. Published by Schott.

Clarinet, Guitar

SKU: OT.23105

Composed by Daniel Akiva. 42 miniatures for clarinet and guitar inspired by Jewish liturgical music from the Middle East. Classical,Jewish. Performance score. OR-TAV Music Publications #23105. Published by OR-TAV Music Publications (OT.23105).

ISBN 9789655051155. 8.27 x 11.69 inches.

Daniel Akiva
Sephardic Anthology of Piyutim
for clarinet and guitar
clarinet edited with special fingerings by Guy Yehuda
42 miniatures

Sephardic Anthology of Piyutim for Clarinet and Guitar is a fabric of 42 short pieces based on prayers and piyutim that Daniel collected and researched over many years. He learned the basis of this tradition from his father, the paytan Yitzhak Akiva. Daniel also participated in various projects of the Israel Broadcast Authority in the field of Sephardic (Spanish) Jewish music, served as chazzan (cantor) in his community, and two years ago participated in the Illumination: Early Jewish Italian Spiritual Music project produced by Ayela Seidelman and Bari Moscovitz.
The anthology for clarinet and guitar is part of a large project which includes recordings of the original piyutim on which these compositions are based with various artists and paytanim. The project includes piyutim of the Jerusalem and Haifa Sephardic traditions, medieval Italian tradition, and Moroccan tradition.
Sephardic - Spanish. Jews descended from those expelled from Spain in 1492 and their traditions.
Piyut (pl. piyutim) - liturgical poems
Paytan (pl. paytanim) - a singer or composer of piyutim.

Concert Band - Grade 2.5

SKU: AP.45789S

Composed by Various. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Form: Medley. Latin; Multicultural. Score. 28 pages. Duration 3:45. Belwin Music #00-45789S. Published by Belwin Music (AP.45789S).

UPC: 038081529479. English. Various.

Three delightful contrasting traditional Spanish melodies are seamlessly interwoven for concert or contest programming. Including the revered Asturias by Isaac Albéniz, Granados' Spanish Dance #5 from his Twelve Spanish Dances, and the well-known España Cañi, a paso doble by Pascual Marquina Narro featuring a wide variety of ensemble textures. Intellectual, musical, and worldly! (3:45).

For voice, piano and guitar chords. Format: piano/vocal/chords songbook (spiral-bound). With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Broadway, vocal standards, standards and traditional pop. 479 pages. 9x12 inches. Published by Hal Leonard.

Concert Band - Grade 2.5

SKU: AP.45789

Composed by Various. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Form: Medley. Latin; Multicultural. Score and Part(s). 256 pages. Duration 3:45. Belwin Music #00-45789. Published by Belwin Music (AP.45789).

UPC: 038081529462. English. Various.

Three contrasting and delightful traditional Spanish melodies are seamlessly interwoven for concert or contest programming. Including the revered Asturias by Isaac Albéniz, Granados' Spanish Dance #5 from his Twelve Spanish Dances, and the well-known España Cañi, a paso doble by Pascual Marquina Narro featuring a wide variety of ensemble textures. Intellectual, musical, and worldly! (3:45).

SKU: CA.240700

Composed by Various. Edited by Martin Schmeisser, Christine Riedl. LIEDERPROJEKT. Weihnachtslieder Aus Aller Welt. Buch+Mitsing-Cd. Sacred vocal music, Christmas Carols. Songbook with sing-along CD. 128 pages. Carus Verlag #CV 02.407/00. Published by Carus Verlag (CA.240700).

ISBN 9790007165949.

Thro ughout the world Christmas is celebrated - sometimes at the end of December, sometimes at the beginning of January. And everywhere, singing Christmas carols is part of the celebrations. Some carols, such as Adeste fideles - O come, all ye faithful - are sung throughout the world, but many countries have their own particular carols which reflect their own customs and traditions. These Christmas carols from all over the world feature in the latest instalment of the LIEDERPROJEKT which is published in autumn 2015. For the song book the editors have chosen about 72 carols from over 40 countries - from Spain and Poland, from Mexico and Canada, China and Australia, Iceland and the Congo. The spectrum is wide-ranging: indispensible standards (carols, spirituals, noels) are joined by musical treasures which are largely unknown. All the songs are given in their original language and in German translation, with chord symbols above the music for easy instrumental accompaniment. The song book contains an instrumental CD to get to know the pieces and sing along with. For all the songs, one or two verses have been recorded, and different instruments and arrangements give an idea of the wide musical range. Frank Walka, who illustrated the hugely successful Wiegenlieder (Lullabies) and Weihnachtslieder (Christmas Carols) volumes for the LIEDERPROJEKT, has created 17 beautiful double-page illustrations for the song book. Audio versions of the spoken original texts, to help with pronunciation, are available at www.liederprojekt.org under each song title, and help with learning the carols.

Oboe

SKU: OT.23127

Composed by Daniel Akiva. 4 miniatures for oboe solo. Classical, Jewish. Score. OR-TAV Music Publications #23127. Published by OR-TAV Music Publications (OT.23127).

ISBN 9789655050721. 8.27 x 11.69 inches.

Bakashot are piyyutim (relig ious poems) which are sung late at night mostly on Sabbaths and holidays. These poems have many spiritual and mystical influences, and their origin is among the Sephardic Jews before the Expulsion from Spain. The singing of the bakashot was expanded during the 16th Century, particularly by the mystics in Safed, and appears also in the singing of the the maftirim among Turkish Jews.
These four miniatures for oboe solo are personal prayers written in the inspiration of the bakashot.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover. 696 pages. Published by Hal Leonard

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. Softcover. 696 pages. Published by Hal Leonard

Chamber Music Guitar, alto Saxophone

SKU: PR.114419970

Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-41997. Published by Theodore Presser Company (PR.114419970).

UPC: 680160684670. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.
Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’ s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.

Chamber Music flute, guitar

SKU: PR.114422330

Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42233. Published by Theodore Presser Company (PR.114422330).

ISBN 9781491133781. UPC: 680160683253. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.

Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.

-S.G.
Fla menco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020. -S.G.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’ s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G.

Chamber Music Clarinet, Guitar

SKU: PR.114422350

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42235. Published by Theodore Presser Company (PR.114422350).

UPC: 680160684687. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.

Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’ s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.

Guitar, keyboard

SKU: GI.G-7400

This edition: Pew edition. Hymnal. Oramos cantando series. Sacred. Book. GIA Publications #7400. Published by GIA Publications (GI.G-7400).

ISBN 9781579999698.

Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style� �€ repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebrac ión” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.

Ensemble (fl, cl, vn, vc) - Difficult

SKU: OU.9780193563940

Composed by Gabriel Erkoreka. Mixed Ensemble. Score and parts. 48 pages. Duration 12'. Oxford University Press #9780193563940. Published by Oxford University Press (OU.9780193563940).

ISBN 9780193563940. 12 x 8 inches.

For flute, clarinet, violin, and cello. This technically demanding chamber work is a response to the work of one of Spain's leading architects, Alberto Campo-Baeza, where symmetries and reflections are constant features. The musical material combines a careful structure with elements of traditional music for rabel (a type of Iberian fiddle) and voice from the north of Spain.

By Bob Mathews. (String Orchestra). orchestra. Level: Grade 3. Music book. Published by Neil A. Kjos Music Company.

By Bob Mathews. (String Orchestra). orchestra. Level: Grade 3. Music book. Published by Neil A. Kjos Music Company.

By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 32 pages. Alfred Music #00- 47140. Published by Alfred Music